Re: Octavation
To find out the answer yourself, go to the section on Ottava brackets in the on-line manual and follow the link at the bottom of the page to the program reference for the OttavaBracket object. There, you will find the values of the properties that are set by default. Then you can do the same for Text spanners and see what differs. In particular, it seems that you have to \override the properties dash-fraction and edge-height and \revert the value of dash-period. /Mats Kirill wrote: Mats Bengtsson ee.kth.se> writes: How about using a text spanner? /Mats What parameters do I have to set for a text spanner so as to *exactly* emulate the apperance of a regular ottava line? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
generate score and parts with lilyscore
hi all, i wrote a shellscript which generates a score and the corresponding parts for lilypond. the score-setup can be changed at anytime by editing the configfile. it works with lilypond 2.8.x i would be very happy if someone try it and send me some feedback. greetings, johnny -- http://www.johannes-schoepfer.de Echte DSL-Flatrate dauerhaft für 0,- Euro*! "Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl lilyscore Description: Binary data ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Placing fret diagram at end music
Stephen Torri wrote:
In my files here I put your markup lines just to see what it did. What I
found was that I got the diagram but no name above it. I have looked at
the documentation but I am not sure how to give a name to the chord
diagram.
I see other examples that do have the chord names above the fret diagram
but those situations have the chord names listed in a chordname element.
So the chord name is displayed above the fret diagram in the appropriate
measure.
Then I would use an ordinary ChordNames context for the chord names which
means that you would need to place also the fret diagrams in a context that
can align them "rhythmically" to the chord names, preferably a Lyrics
context.
\score{
<<
\new ChordNames \chordmode {
f1:maj7/e
f1:maj7/e
}
\new Lyrics \lyricmode {
\markup {\fret-diagram #"4-2-2;3-1-1;2-o;1-o;" }
\markup {\fret-diagram #"4-2-2;3-1-1;2-o;1-o;" }
}
>>
}
Note that this separate \score{...} block can be placed below the
\score{...} for your
ordinary music if you wish.
You may want to add
\score{
...
\layout{
ragged-right = ##t
\context{
\Lyrics
\override LyricSpace #'minimum-distance = #2.0
}
}
}
to get a nicer horizontal spacing, see "Spacing Lyrics" in the manual.
/Mats
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Re: x-offset in <<\\>> environment?
Please always try to turn your example .ly code into a full
example that others can run and try directly. As long as you
keep the attachments small, you can also include a PNG or whatever
of the output in your email.
There's one detail about the << \\ >> construct that's only shown in the
examples but not explained in the text (as far as I can see), namely that
the first and the third voices will have stems pointing upwards and the
second and fourth will have stems pointing downwards. Also, in the
third and fourth voices, the notes will be moved to the side to avoid
collisions. Therefore, the easiest solution for your is to add an empty
second voice:
\version "2.8.0"
\new Staff {
\time 3/4
<< {s4. fis8-. r r | d-. r r
ais-. r r | fis-. r r d-. r r |
ais-. r r fis-.
r r } \\ {} \\ { \stemUp d2.( | d)( | d)( | d) } >>
}
or to explicitly say \voiceThree for your second voice:
\new Staff {
\time 3/4
<< {s4. fis8-. r r | d-. r r
ais-. r r | fis-. r r d-. r r |
ais-. r r fis-.
r r } \\ { \voiceThree \stemUp d2.( | d)( | d)( | d) } >>
}
Rick Hogg wrote:
Hello,
I have a measure where I'm using << \\ >>, but I need
the stems for both voices to go up. Lily keeps giving
me this error:
pulcinella.notes.ly:255:93: warning: ignoring too many
clashing note columns
\change Staff = upper<< {s4. fis'''8-. r r | d-. r r
ais-. r r | fis-. r r d-. r r |
ais-. r r fis-.
