On Sat, 2004-11-20 at 16:16, Giancarlo Niccolai wrote:
> Actually, I am quite fresh on parsers (just developed a language), however, I
> sense you are right in the idea of "starting slow"; however, although I have
> some basic knowledge of scheme, I suppose I can only hack around
> copying&past
On Fri, 2004-11-19 at 07:38, Han-Wen Nienhuys wrote:
> * Although it is possible to make a #(set-fret-diagram-string ) , I
> think we can use the mechanism now used for chord exceptions, ie.
> * I suppose that this is still too difficult for "normal" users, and
> that we should also have an opt
ok, added both requests. Please note that I don't plan to maintain
feature-requests/ very well; I don't view it as an official lilypond feature
request list.
Erik
On Saturday 20 November 2004 21.45, Graham Percival wrote:
> Similar to my other request, I'd like to request an easy mechanism
> fo
Alle 00:03, domenica 21 novembre 2004, hai scritto:
>
> It's generally easier to get started by implementing things in guile
> (scheme), rather than starting off playing with the parser.
Actually, I am quite fresh on parsers (just developed a language), however, I
sense you are right in the idea
On Sat, 2004-11-20 at 11:24, Giancarlo Niccolai wrote:
> powerMiBeat = \relative do {
>8|
> }
> (btw, mi=e, si=b).
>
> Ok, now, the distorted guitar is playing all the time a set of riffs like
> this, but sometimes stopped, other not: it would be quite useful to have
> things like:
On 17-Nov-04, at 5:55 AM, Bertalan Fodor wrote:
We will create a beginner's guide to lilypond that shows the basics of
lilypond with lily4jedit. Anyway to sum my opinion: Windows users
shouldn't be directed to "use your favorite text editor", because they
don't have one. Windows users should use
Similar to my other request, I'd like to request an easy mechanism
for inserting grace notes at the end of a bar. (this arose for me
recently with typesetting a Schubert clarinet piece)
If we imagine that the bar line really is a bar line (rather than
just a bar line check), then
c1 \grace {b c} |
On 10-Nov-04, at 3:02 AM, Christian Hitz wrote:
in wind band music I have encountered four types of rehearsal marks:
consecutive letters, consecutive numbers, bar numbers at regular
intervals and bar numbers at special places. The first three types are
explained in the manual.
With the help of t
We discussed this a few months ago, but I'd like to reiterate
this request (so that Erik can include it in his list).
I'd like to easily typeset ending a cresc/decresc at the
end of a note. For example,
c1\> ~ c1\_!
would place the ending of the decresc at the end of the
second c1. I'm not concer
On 23-Oct-04, at 4:03 PM, Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
Good God, what on Earth for? Why use @cindex for commands, when you
have @findex and @pindex (and @syncodeindex to put them all, each one
in the right typeface, in the same index, if you really need to)?
@syncodeindex, tha
Hello again,
I am currently writing the guitar parts (two) for "Zombie" both as an exercise
to get confident with lilypond and to test some features. (Oh, also because I
play it with a band ;-)
Now, you know that elguit music has TONS of stopped notes; I have found an
article dating 4/2004 in
Alle 16:51, sabato 20 novembre 2004, hai scritto:
> On Sat, 2004-11-20 at 05:25, Giancarlo Niccolai wrote:
> The code you'll need to work with is likely found in
> lily/tab-note-heads-engraver.cc.
There will also the need for some specific notation that is rendered only in
TabContexts, i.e.
c8
On Sat, 2004-11-20 at 05:25, Giancarlo Niccolai wrote:
> Ok, more on the topic: I subscribed to ask: is the electric guitar tabulature
> notation (characters b/B for bending, acciacattura bending (barred or dotted
> b/B), s/S for slide and P/H for pull-off/hammer-on) being scheduled in TODO?
>
Hello ppl.
I just discovered lilypond; I was quite desperate in trying to write
professional music; even the most powerful WYSIWYG editors, as Finale, were
at least "cumbersome" to use. The concepts in lilyponds are so powerful and
easy to learn that I have rewrote in a few minutes solos and ri
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