Hello Marc,
Thanks for teaching me this.
As it turns out, we’re better off specifying durations at crucial points to
avoid « inheriting » such default values, see:
c'4 d e f \notesToRests \fragment f'8 e c2
below.
JM
\version "2.19.32"
notesToRests =
#(define-music-function (music) (ly:m
Am 24.11.2015 um 08:27 schrieb Jacques Menu:
Hello Malte,
Interesting, but why are there halves instead of quarters in the second
staff?
Because the first \relative bock ends with halves and this duration is
used for the next \relative block as well.
Just using \relative multiple times doesn
Hello Malte,
Interesting, but why are there halves instead of quarters in the second staff?
JM
\version "2.19.32"
notesToRests =
#(define-music-function (music) (ly:music?)
(music-map
(lambda (m)
(if (eq? (ly:music-property m 'name) 'NoteEvent)
(make-music 'RestEvent
Am 24.11.2015 um 08:10 schrieb Marc Hohl:
Thanks or sharing! The drawbacks in relative mode are neglectable, I'll
use absolute mode.
Alternatively you could use
1. another \relative block inside of notesToRests
\relative {
c' d e f \notesToRests \relative { g' a b2 g8 c }
Malte Meyn,
Perfect!
Thank you.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Malte Meyn
Sent: Monday, November 23, 2015 11:05 PM
To: lilypond-user@gnu.org
Subject: Re: tieWaitForN
Am 23.11.2015 um 23:56 schrieb Michael Gerdau:
Hi list,
does someone know of a function or snipped that automatically transforms
some music together with a FigruedBass line into a sequence of chords
I once wanted to do that but I hadn’t enough time and automatic a
correct right hand for a f
Am 23.11.2015 um 21:41 schrieb Malte Meyn:
Am 23.11.2015 um 10:46 schrieb Marc Hohl:
As the file is a bit lengthy, I think of a way to just redefine
\xNotes to change every note to its corresponding rest, instead of
rewriting the whole file (or using sed or any other external script).
Has anyon
Am 24.11.2015 um 06:53 schrieb Mark Stephen Mrotek:
Everything is correct except that the ties do not appear. What is my error?
If you really want these note length values you need a << >> construct
but without \\ because that would create new Voices. The only new Voice
you need is the one
Am 24.11.2015 um 00:12 schrieb Thomas Morley:
[...]
So,
commit b416f10429d8d3881445d9000ff422dc67176df1
Author: David Kastrup
Date: Wed Jul 15 23:30:30 2015 +0200
Issue 3693: Let Percent_repeat_iterator be unfazed by Timing changes
There is still one shortcoming: the percent repea
Hwaen Ch'uqi,
Thank you for your reply. I shall try your suggestion.
Mark
-Original Message-
From: Hwaen Ch'uqi [mailto:hwaench...@gmail.com]
Sent: Monday, November 23, 2015 10:13 PM
To: Mark Stephen Mrotek
Cc: lilypond-user Mailinglist
Subject: Re: tieWaitForNote
Greetings Mark,
I
Greetings Mark,
I believe that ties only work if the notes they are connecting are in
the same voice. In your example, you have called \voiceOne, \voiceTwo,
and \voiceThree. However, your resulting chord is in none of those
voices. Would it be possible to avoid that construct altogether?
Something
Hello,
Everything is correct except that the ties do not appear. What is my error?
\version "2.18.2"
\relative c'' {
\clef treble
\key e \minor
\time 6/8
<< {b8\rest s \set tieWaitForNote = ##t d,~ } \\
{\set tieWaitForNote = ##t g,4.~ } \\
{
2015-11-22 1:59 GMT+01:00 Thomas Morley :
> 2015-11-21 17:31 GMT+01:00 Thomas Morley :
>> 2015-11-21 16:42 GMT+01:00 David Kastrup :
>>> Marc Hohl writes:
>>>
As soon as I remove an instrumental part at random (or even some
notes), the crash may or may not disappear. I am not sure but II
Hi list,
does someone know of a function or snipped that automatically transforms
some music together with a FigruedBass line into a sequence of chords
like illustrated in the example below ?
