Hi Peter Thanks very much, it makes for a good read.
I intend to position the mics in platonic solid positions to help encoding, via laser guide/theodolite if possible. My intension is capturing the acoustic, rather than determining source position, so the quality of sound will be more important than accuracy of direction. Phase problems are probably the biggest concern, and why I will need to make sure I know the exact position of the mics relative to a central one. I intend to have synced sample accuracy for each mic, and will use tetramics, so am hopeful there will be less error than the Octavas they used. If anyone else has attempted this or has any other pointers I would be very grateful. All the best Steve On 9 Jul 2015, at 15:27, Peter P. <peterpar...@fastmail.com> wrote: > * Steven Boardman <boardroomout...@gmail.com> [2015-07-09 04:38]: >> Hello all. >> >> I want to start recording using many ambisonic microphones at the same >> time. The point being to capture movement through a space more accurately. >> For instance a virtual walk to the position of another mic. Or even to >> create multiple sweet spots (if this is possible). Or even completely non >> related scenes at different coordinates. Has anyone any experience of this? > > I found this for you > http://alpsadriaacoustics.org/wp-content/uploads/2014/12/Schoerkhuber_Hack_Zaunschirm_Zotter_Sontacchi_LOCALIZATION-OF-MULTIPLE-ACOUSTIC-SOURCES-WITH-A-DISTRIBUTED-ARRAY-OF-UNSYNCHRONIZED-FIRST-ORDER-AMBISONICS-MICROPHONES.pdf > > perhaps this can serve as a first guide? > > best, P > _______________________________________________ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit > account or options, view archives and so on. _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
