Thanks Sebastia,  looks like an interesting read. I will digest that later.

Steve

On 30 Oct 2016 14:09, "Sebastià V. Amengual" <ameng...@hfm-detmold.de>
wrote:

> I could be wrong, but as I understand, as far as the distance between the
> microphones is much smaller than
> the wavelength, it is possible to obtain first-order microphones with any
> kind of directional pattern. Thus,
> at least for a limited frequency range they could create the four cardioid
> signals or directly the B format
> signals, just using linear combinations of the signals (delay and sum).
> Again, for a limited frequency range...
> I am not sure how they would manage to get an acceptable directivity at
> all frequencies...
>
> I worked on comparing different methods in my master thesis analyzing the
> performance using different spacing
> between microphones, just in case anyone is interested on this
> http://www.diva-portal.org/smash/get/diva2:752195/FULLTEXT01.pdf
>
> Best,
> Sebastià
>
> A 30.10.2016 14:41, Jörn Nettingsmeier escrigué:
>
>> On 10/28/2016 08:22 PM, Marc Lavallée wrote:
>>
>>> Here’s the link to the first “article":
>>> https://www.arkamys.com/ambisonic-microphone-ep01/ <
>>> https://www.arkamys.com/ambisonic-microphone-ep01/>
>>>
>>
>>
>> What a load of bollocks. Four omni capsules spaced closely together
>> will give you... [drum roll]... an omni microphone. So yeah, we've got
>> W, so we're ambisonic :)
>>
>> They probably got inspired by the other loads of bollocks that get
>> attached to VR camera rigs to enable them to be marketed as A/V
>> solutions. Nokia and others do it, so it must work, right?
>>
>
> --
> Sebastià V. Amengual Garí
> Erich-Thienhaus Institut
> HOCHSCHULE FÜR MUSIK DETMOLD
> Neustadt 22
> 32756 Detmold
>
> Tel. 05231/975-674
> ameng...@hfm-detmold.de
> _______________________________________________
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