r r } \\ { \stemUp d2.( | d)( | \once \override
NoteColumn #'X-offset = #1.3 { d)( } | \once \override
NoteColumn #'X-offset = #1.3 { d) } } >> |
I have that for three measures, and I get the error
for all three. I try the x-offset, but it doesn't
work either. Here's my code for one of the measures:
%%%
\change Staff = upper<< {s4. fis'''8-. r r | d-. r r
ais-. r r | fis-. r r d-. r r | ais-. r r fis-. r r }
\\ { \stemUp d2.( | d)( | \once \override NoteColumn
#'X-offset = #1.3 { d)( } | \once \override NoteColumn
#'X-offset = #1.3 { d) } } >> |
%%%
Any help would be much appreciated. On a similar
note, is there anywhere we can post code, output, and
what it _should_ look like so that others can see
what we're talking about and try to help?
Thanks,
Rick
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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Re: x-offset in <<\\>> environment?
In addition to what I just wrote, the note shifts done by LilyPond in the
third and fourth voices of a << \\ \\ \\ >> construct are actually described
in the section on "Collision Resolution", which also provides more
information that may be relevant for you.
/Mats
Rick Hogg wrote:
Hello,
I have a measure where I'm using << \\ >>, but I need
the stems for both voices to go up. Lily keeps giving
me this error:
pulcinella.notes.ly:255:93: warning: ignoring too many
clashing note columns
\change Staff = upper<< {s4. fis'''8-. r r | d-. r r
ais-. r r | fis-. r r d-. r r |
ais-. r r fis-.
r r } \\ { \stemUp d2.( | d)( | \once \override
NoteColumn #'X-offset = #1.3 { d)( } | \once \override
NoteColumn #'X-offset = #1.3 { d) } } >> |
I have that for three measures, and I get the error
for all three. I try the x-offset, but it doesn't
work either. Here's my code for one of the measures:
%%%
\change Staff = upper<< {s4. fis'''8-. r r | d-. r r
ais-. r r | fis-. r r d-. r r | ais-. r r fis-. r r }
\\ { \stemUp d2.( | d)( | \once \override NoteColumn
#'X-offset = #1.3 { d)( } | \once \override NoteColumn
#'X-offset = #1.3 { d) } } >> |
%%%
Any help would be much appreciated. On a similar
note, is there anywhere we can post code, output, and
what it _should_ look like so that others can see
what we're talking about and try to help?
Thanks,
Rick
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Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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Re: Problem with Last Syllable of a Lyrics
- Original Message - From: "Alexander Brock" <[EMAIL PROTECTED]> To: "Trent Johnston" <[EMAIL PROTECTED]> Sent: Monday, June 26, 2006 4:59 PM Subject: Re: Problem with Last Syllable of a Lyrics | Hello, | | > It looks like both last syllables only have a single hyphen instead of the | > usual double hyphen --. | > | > Hö - he! should be Hö -- he! | > | > Kö - nig!should be Kö -- nig! | | I tried that but it leads to warnings: | | # -*-compilation-*- | Processing `Hosanna, Hosanna, Hosanna in der Hoehe.ly' | Parsing... | Interpreting music... [8] | Hosanna, Hosanna, Hosanna in der Hoehe.ly:47:49: warning: unterminated | hyphen; removing | of -- fen -- bar. Ho -- san -- na in der Hö | -- he! | | Hosanna, Hosanna, Hosanna in der Hoehe.ly:54:33: warning: unterminated | hyphen; removing | _ _ _ _ Eh -- re sei dem Kö | -- nig! | [15] | Preprocessing graphical objects... | Calculating line breaks... [3][6][9][12] | Calculating page breaks... | Layout output to `Hosanna, Hosanna, Hosanna in der Hoehe.ps'... | Converting to `Hosanna, Hosanna, Hosanna in der Hoehe.pdf'... | | Alexander | Hi Alexander, This usually means there are not enough notes to fit all the lyrics so lilypond is leaving out the last syllable. Go back and check that each syllable is appearing under the correct note. Since your using \addlyrics and using underscores _ to indicate melisma check these carefully. Using the Lyrics context ( chapter 7.3.4 in the user manual ) is a lot easier than manual counting the note skips. Trent ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: generate score and parts with lilyscore
> hi all, > > i wrote a shellscript which generates a score and the corresponding parts for > lilypond. the score-setup can be changed at anytime by editing the configfile. > > > it works with lilypond 2.8.x > > i would be very happy if someone try it and send me some feedback. > > > greetings, > > johnny It is too long and without documentation or example config file. And I don't want to learn yet another file syntax/convention. Are there any specific features you are missing in lilypond or do you want to save typing time? Regards /Karl ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Documentation - first impressions of the latest manual
Note that it actually is a feature of LilyPond to remove the hyphen
if the spacing is too tight. Of course the example of hyphens in the
tutorial should show the hyphens. On the other hand, Section
"7.3.3 Hyphens and Extenders" already explain that hyphens will
be removed when the spacing is tight and also points to the relevant
properties to play with if you don't want it to happen.
