2008/2/11, Nicolas Sceaux <[EMAIL PROTECTED]>:
> > - If I'm reading this correctly, this is all a grand hack to add a
> > little staff to an instrument name. I don't see the essential
> > difference between this and
> >
> > \set instrumentName = \markup { \score { .. } the-real-name }
> >
> > ex
Le 11 févr. 08 à 02:07, Han-Wen Nienhuys a écrit :
[...]
- If I'm reading this correctly, this is all a grand hack to add a
little staff to an instrument name. I don't see the essential
difference between this and
\set instrumentName = \markup { \score { .. } the-real-name }
except that
Till:
> Juergen Reuter schrieb:
> > as far as I understand, all problems with incipits boil down to the
> > following two major issues:
> >
> > (1) horizontal spacing, and
I did not focus on that, it is an ancient notation issue, it is not
specific to incipits.
> > (2) the system start delim
Le 11 févr. 08 à 02:41, Han-Wen Nienhuys a écrit :
Sounds like a good idea. You could do the same with the other lines,
if you would assume that there was a 'virtual' indent (don't change
the line dimensions, but assume there is a global given space to align
names with)
Ok. Should I define a
Juergen Reuter schrieb:
Hi all,
as far as I understand, all problems with incipits boil down to the
following two major issues:
(1) horizontal spacing, and
(2) the system start delimiter.
Karl's solution unfortunately leaves horizontal space between the
incipit and the actual score;
On Mon, 11 Feb 2008, Robert Memering wrote:
Am Montag, 11. Februar 2008 16:36 schrieb Juergen Reuter:
IIRC, the spacing engine maintains a variable that keeps track of shortest
available duration in a peace in computes the ideal distance of larger
note values in a logarithmic scale based on t
Robert Memering schrieb:
Am Montag, 11. Februar 2008 16:36 schrieb Juergen Reuter:
IIRC, the spacing engine maintains a variable that keeps track of shortest
available duration in a peace in computes the ideal distance of larger
note values in a logarithmic scale based on the shortest durat
Am Montag, 11. Februar 2008 16:36 schrieb Juergen Reuter:
> IIRC, the spacing engine maintains a variable that keeps track of shortest
> available duration in a peace in computes the ideal distance of larger
> note values in a logarithmic scale based on the shortest duration. Maybe
> this computat
Hi all,
as far as I understand, all problems with incipits boil down to the
following two major issues:
(1) horizontal spacing, and
(2) the system start delimiter.
Karl's solution unfortunately leaves horizontal space between the incipit
and the actual score; hence it does *not* solve i
Han-Wen:
> Sorry for looking at this so late.
>
> General comments:
>
> - you're adding an enormous bunch of code to the instrument name
> engraver. That's a bad idea. If this idea merits an engraver, it
> should be a separate one.
...
> - If I'm reading this correctly, this is all a grand hack t
> "Mats" == Mats Bengtsson <[EMAIL PROTECTED]> writes:
Mats> Definitely relative!
I don't feel strongly, but the other converters (midi2ly, abc2ly,
etf2ly...) all use absolute pitches. And using relative definitely
makes it necessary to be careful about taking an exerpt out of
context, w
Definitely relative!
/Mats
Andrew Hawryluk wrote:
I, too, am in favour of relative as the default.
-AH
On Feb 8, 2008 9:40 AM, Reinhold Kainhofer <[EMAIL PROTECTED]> wrote:
Hi all,
Musicxml2ly supports converting to both relative pitches and absolute pitches.
The question I have is, whi
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