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e only real option is Rycote's Baby Ball Gag, which isn't
as quiet as a full blimp. Don't know if there's any blimps with lyres
big enough to hold the entire Ambeo.
I heard they match the capsules, but there is no individual
equalisation/calibration.
For demanding stu
best,
Jörn
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If someone here feels inclined to adopt this thing and put it in a safe
a preferably maintained corner of the internet somewhere, please help
yourself.
All best,
Jörn
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le contain the code to
read the preset files (which are just binary OSC).
Thanks for the clarification, and apologies for the misinformation.
Best,
Jörn
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ich has been through Fons' brain optimizer or measuring a few
IRs, I'd choose measuring any day :-D
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coefficients before attempting to decode.
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coincident.
IIRC the Super CMIT mentioned by Chris earlier uses just this algorithm
by Christof.
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n comparison to the Tm, the ST450
uses a lot more power due to external preamp and capsule heating.
Best,
Jörn
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e yet.
Will be glad to compare notes, but won't start working on it before
January...
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e.
Re: spatial resolution, would anyone even bother with FOA mics for
capturing directional impulse responses?
Me :)
Better the Soundfield in your hand than two Eigenmikes in the bush :)
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an "seven or so". That's the number of SM58s I use on a
good day, and I'm very much intrigued if slightly scared thinking of
your usecase :-D
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?
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probably be made a little friendlier.
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On 03/27/2018 10:18 PM, Fons Adriaensen wrote:
On Tue, Mar 27, 2018 at 09:08:54PM +0200, Jörn Nettingsmeier wrote:
Sweet! A resounding "me too" to Stefan's question about the matrix, since
you're one channel short :)
Looking at the geometry, I guess you sacrifi
at fooling myself, it might just happen :-D
All best,
Jörn
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On 01/20/2018 01:12 PM, Jörn Nettingsmeier wrote:
On 01/19/2018 08:04 PM, Gary Gallagher wrote:
Wave field synthesis wall paper? How small does an an audio pixel have to
be?
The question is more like "how big can you make it?". An audio "pixel"
of a square milli
eople were
producing sound by heating surfaces with an extremely good heat
conductivity (so its thermal cycles can be at audio frequencies).
Problem there is 100% k2, as it's effectively a half-wave rectifier...
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as a config file where you can set JACK as
default, that would be even simpler.
All of the above should work in Linux and OS X, not sure how to do it in
windows (but I'm sure it can be done).
All best,
Jörn
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home from https://vdt-icsa.de,
Jörn
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out is enough) and an appropriate
Dante converter. Should be cheaper, if you have the Mac lying around,
and no less robust if the hardware is otherwise ok.
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On 06/27/2017 01:52 PM, Augustine Leudar wrote:> Ive been the> computer
with multchannel soundcard route and it is not an experience Id> like to
repeat. Must be bomb/cleaner/child/adult proof,
Can I ask what went wrong?
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cts-live-install-joeco/
Played with it at a trade show, my impression was a very good one. Not
cheap though.
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On 10/31/2016 12:07 AM, Fons Adriaensen wrote:
On Sun, Oct 30, 2016 at 11:40:50PM +0100, Jörn Nettingsmeier wrote:
Also, I think things get even funnier when you consider you don't
have three pairs of omnis, for a differential receiver along each
spatial axis, but rather a tetrahedron of
seems to have fallen off the web...
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let's ease off on those guys, they are among the few who actually
post specs and a concept that might even work, because people have been
testing it since the 70s :-D Neat packaging.
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Meiste
roll]... an omni microphone. So yeah, we've got W, so
we're ambisonic :)
They probably got inspired by the other loads of bollocks that get
attached to VR camera rigs to enable them to be marketed as A/V
solutions. Nokia and others do it, so it must work, right?
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On 10/12/2016 01:31 PM, Jens Ahrens wrote:
Levitation as well as haptic feedback and audible sound will
be achieved using high-intensity ultrasound.
I am utterly fascinated. But from a safe distance. ;)
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ps://b-com.com/en/news/bcom-2-booths-ibc-exhibition
year, saw those guys being featured in the "future zone" at IBC in
amsterdam a few weeks ago. nice :)
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On 14.07.2016 19:06, len moskowitz wrote:
Did you know that Rycote's Baby Ball Gag works fine with TetraMic, as
well as their industry standard modular system.
fwiw, from recent personal experience, i have nothing but praise for the
baby ball gag.
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at the sides, and possibly excellent in the back. Not a good
starting point.
