Am 06.07.2014 15:23, schrieb Knute Snortum:
I don't know how command line options are set in Frescobaldi...
Edit -> Preferences -> LilyPond Preferences. Select LilyPond version.
Press edit. Add options.
Or (without having to edit a complete LilyPond version's settings):
Use "Engrave Cust
Phil Holmes-2 wrote
> - Original Message -
> From: "tisimst" <
> tisimst@
> >
> To: <
> lilypond-user@
> >
> Sent: Saturday, July 05, 2014 4:27 PM
> Subject: Re: legato lyrics
>
>
>
>> 2. If you really want to have that slur (it is appropriate at times),
>
> I would say that there
- Original Message -
From: "David Kastrup"
To: "Phil Holmes"
Cc:
Sent: Sunday, July 06, 2014 5:32 PM
Subject: Re: Humble question, text at the second note in a ligature
"Phil Holmes" writes:
- Original Message -
From: "David Kastrup"
To: "Phil Holmes"
Cc: "Son_V" ;
Se
"Phil Holmes" writes:
> - Original Message -
> From: "David Kastrup"
> To: "Phil Holmes"
> Cc: "Son_V" ;
> Sent: Sunday, July 06, 2014 4:42 PM
> Subject: Re: Humble question, text at the second note in a ligature
>
>
>> "Phil Holmes" writes:
>>
>>> - Original Message -
>>> F
- Original Message -
From: "David Kastrup"
To: "Phil Holmes"
Cc: "Son_V" ;
Sent: Sunday, July 06, 2014 4:42 PM
Subject: Re: Humble question, text at the second note in a ligature
"Phil Holmes" writes:
- Original Message -
From: "David Kastrup"
To: "Phil Holmes"
Cc: "So
"Phil Holmes" writes:
> - Original Message -
> From: "David Kastrup"
> To: "Phil Holmes"
> Cc: "Son_V" ;
> Sent: Sunday, July 06, 2014 4:17 PM
> Subject: Re: Humble question, text at the second note in a ligature
>
>
>> "Phil Holmes" writes:
>>
>>> - Original Message -
>>
>>
- Original Message -
From: "David Kastrup"
To: "Phil Holmes"
Cc: "Son_V" ;
Sent: Sunday, July 06, 2014 4:17 PM
Subject: Re: Humble question, text at the second note in a ligature
"Phil Holmes" writes:
- Original Message -
Well, that makes no sense at all. You can't si
"Phil Holmes" writes:
> - Original Message -
>>> Well, that makes no sense at all. You can't sing two syllables to a
>>> single note.
>>
>> Well, when singing Monteverdi's Vespers, I remember having to fit about
>> a dozen of syllables to some single notes.
>>
>> Take a look at
>> http
Uns Liska wrote
>>Starting by tagging the existing snippets sounds fine to me.
>
> But not tagging directly but collecting suggestions first. Then decide
> about a set of tags and apply them during the move.
Ok, sure.
Something to consider: since you are planning on writing a script to walk
thro
- Original Message -
From: "David Kastrup"
To: "Phil Holmes"
Cc: "Son_V" ;
Sent: Sunday, July 06, 2014 1:55 PM
Subject: Re: Humble question, text at the second note in a ligature
"Phil Holmes" writes:
- Original Message -
From: "Son_V"
To:
Sent: Saturday, July 05, 2014
2014-07-06 16:09 GMT+02:00 David Kastrup :
> I prefer tweaks when they work since they tend to have fewer side
> effects when used as a component of music functions.
>
'Copy that.
Pierre
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Thomas Morley writes:
> why not override TupletBracket directly:
> basses = \relative c {
> \time 3/4
> \clef F
> \override TupletBracket.positions = #'(4.5 . 9.5)
> \override TupletBracket.edge-height = #'(1 . -1)
> \tuplet 7/6 {
> c16[ bes' e]
> \change Staff = md
> \stem
"Phil Holmes" writes:
> - Original Message -
> From: "Son_V"
> To:
> Sent: Saturday, July 05, 2014 3:52 PM
> Subject: Re: Humble question, text at the second note in a ligature
>
>
>> :-( didn't work - I'm sure it should be a simple thing, but after a lot of
>> work on the score I'm go
Added to the LSR : http://lsr.di.unimi.it/LSR/Item?id=926
Cheers,
Pierre
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On 6. Juli 2014 16:12:56 MESZ, Paul Morris wrote:
>Uns Liska wrote
>> Some of them are good, some of them less so, I think.
