I know this is an old topic and various folks have
discussed this at length on this list. Nonetheless,
I'd like to throw in a few more remarks on the
subject.
It's true that the jazz chord names printed by
lilypond are weird from a jazz perspective and it is
also true that there is a mechanism vi
Han-Wen Nienhuys writes:
> I wonder whether this should be changed too. This would mean that
>
>\clef alto
>\clef "alto"
>
> becomes
>
>\clef #"alto"
>
> or
>
>\clef #'alto
>
>
> This will simplify the syntax a bit, at the expense ease of entry.
>
> What do
On Wednesday 14 December 2005 12:47, Mats Bengtsson wrote:
> The duration of the skips is handled exactly as the duration of
> ordinary notes. If you insert some bar checks, you will see that
> the durations are probably not what you want:
Ok, thanks for confirming that.
> Since the last duration s
Paul Scott <[EMAIL PROTECTED]> writes:
> Is the web site behind or is 2.7.14.1 the latest safe version?
the web is behind, I just updated it.
> Any reason I shouldn't install 2.7.19 for testing purposes?
none I can think of.
Pedro
___
lilypond-user
Hello,
I want to ask if there is (better) method of utilizing Lilypond to typeset
aleatoric
music. For these not familiar with subject:
http://en.wikipedia.org/wiki/Aleatoric_music
I would like to typeset kind of such music in manner used mostly by
Lutoslawski, i.e. some
pattern is repeted asy
On 12/14/05, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
> Trevor Bača wrote:
>
> >
> >
> > I agree, if for no other reason than to reduce the number of flips
> > over to the manual while inputting.
> >
> > Of course, it probably would be better for *everything* to be
> >
> > \command "arg"
> >
>
Am Mittwoch, 14. Dezember 2005 19:33 schrieb Graham Percival:
> On 14-Dec-05, at 3:33 AM, Felix Hammer wrote:
> > Is there an option to ignore \break ... commands from the violin-part
> > to print
> > the score?
>
> Use \tag. See "multiple editions from the same source".
>
> Cheers,
> - Graham
mu
I am playing around with the tag feature so that I can print out a
master score for a piece and the individual instrument music. In order
to follow along on the hymn I want to include the lyrics for all four
verses in the master score and the individual instrument music. Below is
the master lilypon
Date: 13 Dec 2005 21:13:57 GMT
From: [EMAIL PROTECTED] (Raphael Manfredi)
Subject: Re: triplets
To: lilypond-user@gnu.org
Message-ID: <[EMAIL PROTECTED]>
Content-Type: text/plain; charset="iso-8859-1"
Quoting jutta <[EMAIL PROTECTED]> from ml.lilypond.users:
:Hi,
:I would like to "switch" the
Date: Wed, 14 Dec 2005 11:33:28 + (UTC)
> From: Felix Hammer <[EMAIL PROTECTED]>
> Subject: ignore \break \noBreak \noPageBreak commands for the score
> To: lilypond-user@gnu.org
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain; charset=us-ascii
>
> Hello.
>
> ...
>
> As you can s
Dnia środa, 14 grudnia 2005 17:26, napisałeś:
> What aspects do you have in mind? In the Regression Test document, you can
> find an example "key-signature-scordatura.ly" that shows how to typeset a
> non-standard key signature, which often appears in scordatura scores.
> For the actual string tuni
On 14-Dec-05, at 3:33 AM, Felix Hammer wrote:
Is there an option to ignore \break ... commands from the violin-part
to print
the score?
Use \tag. See "multiple editions from the same source".
Cheers,
- Graham
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lilypond-user mailing list
lil
I see that the autopackage for 2.7.19 exists but the web site only show
2.7.14.1. Is the web site behind or is 2.7.14.1 the latest safe version?
Any reason I shouldn't install 2.7.19 for testing purposes?
Thanks,
Paul Scott
___
lilypond-user mai
On Tue, 2005-12-13 at 23:51 -0800, Graham Percival wrote:
> On 13-Dec-05, at 10:30 PM, Stephen Torri wrote:
>
> > It works but its not ideal. If indeed lilypond is trying to engrave
> > music in the right way then I should not need a hyphen to make it put
> > two words attached to a half note.
