I took another look at the article last night, and this is an
(approximate) summary of what's in it:

In the test, two of the forks compared had equivalent offsets and
tubing, but one had a much lower, tighter bend than the other.    The
one with the much lower bend had much more flex or 'vertical
compliance'.    There was another fork of identical tubing but with a
greater offset, and this one had significantly larger flex/compliance.

There was also an Alex Singer fork in the comparison, which IIRC had a
large offset and a lower bend, so that the angle of the blade was
shallowest at the dropouts.   Heine stated that the fork had been
specifically designed to be very strong near the crown, with uniform
diameter/thickness elliptical-cross-section tubing all the way from
the crown to the cantilever bosses.   The reasoning for the design was
because fork blades most commonly break near the crown, so they were
made extra-strong there.   Below the bosses, the fork gradually takes
on a circular cross-section and smaller diameter all the way to the
bend, which has a small radius and starts low on the fork.  The Alex
Singer fork had the most absorption of any of the forks tested.

The Alex Singer fork looked something like this:

http://www.vintagebicyclepress.com/images/chromsing.jpg

As for how valuable the flex characteristics of a fork are in how a
bike rides, I have no idea-   but my point was that the bicycles NAHBS
are supposed to represent the best designs, so it just seemed odd to
me to have a straight-blade fork there (not that the Dominguez bike
had straight forks, which it didn't as pointed out above)

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