Op 20-02-2023 om 12:24 schreef Xavier Scheuer:
On Mon, 20 Feb 2023 at 12:15, Jogchum Reitsma wrote:
>
> This gives the result I would like to see (well, almost: the first
bar still has separated stems/beams, but that's nitpicking).
>
> I applied it to the piece the snippet wa
Op 20-02-2023 om 11:13 schreef Xavier Scheuer:
On Mon, 20 Feb 2023 at 10:44, Jogchum Reitsma wrote:
>
> Hi,
>
> In below snippet, lilypond renders two beams for the two voices, and,
> because I want the stems to have the same direction,
> the result for the 8th-notes is th
, and that gives (well, almost but
that's nitpicking, as I shall state in my reply to Xavier) what I would
like to see.
Thanks again!
regards, Joghum
Cheers,
Valentin
Am Montag, 20. Februar 2023, 11:54:11 CET schrieb Jogchum Reitsma:
Op 20-02-2023 om 11:08 schreef Valentin Petzel
Hi,
In below snippet, lilypond renders two beams for the two voices, and,
because I want the stems to have the same direction,
the result for the 8th-notes is that they seem to be 16th notes.
Is there a way to avoid this, and to join the two beams to one?
Thanks in advance!,
regards, Jogchum
Op 16-12-2022 om 13:25 schreef Jean Abou Samra:
Le 16/12/2022 à 10:47, Jogchum Reitsma a écrit :
Hi Jean,
While this work in placing the words correctly, it is, in my case,
not quite flawless.
If I render the attached snippet, there is no "2"-bracket above the
second alternative
Op 15-12-2022 om 16:27 schreef Jean Abou Samra:
<...>
As said in another thread [1], I would recommend using the \repeat
construct in the lyrics too:
\version "2.23.82"
theMusic = {
\repeat volta 2 {
g'4 4 4 4
\alternative { { f'1 } { c''1 } }
}
}
theLyrics = \lyricmode {
\re
Have sent it to Xavier, in stead of to the list - apologies!
Jogchum
Op 15-12-2022 om 20:38 schreef Xavier Scheuer:
On Thu, 15 Dec 2022 at 16:29, Jean Abou Samra wrote:
>
>
> As said in another thread [1], I would recommend using the \repeat
> construct in the lyrics too:
>
Hello,
This is a
Ah! Thanks a lot. Kieren also for taking the effort!
regards, Jogchum
Op 15-12-2022 om 16:27 schreef Jean Abou Samra:
Le 15/12/2022 à 14:57, Kieren MacMillan a écrit :
Hi Jogchum,
I suppose it is very simple, but I can't find it in documentation,
or here on the list.
How can one set diffe
Hi David,
How simple! That did the trick, many thanks!
regards, Jogchum
Op 18-11-2022 om 18:08 schreef David Wright:
On Fri 18 Nov 2022 at 16:52:41 (+0100), Jogchum Reitsma wrote:
With the help of Frescobaldi, I try to set du Prez' El Grillo.
It has a two-verse piece in the middle, wh
le without
disrupting the structure created b frescobaldi too much, but I'm not
sure that is possible.
Thanks for any help in advance!
regards, Jogchum Reitsma
Op 29-03-2022 om 18:55 schreef Carl Sorensen:
Hi Jogchum,
<...>
You have created two new Lyrics contexts. Each Lyrics context gets
its own horizontal line (think of it kind of like a staff). So if you
want things to be in line, you need to make them part of the same
lyrics context.
I'm no
Op 28-03-2022 om 07:29 schreef Kevin Pye:
(OpenSUSE Leap 15.3 to be precise)
So I've downloaded 2.23.7 and untarred into
~/Software/lilypond-2.23.7, created a symbolic link from
~/Software/lilypond-2.23.7/bin/lilypond to ~/bin/lilypond, and get the
following...
> ~/bin/lilypond --version
GN
Op 27-03-2022 om 22:33 schreef Carl Sorensen:
Hi, Jogchum,
Please use Reply All to keep the messages on the user list.
Oeps, not or the first time
On Sun, Mar 27, 2022 at 1:00 PM Jogchum Reitsma
wrote:
Op 27-03-2022 om 20:14 schreef Carl Sorensen:
On Sun, Mar 27, 2022 at
Hi,
Brahms' Waldesnacht has an intro stanza number one, and after that a
twice repeated melody, with stanza's 2 and three.
I tried to do that by making a new voice on the repeat, and associating
the second and third stanza's with that voice.
But stanza's 2 and three appear at the first mel
Hi Jean,
Thanks a lot, this gives what is wanted.
