Typing lilypond at the Windows command prompt produces no result.
Whereas, from the Cygwin console I get the default sample .ly file.
I can compile a .ly file from Cygwin but not from the Windows prompt. Why?
It seems the only way I can send a .ly file to the Windows install is by
dragging th
shelagh wrote:
On Mon, 18 Jul 2005 19:40:31 -0700, Paul Scott wrote:
shelagh wrote:
I tried to install lilypond 2.6.1 with the auto installer as my
distribution doesn't package the latest version. My problem is that when
the installer gets to the ghostscript search it says I don't ha
There are two kinds of signed trills: ones with tiny accidentals on the
side and those with ones on top. (At least, those are the trills I work
with...contemporary trill fun is discounted.) It's a tedious process to
find good parameter values to properly position and size these
accidentals. Fur
Thanks Laura,
I've been to the muptopia site, but unfortunately it's a matter of finding a score typeset with the current version your working on. Convert-ly does some of the job but then there some manual recoding that needs to be done, which can prove just as scarey as starting with a blank file
> "TJ" == Trent J <[EMAIL PROTECTED]> writes:
TJ>Maybe there could be a facility where people could share
TJ>templates etc it might make grasping the technicalities of
TJ>lilypond a little easier if people could start by entering
TJ>music instead of figuring out
On Mon, 18 Jul 2005 19:40:31 -0700, Paul Scott wrote:
> shelagh wrote:
>
>>I tried to install lilypond 2.6.1 with the auto installer as my
>>distribution doesn't package the latest version. My problem is that when
>>the installer gets to the ghostscript search it says I don't have the
>>right ver
Thanx Mats,
I'll give it a try tonight. Yes the description for the figured bass is a bit cryptic where the manual and regression test seem to differ. Also the examples give tend only to involve a direct score generation with no 'instrument' variables as you would normally generate so knowing what
shelagh wrote:
I tried to install lilypond 2.6.1 with the auto installer as my
distribution doesn't package the latest version. My problem is that when
the installer gets to the ghostscript search it says I don't have the
right version. (ghostscript-8.15). This however is not so as I've only
jus
I tried to install lilypond 2.6.1 with the auto installer as my
distribution doesn't package the latest version. My problem is that when
the installer gets to the ghostscript search it says I don't have the
right version. (ghostscript-8.15). This however is not so as I've only
just downloaded, comp
On Monday 18 July 2005 19.12, Laura Conrad wrote:
> > "ES" == Erik Sandberg <[EMAIL PROTECTED]> writes:
>
> ES> I don't see why any non-guru would want to set whichBar
> ES> explicitly, so perhaps that documentation should be moved to
> ES> internals.
>
> The reason I use it from ti
On Mon, 18 Jul 2005 17:09:51 -0500
Fairchild wrote:
> More precisely, which files at http://d-axel.dk/pub/music/ constitute your
> how-to examples?
Oops! I was not so fast, sorry. I can see I need to rearrange my webserver
document root (soon running out of space) and therefore I left my examples
may be i got stuck in the moderation filters?
Arno
--- Forwarded message ---
From: "Arno Waschk" <[EMAIL PROTECTED]>
To:Subject: problem with lilypond 2.6.1 under cygwin...
Date: Wed, 13 Jul 2005 20:17:56 +0200
What is going wrong here?
I compiled lilypond from cvs (branch lilypond_2_6
Hi. I'm a new lilypond user, so please excuse me if
this question is too basic or elemental.
I'm writing a chord chart using \chordmode but am
having trouble with some repeats because the chord
names appear above the numbered ending brackets. How
can I make lilypond write the repeat brackets above
Dear Martin --
I think you're going to have to do one of two things:
1. Upgrade to gcc 3.4 (unstable). The following page will be helpful:
http://gentoo-wiki.com/HOWTO_Migrate_to_GCC_3.4
(Current stable gcc *[3.3.5.20050130-r1]* in portage maxes out at
libstdc++.so.5.0.7)
*OR*
2. Remove the au
Rob Vlasaty a écrit :
>Georges,
>
>See if this is what you wanted. Mats Bengtsson wrote to me in another post:
>
>
>
>>>You may want to use \voiceOne instead of \stemUp and \voiceTwo instead
>>>of \stemDown, to set the direction not only of stems but also of slurs,
>>>ties, and some other thing
Georges,
See if this is what you wanted. Mats Bengtsson wrote to me in another post:
>> You may want to use \voiceOne instead of \stemUp and \voiceTwo instead
>> of \stemDown, to set the direction not only of stems but also of slurs,
>> ties, and some other things.
