Risto Vääräniemi wrote:
Do you
remember what was the version you still got the midi file? With 2.10
and 2.11 you must have the \midi block inside a \score block to get
the midi.
It's always been this way in LilyPond.
/Mats
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lilypond-user m
Jesse Engle wrote:
Is it possible to display roman numeral symbols in Lilypond?
Of course, just as you can typeset any other text.
Or, do you want something more automated that
treats them specifically as numbers with some special
musical meaning? If you tell more about what you want
to use
2008/6/11 ANNETTE GIESBRECHT:
> This is the "Welcome_to_LilyPond" file itself. I am not talking about a
> file I copied from the Lilypond pdf or manuscript.
> Before that, I always got a midi file.But the ps file opens up my media
> player -I have the VLC media player and I cannot play that
Is it possible to display roman numeral symbols in Lilypond?
- Jesse
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hello list,
i'm using an example from the learning manual to write a chord with an
augmented unison:
naturalplusflat = \markup { \natural \flat }
\relative c'' {
\once \override Accidental
#'stencil = #ly:text-interface::print
\once \override Accidental #'text = #natu
Dear members,
I am reading this forum since sometimes, as I am doing my first steps in
Lilypond.
I am making a score in which I have two systems of eight staves each per
page (I managed to do that by setting page size to a3 and shrinking it to a4
on printing it: I guess it's not really proper, b
Or, if you're using Windows, you can download GNU tar and bzip2 here:
http://gnuwin32.sourceforge.net/packages/gtar.htm
http://gnuwin32.sourceforge.net/packages/bzip2.htm
You would run these commands on the command line (Start>Run...>"cmd"):
bzip2 -d filename.tar.bz2
tar -xvf filename.tar
- Je
On Tue, 10 Jun 2008 22:24:11 +0200
"Valentin Villenave" <[EMAIL PROTECTED]> wrote:
> 2008/6/10 Reinhold Kainhofer <[EMAIL PROTECTED]>:
>
> > Actually, no. Such parts typically contain multi-measure rests,
> > which are then stretched... Currently, it looks quite odd that one
> > line does not spa
- Original Message -
From: "C A Lewis" <[EMAIL PROTECTED]>
To:
Sent: Tuesday, June 10, 2008 9:26 PM
Subject: Documentation
I have downloaded the tarball file. What program is needed to open it?
TIA
on unix, type : tar -xvf filename
on win, use for example winrar (maybe 7zip will
> > Hmm, if you look e.g. at timpani parts for several large works,
> > you will frequently encounter one-line movements, because the
> > Timpani only play the last three measures or so of a movement...
>
> Do such Timpani parts really
> look like the above line?
2008/6/10 Reinhold Kainhofer <[EMAIL PROTECTED]>:
> Actually, no. Such parts typically contain multi-measure rests, which are then
> stretched... Currently, it looks quite odd that one line does not span the
> whole width of the page:
Indeed.
Maybe we could disable ragged-right when inside a \bo
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Am Dienstag, 10. Juni 2008 schrieb Graham Percival:
> > > Nevertheless, I
> > > hope you'll agree that one-line scores are rare in the Real World
> > > (except for exercises, maybe?),
> >
> > Hmm, if you look e.g. at timpani parts for several large wor
On Tue, 10 Jun 2008 18:04:10 +0200
Reinhold Kainhofer <[EMAIL PROTECTED]> wrote:
> Am Dienstag, 10. Juni 2008 schrieben Sie:
> > This should have been announced in NEWS, indeed.
Yes, please do.
> > Nevertheless, I
> > hope you'll agree that one-line scores are rare in the Real World
> > (except
I have downloaded the tarball file. What program is needed to open it?