%%%
\version "2.19.31"
bcMusic = \relative {
c2 c | c c | c c | c c |
}
bcFigures = \figu
On 23.11.2015 23:02, David Nalesnik wrote:
Hi Simon,
On Mon, Nov 23, 2015 at 3:40 PM, Simon Albrecht
mailto:simon.albre...@mail.de>> wrote:
Hello,
I’ve defined a custom bar line, following the examples in
scm/bar-line.scm. Now I would have expected the whole ‘blot’
business t
On 23.11.2015 23:05, Ralph Palmer wrote:
On Mon, Nov 23, 2015 at 4:56 PM, Stephen MacNeil
mailto:classicalja...@gmail.com>> wrote:
\override Score.MetronomeMark.padding = #5
\tempo "Mod. fast Bulgar" 4 = 110-115
My thanks to both Stephen and to Malte Meyn. Yes, I missed "Score". I
Ralph Palmer writes:
> On Mon, Nov 23, 2015 at 4:56 PM, Stephen MacNeil
> wrote:
>
>> \override Score.MetronomeMark.padding = #5
>>
>> \tempo "Mod. fast Bulgar" 4 = 110-115
>>
>
> My thanks to both Stephen and to Malte Meyn. Yes, I missed "Score". I was
> using Staff. "outside.staff.priority" wo
On Mon, Nov 23, 2015 at 4:56 PM, Stephen MacNeil
wrote:
> \override Score.MetronomeMark.padding = #5
>
> \tempo "Mod. fast Bulgar" 4 = 110-115
>
My thanks to both Stephen and to Malte Meyn. Yes, I missed "Score". I was
using Staff. "outside.staff.priority" would imply something other than
"Staff
Hi Simon,
On Mon, Nov 23, 2015 at 3:40 PM, Simon Albrecht
wrote:
> Hello,
>
> I’ve defined a custom bar line, following the examples in
> scm/bar-line.scm. Now I would have expected the whole ‘blot’ business to
> give me round edges, at least with \override Staff.BarLine.rounded = ##t,
> but it
\override Score.MetronomeMark.padding = #5
\tempo "Mod. fast Bulgar" 4 = 110-115
HTH
Stephen
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lilypond-user@gnu.org
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Hello,
I’ve defined a custom bar line, following the examples in
scm/bar-line.scm. Now I would have expected the whole ‘blot’ business to
give me round edges, at least with \override Staff.BarLine.rounded =
##t, but it doesn’t. Why?
Also, it’s a bit of a nuisance that calc-blot isn’t publicly
Am 23.11.2015 um 21:58 schrieb Ralph Palmer:
I tried setting the outside-staff-priority of each
and/or both, but without success.
\override Score.MetronomeMark.outside-staff-priority = 1501
% or
\override Score.RehearsalMark.outside-staff-priority = 999
You probably missed the “Score.”
I'm
Greetings -
I'm running LY 2.19.31 under Win7.
In the following snippet, I would like to move the Rehearsal Mark below the
tempo indication, or, conversely, move the tempo indication above the
Rehearsal Mark. I cannot figure out how to do either. I would greatly
appreciate some help. I tried sett
Am 23.11.2015 um 10:46 schrieb Marc Hohl:
As the file is a bit lengthy, I think of a way to just redefine
\xNotes to change every note to its corresponding rest, instead of
rewriting the whole file (or using sed or any other external script).
Has anyone a scheme routine at hand that does exactly
Nice! Thank you Simon.
In fact, in that particular case I have no choice, I have to follow the
composer's indications.
But i'l keep your tweak in mind anyway.
Cheers,
Pierre
2015-11-23 21:18 GMT+01:00 Simon Albrecht :
> How about
> %%%
> \version "2.19.31"
> {
> \key e\major
> \time
How about
%%%
\version "2.19.31"
{
\key e\major
\time 3/4
% mes.98
s2.
\once\override Score.BreakAlignment.break-align-orders =
#(make-vector 3 '(key-cancellation
key-signature
staff-bar))
\key e \minor
\bar "||"
}
%%
I can’t get the tweak on X-extent to work here…
'cause of a DS to the former key sig.