Thanks also for the elaborate explanation you give, is much appreciated!
with kind regards,
Jogchum Reitsma
Op 25-01-2022 om 13:42 schreef Jean Abou Samra:
I guess you are trying to do (simplified example):
\score {
\new ChoirStaff
Op 24-01-2022 om 21:10 schreef Valentin Petzel:
Hello Jogchum,
You have a GrandStaff on the top level (I guess for spanned barlines?). This
will add a brace by default. This brace cannot get arbitrarily large, so it
only spans part of the System.
Two solutions:
Just get rid of the GrandStaff (i
Op 23-10-2021 om 03:10 schreef David Wright:
On Fri 22 Oct 2021 at 17:22:16 (+0200), Jogchum Reitsma wrote:
I get the attached screenshot.
But I would expect (and want...) the text snippet "ste"placed on the
three first quarter notes of the bar, and the following "e" on t
://aka.ms/AAb9ysg>
*From:* lilypond-user
on behalf of
Carl Sorensen
*Sent:* Friday, October 22, 2021 10:10:58 AM
*To:* Jogchum Reitsma ; lilypond-user
*Subject:* Re: Placing text on multi-voice part
On 10/22/21, 9:23 AM, "lilypond-user on behalf of
.
On Fri, Oct 22, 2021, 10:23 AM Jogchum Reitsma
wrote:
Hi,
Noting
<<
\new Voice {
<<
{
\voiceOne
a( \melisma bes c) \melismaEnd bes
}
\new Voice {
\voiceTwo
Hi,
Noting
<<
\new Voice {
<<
{
\voiceOne
a( \melisma bes c) \melismaEnd bes
}
\new Voice {
\voiceTwo
f2. f4
}
>>
\oneVoice
}
>>
and corresponding text:
ste e -- lei -- son
I get the attached screenshot.
But I would
\score {c'1}
}
\bookpart {
\header {
title = "other song"
composer = "someone else"
}
\score {f'1}
}
\bookpart {
\header {
title = "third song"
composer = "yet another"
}
\score {a''1}
}
%%
What are the errors you’r
o i'd
prefer it to do within Lilypond. But it certainly is an option, thanks!
In the meanwhile, I saw the topic Book on this list, opened 21st of
September, which I managed to overlook Seems promising.
Thanks!
regards, Jogchum
Em qua., 6 de out. de 2021 02:24, Jogchum Reitsma
Hi,
I want to create a songbook of different songs, from various
composers.Eacht piece should begin at a new page, with an own, compete,
header
I've looked at a number of places in the doc's, e.g.
http://lilypond.org/doc/v2.22/Documentation/notation/multiple-scores-in-a-book,
bu no luck so
Hi,
Running Lilypond 2.19.82 on Opensuse Tumbleweed, I want to enlarge the
space between systems of choir staffs.
Looking in the docs, and googling, I tried
\override VerticalAxisGroup.staffgroup-staff-spacing = #'(50(50))
and
\override StaffGrouper.staffgroup-staff-spacing.basic-distance =
Op 23-12-2018 om 11:57 schreef Thomas Morley:
Am Fr., 21. Dez. 2018 um 17:54 Uhr schrieb Jogchum Reitsma
:
Hi list,
I use lilypond 2.18 on OpenSuse Tumbleweed (the rolling distro from Suse). On
that combination, displaying chord names in .pdf-form gives error messages grom
ghostscript (gs
Op 07-05-2021 om 05:48 schreef David Wright:
On Fri 07 May 2021 at 01:30:20 (+0200), Jogchum Reitsma wrote:
I want to set a piece which ends with a repeat, with two alternative
endings.
Should be simple, I´ve done it a number of times before.
… either because there were no lyrics, or the
AH, i see. Hard to find imho, since it is in the section notations/music
Thanks!
regards, Jogchum
Op 25-03-2021 om 20:20 schreef Jean Abou Samra:
Le 25/03/2021 à 20:15, Jogchum Reitsma a écrit :
Hi,
In placing two text elements (words, or syllables not belonging to
the same word
That's it indeed, thanks!
regards, Jogchum
Op 25-03-2021 om 20:37 schreef Valentin Petzel:
If you’re talking about lyrics, use a ~ to do a tie:
\lyricsmode { word~word }
Hi,
Sorry for the delay, but that's what I looked for. Thanks a lot!
regards, Jogchum
Op 25-03-2021 om 20:34 schreef Brian Barker:
At 20:15 25/03/2021 +0100, Jogchum Reitsma wrote:
In placing two text elements (words, or syllables not belonging to
the same word) under one note, I'
Hi,
In placing two text elements (words, or syllables not belonging to the
same word) under one note, I'd like to place an arc under these text
elements.
