s a "simple" batch file, compiled so that users are not too
confused or induced to change parts of it…)
please have a look at the included html file which should reveal the basic
possibilities!
thanks!
Eluze
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Werner LEMBERG wrote:
>
>
>> What controls the vertical position of a tuplet number if I set
>>
>> \override Staff.TupletBracket #'bracket-visibility = ##f
>>
>> ? I would like to have the number within a staff and not outside...
>
>
does this match your needs?
{
\override TupletBrac
you can also override the rest's position:
\new Staff <<
\new Voice {
\voiceTwo
\override Voice.Rest #'staff-position = #3.7
\musicA
\revert Voice.Rest #'staff-position
\musicA
}
\new Voice {
\voiceOne
\musicB
\musicB
}
>>
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Jan-Peter Voigt wrote:
>
> Hello list,
>
> here is a snippet, wich creates footnotes. It is not tested very much!!!
> If you like, try it and tell me how it works! If you have improvements,
> tell the list :-)
>
sounds interesting!
however - using your example with version 2.13.38 - the la
Jan-Peter Voigt wrote:
>
> Hello Eluze, hello list,
>
> thanks for the test! I will install a dev-version and test - right now I
> am only using the stable version for my projects. It seems, the
> fill-line spacing has changed - if you change the footerMarkup to
> co
Johan Vromans wrote:
>
> I have the following snippet:
>
> s1*6/8 |%0
> \set Score.currentBarNumber = #1
> s1*1/8 s1*1/2 g8\p |%1
> g4 g8 g4 g8 |%2
> a8 a8 a8~ a4 e8 |%3
>
> I want the bar number "1" to show at the second measure. I've tried all
> the tricks from the sni
Paul Thompson-13 wrote:
>
> I am having an error in using lilypond 2.13.38
>
> Here is my input file:
>
> \book {
> \bookOutputName "Romanze"
> a a a
> }
> \book {
> \bookOutputName "Menuetto"
> \score{
>a a a
> }
> }
>
> I am getting a persistent error:
>
> testa.ly:3:4: error:
i would try
{ c'1^( \hideNotes c') c'^( \unHideNotes c') }
you then might want to make barlines disappear:
\override Staff.BarLine #'stencil = ##f
hth
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number to appear?
please see in NR "print-first-page-number=##t"
Eluze
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thanks for sharing your
> PDF MIDI AND LILYPOND SOURCES!
Eluze
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empty \markup {} to enable the label to be evaluated.
Eluze
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Sent from the User mailing list a
uggest it may be best,
> given your layout, to use purely manual page breaking. You can forbid
> automatic page breaking with
>
> \override NonMusicalPaperColumn.page-break-permission = ##f
>
> and can then place \pageBreak appropriately.
I think it's strange behavior.
Tom van der Hoeven wrote
> it worked, and as a bonus it gave me an extra blanco page.
I don't get a special page - example?!
Eluze
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Sent
he first occasion for LP to make a legal page break.
if you let LP do its own layout it should work correctly.
Eluze
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Sent from the
lp:
one place you'll find it is /E. LilyPond index/ , but in /D. LilyPond
command index/ it's missing, indeed
I wonder, after the introduction of repeating pitches and chords with a
simple duration in 2.19.1(?), if there is good reason to keep this command!?
Eluze
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Richard Shann-2 wrote
>>
>> searching for the *word* q would help:
>>
>
> ??? I tried both indices, clicked on the alphabetical Q link and got a
> list which doesn't include "q", what else could I do?
see above
Eluze
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\override Hairpin.to-barline = ##f
c'1 \< c'1 *<>* \! \bar "||"
}
this draws the hairpin to the bar line though there are error messages.
Eluze
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at does this mean?
did you search for the possible reasons of this error (bug list/tracker)?
is there an override/setting missing?
is it a bug?
Eluze
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Sent from the User m
bsolutely correct - the confusion may have come from the fact that
to-barline = ##t usually stops the hairpin at the bar line before the last
note... and obviously it is the bar line before the last (null-)event.
thanks for clarifying!
Eluze
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I think what Patrick tells is the way to do it:
to display the fret diagram as defined in the mentioned just add
\new FretBoards \myChords
in the appropriate place!
was that your question?
Eluze
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>>
> }
> }
pleas always check the log - it says:
"warning: no systems found in \score markup, does it have a \layout block?"
does this help?
Eluze
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though.
>
>
> Is it a bug ?
I think so and I've created
https://code.google.com/p/lilypond/issues/detail?id=3825&colspec=ID%20Type%20Status%20Stars%20Owner%20Patch%20Needs%20Summary
for this
thanks for reporting it!
