Many answers. Thanks to everybody.
David, Marc, I built my own predefined diagrams, like these:
\storePredefinedDiagram \chordmode {g} #guitar-tuning #"3-2;x;o;o;o;x;"
\storePredefinedDiagram \chordmode {g'} #guitar-tuning #"3-2;x;o;o;3-3;x;"
As you can't have more than one diagram with the sam
:
>
>
> Hi,
>
> On Tue, 1 Feb 2011 07:47:56 -0800 (PST)
> Jürgen Ibelgaufts wrote:
>
>>
>> Hello,
>>
>> When the fret diagram for the G chord is 320003 (not lilypond syntax,
>> but you may know what I mean), the G chord with the extra fifth is
&g
Hello,
to be more precisely: no power chords, no slash chords. Just for example an
extra fifth to the g major chord (which may be redundant but gives another
voicing).
When the fret diagram for the G chord is 320003 (not lilypond syntax, but
you may know what I mean), the G chord with the extra
Hello,
I want to write down guitar chords and frets with extra voicings, say a G chord
with an extra Fifth on the B string, 3rd fret, or Em chord with an extra G on
the treble e string. As these extra notes belong to the chords, you can write
g:5, but Lilypond ignores the :5 and prints only G,
Hi everybody,
here now is a more concise and comprehensive overview of what i had to do to
reach my goal, extracting only lyrics and chords from an existing sheet. In
detail, he goal can be described as follows:
I have two files, the first of them containing only the music, namedly the
notes, ch
Things can be made easier, but there still are some questions to ask.
#4 is not necessary. The lyrics may stay below the staff.
#2 is not necessary. It makes no difference whether you shrink the staff or
not.
#6 By using negative values for the y value in the #extra-offset property,
you can mov
Hi everybody,
here is a first clumsy solution to extract lyrics, chords and guitar frets from
an existing score WITHOUT changing the notes, chords and lyrics except
optionally add some line breaks for layout reasons.
Only remaining disadvantage is that shrinking the staff still seems to occupy
Hello, thanks for jumping in.
Devnull was new to me. I tried, and the notes are invisible, leaving no gap.
Very fine so far. But every single syllable leads to a warning "lyric
syllable does not have note" and the lyrics still are out of sync. Some
syllables even get completely lost. Either ties
That's what I also thought about. But making objects transparent still lets
them occupy their space. This will result in a gap between the lyrics (below
the staff) and the chords/frets (above the staff). If it were possible to
shrink this gap to zero, using transparency would be a good solution.
Hello Brett and everybody,
Just running into the same problem, making the notes invisible by removing
the appropriate engravers seems to REMOVE the notes instead of hiding them.
Lilypond gives a warning for every single syllable that there is no note to
associate it to. Line breaks still work, bu
Hi Xavier,
I gave it a try and it seems that my thoughts were too complicated, your
code looks very clean. But... in my case having \voiceOne and \voiceTwo and
having them printed in different colors, things get confusing very quickly,
and it seems that I still can't omit having several Voices. M
hi,
maybe I'm missing something. I did not try your solution, but I suppose it
works fine. but how would you append lyrics? \addlyrics gives a syntax error
(unexpected \addlyrics), and \lyricsto requires different named voice
contexts in which I could not get your solution to work.
Cheers
Jürgen
Hi,
you may tie the e note in partOne to a e1*0 note, like this:
partOne = \relative c' {
c4 e g e~ e1*0
}
I did not yet understand why this works, but it does, even in more complex
situations like ties across voices. Note that the e1*0 note must have the
same value as the e1 note in partTw
Hi Janek,
It wasn't the long slur between measure 3 and 4 that indeed would make no sense with a
tie. it was the tie in the second measure (first measure in second line). I used a tie
for "historical" reasons. In order to tie the last note of measure 1 to the
first note in measure 2 (which can
wow that's it! Very elegant!
Am 28.12.2010 17:38, schrieb Neil Puttock:
\override NoteHead #'layer = #2
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I must have had hallucinations, too. At one stage, I made a change, and
received a different output. then I reverted the change, and received a
different output again, but not the same that I had before the change. Seems
that using notes with zero length and/or slurs instead of ties opens an ar
Am 28.12.2010 16:43, schrieb Jan Warchoł:
Hi Jurgen,
the strange coloring interested me, but your snippet failed to produce
any output on my computer... Also it collapsed into a continous stream
of characters (see below) which renders it totally unreadable :(
Perhaps something is wrong with yo
eOne \melodyBOne
}
\new Voice = "melodyBTwo" {
\setNotesColor
\voiceTwo \melodyBTwo
}
>>
}
}
}
\layout{ragged-right=##t}
* End of snippet **
Phil Holmes-2 wrote:
>
> - Or
How quick you are! I deleted my message, corrected and posted it again, but
you were faster! Yes you are right, that is exactly what I meant.
Jürgen
Phil Holmes-2 wrote:
>
> - Original Message -
> From: "Jürgen Ibelgaufts"
> To:
> Sent: Monday, December 27
Hello everybody,
I have two voices, \voiceOne printed in black, \voiceTwo printed in red.
Among others, there are two identical measures (identical notes, chords and
lyrics) that are unisono. Here, the two voices use the same note heads with
black stems up and red stems down.
Now there is the fu
Hello everybody,
I have two voices, \voiceOne printed in black, \voiceTwo printed in red.
There are two measures with identical notes, chords and lyrics, that are
unisono. Here, the two voices use the same note heads with black stems up
and red stems down.
Now there is the funny effect that in t
Thank you for the response. I tried this and as you would expect, the notes
now were tied together, butI ran into other difficulties that I could not
find a solution for.
Adding a hidden note extends the measure by the note length and the \break
does not work anymore. I tried \cadenzaOn and \cad
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