Kieren MacMillan wrote:
>
>
>
> \relative c' {
> \clef bass
> \time 6/8
> b b, b b b b |
> b4. s4 \set Timing.measurePosition = #(ly:make-moment 6 8) \time 4/4
> g'8. g16 |
> a4 g
> }
>
> Same as an in-bar key signature: the composer has the choice of waiting
> until the bar to change the key (resp. time) signature and deal with the
> accidentals (resp. timing) in the current bar, or change the key (resp.
> time) signature mid-bar and not have to deal with any accidentals (resp.
> timing issues).
>
>
thanks, Kieren, for bringing me back to the real logic!
another small improvement concerns the spacing problem; with
\textLengthOn
b4. - \markup {\hspace #5 " "} \set Timing.measurePosition =
#(ly:make-moment 6 8)
\textLengthOff
you can easily choose the distance from the last note to the time key.
cheers
Eluze
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