Hi Dominic,
Here is my file, I send you the whole thing, because I don't know what part
of it I should choose. I do feel a bit stupid about all my queations, but
somehow I don't whink I'm the only "amateur" around.
Thanks again,
Lara
On Sat, Aug 23, 2008 at 3:25 PM, Dominic Neumann <[EMAIL PROTECTED]>wrote:
> Hi Lara,
>
> PLEASE give us some source code. Then we can probably help you! It´s much
> easier for us if we do not have to create a sample for ourselves.
>
> Thanks,
>
> Dominic
>
> 2008/8/23 Lara Diamand <[EMAIL PROTECTED]>
>
>> Thanks everyone for the help with the skipping of text! It worked well
>> with the "_" sign.
>> Remains my other question if one can get rid of the extra repeat bar just
>> before the end. Lilypond is very firm: If you start with \partial 4 at the
>> beginning of a song you should end with 3 notes instead of 4... and Ireally
>> want 4 in the bar there.
>>
>>
>> On Wed, Aug 20, 2008 at 11:07 PM, Mats Bengtsson <
>> [EMAIL PROTECTED]> wrote:
>>
>>> Quoting Paul Scott <[EMAIL PROTECTED]>:
>>>
>>> Lara Diamand wrote:
>>>>
>>>>> Hi Dominic,
>>>>>
>>>>> Thanks, this realy helps, one thing is not yet solves though: The text
>>>>> in the verses do not tek notice of the "volta", so the text in verse
>>>>> two runs through under volta 1. It should skip volta1 and go straight
>>>>> to volta 2.
>>>>>
>>>> That's the way Lily works. It may not be completely intuitive. The
>>>> lyrics just go along straight following the notes ignoring any other
>>>> structural commands like \volta and \alternative. You have to put skips
>>>> in your music to skip endings, etc. where you don't want lyrics. I
>>>> usually do this with "_" (underscore).
>>>>
>>>
>>> An alternative is to use the method described in section "Divisi lyrics"
>>> in the manual (don't stop at the first example, read the full
>>> subsection).
>>>
>>> /Mats
>>>
>>>
>>
>> _______________________________________________
>> lilypond-user mailing list
>> lilypond-user@gnu.org
>> http://lists.gnu.org/mailman/listinfo/lilypond-user
>>
>>
>
>
>
\version "2.10.20"
\header {
title = "De geit van Dokter Sanders"
composer = "Paul Chr. van Westering"
poet = "Annie M. G. Schmidt"
}
melody = {
\clef treble
\key es \major
\time 4/4
%1
\partial 4 r4 |
r1 ^\markup { Energiek } |
r1 |
r1 |
r2 r4 \bar "||" | \break bes'4 \repeat "volta" 2 {
%5
bes'4. c''8 bes'4 as' |
g' es' r4 g' |
f' bes r4 as' |
g' bes' r4 bes' |
bes'4. c''8 bes'4 as' | \break
%10
g' es' r4 g' |
f' as' g' f' |
es' r4 r4 es'8 es'8 |
f'4 as' g' f' |
es' r4 r4 es'8 es'8 |
%15
f'4 as' g' f' |
es'8 f' es' f' es'4 r4 |
es'8 f' es' f' es'4 r4 |
es'8 f' es' f' es' f' es' f' |
es'8 f' es' f' es'4 \bar "||" bes'4 |
%20
bes'4. c''8 bes'4 as' |
g' bes' es' g' |
f'4. es'8 d'4 es' |
f' bes bes bes' |
bes'4. c''8 bes'4 as' |
%25
g' bes' es' g' |
f' f' g'8 f' g' a'! |
bes'4 r4 r4 bes' |
c'' c'' es'' c'' |
bes'4. bes'8 g'4 r8 bes'8 |
%30
c''4 c'' es'' c'' |
bes'4. bes'8 g' r8 g'4 |
f'4 g' f' g' |
f' g' f'8 f' r8 f' |
}
\alternative { { g'4 f' g' r8 a'8 |
%35
bes'4 r4 r4 bes' }
{g'4 f' g' a' } }
c'' bes' bes'8 bes'8 r4 |
r2 r4 bes' |
as'^\markup { Langzamer } g' f' es' |
%40
d' es' f' r8 bes'|
bes'4 bes' c'' r8 bes' |
c''4 cis'' d'' bes' \bar ":|"
}
refrain = \lyricmode {
\set stanza = " "
De geit van Dok -- ter San -- ders is an -- ders, is an -- ders.
De geit van dok -- ter San -- ders is an --ders van mo -- del,
dan de geit van dok -- ter Snel,
dan de geit van dok -- ter Snel -- le -- bel -- le -- bel,
Snel -- le -- bel -- le -- bel,
Snel -- le -- bel -- le -- bel -- le -- bel -- le -- bel -- le -- bel -- le -- bel.
}
verseOne = \lyricmode {
\set stanza = "1. "
En dok -- ter San -- ders zit voor't raam en vindt het zeer on -- aan -- ge -- naam.
Hij zucht en kijkt de he -- le tijd naar dok -- ter Sne -- le -- bel z'n geit
Met veel ver -- driet en droef -- fe -- nis om -- dat zijn geit zo an -- ders is.
En al -- le men -- sen staan voor 't hek
en roe -- pen: Kijk, wat gek! De
}
verseTwo = \lyricmode {
\set stanza = "2. "
En dok -- ter Snel aan d'o -- ver -- kant heeft ook 't land heel erg 't land.