Any one knows if that can be done in Lilypond, and if yes, how?
Hints appreciated,
regards, Jogchum
Hi Lucas-fabian,
Thanks a lot, that did the trick!
cheers, Jogchum
Op 05-03-2021 om 18:25 schreef Lukas-Fabian Moser:
\override Score.NonMusicalPaperColumn.line-break-permission = ##f
Hi,
I want to control the line/page breaking in setting the score of the Ave
Maria from Josquin. To that end, I add \pagebreaks in the score.
Page breaks do occur indeed on those places, but also in between, where
I don't want them.
Following suggestions ginven in this list to users with mo
>>
\layout{ }
\midi { }
}
When I comment out the two lines in the chormode section, everything is OK.
What can be/can I do to display chord names?
regards, Jogchum Reitsma
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Hi Harm
(Hmm, or Thomas?)
Op 08-10-18 om 23:52 schreef Thomas Morley:
Am Mo., 8. Okt. 2018 um 12:28 Uhr schrieb Jogchum Reitsma :
<...>
Well, if you change 'Staff' to 'Score' in the line
\temporary \override Staff.TimeSignature.stencil =
then the new stencil
Op 06-09-18 om 09:43 schreef Thomas Morley:
2018-09-05 11:15 GMT+02:00 Jogchum Reitsma :
Hi,
The first bar of part 5: Ecce gratum, from Orff's Camina Burana states a
time of 4 \breve notes. In the Schott-edition I have, that is noted not on
the staff, but above it.
Is there a possiblili
ssage-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Jogchum Reitsma
Sent: Tuesday, September 25, 2018 12:13 PM
To: lilypond-user
Subject: Octave shifts in polyphonic setting
Hi,
When entering a piece of music with some one-, some two- and some
t
Hi David (and Matthew),
These are fast answers! Thanks a lot!
regards, Jogchum
Op 25-09-18 om 21:25 schreef David Kastrup:
Jogchum Reitsma writes:
Hi,
When entering a piece of music with some one-, some two- and some
three-voiced bars, quite often notes in previous bars go up or down an
side effects. Rather
frustrating...
Is there a way to prevent this?
regards, Jogchum Reitsma
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Op 06-09-18 om 09:43 schreef Thomas Morley:
2018-09-05 11:15 GMT+02:00 Jogchum Reitsma :
Hi,
The first bar of part 5: Ecce gratum, from Orff's Camina Burana states a
time of 4 \breve notes. In the Schott-edition I have, that is noted not on
the staff, but above it.
Is there a possiblili
Op 05-09-18 om 15:40 schreef Simon Albrecht:
On 05.09.2018 11:15, Jogchum Reitsma wrote:
The first bar of part 5: Ecce gratum, from Orff's Camina Burana
states a time of 4 \breve notes. In the Schott-edition I have, that
is noted not on the staff, but above it.
PS. I’d like to just me
rror message in version 2.19.65
regards, Jogchum Reitsma
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Op 09-07-16 om 22:37 schreef Simon Albrecht:
On 09.07.2016 20:53, Jogchum Reitsma wrote:
For me it still is odd to see cut C noted, and then not two, but four
halves in each bar.
The history of the c and cut c symbols is complex and difficult to
grasp. Historically, both are derived from
Op 08-07-16 om 16:15 schreef David Wright:
On Fri 08 Jul 2016 at 14:50:03 (+0200), Jogchum Reitsma wrote:
I didn't have the opportunity to look at Bach's handwriting. I have
checked two edited versions. One uses 4/4, the other C (not cut C).
So I gather that's correct.
Hold on,
m 07.07.2016 um 13:48 schrieb Jogchum Reitsma:
In the second Kyrie from J.S. Bach's Hohe Messe, the time signature is
4/4, but the bars are filled with 8 quarter notes or its equivalent in
time.
Are you sure you meant 4/4 which is shown as C? Bach uses the cut C
(alla breve).
\set t
(Sent this accidentally to PM)
Hi Jean,
There may be a better solution, but this one works perfectly for me.
Thanks a lot!
regards, Jogchum
Op 07-07-16 om 14:29 schreef Jean Brefort:
Le jeudi 07 juillet 2016 à 13:48 +0200, Jogchum Reitsma a écrit :
Hi all,
In the second Kyrie from J.S
Hi all,
In the second Kyrie from J.S. Bach's Hohe Messe, the time signature is
4/4, but the bars are filled with 8 quarter notes or its equivalent in time.
I cannot find in the documentation or last years list archive how to
code that in lilypond.
\set timeSignatureFraction = #'(2.2)
which m
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