Re: LSR search is broken (was: \repeat with upbeat )

vigna wrote: > > Guys, please post this kind of problems. > There seems to be a new problem with the snippets' repository - thanks for looking at it! -Eluze -- View this message in context: http://www.nabble.com/LSR-search-is-broken-%28was%3A-%5Crepeat-with-upbeat-%29-tp183

Re: convert from absolute to relative

only (e.g. c2 d e ==> s2 s s). This is very useful for writing simultaneous voice parts where one contains pitches, another dynamics, a third fingering instructions ... This can easily be used to print a score with or without fingerings or other attributes! Thanks! -Eluze NB: You can a

Re: convert from absolute to relative

nd and replace action in a common editor, probably using regular expressions. I know I can find simple notes and durations by searching for something like \<[a-gs.]*([ ]*[0-8.]*)\> and replace them by s\1 But then you have all these accidentals or chords... Thanks a lot anyway! -Eluze -- Vie

Re: convert from absolute to relative

nice little function with \displayLilyMusic but something fails when you add a chord : notes = { a2-"hello" b4 r b2 a-"bye" < c e g c' >1-"oho" } { \displayLilyMusic \skipMusic \notes } results in { s2-"hello" s4 s s2 s-"bye&quo

Re: convert from absolute to relative

original one ... > for me it's done now, maybe i'll come back later with some feedback or new wishes...or should a new forum be opened where such utilities and snippets would be presented?! -Eluze -- View this message in context: http://www.nabble.com/convert-from-absolute-to-relative

Re: arpeggio problems

sorry - i forgot to append the picture... http://www.nabble.com/file/p19251669/arpeggio%2Bbug.png Eluze wrote: > > hi > > when the notes of a chord are close problems with arpeggios arise > - \arpeggioNormal - the zigzag line cannot be recognised as such > - \arpeggioArro

Re: arpeggio problems

composer wants to have an arpeggio, he probably would like it to be seen! > > As a workaround, you could add invisible note heads to the chord. > yes, that works - but -eluze -- View this message in context: http://www.nabble.com/arpeggio-problems-tp19251408p19252373.html S

Re: arpeggio problems

ns = #'(-1 . 1) \arpeggio > 1\arpeggio > } > > \score { \music } > %% > > Hope this helps! > hi not really - the position seems to be absolute - something around pitch c'' - and if you have to transpose or change anything you will have t

Re: arpeggio problems

Kieren MacMillan wrote: > > Why not use #'positions? > after playing around a bit (really enjoying...) with this idea i came to a quite satisfactory solution. as i mentioned, using \override Arpeggio #'positions = #'(-1 . 1 ) leeds to unexpected results with some arpeggio styles. in summary

duration of \laissezVibrer

hi sometimes \laissezVibrer looks very short - how can i control the duration/length of the tie? thx for your help! -- View this message in context: http://www.nabble.com/duration-of-%5ClaissezVibrer-tp19352211p19352211.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com

Re: convert from absolute to relative

> > it is a pity the snippet repository is still not working!!! > > thanks again > Eluze > > > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: error: no rhythmic group to end

Peter Johnson wrote: > > > On 11 Sep 2008, at 11:08, James E. Bailey wrote: > >> I'm a little puzzled by this. I get the error: no rhythmic group to >> end, but the output looks fine. Should I worry? > > Possibly. There seems to be a conflict between the simultaneous > triplets in the no

Re: editor for windows

g updated, version-conform keyword lists. Rgds -Eluze -- View this message in context: http://www.nabble.com/editor-for-windows-tp19467679p19488026.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing

Re: Two questions about fingering indications

produces exactly what I understand you're looking for - without writing any *!*! hth -Eluze -- View this message in context: http://www.nabble.com/Two-questions-about-fingering-indications-tp19507028p19512876.html Sent from the Gnu - Lilypond - User mailin

Re: Joining Stems

Mats Bengtsson-4 wrote: > > You can find similar solutions in the mailing list archives, for > example in > http://lists.gnu.org/archive/html/lilypond-user/2007-05/msg00250.html > > I am not sure about where to place this report... The last note of the code mentioned is not displayed when you

Re: Stanza font

Valentin Villenave wrote: > > > Added as http://lsr.dsi.unimi.it/LSR/Item?id=509 > and tagged as "really simple" :-) > > So simple that you overlooked the typo "indendently" which of course should spell independently... cheers! Eluze -- View this mess

Re: convert from absolute to relative

Francisco Vila-5 wrote: > > 2008/9/17 Valentin Villenave <[EMAIL PROTECTED]>: >> 2008/9/10 Eluze <[EMAIL PROTECTED]>: >> >>>> it is a pity the snippet repository is still not working!!! >> >> It is now, and the snippet is: >> h

arpeggios as barre indicators

based on the snippet "Cross-staff arpeggio brackets" in the LSR I found a nice way to mis-use arpeggios as barre indicators hilites: - you don't even need chords for the arpeggio and - you can combine notes/chords with different durations! arpeggioAsBarre = \once \override Staff.Arpeggio #'stenc

arpeggios as barre indicators

based on the snippet "Cross-staff arpeggio brackets" in the LSR I found a nice way to mis-use arpeggios as barre indicators hilites: - you don't even need chords for the arpeggio and - you can combine notes/chords with different durations! arpeggioAsBarre = \once \override Staff.Arpeggio #'stenc