/Mats
Eduardo Vieira wrote:
Anthony wrote:
There's also the little matter of the examples are supposed to be
"here's how to put a hyphen into lyrics text" and if I fix them, I'll be
turning them into examples of "here's how to force a hyphen into lyrics
when lily doesn't want to do it".
-
Hi! I guess the simpler solution would be to replace "twinkle, twinkle" with
{ a -- le -- gri -- a }, which means happiness, in the section 2.13. Then
later in Vocal Music section, users find out that hyphens are suppressed in
some situations. For introduction, that working example is enough.
Please, Graham, consider that change, if you will.
Regards,
Eduardo
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Signal Processing
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Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
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RE: AllAbout Examples
seba -
Just ran a test. Submitting
\version "2.8.4"
{ c''^\markup { "abc" } }
to LSR worked;
\version "2.8.4"
{ c''^\markup { "abc" \char #65 } }
didn't.
- Bruce
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Fairchild
Sent: Sunday, June 25, 2006 5:26 PM
To: 'Sebastiano Vigna'
Cc: 'lilypond-user Mailinglist'
Subject: RE: AllAbout Examples
I believe the "port" problem was caused by using \char in a \markup.
- Bruce
-Original Message-
From: Sebastiano Vigna [mailto:[EMAIL PROTECTED]
Sent: Sunday, June 25, 2006 5:21 PM
To: Fairchild
Cc: 'lilypond-user Mailinglist'
Subject: RE: AllAbout Examples
On Sun, 2006-06-25 at 17:05 -0500, Fairchild wrote:
> Back to LSR posting.
>
> Since my AllAbout was not acceptable, tried a smaller thing thought to
> be version insensitive. LSR didn't like the \version "2.4.6" line, so
> deleted
The current version is 2.8.4, now it's also state in the "Contributing"
section.
> it. LSR demanded \version "2.8.4" then complained cryptically about a
> port problem. Submitted a trivial file; LSR flips out of Netscape;
> seems to be
mmmhhh... I just moved to 2.8, and moving between LilyPond versions is
always an earthquake, so if you can be more precise I can try to understand
what's happening...
Ciao,
seba
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Re: Re: generate score and parts with lilyscore
> > i wrote a shellscript which generates a score and the corresponding > parts for lilypond. the score-setup can be changed at anytime by editing the > configfile. > It is too long and without documentation or example config file. > And I don't want to learn yet another file syntax/convention. "lilyscore -h" gives a little advice how to use it. just type "lilyscore" (must be in you path, of course) and "config.txt" will be createt automatically. there is not much to learn, the config.txt is selfexplaining. edit it and type again "lilyscore" and there you have lilypondfiles for every instrument that was added in config.txt. for faster lilyond-rendering you can temporarely remove some instruments from a score by putting "#" at the beginning of the instrumentline in config.txt. > Are there any specific features you are missing in lilypond or do you > want to save typing time? i dont miss a special feature. but i need to extract parts(with the right transposition) from scores. why do it by hand, if a script can do it. regards, johnny -- http://www.johannes-schoepfer.de Echte DSL-Flatrate dauerhaft für 0,- Euro*! "Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: AllAbout Examples
See http://lists.gnu.org/archive/html/lilypond-user/2005-09/msg00373.html
and
http://lists.gnu.org/archive/html/lilypond-user/2005-11/msg00277.html
for some information. In general, there should be no need to specify a
character by its number, just input it directly using an UTF-8 capable
text editor.
