in MuseScore, so I put out this
notion-as-news down both the LilyPond and MuseScore 'channels' at the same time.
Murray J. MacKenzie BSc CD1
corporal
3rd piper, THE CAPE BRETON HIGHLANDERS
CANADIAN ARMY
from personal account mur...@hotmail.com<mailto:mur...@hotmail.com>
I've been using this for a while now and sometimes the lyrics are randomly
coloured black instead of being associated with the note colour. I've tried
to find a pattern to it but there doesn't seem to be one. Anyone have any
ideas?
On 27 November 2016 at 16:42, Jack Mackenzie wrot
Wonderful! Works perfectly. Thank you very much.
On 27 November 2016 at 13:26, Thomas Morley
wrote:
> 2016-11-27 2:40 GMT+01:00 Jack Mackenzie :
> > I'm trying to put together an engraver for educational purposes, with
> > noteheads coloured according to a particula
I worried that it might involve Scheme. I should certainly investigate it
but I'm already extremely out of my depth! The material is simple but as
I'm planning on compiling between 100-200 songs using up to 5 notes (for
Kodaly/Orff-style music programmes), if the lyrics idea could work, I'd
like to
Take this song for example:
http://1.bp.blogspot.com/-Cu34bCPytiY/T4ZD9tR7CrI/FBE/gytZgtL4qTc/s1600/See+Saw+Up+And+Down+-+G.bmp
I would want all the d notes one colour, and their lyrics the same colour,
and all the b notes and their lyrics a different colour.
This is for very young child
I'm trying to put together an engraver for educational purposes, with
noteheads coloured according to a particular scheme, and lyrics following
this colouring.
I've used the snippet for notehead colouring successfully (
http://lsr.di.unimi.it/LSR/Snippet?id=572), using "\override NoteHead.color
=
Hallo,
I am still trying to print bagpipe tunes with Lilypond, with a repeat
bar at the start of each part. I am almost there; my only problem now
is that the time signature is printed after the first bar line (the
repeat bar line).
Here is a simple script:
\version "2.16.2"
\include "bagpipe.ly
Hallo,
many thanks for the suggestions.
I am using an older version because it happens to be in the Ubuntu LTS
repositories and I have not got round to upgrading yet.
Elaine, I use repeat barlines at the start of each part because
bagpipe tunes always have them at the start and end of each part,
o beaming. What am I doing
wrong?
Regards,
Roddy Mackenzie
\version "2.16.2"
\include "bagpipe.ly"
\layout {
indent = 0.0\cm
\context { \Score \remove "Bar_number_engraver" }
}
{
\hideKeySignature
\time 2/4
% First part
\bar "|:"
\partial 8
Hi
I'm wanting to write some globally accessible scheme functions / procedures
(defines) for my lilypond project but the documentation on such seems a bit
limited. I.e. Do \header, \page and other contexts introduce new variable
scopes (assuming yes here)? If so, how can scheme functions and va
If I use the following to load a scheme module into a lilypond script file I
can use any of the public interfaces in this current file.
#(load "init/credits.scm")
#(use-modules (init credits)) %get access to the public defines in credits.scm
#(ech 'set-song-number "66.") % ech is a public defin
I can offer.
Cheers
Reverend Simon Mackenzie
Lutheran Church of Australia [[ http://www.lca.org.au/ ]]
On 27/08/2009, at 09:14, David Rogers wrote:
On Thu, Aug 20, 2009 at 08:03, Simon Mackenzie wrote:
I haven't been able to figure out how to replicate the three
naturals on
this music s
The key signature assignment tells LilyPond how to display the
pitches. For exmaple; 'e' *always* means e-natural no matter what
the key signature is.
-David
Simon Mackenzie wrote:
Hi guys correct me if I am wrong.
The g minor chord has two flats Eb & Bb which need to be marked as
In response to Graham and others who have expressed frustration about
people who have failed to pickup on accidentals.
It can be very difficult for fist time novices like myself to
understand implicit information about what is a reasonably technical
musical concept.
I spent four hours last
Hi guys correct me if I am wrong.
The g minor chord has two flats Eb & Bb which need to be marked as es
and bes in Lilypond other wise the Accidental_engraver sees them as
naturals in the g minor chord, hence the natural symbol for any
unmarked E or B note in your music.
Just trying to se
For basic music theory this site seems helpful...
http://www.8notes.com/
Simon
On 24/08/2009, at 09:28, Simon Mackenzie wrote:
Hi All,
Yes by now you would have figured out I am musically challenged,
seriously musically challenged.
1) My initial task was to generate a result which would
people what to do and
teaching people what to do and why are not the same thing.
Many thanks to those who have taught me what to do and why, it is
equipping me to be a teacher of others.
Reverend Simon Mackenzie
Lutheran Church of Australia
On 23/08/2009, at 22:19, Patrick Schmidt wrote:
Hi
I guess I'm simple minded so enlighten me ;-)
Simon
On 21/08/2009, at 15:24, Graham Percival wrote:
On Fri, Aug 21, 2009 at 03:13:40PM +0700, Simon Mackenzie wrote:
It will be helpful not to think about the problem from the Lilypond
side
of things.
