Thomas Morley gmail.com> writes:
> 2015-01-28 0:16 GMT+01:00 David Sumbler aeolia.co.uk>:
> > On Tue, 2015-01-27 at 20:26 +0100, Thomas Morley wrote:
> >> 2015-01-27 12:56 GMT+01:00 David Sumbler aeolia.co.uk>:
> >> > The problem is that the actual key signatures on the 2 staves that have
> >> >
Dear S. Judit,
I read already your first post, and I fear I cannot help with this.
But I would like to know what/who is this notation good for.
Thanks in advance,
Franck
2015-01-27 14:49 GMT-05:00, Rita Composer :
> Dear Listmembers,
>
> Could you help me, how can I creat something like this?
>
> Message: 6
> Date: Wed, 28 Jan 2015 00:02:13 +0100
> From: Thomas Morley
> To: Chris Trahan
> Cc: LilyPond User Group
> Subject: Re: Repeats - Strange behavior??
> Message-ID:
>
> Content-Type: text/plain; charset=UTF-8
>
> 2015-01-27 23:35 GMT+01:00 Chris Trahan :
>> I have two examp
Hi:
I am looking for a way to use isolated repeat symbols to bracket an except
of music I am setting (specifically, using three such symbols, the excerpt,
and three such symbols)
Alternatively, could use one double-percent symbol at each end, without the
dots...
Mike Dean
_
2015-01-28 0:16 GMT+01:00 David Sumbler :
> On Tue, 2015-01-27 at 20:26 +0100, Thomas Morley wrote:
>> 2015-01-27 12:56 GMT+01:00 David Sumbler :
>> > I use Staff.printKeyCancellation = ##f in my score.
>> >
>> > At one point the key changes from C major (concert) to C minor. As the
>> > piece is
I must immediately excuse myself for not reading the blog post first and
seeing that ScholarLY is a part of openlilylib. But I still wonder about the
rest.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/ScholarLY-introduction-and-call-for-collaboration-tp171140p171152.ht
James,
you are right, I just wanted to answer fast between 2 appointments.
Here it is
Franck
2015-01-27 17:07 GMT-05:00, James Lowe :
> On 27/01/15 18:25, Ali Cuota wrote:
>> Here it is.
>
> Hardly a 'tiny' example
>
> http://lilypond.org/tiny-examples.html
>
> Can you at least get rid of the cruf
I am all in favor of the collaboration, but I wonder if I might
pessimistically ask why we use so many discrete projects and repositories.
It seems to me that we could accomplish much more by using one git project
instead of having openlilylib, the LSR, and our newest projects, ScholarLY
and GASP.
On Tue, 2015-01-27 at 20:26 +0100, Thomas Morley wrote:
> 2015-01-27 12:56 GMT+01:00 David Sumbler :
> > I use Staff.printKeyCancellation = ##f in my score.
> >
> > At one point the key changes from C major (concert) to C minor. As the
> > piece is for a standard saxophone quartet, this means that
2015-01-27 23:07 GMT+01:00 James Lowe :
> On 27/01/15 18:25, Ali Cuota wrote:
>> Here it is.
>
> Hardly a 'tiny' example
>
> http://lilypond.org/tiny-examples.html
>
> Can you at least get rid of the cruft that isn't anything to do with the
> problem? I.e. a single file would help to determine if t
> From: Cynthia Karl
> Subject: Re: Rehearsal marks and grace notes at the beginning of bars
>
> > I am wondering if I am missing something about the character of
> > the problem and the solution that makes you recommend the grace
> > note rest approach, rather than tweaking the order of the grace
James,
James E. Bradley wrote
> 1. What do I need to do to have a refrain before the verses, so that the
> stanza numbering is with the verses and not the refrain? For refrains in
> the middle or end, I just lengthen one of the verses, and it works out ok.
Two things:
1. The stanza number sho
2015-01-27 23:35 GMT+01:00 Chris Trahan :
> I have two examples in the following code.
