Provided is the unpacked source of the lilypond version to be installed. A
descripton of the steps to install lilypond one finds in INSTALL.txt. More
infos one may find at
http://lilypond.org/doc/v2.17/Documentation/contributor-big-page#compiling.
Every version will be installed in a specific d
On Tue, Jul 23, 2013 at 1:20 PM, Carl Peterson wrote:
> I've started using the automatic part combiner as part of my SATB
> hymnal/psalter work. It simplifies my life tremendously, and the default
> works well except for two situations:
>
> 1) How do I get the function to look at the interval and
2013/7/21 David Kastrup :
> Thomas Morley writes:
>
>> 2013/7/21 David Kastrup :
>>> Urs Liska writes:
>>>
Hi Harm,
I did a quick compilation (further investigation to follow) - and
that's awesome! Thenk you very much.
Of course it will be hard to 'sell' it with a 'hey, l
Am 23.07.2013 19:11, schrieb Richard Shann:
On Tue, 2013-07-23 at 15:12 +0200, Urs Liska wrote:
Am 23.07.2013 15:09, schrieb Richard Shann:
On Sun, 2013-07-21 at 14:03 +0200, Urs Liska wrote:
Am 20.07.2013 17:57, schrieb Richard Shann:
I have been compiling some examples of LilyPond's typese
Jean-Charles Malahieude wrote:
Could anyone help me finish this BWV246 project?
Well, I don't know anything about figured bass
but it seems that Lilypond's square brackets are
not intended to be spread apart.
add_brackets is called eventwise, and at each call
initialises its local variabl
Sib 7.
--
Phil Holmes
- Original Message -
From: Alex Yoder
To: Phil Holmes
Cc: lilypond-user@gnu.org
Sent: Tuesday, July 23, 2013 7:45 PM
Subject: Re: Comparing LilyPond with Sibelius, Finale, Musescore etc
Which version of Sibelius? I believe it was Sibelius 7 that
Which version of Sibelius? I believe it was Sibelius 7 that introduced the
"magnetic layout" feature which moves things around as you place them. Of
course, that's still nothing like Lilypond.
On Tue, Jul 23, 2013 at 2:22 PM, Phil Holmes wrote:
> - Original Message - From: "Richard Sha
- Original Message -
From: "Richard Shann"
To: "Urs Liska"
Cc:
Sent: Tuesday, July 23, 2013 6:11 PM
Subject: Re: Comparing LilyPond with Sibelius, Finale, Musescore etc
On Tue, 2013-07-23 at 15:12 +0200, Urs Liska wrote:
Am 23.07.2013 15:09, schrieb Richard Shann:
> On Sun, 2013-07
On Tue, Jul 23, 2013 at 1:15 PM, Richard Shann wrote:
> On Tue, 2013-07-23 at 13:01 -0400, Carl Peterson wrote:
> > This may be what you're getting at with the musicXML idea, but what
> > about doing what we usually do to demonstrate lilypond...take a
> > reference score, and set it up with no man
I've started using the automatic part combiner as part of my SATB
hymnal/psalter work. It simplifies my life tremendously, and the default
works well except for two situations:
1) Where the voices are more than an octave apart (eg., between tenor and
bass), since it separates the voices
2) Where t
On Tue, 2013-07-23 at 13:01 -0400, Carl Peterson wrote:
> On Tue, Jul 23, 2013 at 12:44 PM, Richard Shann
> wrote:
> On Tue, 2013-07-23 at 17:23 +0200, pls wrote:
>
> > (both MusicXML and their corresponding PDF/PNG files) as
> reference files:
> http://ww
On Tue, 2013-07-23 at 15:12 +0200, Urs Liska wrote:
> Am 23.07.2013 15:09, schrieb Richard Shann:
> > On Sun, 2013-07-21 at 14:03 +0200, Urs Liska wrote:
> >> Am 20.07.2013 17:57, schrieb Richard Shann:
> >>
> >>> I have been compiling some examples of LilyPond's typesetting compared
> >>> with tho
On Tue, Jul 23, 2013 at 12:44 PM, Richard Shann wrote:
> On Tue, 2013-07-23 at 17:23 +0200, pls wrote:
>
> > (both MusicXML and their corresponding PDF/PNG files) as reference
> files: http://www.musicxml.com/music-in-musicxml/example-set/. They
> cover quite a broad spectrum of music notation.
