On 31-Aug-05, at 8:45 AM, Hans de Rijck wrote:
\stemUp
\stemDown
I'm not certain about these. I commented out the section on setting
stem
directions, since that section isn't useful. I suppose I could
include
that
info in the section on polyphony.
Well, setting stem directions can be us
On 27-Aug-05, at 1:00 PM, Han-Wen Nienhuys wrote:
Mats Bengtsson wrote:
As far as I can understand, a \hspace #0 gives a markup that is
0pt wide but has a height that is the total height (i.e. the depth +
the
height) of the characters in the font. That's the only way I can
explain
what happ
On 31-Aug-05, at 5:55 AM, Mats Bengtsson wrote:
I'm reluctant to do this, because it has a different musical meaning
(ie the
decresc starts on the c, not the d). Currently the manual example
demonstrates
the way lilypond handles most cresc/decresc. I think the best way to
handle this is to
On 31-Aug-05, at 5:55 AM, Mats Bengtsson wrote:
Graham Percival wrote:
I'm accepting suggestions. This example is created from
input/test/script-chart.ly ;
the names are done as lyrics. How can you space out lyrics ?
According to the documentation, you might get the impression that
On 22-Aug-05, at 2:11 AM, Han-Wen Nienhuys wrote:
Graham Percival wrote:
On 21-Aug-05, at 3:27 AM, Katrien de Vos wrote:
I am using the windows version of Lilypond. I am satisfied with the
small download and quick installation. I am only missing a
scriptfile (batchfile) to convert the 'old'
[EMAIL PROTECTED] wrote:
this is out of style. Why can't it simply use the staff-position property?
I'm trying setting the staff-position of a new BarLine symbol, but
without any effect.
in Bar_line::compound_barline I have at the proper place:
else if (str == ".")
{
m = dot;
//
Hi Graham,
>
> > \stemUp
> > \stemDown
>
> I'm not certain about these. I commented out the section on setting
> stem
> directions, since that section isn't useful. I suppose I could include
> that
> info in the section on polyphony.
Well, setting stem directions can be usefull, why not docume
On 8/31/05, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
>
>
> Graham Percival wrote:
> >
> > I'm reluctant to do this, because it has a different musical meaning (ie
> > the
> > decresc starts on the c, not the d). Currently the manual example
> > demonstrates
> > the way lilypond handles most cr
Han-Wen Nienhuys wrote:
CVSROOT:/cvsroot/lilypond
Module name:lilypond
Branch:
Changes by: Han-Wen Nienhuys <[EMAIL PROTECTED]> 05/08/30 23:26:04
Modified files:
. : ChangeLog
lily : tie.cc
scripts: lilypond-book.py
Log messa
Graham Percival wrote:
On 30-Aug-05, at 3:38 AM, Hans de Rijck wrote:
6.5.1 Articulations
In the chart showing all scripts available, can there be some spacing
between the words, they are now almost impossible to decipher, for
example
the third line reads:
rheelltoertoeopenstoppedturnre
> > > But what happens if there are a lot of those notes with the same
> > > maximum?
> >
> > Example, please.
> >
>
> \relative c'''{
> \time 6/8
> \clef violin
> e16 e e e e,, e''
> \stemUp
> e16 e e e e,, e''
> }
Well, the first beam is the right one IMHO (and this is what I
suggest
Hans de Rijck wrote:
Hi,
Some small remarks about the documentation (both html and pdf) for version
2.6.
6.5.3 Dynamics
Please add a line how to get dynamics aligned. It's now very implicit.
What I mean is, your example
c\< c\! d\> e\!
leads to a crescendo and a decrescendo that don't
At Wed, 31 Aug 2005 07:47:37 +0200 (CEST),
Werner LEMBERG wrote:
>
> > > Lilypond still uses a non-optimal beam direction algorithm. Again
> > > I suggest to simply check for the note under the beam which has
> > > the greatest distance from the staff's middle line, and to use its
> > > natural d
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