e<mailto:rica...@justnet.com.au>
> Sent: Tuesday, June 14, 2016 7:07 AM
> To: 'sursound@music.vt.edu'<mailto:sursound@music.vt.edu>
> Subject: Re: [Sursound] Using Ambisonic for a live streaming VR project
>
> > The main mechanisms for disambiguating 'con
ot;'sursound@music.vt.edu'"
Sent: Tuesday, 14 June 2016, 12:35
Subject: Re: [Sursound] Using Ambisonic for a live streaming VR project
> The main mechanisms for disambiguating 'cones of confusion' (and this
includes front-back reversals) are: pinnae effects (Battea
e 14, 2016 7:07 AM
To: 'sursound@music.vt.edu'<mailto:sursound@music.vt.edu>
Subject: Re: [Sursound] Using Ambisonic for a live streaming VR project
> The main mechanisms for disambiguating 'cones of confusion' (and this
includes front-back reversals) are: pinnae effe
> The main mechanisms for disambiguating 'cones of confusion' (and this
includes front-back reversals) are: pinnae effects (Batteau) and
head-movements (Wallach) - so, without either of these mechanisms at play,
one would expect directional ambiguity.
You can test the relative importance of the
Lennox<mailto:p.len...@derby.ac.uk>
Sent: Monday, June 13, 2016 2:38 PM
To: Surround Sound discussion group<mailto:sursound@music.vt.edu>
Subject: Re: [Sursound] Using Ambisonic for a live streaming VR project
Stephan, hi
The main mechanisms for disambiguating 'cones of confusion' (a
-
> From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of Stefan
> Schreiber
> Sent: 13 June 2016 02:03
> To: Surround Sound discussion group
> Subject: Re: [Sursound] Using Ambisonic for a live streaming VR project
>
> Hi Archontis,
>
> sorry for the relatively
.@derby.ac.uk
t: 01332 593155
https://derby.academia.edu/peterlennox
https://www.researchgate.net/profile/Peter_Lennox
-Original Message-
From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of Stefan
Schreiber
Sent: 13 June 2016 02:03
To: Surround Sound discussion group
Subject:
Hi Archontis,
sorry for the relatively late response. I was travelling and had some
problems to post anything on sursound during my trip. (I finally know
what went wrong...)
Anyway, many thanks for the (as always) clear and well-informed answer
you gave to my posting.
It is quite remarkabl
Re the OSSIC cans: if anyone wants a set of these when they become available, I
seem to have a one-time code for 20% the sale price.
Let me know off-list: first come, first served.
John
Please note new email address & direct line phone number
email: j...@johnleonard.uk
phone +44 (0)20 3286 594
Hi Stefan,
On 07 Jun 2016, at 04:35, Stefan Schreiber
mailto:st...@mail.telepac.pt>> wrote:
Politis Archontis wrote:
But instead of combining all microphones to generate the binaural directivities
(as in ambisonics), it interpolates only between the two adjacent microphones
that should be cl
;s system uses binaural
recordings, and they know what they're doing.
Decorrelation, and software reverb, can help with a sense of externalisation,
though you can go too far.
Ciao,
Dave Hunt
From: Aaron Heller
Date: 4 June 2016 20:53:09 BDT
To: Surround Sound discussion group
Aaron Heller wrote:
My experience with FOA-to-binaural rendering is pretty much the same as
what Acrhontis says. I hear directional information and head tracking
effects, but have never experienced the externalization and verisimilitude
that direct dummy head
"Direct dummy head" recordings
The folks at OSSIC claim to be able to decode B-format to binaural with
a personalized HRTF. Their headphones measure - in a very short time -
the response of your head and pinna. It does head tracking too.
http://www.ossic.com/
Len Moskowitz (mosko...@core-sound.com)
Core Sound LLC
www.core
> Ciao,
>
> Dave Hunt
>
>
>> From: Aaron Heller
>> Date: 4 June 2016 20:53:09 BDT
>> To: Surround Sound discussion group
>> Subject: Re: [Sursound] Using Ambisonic for a live streaming VR project
>>
>>
>> My experience with FOA-to-bin
Hi Peter,
I have heard 7th-order real-time decoding with headtracking, and that’s from a
real microphone array. There was no perceptible latency.
And I think the AmbiX plugins can handle the rotations and (N+1)^2 short
convolutions for the same order without problem (head-tracking performance
ation,
though you can go too far.
Ciao,
Dave Hunt
> From: Aaron Heller
> Date: 4 June 2016 20:53:09 BDT
> To: Surround Sound discussion group
> Subject: Re: [Sursound] Using Ambisonic for a live streaming VR
> project
>
>
> My experience with FOA-to-binaural render
too far.
Ciao,
Dave Hunt
From: Aaron Heller
Date: 4 June 2016 20:53:09 BDT
To: Surround Sound discussion group
Subject: Re: [Sursound] Using Ambisonic for a live streaming VR
project
My experience with FOA-to-binaural rendering is pretty much the
same as
what Acrhontis says. I he
My experience with FOA-to-binaural rendering is pretty much the same as
what Acrhontis says. I hear directional information and head tracking
effects, but have never experienced the externalization and verisimilitude
that direct dummy head or Algazi and Duda.'s motion-tracked binaural
recordings
Stefan Schreiber wrote:
As long as we we don't use personalised HRTFs (accessible HRTF
personalisation methods already seem to be in development), <
objective comaprison > between loudspeaker and binaural decoders are
just not possible.
"objective comparisons", of course.
"Comaprison" re
Politis Archontis wrote:
Hi Jörn,
On 03 Jun 2016, at 15:27, Jörn Nettingsmeier
mailto:netti...@stackingdwarves.net>> wrote:
Note however that while the quality of first-order to binaural is quite good
because the listener is by definition always in the sweet spot, first-order
over speakers
Hi Jörn,
On 03 Jun 2016, at 15:27, Jörn Nettingsmeier
mailto:netti...@stackingdwarves.net>> wrote:
Note however that while the quality of first-order to binaural is quite good
because the listener is by definition always in the sweet spot, first-order
over speakers can be difficult for multipl
On 06/03/2016 02:28 AM, Bob Burton wrote:
Very excited to find out to do this.
In my research, youtube must render the ambisonic files before playing, so
when you live stream, in is stereo.
When you play back later, it can be ambisonic.
Is there someone else who streams ambisonic live?
I did
Hi Antoine,
I don't know of any out-of-the-box solutions for that, maybe other people on
the list do, but a DiY solution is to use one of the audio programming
environments that can stream audio, and they have modules for ambisonic
decoding and rotation.
Puredata (Pd) has such objects from whe
Very excited to find out to do this.
In my research, youtube must render the ambisonic files before playing, so
when you live stream, in is stereo.
When you play back later, it can be ambisonic.
Is there someone else who streams ambisonic live?
On Thu, Jun 2, 2016 at 9:13 AM, Antoine Simon
wro
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