> >
Hi.
>
> Is there an option to ignore \break ... commands from the violin-part to
> print
> the score?
>
%-
\version "2.6.3"
theMusic = \relative c' {
a b c d \tag #'part { \break } a b c d
}
\score {
% \theMusic
\removeWithTag #'part \theMusic
\layout {}
}
%-
Best,
Gille
What aspects do you have in mind? In the Regression Test document, you can
find an example "key-signature-scordatura.ly" that shows how to typeset a
non-standard key signature, which often appears in scordatura scores.
For the actual string tuning, I guess there are many different notational
conve
Hi everybody!
Can anybody give me a short example on how to make the staves inside a
system to take a forced vertical extent?
The old style like in 2.6.X semms to be changed or broken. A thread in
the bug-list couldn't help me. The same for the program reference.
Thanks in advance,
Thies
Trevor Bača wrote:
I agree, if for no other reason than to reduce the number of flips
over to the manual while inputting.
Of course, it probably would be better for *everything* to be
\command "arg"
removing the kinda alien-looking (if you're not a scheme programmer)
ACtually, this turn
On 12/13/05, Nicolas Sceaux <[EMAIL PROTECTED]> wrote:
> Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
>
> > I wonder whether this should be changed too. This would mean that
> >
> >\clef alto
> >\clef "alto"
> >
> > becomes
> >
> >\clef #"alto"
> >
> > or
> >
> >\clef #'alto
> >
> >
The duration of the skips is handled exactly as the duration of ordinary
notes. If you insert some bar checks, you will see that the durations
are probably not what you want:
dynamics = {
s\mf s4. | \setTextCresc s\< | s2 | s4\f s\> s4\!
}
Since the last duration specified above the dynamics is
On Tuesday 13 December 2005 22.27, Nicolas Sceaux wrote:
> Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
> > I wonder whether this should be changed too. This would mean that
> >
> >\clef alto
> >\clef "alto"
> >
> > becomes
> >
> >\clef #"alto"
> >
> > or
> >
> >\clef #'alto
> >
> >
You haven't told us what operating system you use. However, if you
use Windows, I have experienced exactly the same problem with
saving UTF-8 from Emacs. It works in Linux, but I haven't tried
to investigate what the problem is in Windows. Maybe someone
else on the mailing list have been more succ
Hello.
I'am typing on Sonata for Violin and Piano A-major from G.F.Handel for
Mutopia.
here is the actual package:
http://violin-unterricht.de/A_major_HWV_361.tar.gz
As you can see I have the violin-parts twice.
To avoid senseless pagebreakings i have to make a lot of \break
Would it be hard to allow for \markup commands inserted directly
among the chords? That would provide a simple solution for all different
kind of requests of special chord notation. The syntax of the solution below
looks like a real hack.
I added the corresponding feature for figured bass some tim
Of course you can fool LilyPond into beleiving that two words should
be treated like a single syllable. Either enclose them within double quotes:
"two words"
or use the fact the a single underline is printed like a space:
two_words
/Mats
Stephen Torri wrote:
On Tue, 2005-12-13 at 23:43 -0500
I couldn't see scordature description in documentation, so i think, there
isn't this capacity in LilyPond, so...
How to insert the string number and any letter under the first clef (or under
time / key signature)?
Something like this:
(6)=D
___
lilypo
Why not approach the problem the other way around and modify the
frontend of LilyPond so that
\command "string"
is always treated internally as
\command #"string"
I think this provides a cleaner solution, at least for the end user.
/Mats
I wonder whether this should be changed too. This woul
The notational convention for songs is to write two slurred (or tied)
quarter notes. Since this notation means something else for a guitarist,
you have to decide if you want your typeset piece to be a guitar piece
with attached lyrics or a song that can be played by a guitar, in order
to choose wh
On 13-Dec-05, at 10:30 PM, Stephen Torri wrote:
It works but its not ideal. If indeed lilypond is trying to engrave
music in the right way then I should not need a hyphen to make it put
two words attached to a half note.
Does anyone have an idea as to why I cannot assign two words of lyrics
to
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