I have found amplitude planning effective in some circumstances, but I
find that it's not portable, e.g. I can't deploy the same to a
different speaker arrangement, and I can't scale it down to a smaller
array while composing, among other issues.

I did funnily enough do some basic experiments with Distance-Based
Amplitude Panning with reasonably good results, I just haven't gone
much further. I've used it in some site-specific installation work to
good effect, but again it didn't strike me as being particularly
scalable or portable, hence why Ambisonics is still my first choice.

- martin


On 9 February 2016 at 22:47, Augustine Leudar <augustineleu...@gmail.com> wrote:
> I have found amplitude panning to be more effective for some applications.
>
> On 9 February 2016 at 22:42, Martin Dupras <martindup...@gmail.com> wrote:
>
>> > Out of curiosity - can I ask why you want to use ambisonics as opposed to
>> > other spatial audio techniques ?
>>
>> I'm not sure how to answer. What other techniques did you have in
>> mind? The reasons are several: I understand at least to some extent
>> Ambisonics, and I have some (but limited) experience doing it in a
>> planer array; Ambisonics are flexible and scalable; compatible with
>> some B-format that my colleagues and I have realised already and will
>> create in the near future; and can be implemented in the software that
>> I use (largely PureData and SuperCollider.)
>>
>> I don't really see which techniques seriously compete with Ambisonics,
>> but I'll very happily check them out if you point me to them.
>>
>> - martin
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