Point and click: HELP ME PLEASE...
I use Lilypond to write music. The manual says that there exist a funcion called point and click that allows clicking on the .pdf file to find the line in the .ly file. It is not clear how to set the parameters. I use: emacs as editor, evince as pdf viewer, xdvi as dvi viewer, but even I looked for solution I have never succeeded. Please help me (I'm a beginner of both Lilypond and Linux), Marco. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Retrograde canon
Hi all. Is it possible to engrave, with Lilypond, something similar to "Canone 1 a 2" http://assioma5.altervista.org/05_Apparati/Cancrizzante.html, that is a mirrored clef and key accidentals at the end of the score? Marco ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
PDF output without
Is it possible to have a PDF output without "Music Engraving by Lilypond..." text? Thank you MB ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Add lyrics after n measures
Hello, I can't find in the manuals and tutorials how to add lyrics after n measures. I want that lyrics start at the 4th measure. (after a little intro) How can I do it? I tried many ways but lyrics start always with the first measure. Thank you MB ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Changing staff
Hello, I would like to know if is possible to reproduce the "Changing staff" example (Chapter 2.2.1 Common notation for keyboards of Lilypond guide) using: - a single file "left.ly" for the Left-Hand - a single file "right.ly" for the Right-Hand - a file "general.ly" to generate the pdf output file. (sorry for my english) Thank you in advance to all for the answers. Regards Marco B. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Piano centered dynamics
How is possible to center perfectly dynamics symbols between the staves of a piano staff? Thank you in advance to all for the your answers. Best regards Marco ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
drum exercises
Good morning, I am a drum student and I would like to learn to write the exercises with lilypond (2.19.83) as you can see in the attached image. Can anyone help me. Thanks and happy new year 2020 to all -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
Re: drum exercises
Sorry but I'm not very practical Now do you see the attachment? -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
Cannot move an accent articulation
Hi all.
I have some problems with the snippet below.
First of all, there is a collision in the first bar between the tie and the
articulation (but I can easily solve it).
In the second bar, the tie starts at the end of the previous notehead and
finishes at the beginning of the following notehead, whereas elsewhere it
starts and finishes about in the middle of the noteheads.
In the fourth bar, the augmentation dot for the d is a little bit lower than it
should be (in my opinion).
Finally (and here I need your help), I would like to move the accent
articulation in the second last bar close to the c notehead (as in the fourth
last bar), but \override Script #'Y-offset does not seem to work.
Best regards,
Marco
\version "2.11.52"
{\time 6/8 \relative c'' {
% tie and articulation collision
f4.-> ~ f4.
% strange position for the tie
e4.-> ~ e4.
d4.-> ~ d4.
<<{c'4. ~ c4.}\\
{
% strange position for the augmentation dot
d,4. ~ d4.}>>
g,,4.
\override Script #'Y-offset = #-4.5
c4.-> ~
c2.
g4.(
% cannot move the accent articulation
\override Script #'Y-offset = #-4.5
c4.-> ~
c2.)
}}
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Re: Tie control-points delete another tie
Hi,
My mail probably belongs better to the user list so I post it there...
Trevor Daniels wrote:
It's not clear what you are trying to achieve here,
as the ties without the override look ok.
I don't know about Marco's intentions but I once had a similar case. I
got around by using both slurs and ties.
I did exactly the same. First, please consider that in this snippet
(without the third voice)
\version "2.11.52"
\paper{ ragged-right=##t }
\new Staff {
<<
% first voice
{d''2 ~ d''
d''2 ~ d''}
% second voice in parallel
{f'2 ~ f'
\once\override Tie #'control-points =
#'((1.5 . -0.5) (2 . 1) (7 . 2) (8 . -1))
f'2 ~ f'}
}
only the tie in the lower voice is modified, as wanted. What I want to
engrave is the following:
\version "2.11.52"
\new Staff {
\key f \major \time 6/8
<<
{\relative c'' {
d4. ~ d4 e8
d4.( d4) e8}}
{\relative c' {
fis4. fis4 a8
\once\override Tie #'control-points =
#'((1.75 . -0.5) (2.5 . 0.75) (8 . 2) (13.5 . -1.2))
fis4. ~ fis4 a8}}\\
{\relative c'' {
a8 a16 a a8 a a a
a8 a16 a a8 a a a
}}
>>
}
In the first bar (the original one) there is a tie-collision, which I can
solve only changing the tie in the upper voice into a slur (second bar).
Best regards,
Marco
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Music fragment of specified width
Dear all, I'm producing a lot of music fragments to be inserted as png pictures. I followed AU 4.6.3. I specified line-width=130\mm and so the maximum width of the fragments is 130mm, except in the case I set the Staff.instrumentName. In this case, the maximum width is 130\mm plus the width of the instrument name. Is there a way to specify the *total* maximum width of a fragment? Thanks, Marco ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Dynamics
I'm creating MIDI files for my choir. How can I set different volume levels for each section, to make one be in evidence among the others? Thank you very much. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Dynamics 2
I'm creating MIDI files for my choir. How can I set different volume levels for each section, to make one be in evidence among the others? What I understand by reading section 1.3 is that dynamics can only be attached to notes, so I should repeat the dynamic mark for each note. Is there a way to declare the dynamic mark at the beginning of a complete section without the need to reapet it? Thanks. Marco ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Ghost Notes for Bass
Hi all, I just want to say how amazed I am with the quality of this software. It sure beats anything I've ever worked with, and is a real treat for a techy kind like me :working: I am a bass player who likes to play lots of muted notes. I've been trying to transcribe some bass lines, and can't seem to find any reference in the manual (except using the \parenthesize with drums and percussion) for creating ghost notes. Is it possible to render ghost notes on a bass clef stave? Hope someone can help! Thanks and regards, Marco. -- View this message in context: http://www.nabble.com/Ghost-Notes-for-Bass-tp17242504p17242504.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Ghost Notes for Bass
Thanks Marc, That works beautifully! I'll also keep in mind what Mats said about naming these two macros. Any suggestions of unreserved names? Sorry for asking such silly questions, but I'm a newbie with Lilypond... On 15 May 2008, at 10:24, Marc Hohl wrote: Hi Marco, have a look at http://lsr.dsi.unimi.it/LSR/Snippet?id=365 There you can find the definitions cr = \override NoteHead #'style = #'cross ncr = \revert NoteHead #'style You can use them like this c4 \cr c \ncr d \cr d \ncr to play four quarters with a ghost note at 2 and 4. HTH Marc ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Partcombine and text scripts
Hi all.
I was not using Lilypond since 1.8.x, and I have to say that Lilypond
2.4.x is great! Thanks to the authors.
Anyway, when using \partcombine, is it possible to get the text scripts
(e.g., c-\markup{rall.}) printed only once (as rehearsal marks)?
Best regards,
--
Marco
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Tempo signature
Are there commands to produce, e.g., Allegro, Adagio, Largo at wanted positions? - Marco ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Tempo signature
Are there commands to produce, e.g., Allegro, Adagio, Largo at wanted positions? - Marco ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Flat symbol in the header
Hi.
How can I put the flat symbol (or sharp) in the header? For example, I
want to write
\header{instrument="Instruments in Bb"}
where "Bb" means "B flat".
Bye
--
Marco
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Re: Flat symbol in the header
On Sat, 15 Jun 2002, Jan Nieuwenhuizen wrote:
> Rune Zedeler <[EMAIL PROTECTED]> writes:
>
> > Marco Caliari wrote:
> >
> >> \header{instrument="Instruments in Bb"}
> >
> > \header { instrument = "Instruments in B$\\flat$" }
>
> Fwiw, using feta characters, like this, should also work:
>
>\header{
>instrument="instruments in B\fetachar\fetaflat"
>}
>
>\score{
>\notes\relative c'' { c }
>}
>
> But, for some reason, the \fetafont and \fetachar macro definitions
> have been turned off in lilyponddefs.tex (can we turn them back on, please?).
>
> Remove comment characters '%', like so:
>
> %% The feta characters
> \input feta20.tex
>
> \font\fetasixteen=feta16
> \def\fetafont{\fetasixteen}
> \def\fetachar#1{\hbox{\fetasixteen#1}}
>
> Greetings,
> Jan.
>
>
Hi.
\fetachar\fetaflat in the headers does not work with ly2dvi of Lily 1.6.0.
lilyponddefs.tex is OK (i.e., without %)
--
Marco
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Re: Flat symbol in the header
On Sat, 15 Jun 2002, Jan Nieuwenhuizen wrote:
> Rune Zedeler <[EMAIL PROTECTED]> writes:
>
> > Marco Caliari wrote:
> >
> >> \header{instrument="Instruments in Bb"}
> >
> > \header { instrument = "Instruments in B$\\flat$" }
>
> Fwiw, using feta characters, like this, should also work:
>
>\header{
>instrument="instruments in B\fetachar\fetaflat"
>}
>
>\score{
>\notes\relative c'' { c }
>}
>
> But, for some reason, the \fetafont and \fetachar macro definitions
> have been turned off in lilyponddefs.tex (can we turn them back on, please?).
>
> Remove comment characters '%', like so:
>
> %% The feta characters
> \input feta20.tex
>
> \font\fetasixteen=feta16
> \def\fetafont{\fetasixteen}
> \def\fetachar#1{\hbox{\fetasixteen#1}}
>
> Greetings,
> Jan.
>
>
Hi.
\fetachar\fetaflat in the headers does not work with ly2dvi of Lily 1.6.0.
lilyponddefs.tex is OK (i.e., without %)
--
Marco
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How to produce a5 paper music
Hi.
I think the simplest way to produce a5 paper music with Lilypond is:
include \paper{papersize="a4" orientation="landscape"} at the beginning of
your own file (say enea.ly);
include \paper{linewidth=280.0\mm} at the end of the score
ly2dvi
(view with xdvi -paper a4r enea.dvi)
dvips -ta4 -tlandscape enea.dvi
(my gv cannot view enea.ps but...)
pstops -pa4 "2:0L@.71(21cm,14.85cm)+1L@.71(21cm,0)" enea.ps enea.a5.ps
my gv CAN view and print fine enea.a5.ps
Bye
--
Marco
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Alignment with lilypond-book 1.6.5
Hi.
What is happened with alignment in lilypond-book 1.6.5?
With 1.6.4, the code
\begin{lilypond}
...
\end{lilypond}
in a .tex file gave a score with staves right aligned (like ly2dvi 1.6.4
or 1.6.5). Now, the same code, gives me a score with staves center
aligned.
