Greetings to all Sursound list.
First of all, thanks for all this years supporting Ambisonics. We´re a
collective of audiovisual artists preparing for our next project. We have been
researching ambisonics for the last few moths, seeding the possibility of it´s
implementation. There are still so
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Given how difficult it seems to be for billions of people to set up a
5.1 system, surely there must be a market?
Possibly not exactly what you are looking for, but Genelec has software
for their
DSP-speakers:
http://www.genelec.com/learning-center/key-technologies/dsp-monitoring-systems/autoca
Here:
SpeakerAngle
http://www.audioappsstore.com/
Eero
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There is still a little time - James Moorer wrote in his paper "Audio in
the New Millennium" (JAES 2000):
"In 2020 loudspeakers will know where they are".
I suppose the other point to make is that those billions of people are
blissfully unaware that a 5.1 system is "difficult to set up". It j
Why waiting until 2020? It should be possible with available
technologies. A Kinect camera (or two spaced cameras) could be used to
detect the positions of the speakers from the listener's point of view,
then the same Kinect could be placed in front of the listener to report
its listening position
On 09/26/2013 09:21 AM, Kan Kaban wrote:
Greetings to all Sursound list.
First of all, thanks for all this years supporting Ambisonics. We´re
a collective of audiovisual artists preparing for our next project.
We have been researching ambisonics for the last few moths, seeding
the possibility of
The point of that paper (as I read it, anyway) was not whether the
technologies may or may not be available in 2020, but that they would be
established and embedded such they they are almost routine, barely
noticeable. In the way, for example, that taking a picture using your
mobile phone is no
l the encode/decode works,
> something I haven't had time to do above 2nd order.
> >
> > If only there was more time, things got done quicker, or someone was
> paying for the work by the hour.
> >
> > Ciao,
> >
> > Dave Hunt
> &
> And, it has to be ~standard~ so that any player can talk
> with any speaker.
>
> Richard Dobson
>
An interesting idea ( ... patents ... )
Ma daughter had to spend the last afternoon before a foreign trip driving
into 'th big city' to get a new charger cable for her iPhone-Y, because
she couldn
Can anyone point me to some good images (that I can reprint) of
Ambisonic mic pickup patterns? I need some for a little EDN article
I'm writing.
Thanks!
Michael
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e to able to
> > generate something to listen to to assess how well the
> > encode/decode works, something I haven't had time to do above 2nd
> > order.
> > >
> > > If only there was more time, things got done quicker, or someone
> >
Dear all
Sorry for cross-posting but I am very happy that we finally released the
archives of the festival Monty Adkins and I have been running for a certain
time now… the new edition will have stunning stuff too, but it is too early to
announce, so in the meantime, feel free to visit our fresh
ambisonic playback using one
of these at a recent Bay Area Immersive Audio Meetup. It sounded quite
good.
Aaron (hel...@ai.sri.com)
Menlo Park, CA US
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Thanks for your reply Jörn. You´ll have to excuse my basic english sentences,
as it´s not my primary language.
> "A-format" panning as you call it has nothing to do with ambisonics per se,
> and the term frankly doesn't make much sense.
> the module you mention is a simple amplitude panner.
>
>
ess.
> >
> > --
> > Jörn Nettingsmeier
> > Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
> >
> > Meister für Veranstaltungstechnik (Bühne/Studio)
> > Tonmeister VDT
> >
> > http://stackingdwarves.net
> >
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Well, if there is some kind of B-format analogue panner we would also
like to learn about it´s design
Audio & Design sold a Pan-Rotate Unit. There is a picture of it down here:
http://www.ambisonic.net/branwell_arb.html
The Soundfield microphone directional controls aren't exactly panning.
The
If you have any kind of calibration involved, rotating before running
the A to B process makes that calibration meaningless.
In fact, I'd say that one of the main reasons B-format exists is
precisely that it makes processing like rotations a reasonable and
general thing to do.
David McGriffy
David McGriffy wrote:
On 9/26/2013 2:15 PM, Eero Aro wrote:
Well, if there is some kind of B-format analogue panner we would also
like to learn about it´s design
Wrong quote, I didn't write that.
- - -
However, here you are:
https://dl.dropboxusercontent.com/u/22100835/Audio_Design_Ambison
On Thu, Sep 26, 2013 at 12:20:16PM -0500, Kan Kaban wrote:
> Yes, I know there´s no ambisonics until there is. The idea of amplitude
> panning, during A format stage, is to simplify an analogue path before
> b-format exists.
A-format panning means that the panner has to emulate the polar
pattern
hi all!
re-reading my post, i notice that it could be construed as somewhat
hostile in tone. this was unintended, and i'd like to apologise if
anybody has taken offense.
On 09/26/2013 02:01 PM, Jörn Nettingsmeier wrote:
On 09/26/2013 09:21 AM, Kan Kaban wrote:
Our initial idea is to keep s
ing too.
Regards,
Gino.
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Isn´t it?.
Soundfield´s MKV looks beautiful & very interesting too.
Regards,
Gino.
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_
Mathematically,
_if_ you have a perfect A-format signal set (from some theoretical
tetrahedral mic) then it can be panned.
For the _simple_ case of a yaw of X degrees, then
A' = ( A(1+cosX) + B(-sinX) + C(sinX) + D(1-cosX) ) /2
B' = ...
etc.
_I_think_ (this was very quick on the back of an envel
>
> Mathematically,
> _if_ you have a perfect A-format signal set (from some theoretical
> tetrahedral mic) then it can be panned.
> For the _simple_ case of a yaw of X degrees, then
> A' = ( A(1+cosX) + B(-sinX) + C(sinX) + D(1-cosX) ) /2
> B' = ...
> etc.
> _I_think_ (this was very quick on the
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