Hij knar -- se -- tandt en wrokt en huilt: de gei -- ten moe -- ten maar ge -- ruild.
''Met -- een!'' zegt dok -- ter Sne -- le -- bel en dok -- ter San -- ders zegt: ''Ja -- wel!''
Toen heb -- ben ze het snel be -- dis -- seld en _ _ _ _ _ _
}
refrainTwo = \lyricmode {
bei -- den gei -- ten om ge -- wis --seld.
Maar veel ge -- hol -- pen heeft het niet.
Het is nu nog het -- zelf -- de lied. De
}
refrSkip = \repeat unfold 62 { \skip 1 }
upper = {
\clef treble
\key es \major
\time 4/4
%1
\partial 4 bes'|
bes'4. c''8 bes'4 as' |
fis' as' g' r8 f'8 |
d'4 f' es' r8 ces'8 |
a4 ces' bes \bar "||" bes'4 \repeat "volta" 2 { |
%5
r4 <f' as' bes'> r4 <f' as' bes'> |
r4 <bes es' g'> r4 <bes es' g'> |
r4 <bes d'> r4 <as bes d'> |
r4 <bes es' g'> r4 <bes es' g'> |
r4 <d' as' bes'> r4 <d' as' bes'> |
%10
r4 <bes es' g'> r4 <bes es'> |
r4 <c' es' f'> r4 <bes d'> |
r4 <g c' es'> r4 <bes es'> |
r4 <c' f'> r4 <bes d'> |
r4 <g c' es'> r4 <bes es'> |
%15
r4 <c' es' f'> r4 <as bes d'> |
r4 <g bes es'> r4 <g bes es'> |
r4 <as c' es'> r4 <as c' es'> |
r4 <g bes es'> r4 <as c' es'> |
<g bes es'> <f as es'> <es g es'> \bar"||" r4 |
%20
r4 <g bes es'> r4 <bes d'> |
<bes es'> <bes f'> < bes g'> <bes es'> |
r4 <bes es'> r4 <a es' f'> |
<d' f'> bes bes <as' bes'> |
r4 <g' bes'> r4 <f' as' bes'> |
%25
r4 <es'g'> r4 <bes es' g'>|
r4 <a es' f'> r4 <c' f'> |
<d' f' bes'> r4 r4 <des' es' g' bes'> |
r4 <es' as' c''> r4 <es' as' c''> |
<< { bes'2 g'4 } \\ { <bes es'>4 <bes d'> <bes es'> } >> <bes des' es' g'> |
%30
r4 <es'as'> r4 <es'as'> |
r4 <f' as' bes'> <bes es' g'> r4 |
r4 <bes es' g'> r4 <a es' g'> |
r4 <c' es' g'> << { f'2 } \\ { <c' d'>4 <bes d'> } >> |
}
\alternative { { r4 <bes es'> <bes es' g'> < c' es' f' a'> |
%35
<d' f' bes'> << { bes' bes' bes' } \\ { r4 r2 } >> }
{ r4 <bes es'> <bes es' as'> <c' f' a'> } } |
<es' f' c''>4 <d' f' bes'> <d' f' bes'> r8 a'8 |
\acciaccatura a'8 c''4 bes'-. bes'-. bes'-. |
<c' es' as'> <bes' d' g'> <as' c' f'> <g' ces' es'> |
<f bes d'> << { es' } \\ { d'8 c' } >> <bes f'>4 r4 |
<< { bes'2 c''4. bes'8 } \\ { bes'2 <es' g'>4 <d' f'> } >> |
<g' c''> <g' cis''> < as' d''> << { bes' } \\ { bes' } >> \bar":|"
}
lower = {
\clef bass
\key es \major
\time 4/4
\partial 4 bes'
bes4. c'8 bes4 as |
fis as g r8 f8 |
d4 f es r8 ces8 |
a,4 ces bes, \bar "||" r4 \repeat "volta" 2 { |
%5
d r4 bes, r4 |
es r4 bes, r4 |
f r4 bes, r4 |
es r4 bes, r4 |
f r4 bes r4 |
%10
es r4 g, r4 |
as, r4 bes, r4 |
c r4 g, r4 |
as, r4 bes, r4 |
c r4 g, r4 |
%15
as, r4 bes, r4|
es, r4 es, r4 |
es r4 es r4 |
es, r4 es r4 |
r2 r4 \bar"||" bes |
%20
es, r4 es, r4 |
es, r4 r4 d |
c r4 f, r4 |
bes, f bes r4 |
es r4 es r4 |
%25
es d c r4 |
f, r4 f r4 |
bes, \acciaccatura e8 f4 bes es |
as, r4 f, r4 |
g, bes, es r4 |
%30
as, r4 c r4 |
d bes, es d |
c r4 f, r4 |
g, a, bes, r4 |
}
\alternative { { es, r4 c f, |
%35
bes, r4 r2 }
{ es4 r4 c f } } |
bes2. r4 |
r2 r4 bes, |
r2 bes,4 r4 |
%40
bes,2. bes4 ~ |
bes2. r4 |
<bes es'> <bes e'> <bes f'> \bar ":|"
}
\score {
%\transpose a bes
<<
\new Voice = "mel" {
\autoBeamOff
\melody
}
\addlyrics { \refrain \verseOne \refrainTwo }
\addlyrics { \refrSkip \verseTwo }
\new PianoStaff <<
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
>>
\layout {
\context { \RemoveEmptyStaffContext }
}
}
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