Moreover, for each score I have, for example,
(lily-265840193.tex (/usr/local/texmf/tex/lilypond/lilyponddefs.tex)
Overfull \hbox (17.62363pt too wide) in paragraph at lines 441--512
[][]
)
What is happening?
--
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Alignment with lilypond-book 1.6.5
Hi.
The code
\begin{lilypond}
...
\end{lilypond}
in a .tex file gives a score with staves center aligned. With
lilypond-book 1.6.4 (and with ly2dvi 1.6.4 or 1.6.5), the staves were
right aligned. Moreover, they produce an Overfull hbox. What is happened?
-
Marco
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Margins with lilypond-book 1.6.5 (was: Alignment...)
Hi.
The code
\documentclass[a4paper]{article}
\begin{document}
\begin{lilypond}
\score{
\notes {
c' c' c' c'}}
\end{lilypond}
\end{document}
give me, after lilypond-book 1.6.5 and latex,
Overfull \hbox (14.99867pt too wide) in paragraph at lines 357--390
In fact, the score is too much right placed.
--
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Licence LilyPond Logo?
Hi everybody, I'm currently working on a free tutorial about notation typesetting with LilyPond for classical guitar. I was wondering if it would be violating the licence if I show the nice LilyPond Logo on top of my tutorial? cheers Marco ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Slurs in volta 2 and bend
Hello, I can't find the way to reproduce the examples attached (the slur in volta 2 and the bend). I tried to search in the site and in the manuals but I did not find a solution. Someone can help me ? Thank you in advance. MB ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Contemporary Music Notation
Hello all, I'm new Lilypond user and I am interested in Contemporary Music Notation. I read all 2.8 Contemporary music manual section: http://www.lilypond.org/doc/v2.18/Documentation/notation/contemporary-music but lot of the chapters are empty and most of links are inactive. Please how can I learn to use Lilypond for write music using Contemporary Music Notation? Thank you in advance for all your answer and help. Regards Marco Bagolin ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Text alignment
Hi all,
I can not reproduce the attached Sample1.png.
The best result I obtained is the attached MySample1.png with the
following code:
e,1 \trill \p \< |
b'1 \trill|
1
\trill
^\markup {\tiny \italic \halign #2 \raise #1.5 div.}
^\markup {\tiny "(both trill)"}
<<
{b1 \trill}
\\
{\set Staff.ottavation = #"Half 8va (opt.)"
\hideNotes
b4 b b b
\unset Staff.ottavation
}
>>
but text "(both trill)" is not aligned with the trill symbol and "Half
8va(opt.)" font is bigger than the others. I tried some ways, but I don't
understand where is my mistake.
Please, can anyone help me?
Thank you in advance at all
Regards
Marco B.
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Fwd: Text alignment
Hi all,
I can not reproduce the attached Sample1.png.
The best result I obtained is the attached MySample1.png with the
following code:
\version "2.18.2"
\relative c''
{e1 \trill \p \< |
b'1 \trill|
1
\trill
^\markup {\tiny \italic \halign #2 \raise #1.5 div.}
^\markup {\tiny "(both trill)"}
<<
{b1 \trill}
\\
{\set Staff.ottavation = #"Half 8va (opt.)"
\hideNotes
b4 b b b
\unset Staff.ottavation
}
>>
R1\!
}
but text "(both trill)" is not aligned with the trill symbol and "Half
8va(opt.)" font is bigger than the others.
I tried some ways, but I don't understand where is my mistake.
Please, can anyone help me?
Thank you in advance at all
Regards
Marco B.
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Registrations on organ and harpsichord
Hi! I have one question. It is possible to type to the lilypond notations the registration marks for Harpsichord, or organ? Thank You. Marco Oros ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Manuals in Organ
Hi! I have question. How to write manuals for organ in Lilypond? Thank You, Marco Oros. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Odd output
Hi,
I just started using lilypond, so it is very possible that I'm making some
mistake.
When compiling this example:
\include "english.ly"
{
\clef treble
\time 4/4
<<
{ fs'4 }
\\
{ f'4 }
>>
}
I see two notes on fs (occupying the same position but with stems up and
down). There is no indication that f is there.
Is this supposed to/ how do I fix it?
Thanks!
Marco
--
Marco Correia
--
--
Marco Correia
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Re: Odd output
Thanks!
I can't believe that this is seen as a low priority enhancement...! This
completely renders lilypond unusable for the task I need it, which is to serve
as a printer for computer generated music. The output is not ugly - it is
plain wrong!
Why doesn't the accidental_engraver looks into other voices as well?
Maybe I can workaround it by doing an extra pass before writing the lilypond
code to check if this kind of problem may occur... But now I wonder what other
kind of potential problems may occur with this accidental_engraver
algorithm...
Anyway, I just wanted to say that I think this problem deserves more
consideration.
Thank you!
Marco
On Friday 10 December 2010, you wrote:
> - Original Message -----
> From: "Marco Correia"
> To:
> Sent: Friday, December 10, 2010 12:35 AM
> Subject: Odd output
>
> > Hi,
> >
> > I just started using lilypond, so it is very possible that I'm making
> > some mistake.
> >
> > When compiling this example:
> >
> > \include "english.ly"
> > {
> > \clef treble
> > \time 4/4
> > <<
> > { fs'4 }
> > \\
> > { f'4 }
> >
> > }
> >
> > I see two notes on fs (occupying the same position but with stems up and
> > down). There is no indication that f is there.
> >
> > Is this supposed to/ how do I fix it?
> >
> > Thanks!
> > Marco
>
> This was one of the first issues I raised, in June this year. I think it
> was my first bug report:
>
> http://code.google.com/p/lilypond/issues/detail?id=1134
>
>
> --
> Phil Holmes
--
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Re: Odd output
Hi,
I didn't want to sound rude or anything. I just want to make a point that I do
not consider this as a minor improvement since:
1. The output is not aestetically wrong, it is definitely readable differently
from what is specified in the lilypond source.
2. I think you should not assume the user will write a musically (logicaly)
consistent piece in order to display the notes correctly.
3. It can happen in a real world exercise, for example when displaying music
which is obtained by a computer program.
I don't know anything about the lilypond internals. I'm just a 1 week newbie,
who just stumbled across this problem on one of the first attempts at
lilypond.
Lilypond is written in Scheme, is that right? For someone who doesn't know
this language, but has a strong background on computer science in general,
would you think that he could hack into the lilypond algorithm for displaying
the accidentals and make something better out of it? Is there any
documentation on the subject available?
I think the idea behind lilypond is great, and from the examples I've seen it
looks like it works very well for most cases. I'm willing to try to help to
correct this issue, with your help, if you think that it is feasible.
Anyway, thanks for making your effort available for free. I am also an open
souce developer and, believe me, I do value these contributions.
Thanks!
Marco
On Friday 10 December 2010, Phil Holmes wrote:
> Please reply to the user group as well.
>
> As is often pointed out, it's free software and the fixes depend on who is
> working for nothing on the code.
>
> I wouldn't think it would crop up frequently.
>
> I made a workaround with a combination of forcing the accidentals to be
> displayed, and then using force-hshift and extra-offset and a few other
> tweaks to make it work.
>
> My example is pretty complicated, because I also autogenerate the code, but
> you're welcome to a copy if you want.
>
> --
> Phil Holmes
>
>
> - Original Message -
> From: "Marco Correia"
> To: "Phil Holmes"
> Sent: Friday, December 10, 2010 10:29 AM
> Subject: Re: Odd output
>
> > Thanks!
> >
> > I can't believe that this is seen as a low priority enhancement...! This
> > completely renders lilypond unusable for the task I need it, which is to
> > serve
> > as a printer for computer generated music. The output is not ugly - it is
> > plain wrong!
> >
> > Why doesn't the accidental_engraver looks into other voices as well?
> >
> > Maybe I can workaround it by doing an extra pass before writing the
> > lilypond
> > code to check if this kind of problem may occur... But now I wonder what
> > other
> > kind of potential problems may occur with this accidental_engraver
> > algorithm...
> >
> > Anyway, I just wanted to say that I think this problem deserves more
> > consideration.
> >
> > Thank you!
> > Marco
> >
> > On Friday 10 December 2010, you wrote:
> >> - Original Message -
> >> From: "Marco Correia"
> >> To:
> >> Sent: Friday, December 10, 2010 12:35 AM
> >> Subject: Odd output
> >>
> >> > Hi,
> >> >
> >> > I just started using lilypond, so it is very possible that I'm making
> >> > some mistake.
> >> >
> >> > When compiling this example:
> >> >
> >> > \include "english.ly"
> >> > {
> >> > \clef treble
> >> > \time 4/4
> >> > <<
> >> > { fs'4 }
> >> > \\
> >> > { f'4 }
> >> >
> >> > }
> >> >
> >> > I see two notes on fs (occupying the same position but with stems up
> >> > and
> >> > down). There is no indication that f is there.
> >> >
> >> > Is this supposed to/ how do I fix it?
> >> >
> >> > Thanks!
> >> > Marco
> >>
> >> This was one of the first issues I raised, in June this year. I think
> >> it was my first bug report:
> >>
> >> http://code.google.com/p/lilypond/issues/detail?id=1134
> >>
> >>
> >> --
> >> Phil Holmes
--
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Re: sh install (continue Friedrich Fischer's ost by march-april 2011)
I think I have spotted the root of the problem: https://bugs.busybox.net/show_bug.cgi?id=4111 The bottom line is to force your os using an alternative tail than that of busybox (e.g. coreutils') until they fix the problem. An alternative remedy (worked for me) is to use tail +n rather than tail -c+n: you have to count the script header lines in the .sh file, that will be your n. Then you can just untar and do a manual install. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Three-beats notes
Hello! I have a question. How can I entered a three-beat notes in 3/4 bar? It can be entered, as whole notes? Or, exists something, like three-beat notes, or how It calls in musical terminology in English language? I am from Slovakia and English is my secound language. Thank You, Marco Oros. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Three-beats notes
OK, I just found a reply. Ofcourse, this was note to fill bar in 3/4. Do You know, I am blind person and in one software It was used, but It is a mistake in this software ( I don't should say name of It). So, this is half dotted note, for example c2. . Thank You, Marco Oros. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Transposition of instruments
Hi! I have one question. I would like to write something for trumpet and clarinet and I know, that this musical instruments are tunned in various pitches, they can't use C-key, as for example notation for piano. So, It means, that I must write c-major song in as-major for clarinet, or it is automatically transposed of stave parameter? Thank You, Marco.i ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
notes grouped
I would like to get the notes grouped in the file as "original.png", but my
best result is what you can see in the file "myresult.png" with the
following code:
\tuplet 3/2 {b[[( d b]} a b)]
What is my mistake? I can't see where I wrong.