>
> The fist one shows a repeated section starting at measure 4.
>
> The second shows the same code, except that a double bar ends measure 3. In
> this case, the repeated section is not correct.
>
> Is this a bu
I have two examples in the following code.
The fist one shows a repeated section starting at measure 4.
The second shows the same code, except that a double bar ends measure 3.
In this case, the repeated section is not correct.
Is this a bug or by design?
\version "2.18.2"
\language "english"
Hi all,
usually I don't advertise Scores of Beauty posts here, but every now and
then there's an exception to the rule.
I have just published a post introducing my new LilyPond library
ScholarLY, which intends to become a powerful toolkit for scholarly
edition workflows. The first building b
On 27/01/15 18:25, Ali Cuota wrote:
> Here it is.
Hardly a 'tiny' example
http://lilypond.org/tiny-examples.html
Can you at least get rid of the cruft that isn't anything to do with the
problem? I.e. a single file would help to determine if the problem is to
do with the 'include' function or not
> From: Tim McNamara
>
> This has perhaps become off-topic and I don?t wish to prolong that;
> however, I have to take issue with the idea that ?sus? could somehow
> apply to the 7th.> It can?t.> Suspensions specifically apply to
> replacing the 3rd with either the 4th or the 2nd (the latter being
2015-01-27 7:12 GMT+01:00 Noeck :
[...]
>
> PS: Wouldn’t it be nice to have these commands (or similar):
> b1\startText "rit." c e,\stopText
Hi,
try:
\version "2.19.15" % is needed!
startMyTextSpan =
#(define-event-function (parser location txt mus)((markup? "")ly:music?)
(if (and (string? tx
2015-01-27 9:56 GMT+01:00 Pierre Perol-Schneider
:
> Hi Peter, Hi Joram,
>
> How about:
>
> \version "2.18.2"
>
> \layout {
> ragged-last = ##t
> }
>
> #(define (text-spanner-start-stop mus)
> (let ((elts (ly:music-property mus 'elements)))
> (make-music 'SequentialMusic 'elements
>
Dear Listmembers,
Could you help me, how can I creat something like this?
https://drive.google.com/file/d/0BzQDuwMSrodQU19yRTVLM0F3ZHM/view?usp=sharing
I found something simmilar in version 2.19.15 here
http://lilypond.org/doc/v2.19/Documentation/notation/working-with-ancient-music_002d_002dscena
Am 27.01.2015 um 17:25 schrieb Marco Oros:
> I would like to write something for trumpet and clarinet and I know,
> that this musical instruments are tunned in various pitches, they can't
> use C-key, as for example notation for piano.
> So, It means, that I must write c-major song in as-major fo
On Tue, 2015-01-27 at 11:57 +, Graham King wrote:
> Many of my scores embed a small EPS file using (somewhat simplified):
>
> \markup { \epsfile #X #10 #"path/to/file.eps" }
>
> This is proving a bit of an obstacle to portability as path/to
> (relative or absolute) is installation-sp
2015-01-27 12:56 GMT+01:00 David Sumbler :
> I use Staff.printKeyCancellation = ##f in my score.
>
> At one point the key changes from C major (concert) to C minor. As the
> piece is for a standard saxophone quartet, this means that 2 of the
> instruments change from D major (notated) to D minor,
Here it is.
Franck
2015-01-27 12:46 GMT-05:00, James Lowe :
> Hello
>
> On 27/01/15 16:05, Ali Cuota wrote:
>> Hello again,
>>
>> version "2.18.0"
>> I have a western-notation piece that finishes with a dotted-note a4.
>> (very last note)
>> then a gregorian piece.
>> both comes in a book.ly with
Hello
On 27/01/15 16:05, Ali Cuota wrote:
Hello again,
version "2.18.0"
I have a western-notation piece that finishes with a dotted-note a4.
(very last note)
then a gregorian piece.
both comes in a book.ly with include "..."