/Mats
Fairchild wrote:
seba -
Just ran a test. Submitting
\version "2.8.4"
{ c''^\markup { "abc" } }
to LSR worked;
\version "2.8.4"
{ c''^\markup { "abc" \char #65 } }
didn't.
- Bruce
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Fairchild
Sent: Sunday, June 25, 2006 5:26 PM
To: 'Sebastiano Vigna'
Cc: 'lilypond-user Mailinglist'
Subject: RE: AllAbout Examples
I believe the "port" problem was caused by using \char in a \markup.
- Bruce
-Original Message-
From: Sebastiano Vigna [mailto:[EMAIL PROTECTED]
Sent: Sunday, June 25, 2006 5:21 PM
To: Fairchild
Cc: 'lilypond-user Mailinglist'
Subject: RE: AllAbout Examples
On Sun, 2006-06-25 at 17:05 -0500, Fairchild wrote:
Back to LSR posting.
Since my AllAbout was not acceptable, tried a smaller thing thought to
be version insensitive. LSR didn't like the \version "2.4.6" line, so
deleted
The current version is 2.8.4, now it's also state in the "Contributing"
section.
it. LSR demanded \version "2.8.4" then complained cryptically about a
port problem. Submitted a trivial file; LSR flips out of Netscape;
seems to be
mmmhhh... I just moved to 2.8, and moving between LilyPond versions is
always an earthquake, so if you can be more precise I can try to understand
what's happening...
Ciao,
seba
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Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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RE: AllAbout Examples
Mats -
Really want \char #92 for "\". Maybe "\\" has been restored?
- Bruce
-Original Message-
From: Mats Bengtsson [mailto:[EMAIL PROTECTED]
Sent: Monday, June 26, 2006 6:21 AM
To: Fairchild
Cc: 'Sebastiano Vigna'; 'lilypond-user Mailinglist'
Subject: Re: AllAbout Examples
See http://lists.gnu.org/archive/html/lilypond-user/2005-09/msg00373.html
and http://lists.gnu.org/archive/html/lilypond-user/2005-11/msg00277.html
for some information. In general, there should be no need to specify a
character by its number, just input it directly using an UTF-8 capable text
editor.
/Mats
Fairchild wrote:
>seba -
>
>Just ran a test. Submitting
>
>\version "2.8.4"
>{ c''^\markup { "abc" } }
>
>to LSR worked;
>
>\version "2.8.4"
>{ c''^\markup { "abc" \char #65 } }
>
>didn't.
>
>- Bruce
>
>-Original Message-
>From: [EMAIL PROTECTED]
>[mailto:[EMAIL PROTECTED] On Behalf
>Of Fairchild
>Sent: Sunday, June 25, 2006 5:26 PM
>To: 'Sebastiano Vigna'
>Cc: 'lilypond-user Mailinglist'
>Subject: RE: AllAbout Examples
>
>
>I believe the "port" problem was caused by using \char in a \markup.
>
> - Bruce
>
>-Original Message-
>From: Sebastiano Vigna [mailto:[EMAIL PROTECTED]
>Sent: Sunday, June 25, 2006 5:21 PM
>To: Fairchild
>Cc: 'lilypond-user Mailinglist'
>Subject: RE: AllAbout Examples
>
>
>On Sun, 2006-06-25 at 17:05 -0500, Fairchild wrote:
>
>
>>Back to LSR posting.
