Han-Wen Nienhuys írta:
2008/3/4, Bertalan Fodor (LilyPondTool) <[EMAIL PROTECTED]>:
In the last 3 weeks I created the base for an R5RS Scheme interpreter
written in Java, aimed at GUILE compatibility. It is quite basic yet,
but I'm not very far from the point where I can start interpreting
Thanks again Mats.
I've chosen for a different fix based on something I saw in the LSR. In
your buglist code it would be:
\version "2.11.41"
<<
\new Staff = up { s1*2 }
\new Staff = down \relative c,{\clef bass \stemDown
% Commenting out the next line gives a much nicer slur shape
% almost n
On Sat, 1 Mar 2008 00:23:37 -0600
"Daniel Tonda" <[EMAIL PROTECTED]> wrote:
> lilypond-book --pdf -o OUT Master.tex
> will leave all the lily*.pdf and semi-compiled output in the OUT
> directory, then you can cd to the OUT directory and do:
After much investigation, this looks like the best solu
Hi everybody!
Since I'm having some problems posting my mail to the mailing-list through my
mail-client, I'm trying to resend this one through the gmane interface.
I'm typesetting an orchestral score with repeated sections inside each
movement; I'd like to change the bar-numbers of a repeated s
2008/3/4, Bertalan Fodor (LilyPondTool) <[EMAIL PROTECTED]>:
> In the last 3 weeks I created the base for an R5RS Scheme interpreter
> written in Java, aimed at GUILE compatibility. It is quite basic yet,
> but I'm not very far from the point where I can start interpreting
> LilyPond input file
http://www.nerstrand.net/8lpf.pdf
Measure 26 is the worst but you can see the problem throughout the
score.
I'm posting the whole thing because the overall spacing situation seems
to be contributing to the problem.
Sources:
http://www.nerstrand.net/8lpf.ly
http://www.nerstrand.net/bwv558.ly
htt
See http://lists.gnu.org/archive/html/lilypond-user/2005-11/msg00073.html
for an example on how to rearrange the way things are ordered.
In fact, if you move the left-edge to after the clef in the list for
what happens at the beginning of lines, you should get what
you want. (Don't forget to use t
Oscar van Eijk wrote:
Mats,
Thanks for your reply, but it's fixed already :)
The output was based on an old template I grabbed from the 2.6
documentation. I updated it with the latest piano from the snippets doc;
the URL now shows the correct output.
The slur of bars 6-7 still takes up a lot of
On 4 Mar 2008, at 21:55, Hugo Flordal wrote:
No. LilyPond currently only has ready-made high-level functions for
some standard situations, where time signature and beaming agree. In
other cases one will have to use low level functions, as I showed
you.
Well, believe it or not, it _does_ wor
On Tue, 4 Mar 2008, Hans Aberg wrote:
> On 4 Mar 2008, at 13:20, Hugo Flordal wrote:
>
> >> The problem is that you want to beam differently than
> >> implied by the time signature you want to write. So you
> >> want to beam in what might be described as 8 =
> >> (1+1)+(1+1)+(1+1)+(1+1), whereas
2008/3/4, Valentin Villenave <[EMAIL PROTECTED]>:
> \override Staff.BarLine #'Y-extent = #'(-1 . 1)
... and X-extent instead of Y.
Gosh, I'd better go to bed now.
Valentin
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/ma
2008/3/4, Mats Bengtsson <[EMAIL PROTECTED]>:
> Valentin Villenave wrote:
> >\override Staff.TimeSignature #'Y-extent = #'(-1 . 1)
> That won't affect the spacing around bar lines!
Obviously, what I meant was:
\override Staff.BarLine #'Y-extent = #'(-1 . 1)
:-)
Cheers,
Valentin
___
On 4 Mar 2008, at 13:20, Hugo Flordal wrote:
The problem is that you want to beam differently than
implied by the time signature you want to write. So you
want to beam in what might be described as 8 =
(1+1)+(1+1)+(1+1)+(1+1), whereas the common interpretation
of 4 is (1+1)+(1+1) or perhaps 1+1+
Mats,
Thanks for your reply, but it's fixed already :)
The output was based on an old template I grabbed from the 2.6
documentation. I updated it with the latest piano from the snippets doc;
the URL now shows the correct output.
The slur of bars 6-7 still takes up a lot of space, but I think I'll
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Dienstag, 4. März 2008 schrieben Sie:
> Try setting
> \override MultiMeasureRest #'staff-position = #0.01
> If you look in the source code, you will see that it treats the case
> staff-position=0.0 (i.e. the default setting) specially, so what m
Valentin Villenave wrote:
Hi Steve,
can you send a short example?
If this is obviously a collision, i'll add it as a bug. If it's about
a matter of taste, you should try something such as
\override Staff.TimeSignature #'Y-extent = #'(-1 . 1)
That won't affect the spacing around bar lines!
If you search the mailing list archives, you can find some
reports that LilyPond is very slow on Vista, since for some
reason the font name database is rebuilt every time you
run LilyPond, not only the first time after installation as
is normally the case. A short description and a proposed
workar
Hi!
Did get a new computer last week and finaly got it in more or less
working order. Trouble is I'm now on Windows Wista and did not get the
normal down load of Lilypond and jEdit with Lilytool to work as it
should. Did try the Easy lilypond package and most things are working
(but not all,
Hello all,
I've converted my staff (stopstaff startstaff stuff) into a line extender,
indicating a repeat of a few notes.
On the next system down, I'd like for the staff (the "line extender") to
begin printing after the clef. As it is, it prints under the clef (as a
staff normally does).
Is the
Hi Steve,
can you send a short example?
