It is similar: The Carver C-9 is cancelling one occurence of cross-talk by 
mixing in to each channel a delayed inverted copy of the other channel, 
while the RACE algorithm cancels the following cross-talk occurences 
recursively because the mixed delayed inverted signals must also be 
cancelled...

Le 24 février 2011, Robert Greene a écrit :
> In detail, I think, yes it is different.
> It is designed for a certain angle and distance
> which are different at least from RGs stereo dipole
> where the speakers are close together in front of the listener.
> But I do not see any reason why the whole thing could
> not be easily programmed up. After all, any analogue
> (determanistic) process can be digitally modeled
> as accurately as one wishes.
>
> I am unaware whether anyone has done it.
> It is fun to play the Sonic Hologram--I pull mine
> out every one in a while,
>
> Robert
>
> On Thu, 24 Feb 2011, Peter Lennox wrote:
> > Is it so different from Ralph Glasgal's ambiophonic cross-talk
> > cancelling? Dr Peter Lennox
> >
> >
> > School of Technology,
> > Faculty of Arts, design and Technology
> > University of Derby, UK
> > e: p.len...@derby.ac.uk
> > t: 01332 593155
> > w: http://sparg.derby.ac.uk/SPARG/Staff_PLX.asp
> > ________________________________________
> > From: sursound-boun...@music.vt.edu [sursound-boun...@music.vt.edu] On
> > Behalf Of Michael Graves [mgra...@mstvp.com] Sent: 24 February 2011
> > 22:16
> > To: Surround Sound discussion group
> > Subject: Re: [Sursound] cross-talk cancellation used in binaural sound 
> > reproduction
> >
> > I have a Carver C-9 Sonic Hologram unit that I bought on Ebay for about
> > $80. It's a nice little demo piece, but limited in its application.
> >
> > That said, it's biggest problem is noise. Of course it's all analogue
> > and built around -10 dbm levels. And all those capacitors are now very
> > old.
> >
> > Has this sort of thing evern been implemented in code, like a VST
> > plug-in? Ideally it would be nice to have it available within the
> > plug-in architecture of the Logitech Squeezeserver that we use for
> > casual audio playback. There are even limited implementations of room
> > correction done in that manner.
> >
> > Michael
> >
> > On Thu, 24 Feb 2011 10:15:40 -0800 (PST), Robert Greene wrote:
> >> I suppose that someone ought to mention-so I shall--
> >> the Carver Sonic Hologram.
> >> You can still find the devices around(they were
> >> crosstalk cancellation processors).
> >> They work really well, if you do not
> >> mind sitting really still in one spot
> >> (which of course you are going to have
> >> to do for any such system with only two speakers).
> >> And the nice thing is the Sonic Hologram sounds good-
> >> it does minimal damage to the music.
> >>
> >> It is interesting--sort of tells you where the industry was
> >> and still is on surround and so on--that Martin Colloms
> >> writing about the Sonic Hologram in HiFiNews
> >> says that it definitely makes stereo better [and potentially
> >> much better] but that it is just too much trouble...
> >>
> >> Robert
> >>
> >> _______________________________________________
> >> Sursound mailing list
> >> Sursound@music.vt.edu
> >> https://mail.music.vt.edu/mailman/listinfo/sursound
> >
> > --
> > Michael Graves
> > mgraves<at>mstvp.com
> > http://www.mgraves.org
> > o713-861-4005
> > c713-201-1262
> > sip:mgra...@mstvp.onsip.com
> > skype mjgraves
> > Twitter mjgraves
> >
> >
> >
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-- 
Marc
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