Hello Brett and everybody,
Just running into the same problem, making the notes invisible by removing
the appropriate engravers seems to REMOVE the notes instead of hiding them.
Lilypond gives a warning for every single syllable that there is no note to
associate it to. Line breaks still work, bu
Got it!! Not sure what it didn't like. Sometime you just have to delete
everything and start over
\override StrokeFinger #'digit-names = #' #("1" "2" "3" "4" "5")
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On 26 January 2011 20:27, Seth Williamson wrote:
>
> [...]
>
> In order to get enough room to get the language printed without cramping
> (some tempo stuff, quarter note equals metronome marking, etc.), he had to
> break up the first six bars of rest into three units of two each, and break
> up th
*The Sacred Harp, 1991 Edition (which is the dominant 4-shape tunebook) uses
dots for extenders .. see the page at the link below. Not sure whether you
all consider the Sacred Harp Publishing Company as a "reputable publisher",
but for a chunk of your user base, it's the gold standard.*
Robert St
Lj,
-Original Message-
From: "l...@internet.com.uy"
Date: Sat, 22 Jan 2011 10:45:26 -0200
To: "lilypond-user@gnu.org"
Subject: Re: horizontal beams
>
>> Then I think we might need to find out if \override Beam #'damping =
>> #+inf.0 without any extra tweaks *should* work in all cases o
Seth
-Original Message-
From: Seth Williamson
Date: Wed, 26 Jan 2011 14:27:29 -0500
To: "lilypond-user@gnu.org"
Subject: How to make multi-measure rest physically longer?
>A buddy of mine who is further along with LilyPond coding than I am
>helped me with transposing a solo piece I have
A buddy of mine who is further along with LilyPond coding than I am helped
me with transposing a solo piece I have to do before long. (The Aldo Forte
"Canzonetta for Euphonium and Band.")
He encountered this situation: in the original bass-clef printed copy of the
solo, there's a six-bar multi-me
On 1/26/2011 1:08 AM, Patrick Horgan wrote:
On 01/25/2011 12:25 PM, lilyp...@josebreden.nl wrote:
Hello,
Singing in a coral I would like to exercise the different parts
(soprano, alto, bass).
So I would like to generate from a single .ly-file, multiple midi-files:
- all parts together (which
On 01/26/2011 03:39 AM, James Lowe wrote:
Paul
-Original Message-
From: Paul Scott [mailto:waterho...@ultrasw.com]
Sent: 26 January 2011 04:45
To: James Lowe
Cc: lilypond-user@gnu.org
Subject: Re: expressive marks inside slurs
On 01/25/2011 01:48 PM, James Lowe wrote:
Paul
Good Morning,
I'm new to the software and I'm looking to add String numbers to the following:
\relative c {
\clef bass
c^3_2 d^5_4
%{ string change %}
e^2_1 f^3_2 g^5_4
%{ string change %}
a^2_1 b^4_3 c^5_4
}
I thought I had a solution by using rightHandFigure forced down. However I ran
i
Hello,
Someone (perhaps Valentin) gave me a snippet to create a context containing
only top texts such as rehearsal marks, tempo texts and metronome marks. I use
it for my work very well. All my scores are frenched scores.
%% Layout to produce MarkLine context
%% to place rehearsal marks and te
Paul
> -Original Message-
> From: Paul Scott [mailto:waterho...@ultrasw.com]
> Sent: 26 January 2011 04:45
> To: James Lowe
> Cc: lilypond-user@gnu.org
> Subject: Re: expressive marks inside slurs
>
> On 01/25/2011 01:48 PM, James Lowe wrote:
> > Paul
> >
> > -Original Message-
>
2011/1/26 Paul Scott :
> On 01/25/2011 01:48 PM, James Lowe wrote:
>>
>> Paul
>>
>> -Original Message-
>> From: Paul Scott
>> Date: Tue, 25 Jan 2011 11:36:23 -0700
>> To: "lilypond-user@gnu.org"
>> Subject: expressive marks inside slurs
>>
>>
>>>
>>> 2.13.46:
>>>
>>> I've been searching the
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