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copyright text in more of one single line
Is it possible to use more of one line to write the copyright on the first
page?
for example:
(C) 2015 - Marco Bagolin
All Rights Reserved
- This is my personal copy -
I tried to use the following code:
*copyright = \markup{ \line {(C) 2015 - Marco
Bagolin} \line {All Rights
Reserved} \line {- This is my personal copy
-}}*
but it is not functioning...
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Re: copyright text in more of one single line
Only another question...
How is possible to modify the copyright lines text interspacing?
I don't know what is the command.
Thank you in advance to all for the help.
Regards
Marco B.
2015-05-24 21:11 GMT+02:00 Klaus Blum :
> Hi Marco,
>
> yes, just try:
>
> %
> \header {
> tagline = ##f
> copyright = \markup \center-column {
> "(C) 2015 - Marco Bagolin"
> "All Rights Reserved"
> "- This is my personal copy -"
> }
> }
> \score {g'}
> %
>
> Cheers,
> Klaus
>
>
>
> --
> View this message in context:
> http://lilypond.1069038.n5.nabble.com/copyright-text-in-more-of-one-single-line-tp176990p176992.html
> Sent from the User mailing list archive at Nabble.com.
>
> ___
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> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
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Formatting tempo text
Hello all.
How can I obtain what you can see in What_I_want.png file?
My best result is in myresult.png file.
The code I wrote is the following:
\tempo \markup {\column {\line { \tiny {"''Do You Want to smile?''"}} \line
{"Moderate - rhytmic, but expressive"}}}
But I want to obtain the formattation as in What_I_want.png file with the
title "Do You Want to smile?" not bolt and with the marks under the text.
Thank you all for the help.
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Re: Formatting tempo text
Amazing! Thank you all for the help!
bests
Marco B.
Il 09/giu/2015 09:28 "Pierre Perol-Schneider" <
pierre.schneider.pa...@gmail.com> ha scritto:
> Hi Marco,
> Hi Nathan,
>
> Here's how I'd do:
>
> \version "2.18.2"
>
> {
> s1
> \bar "||"
> \numericTimeSignature
> \time 4/4
> %% Option 1:
> \tweak outside-staff-priority #0
> \mark\markup\box "43"
>
> %% Option 2:
> %\tweak outside-staff-priority #1500
> \tempo
> \markup {
> \with-dimensions #'(0 . 0) #'(-3 . 0)
> \column {
>\line \tiny \normal-text { “Do You Want to smile?” }
>\line { Moderate - rhytmic, but expressive }
> }
> }
> \compressFullBarRests
> \once\override MultiMeasureRest.expand-limit = #3
> \once\override MultiMeasureRest.minimum-length = #20
> R1*4
> \mark\markup\box "47"
> }
>
> Cheers,
> Pierre
>
> 2015-06-09 7:39 GMT+02:00 Nathan Ho :
>
>> On Mon, Jun 8, 2015 at 9:03 PM, Marco Bagolin
>> wrote:
>>
>>>
>>>
>>> Hello all.
>>> How can I obtain what you can see in What_I_want.png file?
>>>
>>> My best result is in myresult.png file.
>>> The code I wrote is the following:
>>> \tempo \markup {\column {\line { \tiny {"''Do You Want to smile?''"}}
>>> \line {"Moderate - rhytmic, but expressive"}}}
>>>
>>> But I want to obtain the formattation as in What_I_want.png file with
>>> the title "Do You Want to smile?" not bolt and with the marks under the
>>> text.
>>>
>>> Thank you all for the help.
>>>
>>>
>> Hi Marco,
>>
>> Markups can be "unbolded" with the \normal-text markup command, and the
>> vertical order of rehearsal marks and tempo markings can be modified with
>> the outside-staff-priority grob property.
>>
>> {
>> \override Score.RehearsalMark.outside-staff-priority = #1000
>> \override Score.MetronomeMark.outside-staff-priority = #1500
>> \mark \markup \box "42"
>> \tempo \markup {
>> \column {
>> \line { \tiny \normal-text { "''Do You Want to smile?''" } }
>> \line {"Moderate - rhytmic, but expressive" }
>> }
>> }
>> c'1
>> }
>>
>> Regards,
>> Nathan
>>
>>
>> ___
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>> lilypond-user@gnu.org
>> https://lists.gnu.org/mailman/listinfo/lilypond-user
>>
>>
>
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Formatting Titles...
Hello all.
I must to format titles.
I write the following code:
\header {
dedication = \markup \override #'(font-name . "Book Antiqua") \bold {"Music
from the Motion Picture"}
title = \markup \override #'(font-name . "Book Antiqua") \fontsize #+2 {
\bold "TITLE"}
composer = \markup \override #'(font-name . "Book Antiqua") \bold
{"COMPOSER"}
arranger = \markup \override #'(font-name . "Book Antiqua") \italic
{"Arranged by MARCO BAGOLIN"}
tagline = ""
}
But what I wrote is not functioning correctly.
italic and bold commands are ignored.
any suggestion?
Thank you all for the help.
Regards
Marco B.
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Re: Formatting Titles...
amazing! Thank you!
Il 10/giu/2015 09:37 "Nathan Ho" ha scritto:
> On Tue, Jun 9, 2015 at 11:11 PM, Marco Bagolin
> wrote:
>
>> Hello all.
>> I must to format titles.
>>
>> I write the following code:
>>
>> \header {
>>
>> dedication = \markup \override #'(font-name . "Book Antiqua") \bold
>> {"Music from the Motion Picture"}
>>
>> title = \markup \override #'(font-name . "Book Antiqua") \fontsize #+2 {
>> \bold "TITLE"}
>>
>> composer = \markup \override #'(font-name . "Book Antiqua") \bold
>> {"COMPOSER"}
>>
>> arranger = \markup \override #'(font-name . "Book Antiqua") \italic
>> {"Arranged by MARCO BAGOLIN"}
>>
>> tagline = ""
>>
>> }
>>
>> But what I wrote is not functioning correctly.
>> italic and bold commands are ignored.
>>
>
> Hi Marco, try this out:
>
> \header {
>
>
> dedication = \markup \override #'(font-name . "Book Antiqua Bold") "Music
> from the Motion Picture"
>
>
> title = \markup \override #'(font-name . "Book Antiqua Bold") \fontsize
> #+2 { "TITLE"}
>
>
> composer = \markup \override #'(font-name . "Book Antiqua Bold") "COMPOSER"
>
>
> arranger = \markup \override #'(font-name . "Book Antiqua Italic")
> "Arranged by MARCO BAGOLIN"
>
>
> tagline = ""
>
>
> }
>
>
> Regards,
> Nathan
>
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Half flat or sharp
Hello! I have one question. Can I entered a half flat and half sharps to the Lilypond? Thank You! Marco Oros ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Fill indication in percussion scores
Amazing, ty all
Il giorno lun 3 feb 2020 alle 10:19 Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com> ha scritto:
> Hi Marco, hi Kevin,
>
> If you want to stick to the image, I'd modified Kevin's coding as:
>
> {
> \override TextSpanner.bound-details.left.padding = #3.5
> \override TextSpanner.bound-details.right.padding = #-3.5
> \override TextSpanner.bound-details.left.text = \markup \lower #1 "fill "
> \override TextSpanner.thickness = #1.8
> \override TextSpanner.dash-fraction = #.5
> \override TextSpanner.dash-period = #2
> \override TextSpanner.bound-details.right.text = \markup \draw-line #'(0
> . -1)
> \override Rest.stencil = #ly:percent-repeat-item-interface::beat-slash
> \override Rest.thickness = #0.48
> \override Rest.slope = #1
> \override Rest.X-extent = #'(-2 . 2)
> r4 r\startTextSpan r r \stopTextSpan
> r r r
> }
>
> Cheers,
> Pierre
>
> Le lun. 3 févr. 2020 à 09:24, Kevin Barry a écrit :
>
>> On Mon, Feb 03, 2020 at 08:41:21AM +0100, Marco Bagolin wrote:
>> > I tried to use:
>> >
>> > \ottava #1
>> > \set Staff.ottavation = #”fill”
>> > ... music in drum mode...
>> > \ottava #0
>> >
>> > but obviously it can not work in drum mode...
>>
>> Hi Marco,
>>
>> Perhaps a TextSpanner would be a better choice for this. Does something
>> like the below do what you want?
>>
>> {
>> \override TextSpanner.bound-details.left.text = \markup \lower #1 "fill"
>> \override TextSpanner.bound-details.right.text = \markup
>> \draw-dashed-line #'(0 . -1)
>> \override TextSpanner.to-barline = ##t
>> c'4\startTextSpan c' c' c'
>> c'\stopTextSpan
>> }
>>
>> Kevin
>>
>>
Page numbers with text
Hello all, I don’t know how to personalize the page numbers of a score. I would like to see at the left bottom of every score page the number in the following format: n - Title of score Example: 1 - My Song 2 - My song ... Please help me. Thanks in advance. Regards Marco B.
Re: Page numbers with text
My knowledge of lilypond is not good enough... I tried to understand the examples in the guide of lilypond but the chapter is not clear enough for me. I am in difficult... Please someone can help me? 🙏🏻 Thank you all Il giorno ven 7 feb 2020 alle 07:11 Aaron Hill ha scritto: > On 2020-02-06 10:02 pm, Marco Bagolin wrote: > > Hello all, > > I don’t know how to personalize the page numbers of a score. > > > > I would like to see at the left bottom of every score page the number > > in > > the following format: > > > > n - Title of score > > > > Example: > > 1 - My Song > > 2 - My song > > ... > > You will need to set oddFooterMarkup [1]. > > [1]: > > lilypond.org/doc/v2.19/Documentation/notation/custom-titles-headers-and-footers#custom-layout-for-headers-and-footers > > > > -- Aaron Hill > >
Re: Page numbers with text
Thank you all,
all solutions are good, but I don't know why the copyright field on the
first page does not appear.