Eluze
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esn't produce more than the help information
Eluze
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___
lilypond-user mai
David Kastrup wrote
> Federico Bruni <
> fedelogy@
> > writes:
>
>> 2014/1/27 Eluze <
> eluzew@
> >
>>
>>> pleas always check the log - it says:
>>>
>>> "warning: no systems found in \score markup, does it ha
le
>
> } } }
>
>
> The snippet does not work.
Uh, you didn't apply the snippet correctly:
- it says "none", not "invisible"
- you apply it to the wrong context - since you didn't show your code Glen
assumed your dynamics are in a Dynamics context - put
Joshua Nichols wrote
> I'm sorry, it should read #'none. It does not work even there.
\layout{
\context{
\Staff
\override DynamicTextSpanner.style = #'none
}
}
Eluze
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by providing the solution
> or directing me to a documentation page where I may do so myself.
> Thank you!
well - the collision avoidance behavior of LilyPond may not be optimal here
but you can simply
-\tweak Glissando.Y-offset #-.5
there might be other solutions (just ask if you're not happy
Noeck wrote
>> well - the collision avoidance behavior of LilyPond may not be optimal
>> here
>> but you can simply
>>
>> -\tweak Glissando.Y-offset #-.5
>>
>> there might be other solutions (just ask if you're not happy with this)
>>
&g
glissando
?
Eluze
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dge,
key-cancellation, key-signature, and time-signature.
Each type of object has its own default reference point, to which rehearsal
marks are aligned"
you'll have to determine the reference point you like.
hth - a bit
Eluze
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it seems that adding
\override Score.MetronomeMark.self-alignment-X =#1
is a simple solution
Eluze
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___
t-into-other-programs
?
please come back if there are still problems or it isn't satisfactory!
Eluze
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S
at top-level as well as in the \score-header:
\bookpart {
\header { piece = ##f }
\score {
{ ... }
}
\header { piece = wonderful}
}
and - unexpectedly - "wonderful" will spread over the whole score...
Eluze
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!
parameter 1 lettrine
parameter 2 capitalized text
parameter 3 flow text
(without deeper thoughts)
thanks for your effort so far!
Eluze
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> \version "2.19.2"
> \layout {
> ...
can you simply reverse the definitions in the \layout section?
or can you give a tiny example how this should look like? Scottish and
Breton?
Eluze
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Eluze wrote
>
> guocuozuoduo wrote
>> Is it possible to setup the basic template for Breton bagpipe notation?
>> (as opposed to Scottish notation, Breton notation has all melody notes
>> stem-up and all grace notes/embellishments stem-down.)
>>
> can you simp
contribution might also be interested in
follow ups to this question
Eluze
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> under what the code is doing except they display numbers or solfege.
you could at least specify where the code you use is coming from!
thanks!
Eluze
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Sent from the User mail
David Nalesnik-2 wrote
> Hi,
>
>
> On Tue, Feb 11, 2014 at 3:35 PM, Phil Holmes <
> mail@
> > wrote:
>
>> OK - so this "tiny" example is 107 lines of code.
>>
>>
>>
>> - Original Message -
>> *From:* MING T
in lilypond?
you can use a specific engraver in each voice with
\new Voice = "sop" \with { \consists \Ez_numbers-engraver }
Eluze
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Sent from th
atic tie or slur directly in the sense of
a tiny example!?
thanks!
Eluze
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\fromproperty #'page:page-number-string
\on-the-fly #first-page \fromproperty #'header ...
}
hth
Eluze
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Sent
fly #not-first-page \fill-line { \with-color #green
\fromproperty #'page:page-number-string }
\on-the-fly #first-page \fill-line { \with-color #red \fromproperty
#'header:copyright }
}
}
}
\header {copyright=copyright }
{ c d e f
\pageBreak
c d e f
}
and there are plen
racket.direction = #DOWN
\override TupletNumber.direction = #DOWN
\tuplet 3/2 { f8[( e]) f }
\tuplet 3/2 { g8[( f]) g }
\tuplet 3/2 { a8[( g]) a }
\once \override TupletNumber.avoid-slur =#'outside
\once \override TupletNumber.extra-offset=#'(0 . 1.3)
\tuplet 3/2 { b8[(
lypond.org/doc/v2.19/Documentation/notation/flexible-vertical-spacing-paper-variables,
specifically the /List of flexible vertical spacing \paper variables/
hth
Eluze
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Sent from
ve the fingering in a compilation.
best put this in a file which you can include or not when invoking LilyPond.