No, that will not be helpful.
Sto
hard copy of the music sheet above.Simon On 21/08/2009, at 11:52, James E. Bailey wrote: On 21.08.2009, at 04:21, Simon Mackenzie wrote:I'm lost on this one...If I place the override in the voice context I end up with the following which is nothing like what I need to achieve.Okay, I think I
g the stencil in the music. i.e., with \once
\override Staff.Accidental_engraver #'stencil = ##f
Just trying to get my head around how all this works.
On 20.08.2009, at 18:10, Simon Mackenzie wrote:
If I turn Accidental_engraver off no accidentals appear as expected
but then if leave
Simon
On 20/08/2009, at 23:04, Mark Polesky wrote:
Simon Mackenzie wrote:
I have revised my approach to the question of what constitutes
good coding style and come up with this layout for my master
music sheet files. Any comments on the following style and
layout would be appreciated
If I turn Accidental_engraver off no accidentals appear as expected
but then if leave it on I don't seem to be able to manually set
naturals with ! and exclude / turn off everything else.
Simon
On 20/08/2009, at 22:48, James E. Bailey wrote:
On 20.08.2009, at 17:39, Simon Mackenzie
I haven't been able to figure out how to replicate the three naturals
on this music sheet using Lilypond script?
Any ideas?
<>
Simon
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I have revised my approach to the question of what constitutes good
coding style and come up with this layout for my master music sheet
files.
Any comments on the following style and layout would be appreciated.
There are separate chord and voice include files and each lyric verse
is also p
Yeah it's proving to be an interesting learning experience trying to
wrap my head around Lilypond. I feel it is like a multi-headed beast
with Scheme & Lilypond script intermingled together. It makes for an
interesting mix to get ones head around. The manuals are helpful but
there are hugh
f4 e8[ e8]( |
c2.) g'8[ b8] |
g4. c8 b4 e,8[ f8] |
g2. c8[ c8] |\break
...
f4. e8 c4 e8[( b8)] |
c2 f4 f4 |
f4. e8 c4 b8[( e8)] |
c1 | \bar "|."
}
=== End - CHORDSNOTES_061.ly ==
Cheers
Simon
On 08/08/2009, at
Ahhh!
Thank you.
Simon
On 08/08/2009, at 20:04, Mats Bengtsson wrote:
Quoting Simon Mackenzie :
Ok it appears to be a scoping issue.
So I need to declare variables outside the \book scope? Is this
correct?
But if my script file is included inside a \book scope how can i
then declare
Simon
On 08/08/2009, at 05:41, Trevor Daniels wrote:
Simon Mackenzie wrote Friday, August 07, 2009 3:55 PM
Eg. What does it mean on page 34 of the Learning Tutorial when it
says...
"Variables must be defined before the main music expression."
Does this mean the \score { }
Ok it appears to be a scoping issue.
So I need to declare variables outside the \book scope? Is this correct?
But if my script file is included inside a \book scope how can i then
declare new variables inside this scope?
Simon
On 07/08/2009, at 21:55, Simon Mackenzie wrote:
Agreed!!!
Eg
Agreed!!!
Eg. What does it mean on page 34 of the Learning Tutorial when it
says...
"Variables must be defined before the main music expression."
Does this mean the \score { } or does it mean the expression in which
the declared variable is referenced?
Because I dutifully declare my vari
On 19/06/2009, at 11:21 AM, Graham Percival wrote:
On Fri, Jun 19, 2009 at 09:08:11AM +0700, Simon Mackenzie wrote:
On 19/06/2009, at 8:37 AM, Tim McNamara wrote:
On 18.06.2009, at 16:05, Simon Mackenzie wrote:
Has any one had any success compiling Lilypond 2.12.2 on a MAC OS
X 10.5.7
On 19/06/2009, at 8:37 AM, Tim McNamara wrote:
On Jun 18, 2009, at 7:08 PM, Simon Mackenzie wrote:
On 18/06/2009, at 11:29 PM, James E. Bailey wrote:
On 18.06.2009, at 16:05, Simon Mackenzie wrote:
Hi All,
Has any one had any success compiling Lilypond 2.12.2 on a MAC OS
X 10.5.7
On 18/06/2009, at 11:29 PM, James E. Bailey wrote:
On 18.06.2009, at 16:05, Simon Mackenzie wrote:
Hi All,
Has any one had any success compiling Lilypond 2.12.2 on a MAC OS X
10.5.7 system?
Cheers
Reverend Simon Mackenzie
Lutheran Church of Australia
Nan
Thailand
I've
Hi All,
Has any one had any success compiling Lilypond 2.12.2 on a MAC OS X
10.5.7 system?
Cheers
Reverend Simon Mackenzie
Lutheran Church of Australia
Nan
Thailand
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lilypond-user@gnu.org
http://lists.gnu.org
Thank you for your prompt replies. I'm downloading the 2.12.2-1 version
now.