Compiling the sole gregorian is ok
Compiling the book makes the gregor
Hi!
I have one question.
I would like to write something for trumpet and clarinet and I know,
that this musical instruments are tunned in various pitches, they can't
use C-key, as for example notation for piano.
So, It means, that I must write c-major song in as-major for clarinet,
or it is aut
Hello again,
version "2.18.0"
I have a western-notation piece that finishes with a dotted-note a4.
(very last note)
then a gregorian piece.
both comes in a book.ly with include "..."
Compiling the sole gregorian is ok
Compiling the book makes the gregorian have dotted (augmentum) at
every notes ex
> On Jan 26, 2015, at 6:08 PM, Flaming Hakama by Elaine
> wrote:
>
> Patrick,
>
> Thanks for your explanation and advice.
>
> The only question I have is in terms of what you consider to be the
> appropriate fix, which amounts to adding grace note rests to every other
> part.
>
> In thi
Hi Urs,
On Tue, Jan 27, 2015 at 6:19 AM, Urs Liska wrote:
> Hi,
>
> in an engraver I have a reference to the current grob.
>
> It seems that while in the acknowledgers routing this grob doesn't have a
> paper column set while in the finalze routine it has.
>
> Is that correct, and I have to wait
Hello Pierre,
Merci, many thanks. The plica is ok this way, so I will use these
settings for the remaining of the project.
Its a choir-book with "modern" and polyphonic music, and essentials of
gregorian, for Colombia (hopefully then for the whole latin-America).
Franck
2015-01-27 3:31 GMT-05:00
Hi,
in an engraver I have a reference to the current grob.
It seems that while in the acknowledgers routing this grob doesn't have
a paper column set while in the finalze routine it has.
Is that correct, and I have to wait until the finalize stage until I can
retrieve the rhythmic location o
Many of my scores embed a small EPS file using (somewhat simplified):
\markup { \epsfile #X #10 #"path/to/file.eps" }
This is proving a bit of an obstacle to portability as path/to (relative
or absolute) is installation-specific.
Is it possible to put file.eps (or the equivalent graphic
I use Staff.printKeyCancellation = ##f in my score.
At one point the key changes from C major (concert) to C minor. As the
piece is for a standard saxophone quartet, this means that 2 of the
instruments change from D major (notated) to D minor, and the other 2
change from A major to A minor.
A m
On Sun, Jan 25, 2015 at 07:18:52PM -0600, Tim McNamara wrote:
> I have repeatedly run into difficulties getting Lilypond to properly render
> sus7 chord names in \chordmode. It comes up with silly things like "G7sus4
> 3??? and the like. What is the correct syntax to get a simple ???Gsus7??? to
Hi Pierre!
Wow, Looks perfect! I’ll study how you did that and try to understand.
/P
Peter Danemo
+46-70-653 21 91
E-post: petedom...@gmail.com
Web: danemo.com
> 27 jan 2015 kl. 09:56 skrev Pierre Perol-Schneider
> :
>
>
___
lilypond-user maili
Hi Peter, Hi Joram,
How about:
\version "2.18.2"
\layout {
ragged-last = ##t
}
#(define (text-spanner-start-stop mus)
(let ((elts (ly:music-property mus 'elements)))
(make-music 'SequentialMusic 'elements
(append
(list (make-music 'TextSpanEvent 'span-direction -1))
On Mon, 2015-01-26 at 18:48 -0600, Tim McNamara wrote:
> The main problem for me with “x7sus4” as a chord name is its length;
> when there are four chord names in a bar, every character counts in
> terms of legibility.
There is a patch LilyPond that typesets chord symbols in a compact way.
http://
Thank you Franck,
For some reason, I did not find any way to change the flexa stem length.
For more details see "gregorian.ly" file and:
http://www.lilypond.org/doc/v2.19/Documentation/internals/vaticana_002dligature_002dinterface
Here's where I am so far:
\version "2.18.0"
\include "gregorian.l
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