Re: Colored scores for Rock bandconsisting of members with mental disablilities

Hi Hallvard, An example, quick rough, but may be good for starting out. Since this is 'non-standard', it's slightly advanced and so it involves a few markup concepts that are just a bit above beginner level. But have a good read up in Markup in the Notation Reference, and I would be happy to help

Re: Colored scores for Rock bandconsisting of members with mental disablilities

Hi Hallvard, What a wonderful project. And welcome to lilypond. You can make coloured background easily. We have a snippet repository - the Lilypond Snippet Repository - full of techniques that are not fully explained in the manual. This may be what you are after, rather than coloured noteheads

Grace notes with easyHeadsOIn error

Hello Lilypond users, I hope that this is the right place to ask the following question: Using Lilypond 2.18.2 I am using easyHeadsOn (with numbers: \Ez_numbers_engraver) on a score. I tried to use \afterGrace or \grace, as in \afterGrace b8 ( c16 ) but the result is that the number and the he

Re: Tweaking Hairpin shape

Hi Stefano, On Sun, Feb 11, 2018 at 3:44 PM, Stefano Troncaro wrote: > I managed to fix it. The problem was not with the calculation of the angle, > it was with the translation of the angle to the offset that the function > applies to the vertical placement of the end-points of the hairpins. It i

Re: Tweaking Hairpin shape

I managed to fix it. The problem was not with the calculation of the angle, it was with the translation of the angle to the offset that the function applies to the vertical placement of the end-points of the hairpins. It is correct now. I also got rid of the rotation of the stencil for the case wh

Re: Colored scores for Rock bandconsisting of members with mental disablilities

The colored box or Dissimilis notation works simply by pushing the key of the given color/number (or striking the string while holding the finger on the given color /number). The duration is not really part of the notation, but the bars indicate that the keyboards hold the notes for a given numb

Re: More than one tempo mark in a score

Simon, Thanks. I know it's a common idea. Should be in the Notation manual IMHO. If the snippet name has mentioned tempo rather than rehearsal marks I'd have found it! Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Sunday, February 11, 2018, 6:13:40 PM,

Re: More than one tempo mark in a score

Greetings Peter, Well, I don't know exactly how you are setting up the code for your score, but something like this should do the trick: \score { << \new PianoStaff << \new Staff \with { \consists "Metronome_mark_engraver" } { . . . } \new Staff

Re: More than one tempo mark in a score

On 11.02.2018 19:00, Peter Toye wrote: More than one tempo mark in a score Is it possible to force a score to put tempo markings above more than the top line? I'd like to put the tempo changes above both of the piano parts in a duet, so the secondo player changes tempo at the same time as the p

RE: How to organize a single piece of work with different versions?

Edmundo, Did the B minor for my senior recital! Bravo. Note, I compile Andante, time and key signature should be moved to after \relative c', i.e., within the {}. Consider using R1 for the full measure rests. It centers the rest in the measure. Mark -Original Message- From: lilypond-

More than one tempo mark in a score

Is it possible to force a score to put tempo markings above more than the top line? I'd like to put the tempo changes above both of the piano parts in a duet, so the secondo player changes tempo at the same time as the primo when sight-reading. I've looked through the snippets and the internals

Re: Colored scores for Rock bandconsisting of members with mental disablilities

Hi Urs I do not expect to produce scores exactly like the ones we currently use, and that I enclosed in my first email. Actually the example is very close to what I think would be optimal. But it needs to be expanded to cover the whole chromatic scale.

Re: Colored scores for Rock bandconsisting of members with mental disablilities

Am 11.02.2018 um 16:17 schrieb Hallvard Paulsen: Hello again I think it would be good to have colored/numbered notes for 2 reasons: * The band members can learn normal note notation. * Other musicians can substitute if needed. But if possible it would be great to have the "all color" nota

Re: Colored scores for Rock bandconsisting of members with mental disablilities

Hello again I think it would be good to have colored/numbered notes for 2 reasons: * The band members can learn normal note notation. * Other musicians can substitute if needed. But if possible it would be great to have the "all color" notation that we are using now. (But that makes us more d

