denis.roe...@loria.fr schrieb:
Quoting Graham Percival :
On Tue, Sep 08, 2009 at 03:59:24PM -0700, Jonathan Wilkes wrote:
Something else I just though of, is that there isn't a shortcut for
setting the direction of stems that aren't beamed. It would be
helpful if
there were a shortcut you c
> Something else I just though of, is that there isn't a shortcut for
> setting the direction of stems that aren't beamed. It would be
> helpful if there were a shortcut you could put after c4 to set the
> stem direction. Maybe like ^| or _|
This would mean an extension to the lilypond syntax,
On Wed, Sep 09, 2009 at 12:53:43AM +0100, Graham Percival wrote:
> midi2ly is not supported any more, so you're almost certainly on
> your own here.
>
> Sorry,
Maybe it's better to say "nobody is currently working on midi2ly".
But hey, lilypond is an open-source project and if someone with enoug
To whom it may concern,
Here is what I have come up with. It does not meet my original goal,
but it is good enough for now. \barNumber forces a bar number to
appear at the current or next full-measure bar line.
\manualBarNumbersOn should appear at the beginning of the score to set
thin
On 2009-09-08, at 15:25 , Kieren MacMillan wrote:
It would be so much easier to be able to force "inheritance" of
everything, e.g.
\context {
\name "MyStaff"
\from "Staff"
instrumentName = #"MyStaff"
shortInstrumentName = #"My"
}
Is there anything like this? (From what I've rea
Neil,
you kicked me ;-)
I admit, it was too silly. But your advise showed that's simple.
Tanks,
Helge
Neil Puttock schrieb:
2009/9/8 Helge Kruse :
Has anybody any suggestion what I could do to include this text in piano
staff dynamics?
You'll probably kick yourself (if it's any consolatio
Hi there, quick question since I cannot find anything in the
documentation. Is there a way to have a note head struck out? Meaning
the the chord is strum but only with muted strings.
Thanks,
Christian
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On Tue, Sep 8, 2009 at 3:43 PM, Martin Tarenskeen wrote:
> Hi,
>
> Maybe I'm doing something wrong, but I'm having problems with midi2ly.
> It can't produce even the simplest tune in 3/4 time correctly. It
> outputs a lilypond file that does show that the 3/4 time was extracted
> from the midifile.
> --- On Wed, 9/9/09, Neil Puttock
> wrote:
>
> > From: Neil Puttock
> > Subject: Re: Feature Request: ^\times and _\times
> > To: "Jonathan Wilkes"
> > Cc: lilypond-user@gnu.org
> > Date: Wednesday, September 9, 2009, 12:07 AM
> > 2009/9/8 Jonathan Wilkes :
> > > I didn't see a place for feat
Quoting Graham Percival :
On Tue, Sep 08, 2009 at 03:59:24PM -0700, Jonathan Wilkes wrote:
Something else I just though of, is that there isn't a shortcut for
setting the direction of stems that aren't beamed. It would be helpful if
there were a shortcut you could put after c4 to set the stem
On Tue, Sep 08, 2009 at 03:59:24PM -0700, Jonathan Wilkes wrote:
> Something else I just though of, is that there isn't a shortcut for
> setting the direction of stems that aren't beamed. It would be helpful if
> there were a shortcut you could put after c4 to set the stem direction.
> Maybe li
midi2ly is not supported any more, so you're almost certainly on
your own here.
Sorry,
- Graham
On Wed, Sep 09, 2009 at 12:43:36AM +0200, Martin Tarenskeen wrote:
> Hi,
>
> Maybe I'm doing something wrong, but I'm having problems with midi2ly.
> It can't produce even the simplest tune in 3/4 tim
Torsten Anders wrote:
Lilypond does not know about multiple-sign accidentals, so I
somehow have to create more horizontal space for these manually.
The following code tries to adjust this spacing automatically.
But I haven't tested it with your font.
%
--- On Wed, 9/9/09, Neil Puttock wrote:
> From: Neil Puttock
> Subject: Re: Feature Request: ^\times and _\times
> To: "Jonathan Wilkes"
> Cc: lilypond-user@gnu.org
> Date: Wednesday, September 9, 2009, 12:07 AM
> 2009/9/8 Jonathan Wilkes :
> > I didn't see a place for feature requests on the
Hi,
Maybe I'm doing something wrong, but I'm having problems with midi2ly.
It can't produce even the simplest tune in 3/4 time correctly. It
outputs a lilypond file that does show that the 3/4 time was extracted
from the midifile. But the "\time 3/4" is put in the wrong place,
resulting in a ps
2009/9/8 Jonathan Wilkes :
> I didn't see a place for feature requests on the documentation page, so
> I thought I'd post it here.
Hmm, I'm not quite sure what you're after, though I'd guess you want a
shorthand method of specifying tuplet bracket/number directions in
advance of the music itself.
2009/9/8 Helge Kruse :
> Has anybody any suggestion what I could do to include this text in piano
> staff dynamics?
You'll probably kick yourself (if it's any consolation, I looked at
the file for quite a bit before realizing what's wrong :), but you're
typesetting a decrescendo while setting the
2009/9/8 Kieren MacMillan :
> Is there anything like this? (From what I've read and experienced, \alias
> does *NOT* do this.)
Have you looked at engraver-init.ly? It should give you an idea how
this works (see the definition for PianoStaff).