Eluze
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___
Javier Ruiz-Alma wrote
> Solved overlaying a 2nd voice with cross-staff stems
> [...]
thanks for sharing this solution - maybe it's worth to be recorded in the
LSR?!
Eluze
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Javier Ruiz-Alma wrote
> Hi Eluze,
> I tried to add this to LSR, but the facility supports syntax only up to
> 2.14.
> This being a demo of waitForTie with tuplet rhythm and crossStaff (not
> available in 2.14), just couldn't get a snippet this facility would
> accept.
Bernardo Barros wrote:
>
> 2010/11/19 Marc Mouries :
>> http://lists.gnu.org/mailman/listinfo/lilypond-user
>>
>> lilypond --png filename.ly
>>
>> just type lilypond and you will see all the possible options.
>>
>
> Sorry Marc, but here it produces just the png file, that's ok, but in
> a compl
Stephan Elliot Perez wrote:
>
> Thank you. Can you please tell me how to bring a markup object inside of
> the staff?
>
> \override TextScript #'outside-staff-priority = ##f
>
> and
>
> \override TextScript #'outside-staff-padding = #-3
>
> do not seem to suffice.
>
>
i think you need b
nachkan wrote:
>
> I am simply trying to explicitly write out a glissando in small notes (of
> a specified size), while keeping the rhythmic notation accurate. They
> happen to be 64th notes, so they have four beams connecting the stems. It
> is easy enough to make the noteheads the desired size
Athanasius Pelletier wrote:
>
> Hello all! I am having trouble making the last line stretch to the end.
>
it seems that ragged-last shoul be used in the \layout block!
Athanasius Pelletier wrote:
>
> Also, I would like to have numbers for all the verses not just for the
> first
> part.
>
is there a reason why the indenting program "indent.py" which was available
in former versions of lilypond is not included anymore?
for me it did a good job although i had to adapt my calling program to
enable updating lilypond code "in place"!
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e it does not work in the \paper
block!
the doc (NR) itself *always* uses ragged-last or ragged-right in the \layout
block - if it is supposed to work when specified in the paper block then it
looks like a flaw.
otherwise this should be substantiated in the documentation!
thanks
Eluze
-
Am 01.12.2010, 18:47 Uhr, schrieb Phil Holmes :
- Original Message -
From: "-Eluze"
To:
Sent: Wednesday, December 01, 2010 5:04 PM
Subject: Re: Problem with ragged-last and verse numbers
Phil Holmes-2 wrote:
According to
http://lilypond.org/doc/v2.13/Documentatio
Am 01.12.2010, 19:59 Uhr, schrieb Graham Percival
:
On Wed, Dec 01, 2010 at 03:38:17AM -0800, -Eluze wrote:
is there a reason why the indenting program "indent.py" which was
available
in former versions of lilypond is not included anymore?
Err, I don't remember having a
Graham Percival-3 wrote:
>
> On Wed, Dec 01, 2010 at 03:38:17AM -0800, -Eluze wrote:
>> is there a reason why the indenting program "indent.py" which was
>> available
>> in former versions of lilypond is not included anymore?
>
> Err, I don't reme
Athanasius Pelletier wrote:
>
> Thanks, everyone for your help!
>
> I have used Eluze's reccomendation and it works well.
>
> The verse numbers, however, are too far to the left and I would like to
> know
> how to compact the lyrics a bit so that the numbers line up just under the
> lines inst
Am 02.12.2010, 12:38 Uhr, schrieb Phil Holmes :
- Original Message - From: "eluze"
To: ; "Phil Holmes"
Sent: Thursday, December 02, 2010 9:39 AM
Subject: Re: Problem with ragged-last and verse numbers
Am 02.12.2010, 09:40 Uhr, schrieb Phil Holmes :
--
x27;s
where it happens!
just add
\include "gregorian.ly"
to see it:
ragged-last in the \paper has no effect, whereas in a \layout block it
works!
Eluze
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zed files (in vertical scrolling); that
way you could have the melody in the left and the lyric text in the right
window (which are both included somewhere in your main score).
(of course you can also use one line per measure)
hope these ideas are helpful!
Eluze
--
Michael Ellis wrote:
>
> Thanks, Eluze. The spreadsheet idea is clever!
>
> Since my last post, I've been playing with a python template substitution
> approach that, I think, will meet most of my needs.
>
hi Mike
what you are doing is in a way expanding parrallel
Jan Warchoł wrote:
>
>
> I also tried adding some Y-offset, but it doesn't work at all - a bug?