My code is the following:
\version "2.18.2"
\paper {
print-first-page-number = ##t
oddHeaderMarkup = ##f
evenHeaderMarkup = ##f
oddFooterMarkup = \markup {
\on-the-fly \print-page-number-check-first \fromproperty
#'page:page-number-string
\on-the-fly \print-page-number-check-first \italic "- My Song - arr.
by M. Bagolin (2020)"
}
evenFooterMarkup = \oddFooterMarkup
}
\header {
title = \markup \override #'(font-name . "Arial Black") \fontsize #+4 {
\bold "My song" }
copyright = \markup
\override #'(font-name . "Palatino Linotype")
\override #'(baseline-skip . 2)
\center-column { \fontsize #-4
{ \bold
{
\line { " " }
"Arranged by M. B. (2020)"
"ALL RIGHTS RESERVED"
}
}
}
}
...
...
...
Il giorno ven 7 feb 2020 alle ore 21:44 Noeck ha
scritto:
> … and if you want this footer on every page, you can have it shorter:
>
>
> oddFooterMarkup = \markup \fill-line {
> \line {
> \fromproperty #'page:page-number-string
> "–"
> \fromproperty #'header:title
> }
> }
>
> Best,
> Joram
>
>
Re: Page numbers with text
Perfect, thank you.
Il giorno mar 11 feb 2020 alle 21:53 Kevin Barry ha
scritto:
> On Sun, Feb 09, 2020 at 09:01:48AM +0100, Marco Bagolin wrote:
> > Thank you all,
> > all solutions are good, but I don't know why the copyright field on the
> > first page does not appear.
>
> Because your code redefines footers, they no longer include the
> copyright field, so it has to be added back in. Does this code do what
> you want?
>
> \version "2.21.0"
>
> \paper {
> print-first-page-number = ##t
> oddHeaderMarkup = ##f
> evenHeaderMarkup = ##f
> oddFooterMarkup = \markup {
> \overlay {
> \line {
> \on-the-fly \print-page-number-check-first \fromproperty
> #'page:page-number-string
> \on-the-fly \print-page-number-check-first \italic "- My Song -
> arr. by M. Bagolin (2020)"
> }
> \fill-line { \on-the-fly #part-first-page \fromproperty
> #'header:copyright }
> }
> }
> evenFooterMarkup = \oddFooterMarkup
> }
>
> \header {
> title = \markup \override #'(font-name . "Arial Black") \fontsize #+4 {
> \bold "My song" }
> copyright = \markup
> \override #'(font-name . "Palatino Linotype")
> \override #'(baseline-skip . 2)
> \center-column {
> \fontsize #-4
> { \bold
> {
> \line { " " }
> "Arranged by M. B. (2020)"
> "ALL RIGHTS RESERVED"
> }
> }
> }
> }
>
>
> \score {
> \repeat unfold 800 c'2
> }
>
> Kevin
>
Fill automatically a page with only 3-4 staves
Hello all, If I have a page of a score with only 3-4 staves ( generally is a problem of the last page of a score) how is possible to fill automatically all the page so that the space between the staves result the same? Thank you in advance. Regards MB
Titles italic format ignored
Hello all,
If I write:
\version “2.18.2”
...
\header {
…
title = \markup \override #'(font-name . "Arial Black")
\fontsize #+3 { \bold "TITLE" }
subtitle = \markup \raise #1.0 \fontsize #-3 { \italic { "A
Medley for Orchestra" \null}}
…}
Output is :
*TITLE*
*A Medley for Orchestra*
But if I write this:
\header {
…
title = \markup \override #'(font-name . "Arial Black")
\fontsize #+3 { \bold "TITLE" }
subtitle = \markup \raise #1.0 \fontsize #-3 \override
#'(font-name . "Arial") { \italic { "A Medley for Orchestra" \null}}
…}
Output is :
*TITLE*
A Medley for Orchestra
Why “italic” format is ignored ?
I tried to write \override #'(font-name . "Arial") in every position of
subtitle string, but result are the same…
I can’t find my mistake.
Someone can help me?
Thank you in advance
ˑ
Re: Titles italic format ignored
Thank you all.
Il giorno ven 14 feb 2020 alle 15:44 Noeck ha
scritto:
> Hi,
>
> as others said, font-name overwrites all of font-family, font-series and
> font-shape. You can set the font family like this:
>
> \version "2.19.84"
>
> \paper {
> % define a font ‘arial’ from the font called ‘Arial’
> #(add-pango-fonts fonts 'arial "Arial"
> (/ (* staff-height pt) 2.5))
> }
>
> % use the font family ‘arial’ in your markup or header markup
> \markup \override #'(font-family . arial) \line {
> \bold "Bold" \italic "italic" "regular"
> }
>
> HTH
> Joram
>
>
How to shift tempo text on the right of the rehearsal mark in the conductor score?
Hello all
I would like to shift tempo text on the right of the rehearsal mark in the
conductor score.
Conductor score is a file where all instruments files are called
\version "2.20.0"
\include "01_fluteI.ly"
\include "03_oboe.ly"
\include "04_clarinetI.ly"
\include "06_bassclarinet.ly"
\include "07_bassoon.ly"
I tried typing the following code in every instrument file, but it doesn't
work:
\version "2.20.0"
R1*3 \! |
%082-083-084
\mark \default
\once \override Score.BarNumber.stencil = ##f % nasconde, se necessario, il
numero di inizio riga
\time 6/4
-\tweak self-alignment-X #-2.5
\tempo \markup \column { \line {"Molto allegro"}
\line \raise #1.0 \normal-text
\fontsize #-1 {\italic { \char ##x0022 "Descent Into Mystery"
\char ##x0022 }}} 4 = 140
R1*6/4 |
Where is the mistake?
I can't find it...
who can help me?
Thank you in advance
Regards
How to shift tempo text on the right of the rehearsal mark in the conductor score? (see the image attached)
[image: Schermata 2021-08-13 alle 07.40.54.png]
Hello all
I would like to shift tempo text on the right of the rehearsal mark in the
conductor score.
Conductor score is a file where all instruments files are called
\version "2.20.0"
\include "01_fluteI.ly"
\include "03_oboe.ly"
\include "04_clarinetI.ly"
\include "06_bassclarinet.ly"
\include "07_bassoon.ly"
I tried typing the following code in every instrument file, but it doesn't
work:
\version "2.20.0"
R1*3 \! |
%082-083-084
\mark \default
\once \override Score.BarNumber.stencil = ##f % nasconde, se necessario, il
numero di inizio riga
\time 6/4
-\tweak self-alignment-X #-2.5
\tempo \markup \column { \line {"Molto allegro"}
\line \raise #1.0 \normal-text
\fontsize #-1 {\italic { \char ##x0022 "Descent Into Mystery"
\char ##x0022 }}} 4 = 140
R1*6/4 |
Where is the mistake?
I can't find it...
who can help me?
Thank you in advance
Regards
Jazz Chord Symbols (as new font - NOT notation font)
Hi, I wonder how I had to build a "normal" font (otf, ttf, whatever) to work as chord-symbols-font only. Spacing and style is very important to make chord symbols readable. I haven't seen one yet for lilypond. Goal is to have a font rendering chord symbols like in the real books (handwritten or not), thus: including tons of ligatures and special thingies per symbol/cluster of symbols. If Ab7sus4(b9) isn't typeset "right", you simply can't read it. You don't buy it. You don't even want to play it... :-) That's a little harsh, I know. But hence my question. I'm happy to spend some time on a Jazz-chord-font - but I have no clue on how to make it, so it can be used by lilypond. Could also be as "comments" or "music expression", if "chords" doesn't work. The lilyjazz-font doesn't come with this kind of chord-symbol-font. So, is it possible to build one? How do I set up the font? I work with fontforge. I'm not a font-specialist, but I had built and drawn fonts from scratch. Just need someone to point me into the right direction. I need to know: - is it possible and how? (how to "embed"/use the font in lilypond) - what font-format - what encoding (unicode doesn't allow ligatures as far as I know. So latin1?) Thanks a lot for some hints and tips! Have a good time, Marco *** www.marcobaumgartner.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
How to set up a Jazz-Chord-Symbol-Font (not notation-font)
Hi, I wonder how I had to build a "normal" font (otf, ttf, whatever) to work as chord-symbols-font only. Spacing and style is very important to make chord symbols readable. I haven't seen one yet for lilypond. Goal is to have a font rendering chord symbols like in the real books (handwritten or not), thus: including tons of ligatures and special thingies per symbol/cluster of symbols. If Ab7sus4(b9) isn't typeset "right", you simply can't read it. You don't buy it. You don't even want to play it... :-) That's a little harsh, I know. But hence my question. I'm happy to spend some time on a Jazz-chord-font - but I have no clue on how to make it, so it can be used by lilypond. Could also be as "comments" or "music expression", if "chords" doesn't work. The lilyjazz-font doesn't come with this kind of chord-symbol-font. So, is it possible to build one? How do I set up the font? I work with fontforge. I'm not a font-specialist, but I had built and drawn fonts from scratch. Just need someone to point me into the right direction. I need to know: - is it possible and how? (how to "embed"/use the font in lilypond) - what font-format - what encoding (unicode doesn't allow ligatures as far as I know. So latin1?) Thanks a lot for some hints and tips! Have a good time, Marco *** www.marcobaumgartner.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Jazz Chord Symbols (as new font - NOT notation font)
Thank you, Elaine.
I'm on the road, but I'll gladly check it out later!
One thought though: As far as I understand it: displaying chords within
Lilypond is not done with/by a "normal" font but rather a special
chord-mechanism. I fear, that this mechanism (as far I've seen) does a good
job, but can also be seen as a limitation. How wrong would it be to create
a normal font (with tons of ligatures) which I could use as
info/comments/expression - NOT in Chord-mode to display chords? I feel like
that would be the only way that leads to perfect chord symbols. Or am I
completely out? :-)
On Wed, Jul 3, 2019, 19:26 Flaming Hakama by Elaine <
ela...@flaminghakama.com> wrote:
> - Forwarded message --
>> From: Marco Baumgartner
>> To: lilypond-user@gnu.org
>> Date: Wed, 3 Jul 2019 14:27:27 +0200
>> Subject: Jazz Chord Symbols (as new font - NOT notation font)
>> Hi,
>>
>> I wonder how I had to build a "normal" font (otf, ttf, whatever) to work
>> as chord-symbols-font only.
>> Spacing and style is very important to make chord symbols readable. I
>> haven't seen one yet for lilypond.
>> Goal is to have a font rendering chord symbols like in the real books
>> (handwritten or not), thus: including tons of ligatures and special
>> thingies per symbol/cluster of symbols.