Simon
On Thu, 29 Jan 2009 07:22:04 +1100, "Brett Duncan"
said:
> Carl D. Sorensen wrote:
> > This is an error that exists in 2.12.1.
> >
> > See the list bug-lilyp...@gnu.org for the fix that is needed.
> >
> > 2.12.2
I have installed LilyPond 2.12.1-1 on a Mac Mini running MAC OS X
10.4.11 for Mac Intel machines but now I getting the following
error messages when I attempt to compile my project. I have also
attempted to use 2.11.65 but keep receiving the same error
messages. The same code compiles fine on Kubun
that it prevented the
chord below entering the lyric line. Not ideal but it works.
:-)
I'm sure there must be a better solution. Any suggestions?
Simon
On Fri, 19 Dec 2008 11:45:11 +0700, "Simon J Mackenzie"
said:
> The idea of having to manually tweek each lead sheet is not wh
The idea of having to manually tweek each lead sheet is not what I had
in mind.
Any ideas on how to prevent this from happening automagically?
Simon
On Thu, 18 Dec 2008 12:32:11 -0500, "Kieren MacMillan"
said:
> Hi Carl,
>
> > For me, it's the lyrics context that should not use skylining. We
Hi
Could people please have a look at the PDF at the following link.
Note the positioning of the sixth and seventh chord in this dummy
music sheet and compare their placement with that of the
subsequent chords on the sheet. Is this normal behavior or a
potential bug in the positioning routines for
I'm using
Kubuntu Linux 8.04 Hardy Heron
KDE 3.5.10
Linux Kernel 2.6.24-22 generic (i386)
Simon
On Mon, 15 Dec 2008 09:06:35 -0600, "Jonathan Kulp"
said:
> Patrick McCarty wrote:
> > On Mon, Dec 15, 2008 at 5:25 AM, Jonathan Kulp
> > wrote:
> >> Yes, I had trouble, too, when I tried downloadi
\version "2.11.65"
Segmentfaults with either command
lilypond lorca.ly
lilypond -V lorca.ly
Simon
On Mon, 15 Dec 2008 07:25:37 -0600, "Jonathan Kulp"
said:
> Nicolas Sceaux wrote:
> >
> > I'll try to investigate it soon. Currently my problem is that I can't
> > reproduce these bus errors or s
Hi
Just adding to this from my early experience...
\version "2.11.65"
Yeah I had similar problems. When I removed the incomplete temporary
\addlyrics {} entries the problem cleared up (Noting in them but %
comment lines.)
The other interesting thing was if I ran lilypond with the -V (verbose)
op
Dec 2008 17:21:57 +, "Neil Puttock"
said:
> Hi Simon,
>
> 2008/12/14 Simon J Mackenzie :
>
> > \header {
> > %Common settings
> > poet = #(markup lyricist)
> > }
> >
> > \book {
> > \bookpart {
> > \header {
>
to use scheme there but it works.
> Hope that helps.
>
> Regards,
>
> Tao
>
> ---- Original-Nachricht
> > Datum: Sun, 14 Dec 2008 14:00:25 +0700
> > Von: "Simon J Mackenzie"
> > An: "LilyPond Mailing List"
> > Betreff: Replaceme
Hi
How do you go about defining replacement macros so that ...
lyricist = \markup { \bold "Fred" "J" \italic "Bones" }
is transformed into say a form of...
poet = lyricist
Cheers
Simon
------
Reverend Simon J Mackenzie
Hi
How do you go about defining replacement macros so that ...
lyricist = \markup { \bold "Fred" "J" \italic "Bones" }
is transformed into say a form of...
poet = fullName
Cheers
Simon
------
Reverend Simon J Mackenzie
Hi
How do you you go about defining replacement macros so that ...
lyricist = \markup { \bold "Fred" "J" \italic "Bones" }
is transformed into say a form of...
poet = fullName
Cheers
Simon
------
Reverend Simon J
Sample result attached.
On Sat, 13 Dec 2008 21:20:40 +0700, "Simon J Mackenzie"
said:
> Hi Nicolas,
> Thank you for your help and an elegant solution. Would have been very
> lost otherwise.
>
> Very much appreciated.
>
> Simon
>
> Sample result attached
Hi Nicolas,
Thank you for your help and an elegant solution. Would have been very
lost otherwise.
Very much appreciated.
Simon
Sample result attached. The language is Thai
On Fri, 12 Dec 2008 23:37:07 +0100, "Nicolas Sceaux"
said:
> Le 12 déc. 08 à 07:59, Simon J Mack
it whispers is
invariably deep filled music for thirsty souls."
------
Reverend Simon J Mackenzie
LUTHERAN CHURCH OF AUSTRALIA
197 Archer Street,
North Adelaide,
South Australia,
AUSTRALIA, 5006
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Hello Lillypad. I think your system would be great for me. First, I need to
know the size of the software. Thank You.
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