If they are all from the Beethoven Piano Sonatas, then I can compare them with the edition I have at home. Are there any any outside NR 1?
Andrew On Jan 14, 2008 12:55 PM, Trevor Bača <[EMAIL PROTECTED]> wrote: > On Jan 14, 2008 1:43 PM, Andrew Hawryluk <[EMAIL PROTECTED]> wrote: > > > In the relative octave section, paragraph beginning "When octaves are > > specified", I suggest we replace "as above" with "in absolute mode", > > "put a pitch" with "put a single pitch", and "prevents" with > > "reduces". This should clarify the intent of the paragraph, and the > > advantages of relative mode. > > > > Under "automatic accidentals" the second paragraph is missing a ")" > somewhere. > > > > Is it worth mentioning that LilyPond will not place accidentals on > > tied notes _except_ when the tie crosses a line break? (As an aside, > > does anyone know of a way to parenthesize the accidental in that > > case?) > > > > Also, I love the Beethoven excerpts. Very classy touch. > > > > > Excellent; I wondered if anyone was going to enjoy those. I did them up in > and out of airports a while back, and, as listed in the minor to-dos, I've > got to fix line breaks in a couple of sections (most especially Rhythm ... > which includes 128th notes as a quiet nod to the discussion on the list a > couple of months ago ;-) > > One request: could somebody *please* proof the the headwords? Like I said, I > was mostly sitting in airports when I did those and, although I did proof, I > seem *always* to miss something ... (In a couple of places I've taken > liberties with some of the phrasing and fingering, according to my own > preferences, but we must make sure that the pitches and rhythms are > absolutely right ...) > > > > -- > Trevor Bača > [EMAIL PROTECTED]
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