>>
>> If Ab7sus4(b9) isn't typeset "right", you simply can't read it. You don't
>> buy it. You don't even want to play it... :-) That's a little harsh, I
>> know. But hence my question. I'm happy to spend some time on a
>> Jazz-chord-font - but I have no clue on how to make it, so it can be used
>> by lilypond. Could also be as "comments" or "music expression", if "chords"
>> doesn't work.
>>
>> The lilyjazz-font doesn't come with this kind of chord-symbol-font.
>>
>> So, is it possible to build one? How do I set up the font? I work with
>> fontforge. I'm not a font-specialist, but I had built and drawn fonts from
>> scratch. Just need someone to point me into the right direction.
>>
>> I need to know:
>>
>> - is it possible and how? (how to "embed"/use the font in lilypond)
>> - what font-format
>> - what encoding (unicode doesn't allow ligatures as far as I know. So
>> latin1?)
>>
>> Thanks a lot for some hints and tips!
>>
>> Have a good time,
>> Marco
>>
>> ***
>> www.marcobaumgartner.com
>>
>>
>>
>> -- Forwarded message --
>> From: Kieren MacMillan
>> To: Marco Baumgartner
>> Cc: Lilypond-User Mailing List
>> Bcc:
>> Date: Wed, 3 Jul 2019 09:05:18 -0400
>> Subject: Re: Jazz Chord Symbols (as new font - NOT notation font)
>> Hi Marco,
>>
>> > Spacing and style is very important to make chord symbols readable. I
>> haven't seen one yet for lilypond.
>>
>> How does <
>> http://leighverlag.blogspot.com/2015/12/mimicking-real-book-look.html>
>> not do what you want?
>>
>> Thanks,
>> Kieren.
>>
>>
>> Kieren MacMillan, composer
>> ‣ website: www.kierenmacmillan.info
>> ‣ email: i...@kierenmacmillan.info
>>
>>
>>
>
> To be fair, Lee's post does not delve into manipulating the chord symbol
> layout. It focuses on the quirks of the real book style, including an
> In-staff title bar and Only one clef and time signature. (Which are both
> not what the OP asked about, and are arguably things that should be
> abandoned practices of a previous century.)
>
> Lee does show how to get a "handwritten" font for chords:
>
> \paper {
> #(define fonts
> (set-global-fonts
> #:music "lilyjazz"
> #:roman "Pea Missy with a Marker"
> #:sans "Pea Missy with a Marker"
> #:factor (/ staff-height pt 20)))
> }
>
> But in order to get things liked stacked alterations, or the "proper"
> vertical placement and relative sizing of symbols, this is not addressed.
> The example in that post ("All of Me") only uses basic chords symbols that
> don't really need tweaking, so it is not obvious what the OP is taking
> about from looking at that example.
>
>
> There are references in the example code to files that may be doing
> something more:
>
> \include "jazzchords.ily"
> \include "lilyjazz.ily"
>
> But since there is no use of chordNameExceptions in the example, it is
> unlikely that these files address the typography of the c
Re: Jazz Chord Symbols (as new font - NOT notation font)
I can't make your chord exceptions work... Is it because I'm running a 2.18.2 version? When I look at your code I see a lot of "shifting things around". Is that what you do? You take the given symbols (in chord-mode) and shift/replace/zoom them around until they look right for you? That's not what I had in mind, exactly - for I'm not happy with the fonts/symbols themselves. I assume it comes close though, judging by the amount of your changes :-) Good news: I just figured out how to use standard otf font as markup-font. I didn't put my font in the right folder the first time around. But now I did and it works. In my case it's in: lilypond/usr/share/lilypond/current/fonts/otf/ and: voilà! Simple as that. You probably all knew about this already... That's pretty much what I wanted. Now I can build my own chord-symbol-font from scratch. *** www.marcobaumgartner.com On Wed, Jul 3, 2019 at 7:40 PM Marco Baumgartner wrote: > Thank you, Elaine. > I'm on the road, but I'll gladly check it out later! > > One thought though: As far as I understand it: displaying chords within > Lilypond is not done with/by a "normal" font but rather a special > chord-mechanism. I fear, that this mechanism (as far I've seen) does a good > job, but can also be seen as a limitation. How wrong would it be to create > a normal font (with tons of ligatures) which I could use as > info/comments/expression - NOT in Chord-mode to display chords? I feel like > that would be the only way that leads to perfect chord symbols. Or am I > completely out? :-) > > On Wed, Jul 3, 2019, 19:26 Flaming Hakama by Elaine < > ela...@flaminghakama.com> wrote: > >> - Forwarded message -- >>> From: Marco Baumgartner >>> To: lilypond-user@gnu.org >>> Date: Wed, 3 Jul 2019 14:27:27 +0200 >>> Subject: Jazz Chord Symbols (as new font - NOT notation font) >>> Hi, >>> >>> I wonder how I had to build a "normal" font (otf, ttf, whatever) to work >>> as chord-symbols-font only. >>> Spacing and style is very important to make chord symbols readable. I >>> haven't seen one yet for lilypond. >>> Goal is to have a font rendering chord symbols like in the real books >>> (handwritten or not), thus: including tons of ligatures and special >>> thingies per symbol/cluster of symbols. >>> >>> If Ab7sus4(b9) isn't typeset "right", you simply can't read it. You >>> don't buy it. You don't even want to play it... :-) That's a little harsh, >>> I know. But hence my question. I'm happy to spend some time on a >>> Jazz-chord-font - but I have no clue on how to make it, so it can be used >>> by lilypond. Could also be as "comments" or "music expression", if "chords" >>> doesn't work. >>> >>> The lilyjazz-font doesn't come with this kind of chord-symbol-font. >>> >>> So, is it possible to build one? How do I set up the font? I work with >>> fontforge. I'm not a font-specialist, but I had built and drawn fonts from >>> scratch. Just need someone to point me into the right direction. >>> >>> I need to know: >>> >>> - is it possible and how? (how to "embed"/use the font in lilypond) >>> - what font-format >>> - what encoding (unicode doesn't allow ligatures as far as I know. So >>> latin1?) >>> >>> Thanks a lot for some hints and tips! >>> >>> Have a good time, >>> Marco >>> >>> *** >>> www.marcobaumgartner.com >>> >>> >>> >>> -- Forwarded message -- >>> From: Kieren MacMillan >>> To: Marco Baumgartner >>> Cc: Lilypond-User Mailing List >>> Bcc: >>> Date: Wed, 3 Jul 2019 09:05:18 -0400 >>> Subject: Re: Jazz Chord Symbols (as new font - NOT notation font) >>> Hi Marco, >>> >>> > Spacing and style is very important to make chord symbols readable. I >>> haven't seen one yet for lilypond. >>> >>> How does < >>> http://leighverlag.blogspot.com/2015/12/mimicking-real-book-look.html> >>> not do what you want? >>> >>> Thanks, >>> Kieren. >>> >>> >>> Kieren MacMillan, composer >>> ‣ website: www.kierenmacmillan.info >>> ‣ email: i...@kierenmacmillan.info >>> >>> >>> >> >> To be fair, Lee's post does not delve into manipulating the
Re: Jazz Chord Symbols (as new font - NOT notation font)
Thanks. I just figured out how to use my own otf font. You're saying, that once I have my font finished, I can use it as \markup OR as ChordName? But wouldn't ChordName mess with my font then? Like forcing its own spacing and such? Or lies that within the used font in ChordName? So, if I use my own font - that's just that? That would be awesome. *** www.marcobaumgartner.com On Wed, Jul 3, 2019 at 11:54 PM Aaron Hill wrote: > On 2019-07-03 10:40 am, Marco Baumgartner wrote: > > One thought though: As far as I understand it: displaying chords within > > Lilypond is not done with/by a "normal" font but rather a special > > chord-mechanism. I fear, that this mechanism (as far I've seen) does a > > good > > job, but can also be seen as a limitation. How wrong would it be to > > create > > a normal font (with tons of ligatures) which I could use as > > info/comments/expression - NOT in Chord-mode to display chords? I feel > > like > > that would be the only way that leads to perfect chord symbols. Or am I > > completely out? :-) > > A ChordName is nothing more than markup at the end of the day. Since > the default stencil is ly:text-interface::print, anything you can do in > \markup you can do in a ChordName. That gives you nearly all the > freedom you would ever need, so there should be nothing to worry. > > > -- Aaron Hill > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Jazz Chord Symbols (as new font - NOT notation font)
Thanks, Aaron. I really feel like creating a whole new font. The problem I'm facing right now is: I can use my self-made otf fonts as markup. If I use the same font as ChordNames, it seems like ChordNames is dictating what's a valid entry and what isn't. That's the minor issue (I still think, displaying chord symbols as "normal" markup is fine too.) The bigger issue is: Although my font (otf) HAS ligatures (and show up if the font is used on my system in other programs) - it doesn't show ANY ligatures in lilypond... Can't make it work as of now. I searched about it, and stumbled across people saying, that this was like an official bug. Others saying, that it should be all working instead... I'm using 2.18.2 on Debian Linux with Frescobaldi. And: The ligatures I'm talking about are not standard ligatures (tied to a specific language), they're everything but standard. But like I said, a normal Text-Editor (and even used on the web via @font-face) can render the ligatures just fine. Any tips on: - where to install the font (not so sure about that anymore...) - how to encode the font in a way that lilypond recognizes ligatures - just pointing out, that I'm stupid (that would be at least a valid excuse) :-) Thanks a lot for your help. *** www.marcobaumgartner.com On Thu, Jul 4, 2019 at 1:55 AM Aaron Hill wrote: > On 2019-07-03 4:45 pm, Aaron Hill wrote: > > NOTE: Similar things will be adjusted to support the slash separator > > as well, so that you could get a single string like "C#m/E" so your > > font's logic could handle this. > > I typed that poorly. Trying again: > > NOTE: Similar things will need to be adjusted to support the slash > separator as well, so that you could get a single string like "C#m/E" > for your font's logic to handle. > > > -- Aaron Hill > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Jazz Chord Symbols (as new font - NOT notation font)