> see this, the bar number doesn't move at all:
>
> \version "2.13.40"
> \relative c''{
> \override BarNumber #'Y-offset = #5.0
> c c c c \break c c c c
> }
>
> My knowledge ends here. Can anyone w
Alexander Kobel wrote:
>
>
> I think to remember that
> systems-per-page did not work somewhere in the 2.13. branch, but it
> should work again in the most recent version.
>
it still does not work - see attached pdf for
\version "2.13.43"
\paper { systems-per-page = #9 }
\repeat unfold 50
i use PSPad or Notepad++ under Windows; i have developed my own user
interface (with hiliting) which shows the compilation result (if successful)
or otherwise the log (when errors or warnings occur).
i would be happy if there were a performant editor that supports Lilypond
hiliting, folding, exec
>
>
> PS: The only "simple" workaround is to use
> #(set-accidental-style 'piano)
>
>
another style that works is "dodecaphonic"!
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Tim McNamara wrote:
>
>
>
> #(ly:set-option 'delete-intermediate-files #t)
>
> \paper {
> indent = 0.0
> ragged-last = ##f
>
> \header {
> title = "Lilypond Test"
> composer = "McNamara"
> meter = "Swing Ballad"
> }
>
>
it compiles without errors on windows vista if i close t
part is quite easy (just override "Y DOWN" with "Y CENTER") -
but the other part is far beyond my Scheme-knowledge.
can anybody help?
thanks
Eluze
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Sent from the G
oks the
> same.
>
all the variables you mention can not be found in the manual NR - either the
names changed or the spelling is incorrect; for a description of the correct
names see
NR 4.1.4 Flexible vertical spacing \paper variables
please be sure to use the manual corresponding to your versio
Ralph Palmer wrote:
>
>
> I think all you have to do is include \whiteout - i.e. :
>
> hairpinMolto = \hairpinWithCenteredText \markup \whiteout { \italic molto
> }
>
that'd be to easy - in fact it doesn't have any effect. maybe i use it the
wrong way!?
here is the code: http://old.nabble.c
Beam
this raises a few questions:
- is there a list of grobs requiring to call set-spacing-rods explicitely?
- is it important to use \once (and which side-effects happen if you do
not)?
- could it be implemented/automated?
thanks
Eluze
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Neil Puttock wrote:
>
> On 5 January 2011 21:58, -Eluze wrote:
>
>> that'd be to easy - in fact it doesn't have any effect. maybe i use it
>> the
>> wrong way!?
>>
>> here is the code: http://old.nabble.com/file/p30600503/snippet.ly
>>
Janek Warchoł wrote:
>
> Hi,
>
> how can i override beamlet length in cue notes?
> In the following code the \override Stem #'beamlet-default-length doesn't
> work.
>
> \version "2.13.45"
> \include "italiano.ly"
>
> \addQuote "viola" {
> sib4 r8 sol sol'8. fa'16 mib'8.-\trill re'16 |
>
in this example there is a collision between th two first notes of both
voices.
<<
{ d''2 }
\\
{ \stemUp a8 a' s s }
>>
how can i shorten the first stem of the 2nd voice without shortening the 2nd
stem?
i tried lots of items dealing with stems and lengths or how to shorten them:
\overrid
Ralph Palmer wrote:
>
> Greetings -
>
> I'm running LY 2.12.3 under Ubuntu.
>
> However, I have a collision with a bar line. Is there a way to add
> whiteout
> to the text in a textSpanner?
>
>
try
\override DynamicTextSpanner #'whiteout = ##t
\override DynamicTextSpanner #'layer =
generally looking for a kind of policy
which allows to shorten stems by a certain amount or percentage!
Eluze
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Sent from the Gnu - Lilypond - User mailing list archive at N
phil.burfitt wrote:
>
> Hello,
>
> Is it possible to have fingerings and stroke fingerings placed outside of
> slurs, but inside of phrase slurs ?
>
one way is:
\relative c'' {
\override Slur#'outside-staff-priority = #100
\override Fingering #'outside-staff-priority = #
Am 07.02.2011, 14:03 Uhr, schrieb Phil Burfitt :
- Original Message -
From: "-Eluze"
To:
Sent: Thursday, February 03, 2011 2:57 PM
Subject: Re: Fingerings, Slurs and PhraseSlurs.
phil.burfitt wrote:
Hello,
Is it possible to have fingerings and stroke fingerings plac
ment -2 8) \time 4/4
g'8. g16 |
a4 g
}
the spacer is used as space maker
cheers
Eluze
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__
Arne Peters wrote:
>
> hello Eluze,
>
> your snippet works like a charm ... in itself, but when I apply it to my
> files it messes up like this:
>
> http://old.nabble.com/file/p30910757/timechange2.png
> (taken from the alto part)
>
> I'll dig into
nks, Kieren, for bringing me back to the real logic!
another small improvement concerns the spacing problem; with
\textLengthOn
b4. - \markup {\hspace #5 " "} \set Timing.measurePosition =
#(ly:make-moment 6 8)
\textLengthOff
you can easily choose the distance from the las
;s not in the TextSpanner context either!