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s one to your shortlist
once it's out:
http://en-de.sennheiser.com/vrmic-creatorsprogram
a little gnome whispered in my ear that it's quite nice. no news on
final price and release date yet, but hey...
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with
the decoder coefficients for FL/FR.
i'm only partly serious, but since i'm still haven't mastered ADT, these
are the approaches available to me :-D
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ormat, to enable head tracking on the client side.
And B-format (or rather, AmbiX 1st order) is what Google has decided to
use for its YouTube 360 format (aka Google Jump).
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On 05/24/2016 01:03 PM, Richard wrote:
Limited as there’s no Windows support yet
How is that a limit?
/me ducks and covers...
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http
sting programme - I don't think I'll be going, which is
a pity - so I look forward to reading reports here.
Will be there, will report, would like to meet fellow sursounders for
une bière...
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ty of a single drive.
And while I'm preaching: don't use hardware RAID controllers, unless you
can afford to keep one as a backup in case the first one fails. Their
disk formats are not standardized, they are not necessarily compatible
to anything you might be able to buy ten years
, yet interfacing
it to, the outside world.
Chris Woolf
Hi Chris, excellent link, thanks! That explains it :)
Btw, good to see you guys at Mikroforum the other week!
All best,
Jörn
On 14-Apr-16 11:04, Jörn Nettingsmeier wrote:
On 04/13/2016 04:25 PM, Marc Lavallee wrote:
I'm looki
15k? Is is possible to linearize it to get a useful response above 10k,
or does it come with extreme ringing that would make it unusable?
Always good to learn about up and coming new technologies, but for this
one I'm dusting off and waxing my ten-foot pole...
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n and
matrix patch setup?
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ht now for lack of a Windows machine on the
road, but I seem to remember it's pretty powerful...
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matter is that as long as video techs add mics
as an afterthought, the results are going to suck, badly.
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On 04/08/2016 04:26 PM, Marc Lavallee wrote:
On Fri, 8 Apr 2016 15:13:16 +0200
Jörn Nettingsmeier wrote:
They might have very pragmatic reasons: if they know their equivalent
input noise is at 30 dB SPL and their capsules barf at 120, then
restricting the word length to 96 dB is a perfectly
On 04/08/2016 04:26 PM, Bo-Erik Sandholm wrote:
Multi direction binaurals?s?
http://recordinghacks.com/microphones/T-H-E-Audio/BS-3D
Or beamforming ?
a casual glance over the site seems to suggest direct beamforming
without an intermediate b-format.
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On 04/08/2016 02:10 PM, Marc Lavallée wrote:
On Fri, 8 Apr 2016 13:00:20 +0200,
Jörn Nettingsmeier wrote :
On 04/07/2016 08:13 PM, Marc Lavallee wrote:
The FAQ says:
"audio is recorded in 96 KHz/16 bit quality"
I would prefer 48 KHz/24 bit.
let's not discuss matters of ta
d it during the april foolery, but now it must out :)
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Best Demo Award including a certificate will be presented at
the conference closing ceremony.
With best regards
Dr. Alexander Lindau
Paper’s Chair
AES International Conference on Headphone Technologies, Aalborg (DK), 2016
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76 is quite helpful there.
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Chapman) and the
formulation of SN3D by Nachbar et al. (which, if combined as-is, will
yield a result that is off by 1/4pi or, as Franz Zotter helpfully
pointed out, ~11dB). Not terribly disturbing since it's constant, but
something that needs to be fixed for internal consistency.
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On 03/26/2016 05:22 PM, Albert Leusink wrote:
Jörn Nettingsmeier writes:
i don't see why you would want to do that. the effect will be quite
strange... why would any part of the sound mix stay constant wrt head
position?
the effect would be a bit like rotating the music bed in the c
only way to get two rotationally invariant signals into the stream
is a cardioid pointing up and another one pointing down. if your player
ignores head tilt, the result is like summing to mono and mixing into W.
if it supports head tilt, the result is likely even worse :-D
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ker and the speaker under test.
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facing
different formats.
