On Sun, 03 Feb 2008 22:55:21 -0700
Paul Scott <[EMAIL PROTECTED]> wrote:
> > Umm, the first example? It shows you how to use #'bound-details.
> >
> I don't see how to use that to get a flat, sharp or natural to appear.
The same way you normaly get a flat, sharp, or a natural to appear
in mark
Graham Percival wrote:
On Sun, 03 Feb 2008 22:05:31 -0700
Paul Scott <[EMAIL PROTECTED]> wrote:
Graham Percival wrote:
- run the example through convert-ly. It will probably warn you
about the text spanners.
The LSR code didn't have a version that I could see. I tried
st
On Sun, 03 Feb 2008 22:05:31 -0700
Paul Scott <[EMAIL PROTECTED]> wrote:
> Graham Percival wrote:
> > - run the example through convert-ly. It will probably warn you
> > about the text spanners.
> >
> The LSR code didn't have a version that I could see. I tried
> starting with several 2.11.
I'm typesetting some organ scores which will be open content upon
completion. As with most organ scores, there is a GrandStaff, for the
hands, and a staff for the feet. The desired engraving technique is to
remove the staff for the feet when it carries no notes. It is important
to use a GrandSta
Please add this to LSR, with tags "text" and "docs".
Cheers,
- Graham
On Sun, 3 Feb 2008 18:39:48 -0500
Kieren MacMillan <[EMAIL PROTECTED]> wrote:
> Hi Reinhold,
>
> > This seems to work fine, except for one very important issue:
> > \dynamicUp or
> > \dynamicDown does not work on them! See
Paul,
- run the example through convert-ly. It will probably warn you
about the text spanners.
- look at NEWS. It tells you that setting text spanners has
changed.
- look at the doc section about text spanners. It tells you the
new syntax.
- with this knowledge, modify the snippet accordi
Can someone tell me how to fix this?
TIA,
Paul
Paul Scott wrote:
This example from the current LSR doesn't seem to work for 2.11.38.
No sharp appears.
Adding accidentals to a trillspanner
\relative c'' {
\override TrillSpanner #'edge-text = #(cons (markup #:line
(#:halign -0.5 #:
Hi Reinhold,
This seems to work fine, except for one very important issue:
\dynamicUp or
\dynamicDown does not work on them! See e.g. the attached sample file.
How's this?
Kieren.
_
\version "2.11.37"
\paper { ragged-right = ##t }
parenF = #(make-dynamic-script (markup #:l
In the documentation there is a tip how to create parenthesized dynamics:
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/New-dynamic-marks#New-dynamic-marks
This seems to work fine, except for one very important issue: \dynamicUp or
\dynamicDown does not work on them! See e.g. the atta
Hi Mats,
Why not use the builtin markup command \slashed-digit, which is
used for figured bass:
\markup{\slashed-digit #3 }
Um... 'cuz I'm an idiot? ;-)
Didn't know it was there -- nice to learn something new (again).
Thanks,
Kieren.
___
lilypo
Why not use the builtin markup command \slashed-digit, which is used
for figured bass:
\markup{\slashed-digit #3 }
/Mats
Quoting Kieren MacMillan <[EMAIL PROTECTED]>:
Hi Libero,
thanks a lot, maybe there are better ways, but this one is quite
effective :-)
Glad to hear it!
I slightl
I don't seem to get the "//" systemSeparator when using latex and lilypond.
I've been searching and can't find any pointers.
I put this code in a lilypond file, and when compiled by itself it shows
fine in the final pdf, but if I use it in latex I don't get the separator.
\paper {
between-syst
Quoting NJW <[EMAIL PROTECTED]>:
The solution (that is, one solution ;-) ) is to put it in a book. The
prospect of using the \book command seemed a bit too advanced, but is
actually quite straightforward. Use of \paper in the \book is analogous to
\layout in \score.
\book {
\score {
Hi Michael
I don't know a regular way of doing this, but here's
a hack which might get you going. It's a way of
fooling LilyPond into thinking the standard staff has
continued after the break. Pinch, say, a tenth of the
first note value after the break and introduce a spacer
note of that tenth,
On Sun, 03 Feb 2008 17:04:15 +0100, stef.thomas wrote:
> Dear lilypondusers,
> as far as I know, is the latest version of jedit, that works with linux
> and lilypondtool, 4.3.pre 11, true? Does someone know, where I could get
> it? And: how can I install the lilypondtool package on my machine?
He
Hi Libero,
thanks a lot, maybe there are better ways, but this one is quite
effective :-)
Glad to hear it!
I slightly modified your example as follows:
Nice... for future use, you might want to define some variables, e.g.
slashZero = \markup { \combine \finger 0 \translate #'(0.17 . -0.1
Hi Kieren,
thanks a lot, maybe there are better ways, but this one is quite effective :-)
I slightly modified your example as follows:
ciao
libero
\version "2.11.37"
\paper { ragged-right = ##t }
testing =
{
c''_\markup {\override #'(baseline-skip . 1.7) \column {\combine
\finger 0 \tran
Hi Nick
I saw your later note about using book, but it can be done
in straightforward Lily, although maybe 'straightforward' is
not the right word! Using book is probably easier. The
problem you had is the quite tricky positioning of the
sequential and simultaneous sections. I'll explain here
Dear lilypondusers,
as far as I know, is the latest version of jedit, that works with linux and
lilypondtool, 4.3.pre 11, true?
Does someone know, where I could get it?
And: how can I install the lilypondtool package on my machine?
Thanks for Your help.
Stefan
Unbegrenzter Speicher, Top-Spams
Hi Libero,
I should use the slashed numbers too in order to indicate half-hole
positions.
Is it possible to use slashed numbers in fingering (without using
\markup)?
Don't know.
can someone show me how to use the slashed-digit inside a markup?
The attached hack might give you the right
Ok, a number of smal fixes have been made in the past week. I'm
restarting the "week until declaring perfect" counter.
http://web.uvic.ca/~gperciva/
If you've read it in detail recently, it's probably not worth
reading again. But if you haven't looked at it yet, please do so!
The one big chan
With apologies for replying to myself, but hoping this will help someone
following on.
> This piece has a solo verse, followed by four-part refrain,
> with differences in lyrics and rhythms in all four parts.
The solution (that is, one solution ;-) ) is to put it in a book. The
prospect of us
Graham Percival wrote:
There are a number of such examples. If you alter the snippet to
work with 2.11.38 and send it to me, the 2.11 version will appear
in the 2.11 docs.
Sorry! I don't know enough to know what is broken/changed. I was
hoping for a fix so I didn't have to hand mark the pa
On Sat, 02 Feb 2008 19:43:19 -0800
Kurt Kroon <[EMAIL PROTECTED]> wrote:
> Page 9, antepenultimate paragraph (missed this in my first go-round)
> -- "For example, when entering music that [not which] begins on a
> notated E (concert D) [moved this section up] for a B-flat trumpet,
> one could writ
When I haven't commented on something, it means I took your
suggestion.
On Sat, 02 Feb 2008 17:26:22 -0800
Kurt Kroon <[EMAIL PROTECTED]> wrote:
> Of course, the titles of the following subsections should be
> considered. They are "Writing pitches", "Changing multiple
> pitches" (but see below),
Graham Percival wrote:
There are a number of such examples. If you alter the snippet to
work with 2.11.38 and send it to me, the 2.11 version will appear
in the 2.11 docs.
Sorry! I don't know enough to know what is broken/changed. I was
hoping for a fix so I didn't have to hand mark the pa
26 matches
Mail list logo