On Thu, 31 Jan 2008 12:10:23 -
"Trevor Daniels" <[EMAIL PROTECTED]> wrote:
> Relative octave entry:
> There is a much simpler way of describing how this works.
> It's in 2.1.2 of the LM: a note is placed in the octave
> which is within three staff spaces of the previous note,
> ignoring all ac
On Thu, 31 Jan 2008 05:47:04 -0800 (PST)
till <[EMAIL PROTECTED]> wrote:
> Graham Percival-2 wrote:
> > By default, texinfo does not indent the first paragraph and
> > indents all others; we need to specifically override this default
> > behavior for the "strongly related" material.
>
> Well, I s
Hi Petr,
In the following example I need all the stems to be up.
<<{c1} \\ {c8 f a d e d a f}>>
By putting them in the order you have, Lilypond automatically assigns
the second part to the second (lower) voice -- instead, try
<< {c8 f a d e d a f} \\ {c1} >>
Hope this helps!
Kieren.
__
Hello.
In the following example I need all the stems to be up.
<<{c1} \\ {c8 f a d e d a f}>>
How could I do it? I tried to put \stemUp anywhere but it didn't work.
I'm sorry if my question is stupid. I'm a newbie.
Thank you for any answers.
Petr Muzikar
> > 4.5.2 Regarding moving beams, I have a
> > typographical question. I
> > understand that the end of a beam is normally
> > positioned such that its
> > top edge, centre, or bottom edge is aligned on a
> > staff line. When
> > manually setting the positions, what fractions of
> > a line space wo
Does your error relate to this bug?
http://code.google.com/p/lilypond/issues/detail?id=558
The issue occurred when the end of a dynamic spanner (\!) happened on a
multimeasure rest on the following line of music, but it looks like it has
been resolved for the next development release.
Andrew
On
Hi Jay,
Poifect!
Glad I could help.
This will save me hours and hours of Lenten drudgery
This year, I gave up drudgery for Lent. ;-)
Cheers,
Kieren.
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lilypond-user@gnu.org
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Hi Risto,
{
R1
\override MultiMeasureRest #'stencil =
#ly:text-interface::print
\override MultiMeasureRest #'text =
\markup { \raise #-1 "(" \musicglyph #"rests.0o" \raise #-1
")"}
\override MultiMeasureRest #'staff-position = #6
R1
}
Wouldn't it just be
Hi,
On 6/01/2008, Valentin Villenave wrote:
>>On 6/01/2008, Risto Vääräniemi wrote:
>> Is there a way to change the R1 glyph from "rests.0o" to e.g. "rests.0" for
>> that staff?
>
> Why don't you try:
>
> \override MultiMeasureRest #'stencil =
> #ly:text-interface::print
>\overri
Hallo Christian und Willkommen bei Lilypond!
Christian Braumann wrote:
>
> Hi all,
>
> I'd like to help with a german translation of the manuals, tutorials
> etc. because many friends of me would like to use Lilypond, but have
> difficulties to understand exactly what is meant in the english
Poifect!
Just removed the \once and changed ragged-right to #f and it was exactly
like I wanted.
I probably spent 2 1/2 hours tweaking the looks of the psalm last night
padding with s's (and trying a few other workarounds). This will save me
hours and hours of Lenten drudgery, LOL.
Thank you so
Hi Jay,
I think you want to use the LyricText #'self-alignment-X property.
See attached example.
Hope this helps!
Kieren.
__
\version "2.11.37"
#(set-global-staff-size 12)
pipeSymbol = \bar "|"
\header
{
title = "Ps. 32, Happy Are Those Whose Transgression is F
I'm trying to get text to line up for psalm chants - this involves assigning
a large block of text to a whole note representing the reciting tone.
Unfortunately, unless I pad the measure with s1.'s before the reciting tone,
I wind up with text off the left end of the paper.
So I thought this:
*\o
Andrew Hawryluk wrote 27 January 2008 02:09
>
> I just finished reading the Learning Manual for
> the first time and I
> am really impressed. Nice work everyone! As a
> relatively new user,
> chapters 3 and 4 were excellent. I am starting to
> figure out why
> commands belong in various places
Hi all,
I'd like to help with a german translation of the manuals, tutorials
etc. because many friends of me would like to use Lilypond, but have
difficulties to understand exactly what is meant in the english version
(as I sometimes have as well). Is there a group which has started
already?
An alternative solution is to use the alignAboveContext property. In your
example this amounts to
\score {
\new Staff = mystave \relative {
\clef treble
\time 4/4
\key a \minor
...
<<
\new ChordNames \with{alignAboveContext = "mystave" }
\chordmode{a'1:m7 a1:m7 a1:m7 a1:m7}
{\sl b,4 b4 b
Since all dynamics are aligned to a DynamicLineSpanner, I guess that's
what's referred to. Still, I don't understand exactly what the error message
means.
/Mats
Paul Scott wrote:
What is the parent spanner referred to in:
Spanner `Hairpin' is not fully contained in parent spanner
?
Knowing
Valentin Villenave wrote:
2008/1/31, Trevor Daniels <[EMAIL PROTECTED]>:
Relative octave entry:
There is a much simpler way of describing how this works.
It's in 2.1.2 of the LM: a note is placed in the octave
which is within three staff spaces of the previous note,
ignoring all accidental
Graham Percival-2 wrote:
>
> On Thu, 31 Jan 2008 11:27:24 +0100
> "Kess Vargavind" <[EMAIL PROTECTED]> wrote:
>> FORMATTING
>> A small thing that nevertheless greatly would aid me in reading the
>> manual:
>>
>> Paragraphs coming directly after a header is correctly non-indented.
>> Where the
2008/1/31, Trevor Daniels <[EMAIL PROTECTED]>:
> Relative octave entry:
> There is a much simpler way of describing how this works.
> It's in 2.1.2 of the LM: a note is placed in the octave
> which is within three staff spaces of the previous note,
> ignoring all accidentals. Simply count staff s
2008/1/31, Graham Percival <[EMAIL PROTECTED]>:
> On Thu, 31 Jan 2008 11:27:24 +0100
> "Kess Vargavind" <[EMAIL PROTECTED]> wrote:
>
> > CONTENTS
> > Note names in other languages (last paragraph):
> >
> > "For both historical reasons and a greater simplicity, LilyPond uses a
> > single 's' for all
Graham, you wrote:
>
> Final call for comments on NR 1.1 Pitches.
In general all is very clear. I spotted only a couple of
things to comment on:
1.1.1:
Head:
convient -> convenient
Relative octave entry:
There is a much simpler way of describing how this works.
It's in 2.1.2 of the LM: a note
On Thu, 31 Jan 2008 11:27:24 +0100
"Kess Vargavind" <[EMAIL PROTECTED]> wrote:
> CONTENTS
> Note names in other languages (last paragraph):
>
> "For both historical reasons and a greater simplicity, LilyPond uses a
> single 's' for all these languages."
>
> I'm not really sure what's intended wi
This section/chapter looks much better than it does in the current manual.
Many thanks from a musically inadept Lilypond beginner.
CONTENTS
Note names in other languages (last paragraph):
"For both historical reasons and a greater simplicity, LilyPond uses a
single 's' for all these languages."
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