Copyright question:
I can find folk (or traditional) songs (or dances) from
many countries in Eastern & Western Europe
a) in printed publications (from Kammen, Mel Bay, & others);
b) in midi files available on the Internet.
In many cases, actually verifying the composition date is not easy
Thanks, entered as
http://code.google.com/p/lilypond/issues/detail?id=339
Cheers,
- Graham
Mats Bengtsson wrote:
In the source code that handles collisions of note heads
(lily/note-collision.cc)
I found the following comment:
/* For full collisions, the right hand head may obscure dots, so
What I do in similar situations is something like this:
pb = \break ""
and then insert a \pb at every spot in the music where I'm willing to
tolerate a break. Needless to say, that results in a really messy
input file, but it does get the job done.
Geoff
__
Please always tell what LilyPond version you use to
be sure to get a relevant answer.
If you use version 2.11.14 or earlier, you can do
\override TextSpanner #'edge-height = #'(0 . 1.2)
if you have a more recent 2.11 version, the solution is
a bit more complicate. The easiest way to figure out is
You should definitely use R1^\markup{...}
One method to get the horizontal size the way you want it
is to manually specify the width, such as
\override MultiMeasureRest #'minimum-length = #10
I couldn't find any method to let LilyPond figure out the width
automatically.
/Mats
Benjamin Esham
Hello all,
I am typesetting a horn part from a piano concerto, and I'm having
difficulty with the "Cadenza" rests in the piece. What I would like
is a rest in the staff—it can be a 4-beat rest, like r1, a full-
measure rest, like R1, or a long multi-measure rest, with the
horizontal bar;
2007/3/21, Arvid Grøtting <[EMAIL PROTECTED]>:
Hi,
in the category for "Coding better typography automation", my choir is willing
to sponsor (within reason) the coding of automatic rest merging within a staff.
The code that controls this is in rest-collision.cc , and it shouldn't
be hard to (o
Mike Blackstock wrote:
In Canada, it's 50 years after the death of the relevant people.
In many (all?) jurisdictions, a published music manuscript - the
layout, fonts, etc. - is considered artwork, and hence falls under
copyright law, regardless of whether or not the music itself is
in the pub
Monk Panteleimon wrote:
I have a little definition (here called "chant") which, together
with my standard \layout
block let's me write unmetred music ad infinitum without having to
(explicitly) add
invisible barlines whenever I want the line to break. This
potentially really useful, since ot
i'm looking forward to seeing this feature implemented ^^
Yota
On 3/21/07, Arvid Grøtting <[EMAIL PROTECTED]> wrote:
2007/3/21, Mats Bengtsson <[EMAIL PROTECTED]>:
> I hope you have tried the workaround described in
> http://lists.gnu.org/archive/html/lilypond-user/2006-06/msg00020.html
Whil
I was recently typesetting a Gershwin song with a very short (2-note) ottava
bracket, which needed the octavation text "8va bassa ad lib." This text is too
long for the bracket, so I considered reducing text size and using column
markup; but the Staff.octavation property takes text, not markup, and
I have a little definition (here called "chant") which, together with my
standard \layout
block let's me write unmetred music ad infinitum without having to
(explicitly) add
invisible barlines whenever I want the line to break. This
potentially really useful, since otherwise I have to recompi
In Canada, it's 50 years after the death of the relevant people.
In many (all?) jurisdictions, a published music manuscript - the
layout, fonts, etc. - is considered artwork, and hence falls under
copyright law, regardless of whether or not the music itself is
in the public domain.
My understan
You probably know about Mutopia's page on copyright. Their rule of
thumb is:
1. The composer, lyricist, arranger and editor all must have
been dead for more than seventy years.
2. The work must have been published prior to 1923.
http://www.mutopiaproject.org/contribute.html
I
José Luis Cruz gmail.com> writes:
>
> Hello,
>
> I've searched in manual and in the list archive, but i've been able to
> find a way for substituting the 'x' symbol that denotes a muted string
> in a fret-diagram.
>
> I want to be able to use another symbol, like a blank space, or
> ideally a
2007/3/21, Mats Bengtsson <[EMAIL PROTECTED]>:
I hope you have tried the workaround described in
http://lists.gnu.org/archive/html/lilypond-user/2006-06/msg00020.html
While certainly usable, this workaround requires that I know which
voices I want to go to which staff, at least in the multiple
Arvid Grøtting wrote:
Hi,
in the category for "Coding better typography automation", my choir is willing
to sponsor (within reason) the coding of automatic rest merging within a staff.
Background:
In staffs with multiple voices, common typesetting practice is to merge
simultaneous rests of equ
Hi,
in the category for "Coding better typography automation", my choir is willing
to sponsor (within reason) the coding of automatic rest merging within a staff.
Background:
In staffs with multiple voices, common typesetting practice is to merge
simultaneous rests of equal duration that are com
and this is what I thing you are searching:
http://lilypond-design.com/sponsor/
Yes, and I've read that before. Doesn't seem too updated, though.
I'll post a request here and see what happens. :)
--
Arvid
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lilypon
Hi,
In the main web, it seems there's no direct link. But I found this googling:
http://lilypond.org/web/sponsor/index.html
and this is what I thing you are searching:
http://lilypond-design.com/sponsor/
cheers,
___
lilypond-user mailing list
lil
Hi,
I was browsing through the web site today in order to find the instructions for
sponsoring a bugfix/feature, but it looks gone. Is sponsoring features no
longer an option?
Cheers,
--
Arvid
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lilypond-user@gnu.org
See http://lists.gnu.org/archive/html/lilypond-user/2007-02/msg00268.html
and other related discussions on the mailing list archives.
/Mats
Matthias Berndt wrote:
Hi,
I'd like to use Lilypond's TeX backend, but it keeps telling me that
it can't find the ecrm6 font, even though it lies in
/
Hi,
I'd like to use Lilypond's TeX backend, but it keeps telling me that
it can't find the ecrm6 font, even though it lies in
/usr/share/texmf/fonts/tfm/public/ec-fonts-mftraced/ecrm6.tfm
I've figured out that i probably have to set some environment variable
properly, but i can't figure out wh
My general suggestion is to read sections "4.1 Suggestions for writing
LilyPond files"
(including subsections) and "4.5 Troubleshooting (taking it all apart)"
in the manual.
There's definitely no need to start from scratch.
From your description, my guess is that you have made a typo that
caus
As far as I can see from the implementation, this is hard-coded for the
moment.
However, since the whole implementation of fret diagrams is done in Scheme,
you don't have to recompile LilyPond to change it, it should suffice to
include
a modified version of the Scheme code into your .ly file. H
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