Dear List,
I am now trying to measure the frequency response of a headphone and a
loudspeaker using Rohde&Schwarz UPV Audio Analyzer.
While, I am wondering whether I can directly get the frequency response (the
ratio of input to output) using this Audio Analyzer.
And is anyone have the quite detai
Martin Leese wrote:
...
> I have
> collected information about the Minim
> decoders, and made it available at:
> https://sites.google.com/site/minimdecoders/
...
> If you know of
> more information then please pass it on to me
> so that I can add it to the site.
Geoffrey Barton has kindly sent me
On Tue, May 3, 2011 at 10:14 AM, Fons Adriaensen wrote:
> On Tue, May 03, 2011 at 07:15:29PM +0530, umashankar mantravadi wrote:
>>
>> in fact angelo recommended that i arrange the eight speakers as two crossed
>> squares. two speakers in front and back, and four speakers mid bottom left
>> and
Anyone built their own InstaSnake equivalent? If so, care to share?
Thanks,
John
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On Tue, May 03, 2011 at 07:15:29PM +0530, umashankar mantravadi wrote:
>
> in fact angelo recommended that i arrange the eight speakers as two crossed
> squares. two speakers in front and back, and four speakers mid bottom left
> and right and mid top left and right, the only problem is i do not
Here is a post that makes sense in the real world.
Of course it is intriguing to work out how
to create the impression of a mosquito circling around
your head. But it is really not important musically.
What is wrong with stereo?
1 It is all in front
2 It is too LITTLE. Real orchestras are 15 met
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words, a setup that in projection wouldn't be a square,
> but an octagon?
>
> Ronald
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On 3 May 2011, at 13:08, Richard Dobson wrote:
> My proposed application is not music listening as such, but sonification of
> particle collisions in the LHC. In the data, Z is the beam axis, and the most
> interesting stuff has high transverse momentum, i.e. left right up down
> across the be
On 03/05/2011 07:39, Ronald C.F. Antony wrote:
On 2 May 2011, at 11:20, Richard Dobson wrote:
..
Personally, a six-speaker horizontal-only rig is much more realistic
in terms of acceptance in the home, because it still can be used for
5.1 playback, with the center-rear speaker going unused at
Dave Malham wrote:
he used Audio Design gear himself, so
decoders with shelf filters, even though it supposedly does not help
over large areas...and he even used UHJ a lot.
I remember John once told that instead of a square arrangement
he had sometimes arranged four speakers in an arc behind t
On 01/05/2011 23:09, Richard Dobson wrote:
how can localisation and separation be distinct?
I think the two words are too useful to be treated as exact synonyms - that would mean one of them
is simply wasted. So I would say the former is absolute - this or that degree azimuth. The latter
Wow - I have a few days break and the list goes mad - and all set off by the appearance of a 30+
year old hardware box up for sale!
On 01/05/2011 19:18, Martin Leese wrote
My recollection from a 1980s telephone
conversation with Minim was that the
production AD 10 decoders did not have
hand-sel
2011/5/2 Jörn Nettingsmeier :
> those "slightly more speakers than necessary" cases are a bit tricky...
> first order over a 24 hemisphere is horrible,
At the 2008 demo I wrote about, other that the anomaly at the exact
center, I thought it sounded pretty good. So did most of the 60 or so
people
Hi Jörn,
On May 1, 2011, at 9:39 PM, Jörn Nettingsmeier wrote:
> for me, 1st order horizontal is nice but on the brink of collapsing due
> to ambiguous source localosation, 1st order peri tips it over the edge.
> that's with my sound engineer's ear, not with my music appreciation ear.
>
> paul's
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