On Tue, 2013-07-23 at 17:23 +0200, pls wrote:
> On 23.07.2013, at 15:03, Phil Holmes wrote:
>
> > - Original Message - From: "Richard Shann"
> >
> > To: "Mats Bengtsson"
> > Cc:
> > Sent: Tuesday, July 23, 2013 1:06 PM
> > Subject: Re: Comparing LilyPond with Sibelius, Finale, Musesco
On 23.07.2013, at 15:03, Phil Holmes wrote:
> - Original Message - From: "Richard Shann"
> To: "Mats Bengtsson"
> Cc:
> Sent: Tuesday, July 23, 2013 1:06 PM
> Subject: Re: Comparing LilyPond with Sibelius, Finale, Musescore etc
>>
>> Well without considerable expense I can't really t
On Sun, 2013-07-21 at 14:03 +0200, Urs Liska wrote:
> Am 20.07.2013 17:57, schrieb Richard Shann:
>
> > I have been compiling some examples of LilyPond's typesetting compared
> > with those of well-known alternatives:
> >
> > http://denemo.org/CompareScorewriters
> >
> > If anyone can provide be
Am 23.07.2013 15:09, schrieb Richard Shann:
On Sun, 2013-07-21 at 14:03 +0200, Urs Liska wrote:
Am 20.07.2013 17:57, schrieb Richard Shann:
I have been compiling some examples of LilyPond's typesetting compared
with those of well-known alternatives:
http://denemo.org/CompareScorewriters
If a
- Original Message -
From: "Richard Shann"
To: "Mats Bengtsson"
Cc:
Sent: Tuesday, July 23, 2013 1:06 PM
Subject: Re: Comparing LilyPond with Sibelius, Finale, Musescore etc
Well without considerable expense I can't really test Sibelius or
Finale, just report on what others have publ
On Sun, 2013-07-21 at 23:20 +0200, Mats Bengtsson wrote:
>
> > I have been compiling some examples of LilyPond's typesetting compared
> > with those of well-known alternatives:
> >
> > http://denemo.org/CompareScorewriters
> >
> > If anyone can provide better examples - these are just taken from
>
Am 21.10.2012 18:10, schrieb David Kastrup:
Janek WarchoĊ writes:
On Fri, Oct 19, 2012 at 12:04 PM, Urs Liska wrote:
Hi list,
I want to redistribute the Emmentaler .otf files as part of a GPLed LaTeX
package.
I recall reading that Emmentaler is GPLed with the font exception (meaning
that wo
Jan-Peter Voigt writes:
> Thank you again, David ... nice ...
> one more question: The symbol list is meant for (list /interface/
> /property/)?
> I still use (ly:grob-set-property! grob sym val) and catch interface
> and property with car and cadr respectivly. Or is there another
> way/use in 2.
Thank you again, David ... nice ...
one more question: The symbol list is meant for (list /interface/
/property/)?
I still use (ly:grob-set-property! grob sym val) and catch interface and
property with car and cadr respectivly. Or is there another way/use in 2.17?
Cheers, Jan-Peter
Am 23.07.
Am 23.07.2013 11:15, schrieb David Kastrup:
Urs Liska writes:
now I've finally laid hand on my copy of Henle's Beethoven Sonatas
(Just to be sure: it's a two volume edition, number 32, (c) 1952/80,
the preface is signed with 'Winter 1975/76')
And finally: Shouldn't you consider to include the
Urs Liska writes:
> now I've finally laid hand on my copy of Henle's Beethoven Sonatas
> (Just to be sure: it's a two volume edition, number 32, (c) 1952/80,
> the preface is signed with 'Winter 1975/76')
> And finally: Shouldn't you consider to include the fingerings too?
Those would very like
Am 16.07.2013 20:23, schrieb Kieren MacMillan:
Hello all,
I'm getting close with my Henle piano stylesheet(s) --- see attached.
Once this is ready, I'm going to document it and put it up on the Lilyblog.
I think the last thing I need is an "oval BarNumber enclosure" (see photo).
Can anyone help
Jan-Peter Voigt writes:
> Hello David,
> thanks for your hint :)
>
> Hello Kieren,
> how do you like this solution?
> It uses an engraver which acknowledges text-interface and
> font-interface (maybe we only need font-interface)
> and then wraps found markups in 'text and 'long-text (for
> Instru
Hello David,
thanks for your hint :)
Hello Kieren,
how do you like this solution?
It uses an engraver which acknowledges text-interface and font-interface
(maybe we only need font-interface)
and then wraps found markups in 'text and 'long-text (for InstrumentName
grob) in (markup #:abs-fontsize
Bockett Hunter wrote
> Can this be used to change where the ambitus appears?
if you search this list for ambitus and the other objects standing at the
beginning of a score you'll find
http://lilypond.1069038.n5.nabble.com/Ambitus-placed-after-clef-and-key-signature-tt135877.html#a135884
where Th
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