Erik Sandberg wrote to me on
Donald -
More precisely, which files at http://d-axel.dk/pub/music/ constitute your
how-to examples?
- Bruce
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
dax2
Sent: Monday, July 18, 2005 4:17 PM
To: lilypond-user@gnu.org
Subject
OK, thanks. That gives the correct output.
But how would I wrap this into a self-contained command?
If I try
tc = \once \override TextScript #'staff-padding = #2 \markup { \column { "T"
"C" } }
then Lily fails (understandably) when I try to use as { a_\tc }
I would like to have the command com
See http://lists.gnu.org/archive/html/lilypond-user/2005-07/msg00138.html
for some hints on how to implement a function in Scheme which you can
use with the syntax
\tc a
/Mats
Sven Axelsson wrote:
OK, thanks. That gives the correct output.
But how would I wrap this into a self-contained com
One useful trick here is to increase the value of the
staff-padding property of the TextScript object. This property
determines the minimum distance from the script to the staff lines,
so as long as you set this value large enough so that no note gets
too close to the text scripts, they will all b
On Mon, 18 Jul 2005 21:12:51 +0200
Georges wrote:
> Thanks, here is my example, the note 9 of the first voice is overwritten
> by beam.
I have a small base of how-to examples which are essential for
small-private-scale writing of any (classical) music. Well, it
is definitely not finished, but I h
Graham Percival wrote:
On 16-Jul-05, at 9:30 AM, Borislav Ivanov wrote:
Hello. I have a problem when lilypond must add lyrics to tied notes.
It thinks that the tied notes are actually one note and add the lyrics
to the next untied note.
That's the way it's supposed to be. If you want th
> "ES" == Erik Sandberg <[EMAIL PROTECTED]> writes:
ES> I don't see why any non-guru would want to set whichBar
ES> explicitly, so perhaps that documentation should be moved to
ES> internals.
The reason I use it from time to time (maybe I'm a guru, but the
problem is definitely no
Mats Bengtsson a écrit :
>
>
> Erik Sandberg wrote:
> >...
>
>> << { \stemUp s e16[ s e s e s e s e s e ] } \\ { \stemDown e16[ s
>> gis s fis s gis s a s fis s ] } >>
>
>
> You remove the \stemUp and \stemDown here, since they are provided
> automatically by the \\ construct.
>
>/Mats
I ca
Graham- I keep on trying to use conver-ly and it keeps on saying that I
don't have getop which I do I can see it in the same place as convert-ly
so I've never been able to get it to work.
I think I've written that before and never received a reply but I'm not
longer sure.
Jay
Graham Percival w
Yeah, so here's another EPS question to put an end to all EPS questions:
In the latest version of lilypond (2.6.1), what's the best way to get an
EPS now that the tex backend isn't used by default? Because it seems that
the lilypond.map file isn't there anymore
--Phil Kirlin
__
Erik Sandberg wrote:
>...
<< { \stemUp s e16[ s e s e s e s e s e ] } \\ { \stemDown e16[ s gis s fis
s gis s a s fis s ] } >>
You remove the \stemUp and \stemDown here, since they are provided
automatically by the \\ construct.
/Mats
___
li
Am 2005-07-18 um 19:27 schrieb Phillip Kirlin:
In the latest version of lilypond (2.6.1), what's the best way to
get an EPS now that the tex backend isn't used by default? Because
it seems that the lilypond.map file isn't there anymore
You could use ps2eps from GhostScript (at least i
First of all, I note that you are using a feature that is not mentioned
in the manual, namely \figures, which turns out to be shorthand for
\new FiguredBass \figuremode
(The only documentation of this feature can be found in
http://www.lilypond.org/doc/v2.4/Documentation/topdocs/out-www/NEWS.html
Mats Bengtsson a écrit :
>
>
> Erik Sandberg wrote:
> >...
>
>> << { \stemUp s e16[ s e s e s e s e s e ] } \\ { \stemDown e16[ s
>> gis s fis s gis s a s fis s ] } >>
>
>
> You remove the \stemUp and \stemDown here, since they are provided
> automatically by the \\ construct.
>
>/Mats
If I
Erik Sandberg a écrit :
>I can't reproduce this (the a is not overwritten by any beam if I compile your
>example). If it really does, it's a bug which we would like to know more
>about. Can you please send a complete example in which the 'a' is overwritten
>by a beam?
