On 07/07/10 19:06, Paul Scott wrote:
> On Tue, Jul 06, 2010 at 11:54:29AM +0100, Wols Lists wrote:
>
>> quote:
>>
>> The trombones are a special case: although they are said to be 'in F'
>> (alto or bass) or 'in B-flat' (tenor), this refers to their fundamental
>> note, not to their parts' tran
Hi everybody,
This patch fixes the display method for \ottava, i.e.,
\displayLilyMusic { \ottava #1 c' }
produces
{ \ottava #1 c' }
instead of
{ \context Staff \applyContext #ottava-modify c' }
Please review: http://codereview.appspot.com/1695052/show
Thanks,
Neil
_
On 2010/07/07 05:55:07, Carl wrote:
> (seeing as this naming convention will have to be changed)?
What does this mean?
I can't remember where I read it, but I was under the impression that
once GLISS starts, we'd have to think about deprecating the use of
`override' and `revert' as part of
On 2010/07/07 05:53:33, Carl wrote:
Yes, I have that on my to-do list. I think waiting for a separate
patch makes
sense. I'd love to see your patch for \ottava to help me get this
right.
I've just posted it here: http://codereview.appspot.com/1695052/show
I think you can follow a similar
On 7 July 2010 13:19, Reinhold Kainhofer wrote:
> So, how can I force the new lyrics context to be placed above the current
> staff (for which I don't know the context id)? Alternatively, is there a way
> to obtain the staff's context id from within a voice?
The only way I can think of doing thi
On Tue, Jul 06, 2010 at 11:54:29AM +0100, Wols Lists wrote:
> quote:
>
> The trombones are a special case: although they are said to be 'in F'
> (alto or bass) or 'in B-flat' (tenor), this refers to their fundamental
> note, not to their parts' transposition. (In fact, the trombones' parts
> are
A new patch set has now been loaded.
http://codereview.appspot.com/1682049/show
___
lilypond-devel mailing list
lilypond-devel@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-devel
On 7/7/10 7:23 AM, "Carl Sorensen" wrote:
> On 7/7/10 6:56 AM, "James Lowe" wrote:
>
>>
>> What I don't understand is why the middle example shows that the second
>> trill allows for the 'overlap' but the first and third don't and the
>> trills effectively run into each other.
>
> Actually
On 7/7/10 6:56 AM, "James Lowe" wrote:
>
> What I don't understand is why the middle example shows that the second
> trill allows for the 'overlap' but the first and third don't and the
> trills effectively run into each other.
Actually, all 3 work as expected -- the TrillSpanner stops, and a n
Hello,
While updating the NR with the reg tests that have not yet been
documented I came across an anomaly with trill spanners.
Specifically the reg test says
Consecutive trill spans will work without explicit \stopTrillSpan commands,
since successive trill spanners will automatically becom
I'm currently looking into adding lyrics support for cue notes (which is
absolutely essential for large orchestral parts!).
The good thing is that \addQuote also collects the lyrics correctly, so all
the data is there, just to be used.
My problem is how to create the CueLyrics context so that t
I'll take a look and see what I can do.
James
On 06/07/2010 11:54, Wols Lists wrote:
quote:
The trombones are a special case: although they are said to be ‘in F’
(alto or bass) or ‘in B-flat’ (tenor), this refers to their fundamental
note, not to their parts’ transposition. (In fact, the tromb
12 matches
Mail list logo