2015-11-23 20:45 GMT+01:00 Simon Albrecht :
> On 23.11.2015 10:36, Pierre Perol-Schneider wrote:
>
>> Hi,
>>
>> See:
>> http://lilypond.1069038.n5.nabble.com/Staff-ends-before-clef-time-and-key-td174133.html#a174182
>>
>> Reminder:
>>
>> %% Here works fine:
>
On 23.11.2015 10:36, Pierre Perol-Schneider wrote:
Hi,
See:
http://lilypond.1069038.n5.nabble.com/Staff-ends-before-clef-time-and-key-td174133.html#a174182
Reminder:
%% Here works fine:
\version "2.18.2"
{
\key e\major
\time 3/4
% mes.98
s2.
\bar "||"
\key e \minor
}
%% Bug
Or even:
\version "2.19.32"
{
\key e\major
\time 3/4
% mes.98
a'2.
\bar "||"
\tweak KeySignature.X-extent #'(0 . 1.4)
\key e \minor
s8
}
2015-11-23 20:29 GMT+01:00 Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com>:
> Thanks to you guys:
> http://lilypond.1069038.n5.n
Thanks to you guys:
http://lilypond.1069038.n5.nabble.com/Kerning-a-clef-td183994.html
I've just found what I was lokking for:
\version "2.19.32"
{
\key e\major
\time 3/4
% mes.98
a'2.
\bar "||"
\tweak KeySignature.space-alist.next-note #'(extra-space . 0.2)
\key e \minor
\grac
On 23.11.2015 20:01, Kieren MacMillan wrote:
Hi Simon,
I’d like the clef to take less space, especially to the right, and at best to
overlap with the following note. How can I achieve that?
\version "2.19.31"
{
a'8
\tweak Clef.space-alist.next-note #'(extra-space . 0)
\tweak Clef.X-exte
On 23.11.2015 19:58, David Kastrup wrote:
Simon Albrecht writes:
have a look at the attached image. I’d like the clef to take less
space, especially to the right, and at best to overlap with the
following note. How can I achieve that? extra-spacing-width obviously
can only increase spacing
Ne
Hi Simon,
> I’d like the clef to take less space, especially to the right, and at best to
> overlap with the following note. How can I achieve that?
\version "2.19.31"
{
a'8
\tweak Clef.space-alist.next-note #'(extra-space . 0)
\tweak Clef.X-extent #empty-interval
\clef bass a, b, c
}
This
Simon Albrecht writes:
> have a look at the attached image. I’d like the clef to take less
> space, especially to the right, and at best to overlap with the
> following note. How can I achieve that? extra-spacing-width obviously
> can only increase spacing
Negative numbers exist.
--
David Kast
Hello,
have a look at the attached image. I’d like the clef to take less space,
especially to the right, and at best to overlap with the following note.
How can I achieve that? extra-spacing-width obviously can only increase
spacing, and the following doesn’t work either:
%
\vers
David Nalesnik writes:
> My question would be: when does the evaluation of a grob's stencil
> normally happen? My guess is this normal evaluation is happening
> based on a haphazard input, that using 'before-line-breaking and
> 'after-line-breaking is forcing a later evaluation, at a time when
>
On Sun, Nov 22, 2015 at 2:44 PM, David Kastrup wrote:
> Thomas Morley writes:
>
> > Though, why it is that arbitrary?
> >
> > Look at this variation and the attached image:
> >
> > \version "2.19.29"
> > #(define test-nmbrs
> > (let ((nmbrs (circular-list 1 2 3 4)))
> > (lambda (grob)
> >
Am 2015-11-23 11:41, schrieb Urs Liska:
I think for now (the current project) I'll try to find a setting that
matches *most* cases and tweak the others manually. There are pretty
few
ones in this score so it'll be OK. But maybe this really is a feature
request for a new property?
If we start
On 23/11/2015 00:03, Simon Albrecht wrote:
It seems that you intentionally replaced -! by -. in Valse 1, however
the original uses them distinctly and I’d stick with that.
Ah, I see what you mean. Wasn't aware of that symbol... shame on me :-)
Thanks
Alberto
___
Hi, Simon
On 23/11/2015 00:03, Simon Albrecht wrote:
The last measure of the Introduction actually has only two quarters
(the half note isn’t dotted), to be complemented by the immediately
following upbeat for Valse 1.