Thanks Aaron for your help! \version "2.18.2" % tested on lilybin.org \markup \roman "fi" That's what I'm going to test next. Unfortunately, I'm facing some installation issues. I somehow messed up the original package, while trying to install a newer unstable version. Now I can't re-install 2.18.2 from Debian repository as it's missing. Let me figure this out. I'll let you know, when I'm back with a running version and tested the above code. *** www.marcobaumgartner.com On Thu, Jul 4, 2019 at 7:33 PM Aaron Hill wrote: > On 2019-07-04 6:29 am, Marco Baumgartner wrote: > > Although my font (otf) HAS ligatures (and show up if the font is used > > on my > > system in other programs) - it > > doesn't show ANY ligatures in lilypond... Can't make it work as of now. > > > > I searched about it, and stumbled across people saying, that this was > > like > > an official bug. Others saying, > > that it should be all working instead... > > Well, I would put my vote on the side of "should be working". Consider > the following simple example: > > > \version "2.18.2" % tested on lilybin.org > \markup \roman "fi" > > > You *should* get the "fi" as a ligature in the output. It would be good > to verify this on your system. Then, use \override #'(font-name . "Your > custom font") and test your font. > > > I'm using 2.18.2 on Debian Linux with Frescobaldi. > > And: The ligatures I'm talking about are not standard ligatures (tied > > to a > > specific language), they're everything but standard. > > But like I said, a normal Text-Editor (and even used on the web > > via @font-face) can render the ligatures just fine. > > This may have more to do with Pango than LilyPond, since it is Pango > that is the one dealing with fonts. If there is something wrong with > how it handles OpenType ligatures, that could certainly end up affecting > what you see in LilyPond. > > > Any tips on: > > - where to install the font (not so sure about that anymore...) > > You can install fonts wherever your fontconfig is set up to load them. > For instance, I have my custom fonts installed in my home directory: > >~/.local/share/fonts > > I did this as to not conflict with any font packages that are normally > written to /usr/local/share/fonts. > > > - how to encode the font in a way that lilypond recognizes ligatures > > Unsure, but as I indicated above, I think this is on the Pango side, not > LilyPond. > > > - just pointing out, that I'm stupid (that would be at least a valid > > excuse) :-) > > If I did that, I would have more fingers pointing back at myself. You > would not have to dig too far in the mailing list archive to find proof > of my lapses into incompetence. > > > -- Aaron Hill > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Jazz Chord Symbols (as new font - NOT notation font)
Hi Tyler, it was from apt package. Which version would you recommend? I need to re-install anyway. I'm on Debian Linux, but I'm not a very skilled user. Normally I install everything with apt-get install - only when I really have to, I do (or try) otherwise. Marco *** www.marcobaumgartner.com On Thu, Jul 4, 2019 at 7:45 PM Tyler Mitchell wrote: > On Thu, Jul 04, 2019 at 03:29:00PM +0200, Marco Baumgartner wrote: > > Although my font (otf) HAS ligatures (and show up if the font is > > used on my system in other programs) - it doesn't show ANY > > ligatures in lilypond... Can't make it work as of now. > > > > I'm using 2.18.2 on Debian Linux with Frescobaldi. > > Count me as one who says that ligatures are absolutely essential. > (I couldn't say whether it's a bug in LilyPond or not, but I > couldn't work without them.) > > I've had this problem on OS X (as it then was). I have both the > official LilyPond binary installed in /Applications and a homebrew > version (can't remember whether bottled or compiled) installed in > /usr/local and one supports ligatures and one does not. (I'm away > from home at the moment and don't have access to that computer, so > I can't check which is which.) > > Where did you obtain the LilyPond install from -- was it from apt > package or from the official distribution at lilypond.org? > > Best regards, > Tyler > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Jazz Chord Symbols (as new font - NOT notation font)
the output of: \markup \roman "fi" is in the attachment. It does not produce the ligatures - both in standard and a testing font of mine containing ligatures (otf). In the word "leer", the letter e and r should be connected. I stumbled over this (2015): http://lilypond.1069038.n5.nabble.com/Broken-ligatures-in-recent-LilyPond-versions-td171760.html It's said, that as of 2.18.2 and newer, ligatures are broken in lilypond. Doesn't seem to be the case for everybody though... I've updatet my system, running Debian Stretch 9.9 now. Lilypond is no longer in the standard-repository in this updated version, so I've installed the generic package "2.18.2" from lilypond.org. *** www.marcobaumgartner.com On Fri, Jul 5, 2019 at 12:35 PM Marco Baumgartner wrote: > Thanks Aaron for your help! > > > \version "2.18.2" % tested on lilybin.org > \markup \roman "fi" > > > That's what I'm going to test next. Unfortunately, I'm facing some > installation issues. I somehow messed up the original package, > while trying to install a newer unstable version. Now I can't re-install > 2.18.2 from Debian repository as it's missing. Let me figure this out. I'll > let you know, > when I'm back with a running version and tested the above code. > > *** > www.marcobaumgartner.com > > > On Thu, Jul 4, 2019 at 7:33 PM Aaron Hill > wrote: > >> On 2019-07-04 6:29 am, Marco Baumgartner wrote: >> > Although my font (otf) HAS ligatures (and show up if the font is used >> > on my >> > system in other programs) - it >> > doesn't show ANY ligatures in lilypond... Can't make it work as of now. >> > >> > I searched about it, and stumbled across people saying, that this was >> > like >> > an official bug. Others saying, >> > that it should be all working instead... >> >> Well, I would put my vote on the side of "should be working". Consider >> the following simple example: >> >> >> \version "2.18.2" % tested on lilybin.org >> \markup \roman "fi" >> >> >> You *should* get the "fi" as a ligature in the output. It would be good >> to verify this on your system. Then, use \override #'(font-name . "Your >> custom font") and test your font. >> >> > I'm using 2.18.2 on Debian Linux with Frescobaldi. >> > And: The ligatures I'm talking about are not standard ligatures (tied >> > to a >> > specific language), they're everything but standard. >> > But like I said, a normal Text-Editor (and even used on the web >> > via @font-face) can render the ligatures just fine. >> >> This may have more to do with Pango than LilyPond, since it is Pango >> that is the one dealing with fonts. If there is something wrong with >> how it handles OpenType ligatures, that could certainly end up affecting >> what you see in LilyPond. >> >> > Any tips on: >> > - where to install the font (not so sure about that anymore...) >> >> You can install fonts wherever your fontconfig is set up to load them. >> For instance, I have my custom fonts installed in my home directory: >> >>~/.local/share/fonts >> >> I did this as to not conflict with any font packages that are normally >> written to /usr/local/share/fonts. >> >> > - how to encode the font in a way that lilypond recognizes ligatures >> >> Unsure, but as I indicated above, I think this is on the Pango side, not >> LilyPond. >> >> > - just pointing out, that I'm stupid (that would be at least a valid >> > excuse) :-) >> >> If I did that, I would have more fingers pointing back at myself. You >> would not have to dig too far in the mailing list archive to find proof >> of my lapses into incompetence. >> >> >> -- Aaron Hill >> >> ___ >> lilypond-user mailing list >> lilypond-user@gnu.org >> https://lists.gnu.org/mailman/listinfo/lilypond-user >> > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Jazz Chord Symbols (as new font - NOT notation font)
Hi Aaron,
thanks. No problem, nothing bad happened so far.
Didn't know about lilybin - that's interesting news to me!
First time I'm ever seeing some ligatures in a font is running:
\version "2.19.2"
\markup \roman "fi"
with the unstable version 2.19.48 on lilybin.com
It would be nice to have this on my system too, so I can start testing my
new Chord-Font.
I read through all the tips on how to install/compile unstable versions of
lilypond,
but couldn't find a "simple" way to to it. If you guys use 2.19.2 or the
like - that means you compiled it from source, right?
And actually do what it says in
http://lilypond.org/doc/v2.19/Documentation/contributor/compiling.html ?
That's pretty awkward to me. There isn't a pre-packed installable version
of 2.19? Or an easier way?
Cheers, Marco
***
www.marcobaumgartner.com
***
www.marcobaumgartner.com
On Sat, Jul 6, 2019 at 3:11 AM Aaron Hill wrote:
> On 2019-07-05 5:34 pm, Marco Baumgartner wrote:
> > the output of:
> >
> > \markup \roman "fi"
> >
> > is in the attachment. It does not produce the ligatures - both in
> > standard
> > and a testing font of mine containing ligatures (otf).
> > In the word "leer", the letter e and r should be connected.
> >
> > I stumbled over this (2015):
> >
> http://lilypond.1069038.n5.nabble.com/Broken-ligatures-in-recent-LilyPond-versions-td171760.html
> >
> > It's said, that as of 2.18.2 and newer, ligatures are broken in
> > lilypond.
> > Doesn't seem to be the case for everybody though...
> >
> > I've updatet my system, running Debian Stretch 9.9 now.
> > Lilypond is no longer in the standard-repository in this updated
> > version,
> > so I've installed the generic package "2.18.2" from lilypond.org.
>
> Firstly, I said lilybin.org by mistake. I meant of course lilybin.com.
>
> Secondly, I goofed in my testing. I had thought I was on stable 2.18.2
> when I saw the ligature working. But that is wrong. It was when
> lilybin.com was using unstable 2.19.48 that the ligatures appear to
> work. And for comparison, the following also works on my machine
> running 2.19.82:
>
>
> \version "2.19"
> \paper { #(include-special-characters) }
> \markup \fontsize #12 \roman "fi ffi fl"
> \markup \fontsize #12 \roman { "fi ffi fl" }
>
>
> At this point, 2.18.2 is pretty old when compared to all the updates
> pending next stable release. So it would definitely be worth seeing if
> you can move up to the latest bits.
>
> But if you have to stick to 2.18.2, then ligatures are not going to work
> as expected due to problems with the older version of Pango it would
> seem.
>
> My apologies for leading you down a bad path.
