On 07/10/2015 01:49 PM, Steven Boardman wrote:
Hi Peter

Thanks very much, it makes for a good read.

I intend to position the mics in platonic solid positions to help encoding, via 
laser guide/theodolite if possible. My intension is capturing the acoustic, 
rather than determining source position, so the quality of sound will be more 
important than accuracy of direction. Phase problems are probably the biggest 
concern, and why I will need to make sure I know the exact position of the mics 
relative to a central one. I intend to have synced sample accuracy for each 
mic, and will use tetramics, so am hopeful there will be less error than the 
Octavas they used.
If anyone else has attempted this or has any other pointers I would be very 
grateful.

There is no magical way of mixing many first-order mikes, so you can forget about platonic solids. Instead, you should position them at the desired virtual listening positions, and then later do crossfades between them.

I've tried it, it's basically crap while you crossfade. You get a stable image in the beginning, and another one in the end. In my case, it helped that I was using spot mikes at all sources, and I could pan those in third order while the change of listening position was going on, and that made it sort of convincing.

The problem is that the kinesthetic impression of sitting motionless on one's bum is very hard to overrule by subtle auditory cues.

For another transition in the same recording, I had a colleague physically carry a tetramic outside. Took some ruthless LF cutting to get rid of the rumble (a good camera dolly might help here), but that one was a lot nicer. But even here, the biggest auditory impact was change of acoustics and ambience (from very reverberant indoors to gravel floor with birds above outdoors).

Good luck for your recording project, please keep us updated on the results!


Best,


Jörn




--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487

Meister für Veranstaltungstechnik (Bühne/Studio)
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