>>
>>Since my AllAbout was not acceptable, tried a smaller thing thought to
>>be version insensitive. LSR didn't like the \version "2.4.6" line, so
>>deleted
>>
>>
>
>The current version is 2.8.4, now it's also state in the "Contributing"
>section.
>
>
>
>>it. LSR demanded \version "2.8.4" then complained cryptically about a
>>port problem. Submitted a trivial file; LSR flips out of Netscape;
>>seems to be
>>
>>
>
>mmmhhh... I just moved to 2.8, and moving between LilyPond versions is
>always an earthquake, so if you can be more precise I can try to
>understand what's happening...
>
>Ciao,
>
> seba
>
>
>
>
>
>
>___
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>http://lists.gnu.org/mailman/listinfo/lilypond-user
>
>
>
>
>
>___
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>
>
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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Re: AllAbout Examples
Why not try it yourself? Yes, just type \\ to get a single backslash.
/Mats
Fairchild wrote:
Mats -
Really want \char #92 for "\". Maybe "\\" has been restored?
- Bruce
-Original Message-
From: Mats Bengtsson [mailto:[EMAIL PROTECTED]
Sent: Monday, June 26, 2006 6:21 AM
To: Fairchild
Cc: 'Sebastiano Vigna'; 'lilypond-user Mailinglist'
Subject: Re: AllAbout Examples
See http://lists.gnu.org/archive/html/lilypond-user/2005-09/msg00373.html
and http://lists.gnu.org/archive/html/lilypond-user/2005-11/msg00277.html
for some information. In general, there should be no need to specify a
character by its number, just input it directly using an UTF-8 capable text
editor.
/Mats
Fairchild wrote:
seba -
Just ran a test. Submitting
\version "2.8.4"
{ c''^\markup { "abc" } }
to LSR worked;
\version "2.8.4"
{ c''^\markup { "abc" \char #65 } }
didn't.
- Bruce
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Fairchild
Sent: Sunday, June 25, 2006 5:26 PM
To: 'Sebastiano Vigna'
Cc: 'lilypond-user Mailinglist'
Subject: RE: AllAbout Examples
I believe the "port" problem was caused by using \char in a \markup.
- Bruce
-Original Message-
From: Sebastiano Vigna [mailto:[EMAIL PROTECTED]
Sent: Sunday, June 25, 2006 5:21 PM
To: Fairchild
Cc: 'lilypond-user Mailinglist'
Subject: RE: AllAbout Examples
On Sun, 2006-06-25 at 17:05 -0500, Fairchild wrote:
Back to LSR posting.
Since my AllAbout was not acceptable, tried a smaller thing thought to
be version insensitive. LSR didn't like the \version "2.4.6" line, so
deleted
The current version is 2.8.4, now it's also state in the "Contributing"
section.
it. LSR demanded \version "2.8.4" then complained cryptically about a
port problem. Submitted a trivial file; LSR flips out of Netscape;
seems to be
mmmhhh... I just moved to 2.8, and moving between LilyPond versions is
always an earthquake, so if you can be more precise I can try to
understand what's happening...
Ciao,
seba
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Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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Re: Ossia fragments in 2.8.2
I thought I had reduced it (this is NOT my full score--notice no chord
names or chord rhythms). Is this better? Seriously, there isn't much
more I can cut from this.
>> Following the instructions in the manual for getting ossia fragments
>> yielded the results you see in the image. The relevant bits are below.
>> My question is: Is there a way to make these ossia fragments stop where
>> they're supposed to stop, i.e., well before the repeat sign?