Damn. I though I had that correct, as I recall from when I was looking
to
Hi, Abraham,
On 22/11/2015 22:27, tisimst wrote:
I think there was a misunderstanding about the voicing in Valse 2. The
beamed groups should NOT be in \voiceOne. They should be in \oneVoice.
That should clean up the space taken up by their respective slurs, too.
Yep, I understood you were sug
Perfect for a snippet :
\version "2.18.2"
#(define (lower-extension pitch chbass)
"Return lowered markup for pitch note name."
#{
\markup \raise #-1.9 \halign #0.2
#(note-name->markup pitch chbass)
#})
\layout {
\context {
\ChordNames
Am 23.11.2015 um 10:49 schrieb Noeck:
> Hi Urs,
>
> you probably know these pages:
>
> http://www.lilypond.org/doc/v2.18/Documentation/internals/slur
> http://www.lilypond.org/doc/v2.18/Documentation/internals/slur_002dinterface
> http://www.lilypond.org/doc/v2.18/Documentation/internals/tie
> ht
Urs Liska writes:
> Am 23.11.2015 um 10:39 schrieb David Kastrup:
>> Urs Liska writes:
>>
>>> I don't seem to be able to find the right property to control the shape
>>> of ties.
>>>
>>> I would like to make the default appearance of ties less flat than what
>>> you see in the first attachment.
Hi Urs,
you probably know these pages:
http://www.lilypond.org/doc/v2.18/Documentation/internals/slur
http://www.lilypond.org/doc/v2.18/Documentation/internals/slur_002dinterface
http://www.lilypond.org/doc/v2.18/Documentation/internals/tie
http://www.lilypond.org/doc/v2.18/Documentation/internal
Am 23.11.2015 um 10:45 schrieb Urs Liska:
Am 23.11.2015 um 10:39 schrieb David Kastrup:
Urs Liska writes:
I don't seem to be able to find the right property to control the shape
of ties.
I would like to make the default appearance of ties less flat than what
you see in the first attachment
Hi list,
I have a melody with some spoken passages, written like this:
c4 d e f \xNotes { b b b b } f e d c
Now I need a midi file that contains the "normal" notes only:
c4 d e f r r r r f e d c
As the file is a bit lengthy, I think of a way to just redefine
\xNotes to change every note to it
Am 23.11.2015 um 10:39 schrieb David Kastrup:
> Urs Liska writes:
>
>> I don't seem to be able to find the right property to control the shape
>> of ties.
>>
>> I would like to make the default appearance of ties less flat than what
>> you see in the first attachment. I *think* what I want is ha
Werner LEMBERG writes:
>> Well, System::post_processing ends by creating the stencils of a
>> system in reverse order. That's probably not helping.
>
> A bug?
No, there is no guaranteed order of stencilization. But making stuff
more random gratuitously is still going to annoy people.
--
Davi
Urs Liska writes:
> I don't seem to be able to find the right property to control the shape
> of ties.
>
> I would like to make the default appearance of ties less flat than what
> you see in the first attachment. I *think* what I want is having a
> steeper slope. But reading through the IR for t
Hi,
See:
http://lilypond.1069038.n5.nabble.com/Staff-ends-before-clef-time-and-key-td174133.html#a174182
Reminder:
%% Here works fine:
\version "2.18.2"
{
\key e\major
\time 3/4
% mes.98
s2.
\bar "||"
\key e \minor
}
%% Bug here:
\version "2.19.32"
{
\key e\major
\time 3/4
I don't seem to be able to find the right property to control the shape
of ties.
I would like to make the default appearance of ties less flat than what
you see in the first attachment. I *think* what I want is having a
steeper slope. But reading through the IR for tie and tie-interface I
didn't s
Hi Bogi,
regarding two of the comments on your request you may also wish to read
the following (temporary) pages:
Am 23.11.2015 um 01:14 schrieb Simon Albrecht:
> first: your code example can be made much easier to read if you add
> some spaces and line breaks, and get indenting right (this is do
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