>
i found it int the Voice context:
\layout {
\context {
\Voice
\consists
#(list
(cons 'listeners
(list
(cons 'text-span-event format-textspan)
)))
}
}
cheers
Eluze
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gt;
if you use polyphonic notation in one staff it is recommendable to pay
attention to the accidental-style setting
#(set-accidental-style 'voice) makes it work as intended!
cheers,
Eluze
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pkx166h wrote:
>
>
> if someone lets me know where we think this could go I could write an
> @knownissue or @warning.
>
> James
>
i believe this should go in the chapter about accidentals and polyphony (if
it is not an issue) - if you look at the example above and unhide the
respective voice
or you could use extra-offset:
\relative c'' {
R1*2
\override TextScript #'self-alignment-X = #RIGHT
a'1~-> - \tweak #' extra-offset #'(-.5 . -1.6 )
^\markup \sans "arco"
| a
}
then you can move the markup up or down playing with the 2nd number.
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TaoCG wrote:
>
> Hi,
>
> what I am basically trying to do is to override a property of VoltaBracket
> once but I can't figure out where to place the command in the code. When I
> remove \once it works fine. I know I can just revert the property but I am
> still curious why it won't work.
>
> A
> - see 1.5.2 in NR.
in your score you should use
\new Staff << instead of \new Staff {
hth
Eluze
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Helge Kruse-2 wrote:
>
>
> 1. How do I move the whole text to the left, moving away from paper
> margin but just avoiding the clash with the last e note?
>
i can't see any collision, but generally
\textLengthOn
and
\translate #'(-2 . 0) \line {…}
will help
> 2. How do I elevate the
m...@apollinemike.com wrote:
>
>
> One issue with this solution is that if you do batch processing from the
> command line:
>
> lilypond foo.ly bar.ly
>
> Then the solution no longer works. Is there a more secure way to get the
> correct file name?
>
this works perfectly for me (windows vi
s are filled with the values
that are encountered and are replaced when another assignement occurs... in
the end, when ouputting, the last values remain!
cheers
Eluze
ps: i noticed another problem when compiling two files from the command line
if the 2nd name contains a blank - you have to embed th
thehalpennys-lilypond wrote:
>
> This snippet just parses the command line. It would be nice if there was
> a way
> to query the file attributes directly. I would expect that it should be
> simple
> to do.
>
yes, and because it assumes blanks are file-name delimiters it can not work
properly
Am 16.03.2011, 15:36 Uhr, schrieb m...@apollinemike.com
:
(from Neil Puttock)
foo = #(ly:parser-output-name parser)
Cheers,
Neil
thanks, is it possible to get the file-extension, too?
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http:
Marek Klein wrote:
>
> Hi all,
> how can I get the staff-lines vertically aligned?
>
> \version "2.13.40"
> \layout { line-width = 6.2\cm ragged-right = ##f }
> \markup \fill-line {
> \column{
> \score {
> \new Staff { c''' }
> \layout { }
> }
> }
>
}
>>}
>>\column{
>> \score {
>>\new Staff \with { \centeredVAG }
>>{ a }
>>\layout { }
>> }
>>}
>> }
>
very elegant - with this you don't have to spoil your \score!
Eluze
--
you do not have to code in your lyric voice!
if you really want to insert manual durations with lyrics you probably
should use an explicit lyric voice, e.g.:
\new Lyrics \lyricmode {
| free.1 | \skip4 and4 all4 at4 |
}
Eluze
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what an inimical reply - did you report this bug!?
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d'1
> }
> }
>
> Ideas?
> Many thanks!
>
i have attached an example with score + layout definitions which you can
imbed later in markups or scores:
http://old.nabble.com/file/p31180922/test2.ly test2.ly
hope this is what you looked for
Eluze
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estmusic ##{ \music #} }
two = \markup { \testmusic ##{ \music #} }
three = \markup { \testmusic ##{ \music #} }
\markup \fill-line {
\one
\two
\three
}
cheers
Eluze
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erride NoteHead #'stencil = #(lambda (grob)
(grob-interpret-markup grob
(markup #:musicglyph "noteheads.u2do")))
which i found i-don't-know-where!
Eluze
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t is striking how only
the Shape Note notation does some tuning on joining the stems to the
noteheads!
cheers
Eluze
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