>
>
> -- Aaron Hill
>
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
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Re: Jazz Chord Symbols (as new font - NOT notation font)
Hi Kieren, oh my! Guess what? I'm running 2.19.83 now! Thank you so much! And: Ligatures working like they should! The question on how to install an unstable version was offtopic - and yet, it totally solved my problem with ligatures. Thank you so much for your help! I now can start on creating my new chord-symbol-font. Of course, I'll keep you all informed about it. As for now (and for me): Problem solved! Thanks to you all for helping me out. Nice! Cheers, Marco PS: Attached screenshot of the output of standard font and one of my own testing font (otf) with ligatures installed on my system. *** www.marcobaumgartner.com On Sat, Jul 6, 2019 at 3:49 AM Kieren MacMillan wrote: > > Hi Marco, > > > There isn't a pre-packed installable version of 2.19? > > Yes there is: <http://lilypond.org/development.html> > > Hope that helps! > Kieren. > > > Kieren MacMillan, composer > ‣ website: www.kierenmacmillan.info > ‣ email: i...@kierenmacmillan.info > ‣ pronouns: he / him / his or they / them / their > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Jazz Chord Symbols (as new font - NOT notation font)
*** www.marcobaumgartner.com On Sat, Jul 6, 2019 at 4:14 AM Marco Baumgartner wrote: > > Hi Kieren, > > oh my! > Guess what? I'm running 2.19.83 now! Thank you so much! > And: Ligatures working like they should! > > The question on how to install an unstable version was offtopic - and > yet, it totally solved my problem with ligatures. > Thank you so much for your help! > > I now can start on creating my new chord-symbol-font. Of course, I'll > keep you all informed about it. > As for now (and for me): Problem solved! > > Thanks to you all for helping me out. > > Nice! > Cheers, Marco > > PS: Attached screenshot of the output of standard font and one of my > own testing font (otf) with ligatures installed on my system. > > *** > www.marcobaumgartner.com > > On Sat, Jul 6, 2019 at 3:49 AM Kieren MacMillan > wrote: > > > > Hi Marco, > > > > > There isn't a pre-packed installable version of 2.19? > > > > Yes there is: <http://lilypond.org/development.html> > > > > Hope that helps! > > Kieren. > > > > > > Kieren MacMillan, composer > > ‣ website: www.kierenmacmillan.info > > ‣ email: i...@kierenmacmillan.info > > ‣ pronouns: he / him / his or they / them / their > > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
exercises on the same line but detached
Hello everybody, I'm a drummer and I should write the exercises. At the same height I should write two exercises separated by a space how can I do? Examples of drums are welcome Thank you all
Re: Tremolo repeats and groups of notes
Ty Meyn,
I solved the second question using your proposal of code.
I did not solved the first question.
Here following my working example:
\version "2.18.2"
\relative c'
{
\time 4/4
\key bes \major
\tuplet 3/2 { d8:16 -\markup { \tiny \italic { rep. notes opt. }} \f f8:16
bes8:16 } d4 \tuplet 3/2 { c,8:16 ees?8:16 aes8:16 } c4|
}
But final output is not the same of the imagine.
Il giorno gio 12 apr 2018 alle 08:30 Malte Meyn ha
scritto:
>
>
> Am 12.04.2018 um 07:13 schrieb Marco Bagolin:
> > Hi all,
> > please someone can help me?
>
> Hi Mark,
>
> please always give minimal *working* examples. Your code doesn’t compile.
>
> Also it would be better to write simple text emails instead of HTML,
> because then it’s easier to copy the code and have it nicely formatted.
>
> For your second question:
>
> \set Timing.subdivideBeams = ##t
> \set Timing.baseMoment = #(ly:make-moment 1/8)
>
> For your first question:
>
> You could try something like
>
> \override StemTremolo.slope = #0.5
>
> but I’d recommend not to try to copy the notation you posted exactly
> because the tremolo beams should be near the beams (see also Gould,
> “Behind Bars”).
>
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
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Re: Tremolo repeats and groups of notes
I am trying, but I don't find the correct sintax... Il giorno gio 12 apr 2018 alle 14:56 Malte Meyn ha scritto: > > > Am 12.04.2018 um 11:24 schrieb Marco Bagolin: > > I solved the second question using your proposal of code. > > > > I did not solved the first question. > > Have you tried overriding the slope? > > And have you read my recommendation? Probably it would be possible to > bring the StemTremolos nearer to the note heads but it would be > complicated and it would be against common notation practice. > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: beaming in tuplets
Thank you all :-)
2018-04-12 22:48 GMT+02:00 Urs Liska :
>
>
> Am 12.04.2018 um 20:45 schrieb Mark Stephen Mrotek:
>
> Marco,
>
>
>
> Got the 3’s on each group – see attached.
>
>
>
>
> Rather than manually counting beamlets you can set beam subdivisions:
>
> \set subdivideBeams = ##t
> \set baseMoment = #(ly:make-moment 1 8)
>
> and remove the manual beams.
>
> Additionally remove the tuplet bracket
>
> \omit TupletBracket
>
> Finally you can tell LilyPond to automatically group consecutive tuplets:
>
> \set tupletSpannerDuration = #(ly:make-moment 1 8)
>
> which removes the need to explicitly write so many \tuplet {} expressions.
>
> The full file now reads:
>
> \version "2.18.2"
>
> \relative {
>
> % Activate beam subdivision
> \set subdivideBeams = ##t
> \set baseMoment = #(ly:make-moment 1 8)
> \omit TupletBracket
>
> % Automatically group tuplets
> \set tupletSpannerDuration = #(ly:make-moment 1 8)
>
> \clef bass
> \time 4/4
> \key bes \major
> r8
>
> \tuplet 3/2 {
> f16 \upbow -\markup {
> \line { \concat { \dynamic p } \italic { accel. e cresc. }}}
> f f ges16 ges16 ges16 aes16 aes16 aes16
> bes16 bes16 bes16 c16 c16 c16
> d16 d16 d16 ees16 ees16 ees16
> }
> |
> f1
> }
>
> HTH
> Urs
>
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>
>
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Align to left the instrument title
Hello all,
I am not so expert and need a help.
I would like that instrument title appear on the left of the first page and in
the center of the other pages.
I am trying with this code:
\version "2.18.2"
\header {
title = \markup \fontsize #+1.5 {"My Music"}
instrument = \left-align \fontsize #+1.5 {"Flute"}
}
but nothing happens.
Instrument title in the first page is always centered.
I tried to read manual section Titles and headers and to search examples in the
site, but I did not find solutions about my problem.
Hope some expert user can help me.
Thank you all in advance.
Regards
Marco B.
Inviato da iPhone
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Re: Align to left the instrument title
Hello all,
you can see what I want to obtain in the example attached.
I want the title in the center of the page.
The name of the instrument at the left margin of the first page.
The name of the instrument in the center on the top of the other pages.
I don't know what code to write for this result.
I am not so expert at the moment.
Hope someone can help me.
Thank you all in advance.
MB
File_000.jpeg
<https://drive.google.com/file/d/0B_0yykq9LeDPbnhNMGpnazlBdEk/view?usp=drive_web>
2017-05-02 17:27 GMT+02:00 Jacques Menu Muzhic :
> Hello Marco,
>
> You minimal working example (MWE) is too minimal actually.
>
> How about:
>
> \version "2.19.55"
>
> \version "2.18.2"
> \header {
> title = \markup \fontsize #+1.5 {"My Music"}
> instrument = \markup {\left-align \fontsize #+1.5 {"Flute"}}
> }
>
> { c }
>
> JM
>
> > Le 2 mai 2017 à 14:14, Marco Bagolin a écrit
> :
> >
> >
> > Hello all,
> > I am not so expert and need a help.
> > I would like that instrument title appear on the left of the first page
> and in the center of the other pages.
> >
> > I am trying with this code:
> >
> > \version "2.18.2"
> > \header {
> > title = \markup \fontsize #+1.5 {"My Music"}
> > instrument = \left-align \fontsize #+1.5 {"Flute"}
> > }
> >
> > but nothing happens.
> > Instrument title in the first page is always centered.
> > I tried to read manual section Titles and headers and to search examples
> in the site, but I did not find solutions about my problem.
> >
> > Hope some expert user can help me.
> > Thank you all in advance.
> >
> > Regards
> > Marco B.
> >
> >
> > Inviato da iPhone
> > ___
> > lilypond-user mailing list
> > lilypond-user@gnu.org
> > https://lists.gnu.org/mailman/listinfo/lilypond-user
>
>
> ___
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> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
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Acciaccatura at the beginning
Hi to everybody,
I'm a new user trying to learn this wonderful program.
I'm making a transcription that starts with an acciaccatura and noticed it
messes up everything in the other staves.
I know it's a known problem but I need to find a solution. Can someone help?
This is an example:
\language "english"
global = {\time 3/4}
problem = \relative c'' { \global
\acciaccatura { d32 e} d4 c8( d) d4 |
}
other = \relative c { \global \clef bass
d4 c8( d) d4 |
}
\score {
<<
\new PianoStaff <<
\new Staff{ \problem }
\new Staff{ \other }
>>
>>
}
Thank you very much,
best regards,
Marco
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+39 3403513686
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Re: Acciaccatura at the beginning
Thank you David, I've found it Marco Il giorno gio 14 set 2017 alle ore 19:06 David Kastrup ha scritto: > "Marco B." writes: > > > Hi to everybody, > > I'm a new user trying to learn this wonderful program. > > I'm making a transcription that starts with an acciaccatura and noticed > it > > messes up everything in the other staves. > > I know it's a known problem > > Issue 34 > > > but I need to find a solution. Can someone help? > > Uh, the manual? > > < > http://lilypond.org/doc/v2.18/Documentation/notation/special-rhythmic-concerns#index-grace_002dnote-synchronization > > > > -- > David Kastrup > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Acciaccatura at the beginning
Thank you very much Il giorno ven 15 set 2017 alle ore 15:09 Mark Stephen Mrotek < carsonm...@ca.rr.com> ha scritto: > David, > > Thanks for the clarification. > > Mark > > -Original Message- > From: David Kastrup [mailto:d...@gnu.org] > Sent: Thursday, September 14, 2017 11:58 PM > To: Mark Stephen Mrotek > Cc: 'Marco B.' ; lilypond-user@gnu.org > Subject: Re: Acciaccatura at the beginning > > "Mark Stephen Mrotek" writes: > > > Marco, > > > > > > > > To make the staves line up, place a “dummy” acciaccatura, in the “other” > voice. > > > > It would be \acciaccatura s32. > > From the manual: > >Please make sure that you use the ‘\grace’ command for the spacer > part, even if the visual part uses ‘\acciaccatura’ or > ‘\appoggiatura’ because otherwise an ugly slur fragment will be > printed, connecting the invisible grace note with the following > note. > > -- > David Kastrup > > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Fingering position inside chords
Hi,
I'm trying to have all the fingerings aligned to the left as in the picture.
Is there a way to move independently every single fingering inside the
chord?
My workaround (see the code) it's not perfect and uses an hidden note in
a second voice.
Thank you very much,
have a nice day.
Marco
\version "2.19.65"
\language "english"
\relative c {
\clef "treble_8"
\time 3/8
\key a \major
<<
{ \hideNotes \once \override Fingering.extra-offset = #'(-4.2 .
-1.4) gs''8-3 }
\\
{ \set fingeringOrientations = #'(left) gs-3>4 }
>>
}
--
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Re: Fingering position inside chords
Thank you Mark,
I've studied that part but I still don't understand how can I move only
the "3" to the left when it is inside a chord.
I need to choose independently the position of the fingers for every
note of the chord.
Can you show me the code?