>> StaffRiffs = \relative c'
>> {
>> \set Voice.autoBeaming = ##f
>> \key d \major
>> \override Staff.TimeSignature #'style = #'()
>> \time 3/4
>>
>> % Intro
>>
>> d'4 d e8 [ d ] | % 1
>> b4 a2 | % 2
>> d4 d e8 [ fs ] | % 3
>> d2. | % 4
>> \stopStaff
>>
>> s2.*15 | % 5 - 19
>>
>> \startStaff
>> d4 d e8 [ d ] | % 20
>> }
>>
>> \score
>> {
>> <<
>>\new Staff \with
>>{
>> \remove "Time_signature_engraver"
>> \remove "Clef_engraver"
>> %Hmm, removing this screws up the accidental formatting...
>> % \remove "Key_engraver"
>> fontSize = #-3.0
>> \override StaffSymbol #'staff-space = #(magstep -3.0)
>>}
>>\StaffRiffs
>>
>>\new ChoirStaff = "Rhythm"
>><<
>> \new ChordNames = "chords" \Chords
>> \new RhythmicStaff = "chordRhythm" \StaffC
>>>>
>>
>>\set Score.skipBars = ##t
>>\set Score.melismaBusyProperties = #'()
>> >>
>>
>> \layout
>> {
>>\context { \RemoveEmptyStaffContext }
>>ragged-last = ##t
>> }
>> }
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Re: Ossia fragments in 2.8.2
My point was that it should be a complete example that people
can run directly through LilyPond. In your \score block, you refer
to a number of identifiers that are not included. It should be possible
to write an example which is as small as
\version "2.8.0"
\score{
\relative c' <<
\new Staff{ R1 | \repeat volta 2 { c4 d e f } | g f e d | }
\new Staff{ c d e f | \stopStaff s1 \startStaff | g4 f e d | }
>>
}
to illustrate the same problem. If it doesn't show the same phenomenon,
try adding some more aspects from your full score (or go the other way
and cut down your original example to an absolute minimum.
If we return to my example above, the repeat signs are included in the
ossia part. If you don't want that to happen, you can make sure that the
\stopStaff happens not exactly at the bar line but somewhat earlier, such
as:
\score{
\relative c' <<
\new Staff{ R1 | \repeat volta 2 { c4 d e f } | g f e d | }
\new Staff{ c d e f4*1/2 \stopStaff s8 s1 \startStaff | g4 f e d | }
>>
}
I'm not sure if this solves your problem. Also, I don't know if there's
any better method to specify exactly what should be printed when the
stave stops or starts again.
/Mats
Shamus wrote:
I thought I had reduced it (this is NOT my full score--notice no chord
names or chord rhythms). Is this better? Seriously, there isn't much
more I can cut from this.
Following the instructions in the manual for getting ossia fragments
yielded the results you see in the image. The relevant bits are below.
My question is: Is there a way to make these ossia fragments stop where
they're supposed to stop, i.e., well before the repeat sign?
StaffRiffs = \relative c'
{
\set Voice.autoBeaming = ##f
\key d \major
\override Staff.TimeSignature #'style = #'()
\time 3/4
% Intro
d'4 d e8 [ d ] | % 1
b4 a2 | % 2
d4 d e8 [ fs ] | % 3
d2. | % 4
\stopStaff
s2.*15 | % 5 - 19
\startStaff
d4 d e8 [ d ] | % 20
}
\score
{
<<
\new Staff \with
{
\remove "Time_signature_engraver"
\remove "Clef_engraver"
%Hmm, removing this screws up the accidental formatting...
% \remove "Key_engraver"
fontSize = #-3.0
\override StaffSymbol #'staff-space = #(magstep -3.0)
}
\StaffRiffs
\new ChoirStaff = "Rhythm"
<<
\new ChordNames = "chords" \Chords
\new RhythmicStaff = "chordRhythm" \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
\layout
{
\context { \RemoveEmptyStaffContext }
ragged-last = ##t
}
}
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--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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MIDI file problem?
Hi everyone,
I seem to be having a little problem with MIDI files in LilyPond 2.9.
The pasted code at the bottom seems to be rendering with a tempo of
quarter equals 120 no matter what I do... Does anyone else have this
problem? Is there anything I am missing?