TIA
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Am Dienstag, 10. Juni 2008 schrieb Reinhold Kainhofer:
> Am Samstag, 7. Juni 2008 schrieb Carl Sorensen:
> > Reinhold Kainhofer kainhofer.com> writes:
> > > In Mozarts "Benedictus sit Deus" the figured bass sometimes has
> > > figures, where one of th
the following assumes you've checked out
http://www.nabble.com/Controlling-vertical-spacing-exactly---mini-HOWTO-to8419399.html
and decided against calculating the Y-offset of every staff on every page.
my current kludge:
\once \override Staff.TimeSignature #'Y-extent = #'(0.0 . X.X)
where X.X
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Am Samstag, 7. Juni 2008 schrieb Carl Sorensen:
> Reinhold Kainhofer kainhofer.com> writes:
> > In Mozarts "Benedictus sit Deus" the figured bass sometimes has figures,
> > where one of the numbers uses extenders over the whole measure, while the
> >
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Am Dienstag, 10. Juni 2008 schrieben Sie:
> 2008/6/10 Reinhold Kainhofer <[EMAIL PROTECTED]>:
> > Actually, I also noticed that recently Lilypond seems to use
> > ragged-right=##t for scores with only one line, while before the default
> > was to use r
2008/6/10 Reinhold Kainhofer <[EMAIL PROTECTED]>:
> Actually, I also noticed that recently Lilypond seems to use ragged-right=##t
> for scores with only one line, while before the default was to use
> ragged-right=##f, so all scores that looked fine before now look terrible,
> because they no longe
Dear Annette,
2008/6/10 ANNETTE GIESBRECHT :
> The last time I used LilyPond, I got ps files that were to open in my media
> player, but since I have windows I cannot use them. I cannot see the midi
> files. the one that I downloaded was 2.11.48-1. So even though I can see
> the sheet music
Am Dienstag, 10. Juni 2008 schrieb Kieren MacMillan:
> Hi James,
>
> > While I'm not particularly fond of how wide the spacing in the
> > earlier example is,
> > I prefer it to the spacing in the later example. So, I'm starting
> > to wonder
> > about how I can get somwhere in between.
>
> I fear y
The last time I used LilyPond, I got ps files that were to open in my media
player, but since I have windows I cannot use them. I cannot see the midi
files. the one that I downloaded was 2.11.48-1. So even though I can see the
sheet music, I cannot play a midi file since there is no midi fil
Hi James,
While I'm not particularly fond of how wide the spacing in the
earlier example is,
I prefer it to the spacing in the later example. So, I'm starting
to wonder
about how I can get somwhere in between.
I fear you're comparing apples to oranges: from the sample documents
you poste
I'm wondering about how I can change the default horizontal spacing,
at least for dynamics, so that rather than adjust them up/down,
lilypond adjusts the measure width.here was my generic input file:
\header{ title = "A scale in LilyPond"}
\relative {\time 3/4 c\ppp d\pp e\p f\mp g\mf a\f b
Hi, Lili,
I don't know if this message will reach you. I don't even know
if you are the right Lily, but if you are... your email to the
van Keurens must be old... you speak of being in your fifties,
and we must be in our sixties now!!
I also have tried to look for Martha/Louise. I met her at
Union
El Tue, 10 Jun 2008 11:09:23 +1000
"Matthew Rowles" <[EMAIL PROTECTED]> escribió:
> 2008/6/9 Joe Neeman <[EMAIL PROTECTED]>:
> > This is a bug that has been fixed in git. Please try 2.11.49 when
> > it is released.
yesterday i wanted to send a big thank you note to all who responded
to my questio
Hi Rael,
How we can extract parts from a orchestral score like the scores
from mutopia project
(I'm trying the Beethoven Romanze op. 50).
1. Create a text file (e.g., "Romanze_cornig_part.ly") in the same
folder as the rest of the Romanze, with the code
\version "2.11.47"
\include "corni
Jay Hamilton wrote Saturday, June 07, 2008 2:33 PM
Trevor-
I wouldn't put concepts and a properties later it's information that's
needed in that order of learning to use the program.
The ordering of material is certainly important in the Learning Manual,
which is designed to be read sequent
Rael Bertarelli Gimenes Toffolo wrote:
Hi everyone...
How we can extract parts from a orchestral score like the scores from
mutopia project (I'm trying the Beethoven Romanze op. 50). I have checked
all documentation in the lilypond site... in the mailing-list and I can't
believe that it's so har
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