Here's a quick snippet which also demonstrates what
Hi Jonathan,
Shouldn't the brace be stretched vertically without changing the
thickness?
+1
Kieren.
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2009/9/8 Gustavo Caicedo :
> Very nice, thanks. Do you also know how to put barlines at the beginning of
> a clefless line? (The first four lines in my exercise sheet). Thanks.
Add the following below \remove "Bar_number_engraver":
\override SystemStartBar #'collapse-height = #4
If you want it t
Hello,
I'm having trouble tweaking the Brace at the beginning of a system.
My test code is below; basically, I'd like to make the brace oonnecting
three staves less thick.
That brings me to my second question. I've attached two pngs, one of
Lilypond braces and the other from a Durand scor
Hello,
I'm having trouble tweaking the Brace at the beginning of a system.
My test code is below; basically, I'd like to make the brace oonnecting
three staves less thick.
That brings me to my second question:
\score {
\new PianoStaff
% \override PianoStaff.SystemStartBra
Fine, deleted. I'll look at this again when I've arrived in
Glasgow.
- Graham
On Tue, Sep 08, 2009 at 12:12:19PM +0200, Jan Nieuwenhuizen wrote:
> Hi,
>
> It would be nice if you added symlinks for pictures and examples,
> or removed this css test draft from lilypond.org ...
Content-Descripti
Hi all,
Let's say I want to create a new subclass of the Staff context called
"MyStaff", and the only thing it does is override the InstrumentName
settings. Do I really have to include all the \consists from engraver-
init.ly? i.e., do I really have to use
\context {
\type "Engraver_
Sorry for re-send.
Has anybody any suggestion what I could do to include this text in piano
staff dynamics?
Helge
Hello,
I am using centered dynamics for some scores (id=357). Now I need to use
a text for a dynamic change spread over several measures. I found an
appropriate snippet in LSR
>
> Jan,
>
Fair enough the scans show your point, though there is other music I know
that has the asymmetric glyph for upbow and I do think the glyph I'm
proposing better matches the stroking on the downbow.
That matter of taste aside, the problem I'm having - while trying to typeset
chamber musi
On 9/7/09 10:24 PM, "Brett Duncan" wrote:
> Andrew Tucker wrote:
>> m7.7+ does provide the desired results, though I believe it's because
>> lilypond uses only the last alteration of a particular note (ie. 7.9+.9-
>> will end up 7/b9 and lose the sharp nine). This behavior might change
>> (?),
Try the following:
editorial = {
\once \override TrillSpanner #'bound-details #'left #'text = "tr"
}
\relative c'{
c \startTrillSpan d e f \stopTrillSpan
\editorial c \startTrillSpan d e f \stopTrillSpan
}
It should be possible to define a macro \startEditorialTrillSpan, that
both does th
On Tue, Sep 8, 2009 at 2:20 PM, Jan Nieuwenhuizen wrote:
> Very nice PR. Writing about lilypond in music[school] magazines
> seems like a very good idea to me! This is really the audience
> we're aiming at.
Thanks, at least, this will be one thing my opera will prove useful for :)
> nitpicky:
Hi Mark,
If anyone can offer more suggestions for developing a template that
fits this
specification and can handle all the notational elements this style
requires,
that would be great. If anyone wants to take a stab at engraving a
Lilypond
version of the sample song, and see how close we
Op dinsdag 08-09-2009 om 01:10 uur [tijdzone +0200], schreef Valentin
Villenave:
Hi Valentin,
> I have recently been offered to write an article about GNU LilyPond in
> the yearly magazine that is issued by the French Conservatories
> Parents Association.
Very nice PR. Writing about lilypond i
I see someone has answered about the L/R margins. For a larger top margin
only on p.1, if you want additional space between the title and first stave,
you can attach a markup something like
^\markup { " " \raise #12 { " " } }
To the first note.
If you want the additional space above the title, y
Is it possible to define custom articulations? I'm looking for an
articulation (called, say, \etrill) which behaves exactly as \trill
except that instead of "tr" being rendered as a glyph, it's rendered in
a standard upright font. (This is to distinguish editorial trills.)
--
Hilary Snaden
_
Hi,
It would be nice if you added symlinks for pictures and examples,
or removed this css test draft from lilypond.org ...
--- Begin Message ---
popularity page
[referrer]...
3130 /~graham/out/flat-design.png
http://lilypond.org/~graham/out/Introduction.html
http://lil
Hi there,
I'm using LilyPond-2.13.3 and the clip-regions feature to extract snippets from
a piano score.
However, I have defined a range in which LilyPond inserts a linebreak, so I
actually get 2 snippets extracted - one from the start-of-range up to the
linebreak and one from the linebreak (w
Dear community,
is it possible to define a footer, only for a certain page?
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Hello Mark,
one first point:
to set the right margin, you have to set the line-width in the
paper-block. This is, what I include in my scores (it does not fit your
specifications, but should be adjustable):
% set the paper size
#(set-default-paper-size "a4")
\paper {
% alternativly se
Neil Puttock wrote Tuesday, September 08, 2009 12:01 AM
2009/9/7 Trevor Daniels :
The relative positioning of script objects
is controlled by the 'script-priority property.
By default this left unspecified for most
articulations (including bowing commands) and set
to 100 for Fingering. So we
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