Thanks,
Josh
% LilyPond score file
\version "2.9"
violinA = {
\set Staff.instrument = "Violin"
\override Staff.TimeSignature #'style = #'()
\autoBeamOff
#(set-accidental-style 'default)
\clef treble
<< {\time 4/4 \oneVoice c'16[ c'16 cis'16 cis'16] cis'16[ d'16
d'16 d'16] d'16[ dis'16 dis'16 dis'16] e'16[ e'16 e'16 f'16] | %1
f'16[ f'16 f'16 fis'16] fis'16[ fis'16 g'16 g'16] g'16[ gis'16
gis'16 gis'16] gis'16[ a'16 a'16 a'16] | %2
ais'16[ ais'16 ais'16 b'16] b'16[ b'16 b'16 c''16] r2 \bar
"|." | %3
}
>>
}
\score {
<<
\new Staff \violinA
>>
\midi {
\tempo 4 = 30
% \tempo 4 = 120
}
}
**
Joshua Parmenter
[EMAIL PROTECTED]
Post-Doctoral Research Associate - Center for Digital Arts and
Experimental Media
Raitt Hall - University of Washington
Seattle, Washington 98195
http://www.dxarts.washington.edu
http://www.realizedsound.net/josh/
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Re: Ossia fragments in 2.8.2
> My point was that it should be a complete example that people
> can run directly through LilyPond. In your \score block, you refer
> to a number of identifiers that are not included.
Ah, ok. Gotcha. I didn't understand what you were getting at.
> It should be possible
> to write an example which is as small as [...example snipped...]
> to illustrate the same problem.
Which it does.
> I'm not sure if this solves your problem. Also, I don't know if there's
> any better method to specify exactly what should be printed when the
> stave stops or starts again.
Well, it does and and it doesn't. I could certainly do it that way and
ink in the bar line by hand in a pinch before making copies, but seems
to me that this is something that program should be doing for me
automatically (I know lily isn't perfect, and I'm not afraid of coding
workarounds as needs manifest themselves). I notice in the example that
it has no problems with regular bar lines, but voltas seem to mess
things up. Here's an example without voltas (which shows proper behavior):
\score{
\relative c' <<
\new Staff{ R1 | c4 d e f | c4 d e f | g f e d | }
\new Staff{ c d e f \stopStaff s1 \startStaff | g4 f e d | }
>>
}
In a perfect world, when \stopStaff occurs at the beginning of a volta
it would print up to the barline (ideally with a single bar line) and
nothing beyond (i.e., the volta technically hasn't started, why should
it show up in my ossia fragment? If the page breaks on the volta, you
end up with a repeat symbol sitting on empty staff lines wasting
precious space). Simalarly, when \startStaff occurs at the end of a
volta it should start with a single bar line and not print anything
before. I don't know that something like that is even possible without
making changes to the backend, but perhaps one of the developers could
weigh in on this issue?
-- Shamus
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Re: How to do, on the same page, parts 'Tutti' size 12 and parts 'Solo' size 20
Bonjour
See this sample
http://lilypond.org/doc/v2.8/input/test/lily-1737238388.ly
Je voudrais, par exemple, que les parties ' Tutti ' soient à la taille
12 et des parties ' Solo ' à la taille 20.
Par exemple en faisant 2 parties distinctes.
Une Tutti et une Solo.
On change la taille des polices et l'espace entre les polices
(avec \with { } apres \new Staff )
fontSize et staff-space doivent avoir la même grandeur !
\new Staff
\with
{
fontSize = #Size
\override StaffSymbol #'staff-space = #(magstep -Size)
}
{
ma_musique
}
Use two scores, one tutti and one Solo,
and put in the
\new Staff
\with { fontSize = #Size \override StaffSymbol #'staff-space = #(magstep
Size) } { \MY-MUSIC }
staff-space and fontSize must be both scaled .
--
Martial
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