Hi,
I noticed that grace notes do not follow the same as normal notes.
Normally, notes which are placed beyond ledger lines will have longer stems
to avoid clashing with them. Certainly, it is possible to tweak the stems
individually, but is it possible to automate this for grace notes?
Same goes
Hi,
I noticed that grace notes do not follow the same as normal notes.
Normally, notes which are placed beyond ledger lines will have longer stems
to avoid clashing with them. Certainly, it is possible to tweak the stems
individually, but is it possible to automate this for grace notes?
Same goes
Hi Kira;
No problem! I do very much appreciate comments regarding the
performance aspects of the music I try to engrave.
I think I will write my own trill function for midi (not in
Scheme/Guile :-) but in Perl) which will generate alternating 32nd
notes or something like that which I can just
đ Sorry if I went overboard! I think you are probably asking too much from
midi - the nuance won't be there. Have you considered consulting a
different arrangement of the piece, and seeing what sort of trill is
notated there? That specific notation that you used probably wasn't
original to the piec
Hi Kira;
Thank you for your elaboration on the performance aspects of the trill.
I implemented the trill span; it was not intuitive to me to end the
trill span on the following note, but it seems to work.
I implemented articulate.ly on the piece and the trill sounds
***AWFUL*** It sounds l
I can't speak to the Lilypond notation, but only to the actual score
notation. When is this piece of music from? Different composers used
various trill markings to mean different things, but the 16th notes,
although they are notated normally, are probably part of the ornament.
There isnt really a s
So, it appears that \stopTrillSpan being placed on the following note
does not include the following note in the trill; I guess that was
not obvious to me.
The third question is that the trill does not appear in the midi
output, but articulation.ly would implement it?
Thanks again,
Ken Wolcott
Hi;
I have trouble understanding how to implement the \startTrillSpan
and \stopTrillSpan.
I have two screenshots.
The first is an obvious \trill, no span needed.
The second requires the span, but I don't know how to place the
\stopTrillSpan.
I see the trill section in the Notation Re
Hello Michael,
Could something like this work?
Cheers,
Valentin
Am Donnerstag, 27. JĂ€nner 2022, 23:13:49 CET schrieb Michael Rivers:
> Does anyone know if there was ever an answer to this? Iâm re-engraving a
> score that has a piano pedal style with âPedâ, then a solid line, then a
> â*â at the e
Does anyone know if there was ever an answer to this? Iâm re-engraving a score that has a piano pedal style with âPedâ, then a solid line, then a â*â at the end. Itâs close to âmixedâ style but with an added â*â at the end. Â Thanks in advance,MichaelÂ
Hi Jean,
> That is an original bio!
I'm an original composer. ;)
Here's the second half:
I got powers, but I donât do everything right,
So I thought I might itemize my kryptonite:
Full To-Do Lists, any kind of deadlines,
Big, fat, beautiful European red wines.
If youâre rea
Le 27/01/2022 à 19:41, Kieren MacMillan a écrit :
Hi all,
I'm trying to engrave rap phrases on a strict grid (cf.
https://www.passionweiss.com/2013/04/09/let-the-rhythm-hit-em-a-look-at-the-musical-notation-of-rap).
Is this possible in Lilypond? (I can't believe I'm actually asking that
quest
Hi again,
Decreasing the font size (e.g. to 15) and/or increasing the line-width (e.g. to
7.5\in) so there are no lyric interactions/adjustments essentially eliminates
the alignment problem(s).
That being said, even with very spacious setups, there are still [extremely
small] horizontal variat
Hi all,
I'm trying to engrave rap phrases on a strict grid (cf.
https://www.passionweiss.com/2013/04/09/let-the-rhythm-hit-em-a-look-at-the-musical-notation-of-rap).
Is this possible in Lilypond? (I can't believe I'm actually asking that
question⊠but I've read everything I could find in the do
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