Re: Colored scores for Rock bandconsisting of members with mental disablilities

Hello Hallvard, Am 11.02.2018 um 15:09 schrieb Hallvard Paulsen: Hello Ben Yes I have installed the program (and the frescobaldi editor) on an old linux computer I have laying around. And I have also checked that lilypond has the basic functionallity (colored/numbered noteheads, and midi ou

Re: Colored scores for Rock bandconsisting of members with mental disablilities

On 2/11/2018 9:09 AM, Hallvard Paulsen wrote: Hello Ben Yes I have installed the program (and the frescobaldi editor) on an old linux computer I have laying around. And I have also checked that lilypond has the basic functionallity (colored/numbered noteheads, and midi output) needed. Howev

Re: Colored scores for Rock bandconsisting of members with mental disablilities

Hello Ben Yes I have installed the program (and the frescobaldi editor) on an old linux computer I have laying around. And I have also checked that lilypond has the basic functionallity (colored/numbered noteheads, and midi output) needed. However, in the documentation you are reffering to they

Re: Colored scores for Rock bandconsisting of members with mental disablilities

Am 11.02.2018 um 14:58 schrieb Ben: On 2/11/2018 8:30 AM, Hallvard Paulsen wrote: Hello all I am an absolute beginner when it comes to LilyPond and musical scoremaking in general, so please correct me if I am not behaving according to this lists rules. (I also have very limited experience wi

Re: Colored scores for Rock bandconsisting of members with mental disablilities

On 2/11/2018 8:30 AM, Hallvard Paulsen wrote: Hello all I am an absolute beginner when it comes to LilyPond and musical scoremaking in general, so please correct me if I am not behaving according to this lists rules. (I also have very limited experience with the musical terms in English, so pl

Re: Colored scores for Rock bandconsisting of members with mental disablilities

On 2/11/2018 8:30 AM, Hallvard Paulsen wrote: Hello all I am an absolute beginner when it comes to LilyPond and musical scoremaking in general, so please correct me if I am not behaving according to this lists rules. (I also have very limited experience with the musical terms in English, so pl

Re: LilyPond/LaTeX template for Anglican chant

Am 11.02.2018 um 11:19 schrieb Gregrs: Hi Simon, On Sat, Feb 10, 2018 at 07:01:52PM +0100, Simon Albrecht wrote: Looks nice, thanks for sharing! Did you consider using Urs’ lilyglyphs package for the dynamics? Of course that would require compiling with xelatex or lualatex… Thanks. I want

Re: LilyPond/LaTeX template for Anglican chant

Hi Simon, On Sat, Feb 10, 2018 at 07:01:52PM +0100, Simon Albrecht wrote: Looks nice, thanks for sharing! Did you consider using Urs’ lilyglyphs package for the dynamics? Of course that would require compiling with xelatex or lualatex… Thanks. I wanted to use plain LaTeX but using the lilygl

Re: LilyPond/LaTeX template for Anglican chant

Hi Gregrs, > In case it's useful to anyone, I've just created a template for> typesetting > psalms with Anglican chant using LilyPond, LaTeX and GNU Make.> > https://github.com/gregrs-uk/anglican-chant-template Looks nice. However this is possible with lilypond alone. Find below links to the an

Re: How to organize a single piece of work with different versions?

Hi Edmundo, Good on you for this. But it does raise the very complex and essentially insoluble issue of what is the 'urtext' of a work. Just because we have a Bach autograph, it does not mean it is the 'master'. One Bach autograph MS may differ from others of the sames work, if they exist, re cor

Re: How to organize a single piece of work with different versions?

Hi Edmundo, Am 11.02.2018 um 08:11 schrieb Edmundo Carmona Antoranz: Hi! As you might have noticed from previous mails I have sent, I'm working on a project to process works from Bach on lilypond. I have already put up BWV 1013 and 1030 (I dare you to guess the instrument that I play). Howeve

Re: how to donate to lilypond and/or openlilylib development?

Hi Mason, Am 11.02.2018 um 04:43 schrieb Mason Hock: This link http://lilypond.org/sponsoring.html describes paying developers to implement specific features. Is this the only way to contribute to Lilypond financially, or is it possible to make a general donation, ideally a small recurring