>> Maybe we could start going through the existing snippets and consider
>
>> possible tags for each of them. This will make a pool of suggestions
>> where we can filter o
Uns Liska wrote
> Some of them are good, some of them less so, I think.
> Maybe we could start going through the existing snippets and consider
> possible tags for each of them. This will make a pool of suggestions
> where we can filter out from.
>
> One question I still have is: Should the tags
Great. Thanks. I knew connectArpeggios could connect across staves but
not across voices.
Knute Snortum
(via Gmail)
On Sun, Jul 6, 2014 at 6:52 AM, Thomas Morley
wrote:
> 2014-07-06 15:35 GMT+02:00 Knute Snortum :
> > I have a chord that's arpeggiated but the top note is in another voice.
>
2014-07-06 15:35 GMT+02:00 Knute Snortum :
> I have a chord that's arpeggiated but the top note is in another voice. I
> want the arpeggio indicator to go from the chord in one voice to the note in
> another. So far what I have is this, but the note stem goes up to the
> moving voice. Is there a
Hi Harm,
2014-07-06 15:44 GMT+02:00 Thomas Morley :
> why not override TupletBracket directly:
>
Never thought that. Simple and brilliant,
Thanks !
Pierre
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2014-07-06 15:35 GMT+02:00 Knute Snortum :
> I have a chord that's arpeggiated but the top note is in another voice. I
> want the arpeggio indicator to go from the chord in one voice to the note
> in another. So far what I have is this, but the note stem goes up to the
> moving voice. Is there
2014-07-06 15:24 GMT+02:00 Pierre Perol-Schneider
:
> Here's where I am so far :
>
> %
> \version "2.18.2"
>
> aigues = \relative c' {
> \time 6/8
> s4.
> \stemDown
> c16[ bes' e]
> \stemUp
> g c e
> \stemDown
> g8
> }
>
> basses = \relative c {
> \time 3/4
>
I have a chord that's arpeggiated but the top note is in another voice. I
want the arpeggio indicator to go from the chord in one voice to the note
in another. So far what I have is this, but the note stem goes up to the
moving voice. Is there a way to lengthen the arpeggio indicator or remove
Here's where I am so far :
%
\version "2.18.2"
aigues = \relative c' {
\time 6/8
s4.
\stemDown
c16[ bes' e]
\stemUp
g c e
\stemDown
g8
}
basses = \relative c {
\time 3/4
\clef F
\omit TupletBracket
\tupletDown
\tweak TupletNumber.extra-offset #'(.5 .
> I don't know how command line options are set in Frescobaldi...
Edit -> Preferences -> LilyPond Preferences. Select LilyPond version.
Press edit. Add options.
Knute Snortum
(via Gmail)
On Sun, Jul 6, 2014 at 3:45 AM, Phil Holmes wrote:
> - Original Message - From: "dirk van damm
Hi List,
Just reporting a demand from the french list :
http://lilypond-french-users.1298960.n2.nabble.com/Crochet-de-nolet-tordu-tt7581491.html
How is it possible to reproduce the red bracket ?
Cheers,
Pierre
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- Original Message -
From: "dirk van damme"
To:
Sent: Sunday, July 06, 2014 8:59 AM
Subject: Saving output and .ly files automatically into different folders
Hi,
Is it possible within lilypond that - when editing/typesetting - the
output files (midi, pdf) are stored/Saved automatica
Hello Lilypond users,
the only problem I was still having, was that some of those
paper-variable didn't work (see also [1]).
However this has already been topic some time ago here and James posted
[2] a solution.:
> --snip--
> Known issues and warnings
>
> The \pageBreak command will not work wit
On 06/07/14 08:59, dirk van damme wrote:
> Hi,
>
> Is it possible within lilypond that - when editing/typesetting - the
> output files (midi, pdf) are stored/Saved automatically into a
> different folder(s) then the .ly files.
> As editor i am using Frescobaldi.
> i am searched throughout the li
Hi,
Is it possible within lilypond that - when editing/typesetting - the
output files (midi, pdf) are stored/Saved automatically into a
different folder(s) then the .ly files.
As editor i am using Frescobaldi.
i am searched throughout the lilypond documentation but
I could not find any info wh
Am 04.07.2014 15:54, schrieb David Nalesnik:
Hi Marc,
On Fri, Jul 4, 2014 at 2:46 AM, Marc Hohl mailto:m...@hohlart.de>> wrote:
Hi list,
in the following example, I want to align the FretBoards to the
bar lines. Now they are centered over the first beat in each measure.
You can
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