>
>Erik
>
>
Thanks, here
On Monday 18 July 2005 17.07, Georges Roux wrote:
> I do that but the a is hidden by beam
Please keep the discussions on the thread, i.e. reply to old messages that you
refer to, instead of writing new ones. That way it's easier for us to relate
your mail to previous communication.
> upperVoice
On Monday 18 July 2005 18.05, Fairchild wrote:
> Erik -
>
>
>
> I understand that whichBar changes the default bar style as expected. The
> flaky thing is that it causes the bar to be inserted after _every_ note.
> Can't fathom why this would be wanted often enough to make it a default.
Nobody fo
Title: Message
Erik
-
I
understand that whichBar changes the default bar style as expected. The flaky thing is that it causes the
bar to be inserted after _every_ note.
Can't fathom why this would be wanted often enough to make it a
default.
\version
"2.4.6"
{\r
Mats Bengtsson wrote:
Paul Scott wrote:
[EMAIL PROTECTED]:~/music/stfrancis$ lilypond-book-2.6.0 --output=out
--psfonts oilbook.tex
lilypond-book-bin-2.6.0 (GNU LilyPond) 2.6.0
Reading oilbook.tex...
Dissecting...
Writing snippets...
Processing...
(snip)
Compiling oilbook.tex...
Writing `
Am 2005-07-18 um 12:39 schrieb Mats Bengtsson:
You may want to use \voiceOne instead of \stemUp and \voiceTwo instead
of \stemDown, to set the direction not only of stems but also of
slurs,
ties, and some other things.
Thank you!
(This is exactly what is done automatically when you use
<<
I do that but the a is hidden by beam
upperVoice = \relative c' {
<< { \stemDown e16[ s gis s fis s gis s a s fis s ] } \\ { \stemUp s
e16[ s e s e s e s e s e ] } >>
}
Is there a way to unhidde the a?
Georges
___
l
I've tried and tried and tried and tried... and I still can't get the figured bass above the bass line.
I've tried following the example in the regression test but since there is no other staves or variables used I can't put the code together that would place the figured bass above the bass line.
Hello,
I've installed the latest lilypond 2.6.1 with autopackage on my Gentoo
Linux. The installation was fine, but I cannot start lilypond:
--- snip ---
/usr/local/bin/lilypond-bin-2.6.1: error while loading shared libraries:
libstdc++.so.6: cannot open shared object file: No such file or di
Trent J wrote:
Dear All,
Currently I am thinking about sponsoring the improvement of the figured
bass system within LilyPond.
The Main features that I am proposing are:
1: The alignment of the figures are calcuated from the top of the
figured group and spaced appropriately from the bottom
Paul Scott wrote:
...
Thanks. That was easy enough. Now a minor problem:
[EMAIL PROTECTED]:~/music/stfrancis$ lilypond-book-2.6.0 --output=out --psfonts
oilbook.tex
lilypond-book-bin-2.6.0 (GNU LilyPond) 2.6.0
Reading oilbook.tex...
Dissecting...
Writing snippets...
Processing...
(snip)
I think the main problem is that you explicitly specify the line width
of your score. If you don't do that, lilypond-book will automatically
find out the line width used in the text part of your LaTeX document
and use that also for the music examples. Then, all lines of the score
will also appear
Rob Vlasaty wrote:
I took a look at your file and changed it a little. See if this is more of
what you were looking for. In the /score, I printed the chords first, then a
staff which combines both voices together, then the lyrics. I also added
/stemUp and /stemDown to your notes. This is
Dear developers & users of Lilypond,
as you can see, it takes more and more time for me to release a
packaging of lilypond for cygwin. It has several causes:
- I'm getting less and less spare time, because of changes in my job and
my family
- I'm not a Unix guru
- I can't really follow the changes
> I tried LilyPondTool 0.2.8-4 both with jEdit 4.3pre2 and 4.2 and the
> OpenOffice.org dictionaries. This seems promising, but it involves
> jEdit and a lot of extra stuff. Does anyone even have it working?
> suggestions for other tools?
I do use it extensively, that's what I developed it for Li
On Sunday 17 July 2005 17.39, Fairchild wrote:
> Erik -
>
> I would expect whichBar = #"|" to set the style/type of bar, but not cause
> lines after every note. I would expect to use \bar to force bar lines at
> abnormal places. See
> http://www.lilypond.org/doc/v2.4/Documentation/user/out-www/li
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