All best,
Jörn
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On 01/27/2016 01:56 PM, Jörn Nettingsmeier wrote:
On 01/26/2016 11:05 PM, Politis Archontis wrote:
Hi Jorn,
yes that is correct. I think however that the virtual loudspeaker
stage is unnecessary. It is equivalent if you expand the left and
right HRTFs into spherical harmonics and multiply
rnals
Pure Data
HoaLibrary: http://www.mshparisnord.fr/hoalibrary/
Plogue Bidule
Aristotel Digenis: http://www.digenis.co.uk/?page_id=59
i've added AAT to the list on wikipedia, i think the rest is there.
https://en.wikipedia.org/wiki/List_of_Ambisonic_Software
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L
On 01/08/2016 11:25 PM, Jörn Nettingsmeier wrote:
Hi Hector, hi everone,
after a botched mobile phone upgrade (I'm using CM on my Samsung S4 and
update frequently), I was forced to redo the phone from scratch, taking
the opportunity to move to CM13.0, which is based on Android 6.
e... so if anyone is interested, just drop an email.
can't speak for anyone else here, but personally i would very much like
to be informed about this project, and it seems perfectly on topic for
sursound.
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nce on the wikipedia page on
ambisonic listening rigs.
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ponses would be the most important piece of the
puzzle. maybe we should just sweep each speaker into a tetramic in the
sweet spot as a start. with careful analysis, that should contain a lot
of information about the speakers and the room. we get free-field
response above a few hundred hertz, and
g is like, with a distance
between the legs of the u that are a lot longer than the wavelength?
i would expect pretty fancy interference patters with loads of complete
nulls all over the place. or is there some sort of near-field effect
that makes the effect of parallel lengths of wire ne
ttendants start them before handing them to the audience.
Another solution might be IR-based systems as used by interpreters. They
are quite resilient and easily handle multiple emitters. I don't know
what their audio bandwidth is, however.
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transmitter
working on a given frequency. if you wanted to hand over to another, it
would have to work on a different frequency, and the receivers would
have to support that kind of feature. I don't know any headphones that
can do it.
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fy approx dates, subject lines, or
keywords to search on? Alternatively, please repeat the information
here, as it could be of interest.
IIRC, one of the BLaH papers also cites listening tests that have found
the hexagon to be preferred over square or rectangular setups for first
order.
ut unless you really need extremely high horizontal resolution
for research purposes or a truly humongous listening area, a better use
for all those speakers would be to make a more or less uniform 3D rig.
gets you a nice dodecahedron for full third-order all around.
best,
jörn
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itors, 180 exhibitors and more than 200 paper
presentations in the past.
And the more interest we see, the more resources we can justify to put
into a nice Ambi rig.
Disclaimer: I'm a member of VDT and work for them as technical director
of the conference.
Best,
Jörn
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ertices) if you want
full-sphere, but then only for 2nd order. 3-6-3 can also be nice and
simpler to set up.
the big advantage of an icosahedron is that most decoders have a
suitable setup by default. for hemispheres, you'd need to compute it
yourself.
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7;c color-coded for weight).
the length of the microphone body including connector and curved cable
is about 30 cm (see photo sent in private that's probably not going to
make it to the list).
best,
jörn
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On 02/03/2016 02:48 PM, florian.came...@orf.at wrote:
(But we shouldn't divert from the original topic.)
no, that is frowned upon here :-D
thanks for the insightful comments, i was wondering the same...
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Me
cpu,
and waste storage). in any case, you can make use of the full length of
the hrtfs.
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that inside the black
box, some very-high-order stuff might be going on.
if by quadrupling the processing power, i can get a robust 5%
improvement in the rendering of first-order material, i wouldn't
hesitate a second, except in very special cases.
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ing months, hopefully with the
help of Rozenn Nicol's book.
Meanwhile, forgive the man without the heavy ion accelerator that this
problem did indeed look like a nail :-D
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(more than 200!).
Well worth reading
(35$ for AES members).
i've been eyeing this one for a while (it's advertised in every new
issue of the AES journal...), but your recommendation finally made me
order it. thanks!
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Lortzingstr. 11, 45128 Essen, Tel. +49 1
s the whole upper body moves, rather than
just the neck, but I guess it's a start.
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- Leibnitz University, Hannover
Papers Co-Chairs
2016hp_pap...@aes.org <mailto:2016hp_pap...@aes.org>
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pedia.org/wiki/Mixed-order_Ambisonics#Complete_mixed-order_sets_.28.23H.23V.29
However, I don't know of anybody who has
experience with decoding such sets.
Fons's decoder can handle that, and iirc it comes with examples. This
scheme is particularly useful for stacked rings.