If this is obviously a collision, i'll add it as a bug. If it's about
a matter of taste, you should try something such as
\override Staff.TimeSignature #'Y-extent = #'(-1 . 1)
Cheers,
Valentin
2008/3/3, Steve Dunlop <[EMAIL PROTECTED]>:
> I'm finding that
I have a staff with two voices (using \voiceOne and \voiceTwo), where I also
insert cue notes. The problem now is that after a \cueDuring, all
\voiceOne/Two settings are reset and do not apply any more.
An example is attached. Before the cue notes, the correct settings are used,
but after the c
Hi,
In the last 3 weeks I created the base for an R5RS Scheme interpreter
written in Java, aimed at GUILE compatibility. It is quite basic yet,
but I'm not very far from the point where I can start interpreting
LilyPond input files as they are. Actually module support is what I have
to implem
Reinhold Kainhofer wrote:
Am Dienstag, 4. März 2008 schrieb Timothy C Litwiller:
Thanks so much for that. It looks like it is working very well.
You're welcome. Note, however, that the clef you are generating is effectively
the same as "treble_8", since the C clef defines the positio
Greetings,
The "up bow" and "down bow" symbols are used when notating plucked string
instruments played with a plectrum. For rasgueados, I have not seen them
used. Typically, rasgueados are notated with an arpeggio line, using an up
arrowhead at the top to indicate a down strum (from lowest soundi
OK, thanks, that's one solution... but I guess that is not
the "right" way of doing it? Another way to do it is to run
these lines instead of the 4/4 specific ones I gave in the
example file.
#(override-auto-beam-setting '(end * * * *) 1 4 'Voice)
#(override-auto-beam-setting '(end * * * *) 2 4
On Tue, 4 Mar 2008, Hans Aberg wrote:
>
> On 3 Mar 2008, at 22:32, Hugo Flordal wrote:
> >
> > OK, thanks, that's one solution... but I guess that is
> > not the "right" way of doing it? Another way to do it is
> > to run these lines instead of the 4/4 specific ones I
> > gave in the example fil
Graham Percival wrote:
No; just take the simplest possible .lytex file (such as the
template from the docs). Run
lilypond-book --pdf --out=/tmp foo.lytex
lilypond-book --pdf --out=/tmp foo.lytex
Both times, it compiles all the lilypond snippets and creates a
new foo.tex in /tmp/. I thin
On Tue, 04 Mar 2008 11:00:57 +0100
Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> Graham Percival wrote:
> > lilypond-book --out=/tmp/ foo.lytex
> >
> > should imply -I=/tmp/ otherwise lilypnod-book will never find
> > foo.tex and will then always recreate foo.tex.
> > (alternately, just improve the
In the GDP docs, this issue is mentioned both in the sections on
"Instrument transpositions" and "Quoting other voices". Do you
think it needs further clarification?
/Mats
Reinhold Kainhofer wrote:
Am Dienstag, 4. März 2008 schrieb Han-Wen Nienhuys:
2008/3/3, Reinhold Kainhofer <[EMAIL PR
Am Dienstag, 4. März 2008 schrieb Timothy C Litwiller:
> Thanks so much for that. It looks like it is working very well.
You're welcome. Note, however, that the clef you are generating is effectively
the same as "treble_8", since the C clef defines the position of the middle
c. So I suppose the
Graham Percival wrote:
On Mon, 03 Mar 2008 23:30:48 +0100
John Mandereau <[EMAIL PROTECTED]> wrote:
I (or somebody else) will fix that, but unfortunately, I won't have
time for any serious contribution to LilyPond before a couple of
weeks. I'm sure I have some time again after April 3th,
On 3 Mar 2008, at 22:32, Hugo Flordal wrote:
OK, thanks, that's one solution... but I guess that is not
the "right" way of doing it?
The problem is that you want to beam differently than implied by the
time signature you want to write. So you want to beam in what might
be described as 8 =
Am Dienstag, 4. März 2008 schrieb Han-Wen Nienhuys:
> 2008/3/3, Reinhold Kainhofer <[EMAIL PROTECTED]>:
> > I'm currently investigating how to properly write transposing
> > instruments. Since their voices are also used in cue notes, the best way
> > is to write them
>
> I don't understand this rem
Hi all,
Am 04. März 2008, 00:42 Uhr (+0200) schrieb Risto Vääräniemi:
>
> However, as Reinhold pointed out, if you use multi-measure rests to
> "skip" measures you have to revert the extra-offset for that period.
> Assuming you always know when the kip takes place.
> \revert DrumStaff .MultiMeasu
Thanks for the reference to LSR; very useful resource.
-Eric
Valentin Villenave wrote:
2008/3/2, Mats Bengtsson <[EMAIL PROTECTED]>:
You can't have searched very thoroughly, this topic has
been discussed several times on the mailing lists.
There's also http://lsr.dsi.unimi.it/LSR/It
Hi all again, and thanks for your help so far. Now I'm having trouble
with text. But before I start on the individual technical problems, I'd like
some general advice.
As an example, I want a rallentando in my piece of music for 4
instruments. What I need first is advice. I've been using
Oscar van Eijk wrote:
Hi All,
I'm 'Lilyponding' a small prelude I wrote. It's only one page, but I
can't get it without collisions.
I attached a PNG, if that's not clear enough; the PDF is at
http://vaneyck.terra-terra.com/Senorio.de.los.Llanos.pdf.
My problem is mainly the slur above bars 1
Try setting
\override MultiMeasureRest #'staff-position = #0.01
If you look in the source code, you will see that it treats the case
staff-position=0.0 (i.e. the default setting) specially, so what my
proposed workaround does is simply to fool LilyPond.
/Mats
Reinhold Kainhofer wrote:
Am
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