I quite like number four - "ruler on bottle"
Dave
On 12 October 2012 20:16, Michael Chapman wrote:
> A bit OT for surround (I think they work in mono;-)>, but
> maybe of interest to some:
>
> Noises off-putting: unpleasant sounds and science | Dean Burnett
> guardian.co.uk, 11 Oct 2012
> By
There are hemispherical only systems out there. So layouts that use
loudspeakers in the upper hemisphere only.
Sorry for unclearness.
Am 13.10.2012 um 08:57 schrieb Dave Malham:
> Hi Fabio,
>Did you actually mean that "there are only hemispherical
> ambisonics systems out there" or am I m
Hi,
I've never heard Auro 3D, though it does seem to have some adherents.
I haven't waded through all of their "Auro3D-Octopus-White-Paper" but
found the first nine pages thought provoking.
http://www.auro-technologies.com/uploads/Auro3D-Octopus-White-Paper-
v2-7-2017.pdf
It conclude
>
> as an aside (and without looking it up) ossuary clearly means some
official receptacle for bones, I would guess?
> Dr Peter Lennox
>
What I find fascinating is words that are either absent, or if present
rarely used but replaced by compounds.
Things like 'foot-fingers' (French) and 'hand-shoe
Bo-Erik Sandholm wrote:
As this was in a session on next gen MPEG format, and header specification in
MPEG among other things...
If I remembers correctly there was a possibility to specify that the audio format was
- WFS
- 5.1
- 7.1
- 22.1
No possibility to carry pure ambisonics using our d
Bo-Erik Sandholm wrote:
As this was in a session on next gen MPEG format, and header
specification in MPEG among other things...
If I remembers correctly there was a possibility to specify that the
audio format was - WFS
- 5.1 - 7.1
- 22.1
No possibility to carry pure ambisonics using our def
At 05:51 13/10/2012, Dave Hunt wrote:
I have long been dubious of the common practice of turning all PA
amplifiers up to full and doing all level adjustments prior to that,
often at the mixer. This increases the gain of system noise, hums
etc. It can also mean that the mixer is working at a fair
> At 05:51 13/10/2012, Dave Hunt wrote:
>
>>I have long been dubious of the common practice of turning all PA
>>amplifiers up to full and doing all level adjustments prior to that,
>>often at the mixer. This increases the gain of system noise, hums
>>etc. It can also mean that the mixer is working
On Sat, Oct 13, 2012 at 01:56:04PM -, Michael Chapman wrote:
> What I find fascinating is words that are either absent, or if present
> rarely used but replaced by compounds.
>
> Things like 'foot-fingers' (French) and 'hand-shoes' (German)
> and by comparison 'sibling' (English) which is ra
On Sat, Oct 13, 2012 at 05:26:57PM -, Michael Chapman wrote:
> Because the knobs on the amp's are at the other end of the
> room (or if not there, it would mean bending one's back).
Modern PA gear is remote-controlled and monitored. And even if
not, that's no excuse :-)
Ciao,
--
FA
A wor
Yeah - can you name some venues that do this? I want to know which ones to
avoid!
On Oct 13, 2012, at 12:43 PM, David Pickett wrote:
> At 05:51 13/10/2012, Dave Hunt wrote:
>
>> I have long been dubious of the common practice of turning all PA
>> amplifiers up to full and doing all level adj
Michael Chapman wrote:
> *I remember being told there was no direct English translation,
> when I first learnt German ;-(>
For 'sibling'? This is indeed true, if used as a singular. You may have
'siblings' (Geschwister) in German but if it's just one then it's either
a brother or a sister. For t
Most commonly, I've come across this in PA systems hired in by performers: the
most heinous being that of a concert for a friend of mine, where the balance
engineer (a studio engineer, not a live sound one, which didn't help) could
barely lift the faders without the system going into feedback. W
It is standard practice to have 0db attenuation on the amplifiers driving a
PA system. Level control will be done on the DSP managing the speakers. In a
system with multiple amplifiers, driving different components, this is the
only way to adjust the overall level accurately and quickly.
Dan And
Non-existent on the systems I'm talking about.
John
On 13 Oct 2012, at 20:16, "Dan" wrote:
> Level control will be done on the DSP managing the speakers.
___
Sursound mailing list
Sursound@music.vt.edu
https://mail.music.vt.edu/mailman/listinfo/surs
> On Sat, Oct 13, 2012 at 01:56:04PM -, Michael Chapman wrote:
>
>> What I find fascinating is words that are either absent, or if present
>> rarely used but replaced by compounds.
>>
>> Things like 'foot-fingers' (French) and 'hand-shoes' (German)
>> and by comparison 'sibling' (English) which
> well, depends. iirc, theile's argument is that a two-speaker phantom source
> should be a mess in terms of spectrum, but isn't (as two-speaker stereophony
> demonstrates). so for some reason, the brain is able to sort it out. more
> than two correlated sources, and things go awry, e.g. L/C/R
> On Sat, Oct 13, 2012 at 05:26:57PM -, Michael Chapman wrote:
>
>> Because the knobs on the amp's are at the other end of the
>> room (or if not there, it would mean bending one's back).
>
> Modern PA gear is remote-controlled and monitored. And even if
> not, that's no excuse :-)
>
No, no, n
On 10/13/2012 06:43 PM, David Pickett wrote:
At 05:51 13/10/2012, Dave Hunt wrote:
I have long been dubious of the common practice of turning all PA
amplifiers up to full and doing all level adjustments prior to that,
often at the mixer. This increases the gain of system noise, hums
etc. It can
On 10/14/2012 01:09 AM, Jörn Nettingsmeier wrote:
On 10/13/2012 06:43 PM, David Pickett wrote:
At 05:51 13/10/2012, Dave Hunt wrote:
I have long been dubious of the common practice of turning all PA
amplifiers up to full and doing all level adjustments prior to that,
often at the mixer. This i
On 2012-10-05, Richard Furse wrote:
To be honest, low order hasn't been a massive priority for gaming/VR -
on most modern boxes we're rendering and decoding at fourth order, so
all the cool new stuff is enabled.
Tell me... In games most of the individual sound sources, apart from
general amb
On 2012-10-05, Eric Carmichel wrote:
(Ville, once again the reason why I linked you in is to be found lower
down the post.)
Surround controllers, on the other hand, are generally limited in
their number of channels or become expensive. One solution to my
'dilemma' was to use a DAW surface co
22 matches
Mail list logo