Thank you very much,
Marco
On 19/09/2017 20:09, Mark Stephen Mrotek wrote:
Marco,
Have a look at
http://lilypond.org/doc/v2.18/Documentation/notation/inside-the-staff#fingering-instructions
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Marco Bianchi
Sent: Tuesday, September 19, 2017 1:39 AM
To: lilypond-user@gnu.org
Subject: Fingering position inside chords
Hi,
I'm trying to have all the fingerings aligned to the left as in the picture.
Is there a way to move independently every single fingering inside the chord?
My workaround (see the code) it's not perfect and uses an hidden note in a
second voice.
Thank you very much,
have a nice day.
Marco
\version "2.19.65"
\language "english"
\relative c {
\clef "treble_8"
\time 3/8
\key a \major
<<
{ \hideNotes \once \override Fingering.extra-offset = #'(-4.2 . -1.4)
gs''8-3 }
\\
{ \set fingeringOrientations = #'(left) 4 }
>>
}
--
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Re: Fingering position inside chords
David this is great!
Thank you
On 19/09/2017 21:51, David Kastrup wrote:
Marco Bianchi writes:
Hi,
I'm trying to have all the fingerings aligned to the left as in the picture.
Is there a way to move independently every single fingering inside the chord?
My workaround (see the code) it's not perfect and uses an hidden note in a
second
voice.
Thank you very much,
have a nice day.
Marco
*
\version "2.19.65"
\language "english"
\relative c {
\clef "treble_8"
\time 3/8
\key a \major
<<
{ \hideNotes \once \override Fingering.extra-offset = #'(-4.2 . -1.4)
gs''8-3 }
\\
{ \set fingeringOrientations = #'(left) 4 }
>>
}
You could use something like
It's not particularly great, I'll readily admit. But at least you can
do something.
--
Marco Bianchi
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Re: Fingering position inside chords
Thomas amazing example, this language is so deep and fascinating. Thanks to everybody for the help Marco On 19/09/2017 22:51, Thomas Morley wrote: 2017-09-19 22:47 GMT+02:00 David Kastrup : Thomas Morley writes: I tried to get something helpful from FingeringColumn, but I didn't found any useful pointers apart from the ones grob-interface delivers. Is it really not possible to get Fingering from FingeringColumn directly ?? (one could catch the PaperColumn and then filter for Fingerings, but this sounds clumsy...) Also, fingeringOrientations set left, not only prints Fingering at the left, but also left-aligned, where I'd prefer them to be center-align. Oh? I'd want them right-aligned when they are to the left. A matter of taste, I'd say. Though we don't have any (sub-)property which could be used. Play around with the Fingering-override above ... Cheers, Harm -- Marco Bianchi ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Converting Midi to PDF, or lilypond
Hello people! I have a question. Is there any software for converting a Midi to sheet? This software will haveto be for free. Thank You! Marco Oros ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Start of the first row of a staff
Hello all, please, I need a help because I don't find a solution in the snippet repository. I need that the first line of the staff is aligned as subsequent lines, NOT as the attached example. What is the command to use? start_staff.jpg <https://drive.google.com/file/d/0B_0yykq9LeDPQWt3TlVhMWE3SXlCZjQ4RzZjMm9qU09MbElN/view?usp=drivesdk> Thank you all in advance. Regards Marco B. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Don't break lines
Hi.
I'm writing a music exercises booklet with latex and lilypond-book. Each
page has the following aspect:
\section{...}
\subsection{...}
\begin[20pt,noquote]{lilypond}
...
\end{lilypond}
\subsection{...}
\begin[20pt,noquote]{lilypond}
...
\end{lilypond}
[other 2 or 3 subsections]
\pagebreak
It may occour that the lines of the last lilypond block break across 2
pages. So I have to insert, e.g., \paper{interscoreline=-5.0\mm}, trying
different values, into some lilypond block in order to keep all the
exercises of a section in exactly one page.
Would it possible to force lilypond, or latex, to keep each section in one
page, automatically detecting the right interscoreline into the lilypond
blocks?
--
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Re: Don't break lines
No more lines broken, but, for example, the entire last subsection is sent
to the next page. It is also unuseful to insert \nopagebreak[4]:
...
\end{lilypond}
\nopagebreak[4]
\subsection{...}
Marco
> On Thu, 30 Jan 2003, Mats Bengtsson wrote:
> One way to do this is to set interscoreline=0 (or whatever)
> and additionally to set interscorelinefill=1, which means that
> you get a stretchable spacing between the score lines which
> should place them evenly on the page. You may get some surprising
> side-effects though.
>
> /Mats
>
>
> Marco Caliari wrote:
> > Hi.
> >
> > I'm writing a music exercises booklet with latex and lilypond-book. Each
> > page has the following aspect:
> >
> > \section{...}
> > \subsection{...}
> > \begin[20pt,noquote]{lilypond}
> > ...
> > \end{lilypond}
> > \subsection{...}
> > \begin[20pt,noquote]{lilypond}
> > ...
> > \end{lilypond}
> > [other 2 or 3 subsections]
> > \pagebreak
> >
> > It may occour that the lines of the last lilypond block break across 2
> > pages. So I have to insert, e.g., \paper{interscoreline=-5.0\mm}, trying
> > different values, into some lilypond block in order to keep all the
> > exercises of a section in exactly one page.
> >
> > Would it possible to force lilypond, or latex, to keep each section in one
> > page, automatically detecting the right interscoreline into the lilypond
> > blocks?
> >
> > --
> > Marco
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Segno, Coda
Hi. Is there any facility to produce "From Segno to Coda", or similar? I'm using s1^#'(text "From " (music "scripts-segno") (text " to ") (music "script-coda")) Futhermore, how to produce From Segno to Coda Coda --|| | --|| | --|| (blank space)| --|| | --|| | (I hope it is clear enough). Marco ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Changing time signature
Hi. Changing a time signature, say from 2/4 to 6/8, it is common to find, over the last bar of the previous time | | | | *|=*|. saying that the previous quarter note shoud have the same (time) duration of the following quarter dotted note. How to reproduce with Lilypond? -- Marco ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Rhythmic oddity
Hi. The problem is at measure 12: c' or bes' are one beat too long. -- Marco ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Repeats and ties
Hi.
If have such a score:
\repeat volta 2 {d1 c} \alternative {{~c d c}{~c}}
I would like that the ~c in the second alternative was tied to the last c
before alternatives and not to the last c in the first alternative. How to
produce it?
--
Marco
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Repeats and ties (better)
Hi.
In my previous mail I was not clear enough. If you have
\repeat volta 2 {d1 c~} \alternative {{c d c}{c}}
there should be a slur sign before the c in the second alternative, not
starting from the c~, but starting from "nothing", after the repeat bar
between the alternatives. I think it should be automatic, but is there
a way to put a slur sign as wanted?
-
Marco
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Re: Repeats and ties (better)
Thanks. I will try it as soon as possible. However, it is a little
complicated. All the scores I have seen (marching bands scores, above all)
have that short tie. The same for slurs starting before the first
alternative and ending on the second. I think it should be
automatic. Will it be?
Marco
On Tue, 18 Mar 2003, Mats Bengtsson wrote:
> The easiest is probably to add an invisible note that the tie can start
> from:
>
> \alternative{{...}{\makeInvisible c4/2 ~ \makeVisible c4/2 ...}
> where the macros can be defined as
>
> makeInvisible = {\property Voice.NoteHead \override #'transparent = ##t
>\property Voice.Stem \override #'transparent = ##t }
> makeVisible = { \property Voice.NoteHead \revert #'transparent
> \property Voice.Stem \revert #'transparent }
>
> The 4/2 duration is just a trick to avoid that the extra note destroys
> the rhythm.
>
> /Mats
>
>
> Marco Caliari wrote:
> > Hi.
> >
> > In my previous mail I was not clear enough. If you have
> >
> > \repeat volta 2 {d1 c~} \alternative {{c d c}{c}}
> >
> > there should be a slur sign before the c in the second alternative, not
> > starting from the c~, but starting from "nothing", after the repeat bar
> > between the alternatives. I think it should be automatic, but is there
> > a way to put a slur sign as wanted?
> >
> > -
> > Marco
> >
> >
> >
> > ___
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>
> --
> =
> Mats Bengtsson
> Signal Processing
> Signals, Sensors and Systems
> Royal Institute of Technology
> SE-100 44 STOCKHOLM
> Sweden
> Phone: (+46) 8 790 8463
> Fax: (+46) 8 790 7260
> Email: [EMAIL PROTECTED]
> WWW: http://www.s3.kth.se/~mabe
> =
>
>
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Re: Repeats and ties (better)
On Tue, 18 Mar 2003, Mats Bengtsson wrote:
> The easiest is probably to add an invisible note that the tie can start
> from:
>
> \alternative{{...}{\makeInvisible c4/2 ~ \makeVisible c4/2 ...}
> where the macros can be defined as
>
> makeInvisible = {\property Voice.NoteHead \override #'transparent = ##t
>\property Voice.Stem \override #'transparent = ##t }
> makeVisible = { \property Voice.NoteHead \revert #'transparent
> \property Voice.Stem \revert #'transparent }
>
> The 4/2 duration is just a trick to avoid that the extra note destroys
> the rhythm.
>
> /Mats
Good. Only a thing: not c4/2 but c1*1/2 (lily 1.6.7).
Thanks again,
Marco
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Lines of music
Hi.
I would like to produce an image with a single line of music (say of
dimension 2cm x 10cm, not an a4 paper with a single line). With Lily 1.6.*
I used
\begin[eps,linewidth=10cm]{lilypond}
...
\end{lilypond}
and lilypond-book. Is the option eps supported in Lily 1.8.1?
It is not documented, it is accepted by lilypond-book (and I have the
image as wanted), but then latex gives me "Undefined symbol
\lilypondepswidth".
Is it possible to obtain the image (png, if possible) directly with
ly2dvi?
--
Marco
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Re: Lines of music
OK. You can use "Integrating HTML and music" with lilypond-book: you get both eps and png images. The length of the png image is slightly different from that you specify with the option linewidth. Anyway, it is not clear if the option eps is supported in "Integrating LaTeX and music" with lilypond-book. Finally, there is an inconsistency (in my opinion) reguarding the measuring units: in the \paper block (with ly2dvi) you have to specify them with \ (\mm, \cm, \pt, ...), whereas in HTML and LaTex (with lilypond-book) you have to specify them without \ (mm, cm, pt, ...). I have not found a mention of this in lilypond.ps (at least in section Page layout). Cheers, Marco ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
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