You could mount them on the surface of a rigid sphere (a.la.
Eigenmike) with a tetrahedral configuration.   Pressure sensors on a
rigid spherical baffle have similar characteristics in performance to
open sphere cardioid configurations.  Without the baffle you will have
certain frequencies where the array has little or no output for
incident plane waves (corresponding to the nulls of the spherical
Bessel functions).  This paper has a good explanation and graphs for
comparison of different mounting techniques ...

I. Balmages and B. Rafaely, “Open-sphere designs for spherical
microphone arrays,” Audio, Speech, and Language Processing, IEEE
Transactions on [see also Speech and Audio Processing, IEEE
Transactions on], vol. 15, pp. 727 — 732, Feb 2007.

Josh

On Mon, Jun 20, 2011 at 6:54 AM, Dave Malham <[email protected]> wrote:
>
> May seem a strange question, but anyone ever had any experience of
> building/using a soundfield type mic using omni's? I have been asked by one
> of the artists featured on The Morning Line if there's anything he could do
> with his collection of 4 DPA's (4060-bm's). Not something I'd ever really
> though about before, but as Angelo's B format hydrophone uses omni's ...
> (http://www.angelofarina.it/Public/UAM-2011/)
>
>    Dave
>
> --
>  These are my own views and may or may not be shared by my employer
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-- 
Joshua Atkins
Ph.D. Candidate
Dept. Electrical Engineering
Johns Hopkins University
3400 North Charles Street
Baltimore, Maryland 21218
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