--
Jörn
ce to try AE on 6.0 on a Samsung? I know this is
quite bleeding edge and CM is pretty shaky still, too. So no ill
feelings if there's no immediate fix. Maybe I should just go into
version junkie detox and stick with what works :-D
All best,
Jörn
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-3d-audio-space-with-amb.html
Too bad they kicked the Eigenmike guys out :-D
Those who do not understand spherical harmonics have to reinvent it...
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http
could do it, but then the
question is who's going to dig through the archives and ship the stuff?
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thing yet (i'm not using it for anything
critical), and it sure isn't great but usable, and for the price who'd
complain.
one of those would enable you to run third-order horizontal ambisonics
over wireless without jumping through fiery hoops.
all best,
jörn
--
Jö
find improved ways to reproduce surround sound (including 3D audio) via
headphones and loudspeakers.
Thanks for pointing this out. :-]
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http:
mbisonic panner :)
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On 12/09/2015 03:00 PM, Jörn Nettingsmeier wrote:
i've attached the paper, since it is open access.
well, i meant to, but apparently the attachment got eaten. here it is:
http://www.aes.org/e-lib/browse.cfm?elib=18040
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here else.
3rd-order ambisonic vertical localisation seems uniformly so-so
throughout the elevation range, which to me is preferrable...
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http://stackingdw
ing! a quick glance makes me very curious, i'm
looking forward to reading this tonight.
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Studio)
Tonmeister VDT
http://stackingdwarves.net
__
d
lead-lag pair is necessary for localization dominance to occur when
the lag is spatially separated from the lead.
i can't imagine what this means.
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungste
On 12/06/2015 11:46 AM, Jörn Nettingsmeier wrote:
On 12/05/2015 05:26 PM, Stefan Schreiber wrote:
I wrote: "8-channel ... hedgehog", which is/was already some form of
educated guess.
See:
http://www.hauptmikrofon.de/HW/TMT2012_3DNaturalRecording_Theile_Wittek_2012_11.pdf,
pg.
nless you bend your neck to the sides and then up/down. this is a
very unnatural movement. i do use it from time to time to check for
errors in complex loudspeaker systems, but it usually results in
bystanders asking if i'm ok.
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Te
nimize crosstalk and ensure
well-defined decorrelation between speaker channels, not isotropy. it is
intended to produce ambience only.
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (B
On 12/06/2015 07:44 PM, Kees de Visser wrote:
On 6 Dec 2015, at 11:46, Jörn Nettingsmeier wrote:
btw, since you're quoting this very interesting article, it has
been partly superseded by recent research of lee at al. at
huddersfield (see latest JAES), who found that there is _no_
ver
On 12/06/2015 06:14 PM, Stefan Schreiber wrote:
Jörn Nettingsmeier wrote:
btw, since you're quoting this very interesting article, it has been
partly superseded by recent research of lee at al. at huddersfield
(see latest JAES), who found that there is _no_ vertical precendence
effec
rtically spaced loudspeakers
do not contribute to localisation in any way. helmut is aware of this
and has presented a much more compact 8-channel mic array at ICSA 2015
in graz, where the top and bottom mics are practically coincident.
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel.
ng can possibly have.
For that price, let's hope they see the light and partner with mh or
Duraiswami and deliver something that really kicks butt in the audio
domain...
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Stu
confusion.
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Studio)
Tonmeister VDT
http://stackingdwarves.net
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On 12/04/2015 08:56 PM, Bo-Erik Sandholm wrote:
http://www.williamsonic.com/DipoleMic/ as often I am too fast to post :-)
I found the article again on a practical differential microphone for DIY.
thanks, excellent article!
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177
).
:-D
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Studio)
Tonmeister VDT
http://stackingdwarves.net
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https://mail.music.vt.edu
ne, I got to play with it at ICSA. Works.
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Studio)
Tonmeister VDT
http://stackingdwarves.net
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On 10/21/2015 03:14 PM, Richard wrote:
That is very true, and there never will be.
I have a marvellous algorithm that will restore old shellacs to their
original 10-octaves full surround beauty, but since the world is what it
is, I'm not going to show it to you.
--
Jörn Nettings
t since I'm also using it in the studio, the D-SUBs actually quicker
to connect than individual XLRs.
And the new firmware comes with a complete matrix router that spans all
analog and MADI ins and outs. Quite handy, and you can run it
MIDI-over-MADI, so you don't need an extra cable t
sible to put some fake LF borrowed from the lower
orders into the higher ones, so that the spectrum is flat for each
order, with the understanding that the directional information will be
wrong... But I'm not sure I'm seeing all the implications of this...
--
Jörn Nettingsmeier
Lortzin
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