Re: fong shape of fingering

Stefan Thomas-3 wrote: > > > With my version it looks convincing > > > > \version "2.11.58" on xp sp3 looks good, too. http://www.nabble.com/file/p19580831/font.png -- View this message in context: http://www.nabble.com/fong-shape-of-fingering-tp19548818p19580831.html Sent from the Gnu

Re: Shrinking to fit on a single page

st-bottom = ##t % bottom-margin=0\mm % top-margin=0\mm % paper-height=310\mm } U can even omit *system-count = #4* and it will fit in 3 systems (at least on my system). hth -Eluze -- View this message in context: http://www.nabble.com/Shrinking-to-fit-on-a-single-page-tp19810965p19811267.

Re: rolled chords in mulivoice classical guitar score

Tom Cloyd-2 wrote: > > > I get this error - "warning: cannot find file: `consists' " > > This msg means that Lilypond is looking for a file named "consists" - since you only sent this fragment we cannot check if there is a unwanted \include of such

Re: WANTED: Design for documentation

I like the arrangement of the toc on the left side - but I wonder if it is be possible to hide/unhide/resize it when needed!? thanks! -- View this message in context: http://www.nabble.com/WANTED%3A-Design-for-documentation-tp18572050p19956430.html Sent from the Gnu - Lilypond - User mailing li

fingering (/w staff-padding) + textscript and script-priority

in the score below the fingering indication of the first note (fis) can be written above+near the notehead using \override TextScript #'script-priority =#205 or higher. if it is 204 or lower, the text appears nearer to the staff. how can this be explained? - i would have expected the relation betw

Re: fingering (/w staff-padding) + textscript and script-priority

thank you for your explanations Neil Puttock wrote: > > > Instead of hard-coding the start value, it should be read from the > Fingering grob (so in your example, it would result in a new priority > of 14). > so in a soonish release we can expect this to change? or do we need a list of these

should \voiceOneStyle override all possible attributes of a note or voice?

dots, accidentals, dynamics and maybe even markups should be colored, too! -Eluze -- View this message in context: http://www.nabble.com/should-%5CvoiceOneStyle-override-all-possible-attributes-of-a-note-or-voice--tp20093618p20093618.html Sent from the Gnu - Lilypond - User mailing list archi

Re: should \voiceOneStyle override all possible attributes of a note or voice?

notesetter wrote: > > I've found that when using evince to view pdf output, moving the cursor > over score elements displays the line in the .ly file that the elements > spring from. This is a convenient way to find the code that corresponds > to the output (using Ubuntu 8.04 (hardy)). > yea

Re: should voiceOneStyle override all possible attributes of a note or voice?

s, but OTOH if commands are defined IMO they should cover as much as possible! there is also the snippet http://lsr.dsi.unimi.it/LSR/Snippet?id=443 http://lsr.dsi.unimi.it/LSR/Snippet?id=443 which enables automagical coloring of all elements pertaining to a context (voice). -Eluze -- View

Re: 2.11.61 or 2.11.62

here it compiles after applying convert-ly hth -Eluze -- View this message in context: http://www.nabble.com/2.11.61-or-2.11.62-tp20172387p20172627.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user

Re: Control vertical spacing in markup

Jonathan Kulp-2 wrote: > > Maybe not the most elegant solution, but the spacing turns out better if > you put the two things in separate markups instead of in columns inside > a single markup: > yes, but... the results of using two separate markups seem unpredictable as shown in the followi

Re: horizontal shifting of rests

Tom Cloyd-2 wrote: > > In a 3 voice piece, I need a rest in the middle voice, but there's not > > did you define a voice as \voiceThree? this automagically shifts notes (and others) horizontally to avoid collisions. you can also use \shiftOn ( to \shiftOnnn) to force shifting this correspon

Re: horizontal shifting of rests

Tom Cloyd-2 wrote: > > In a 3 voice piece, I need a rest in the middle voice, but there's not > > sorry, i didn't read exactly - for a rest you need \override Voice.Rest #'X-offset = #2.5 -- View this message in context: http://www.nabble.com/horizontal-shifting-of-rests-tp20186856p201883

Re: no more merged noteheads after harmonics

;, you have to revert to the previously defined style - or you can override the noteheads in the 1st voice to "default" as well! hth -Eluze -- View this message in context: http://www.nabble.com/no-more-merged-noteheads-after-harmonics-tp20240991p20242525.html Se

textSpanner bound-details on two lines

aligned with the first note? 4. the end (right) mark seems to be centered on the last note - can i push it to the right? tia -Eluze http://www.nabble.com/file/p20340841/textSpanner%252Bbreak.png \version "2.11.63" { \override TextSpanner #'bound-details #'right #'text =

Re: textSpanner bound-details on two lines

ght of it, but with all the other problems i got confused… now i use a padding of #-1 which fits my needs! again - thanks for your reply and i am really glad to see that lilypond can handle all these situations and requests! -Eluze -- View this message in context: http://www.nabble.com/

Re: point and click PDF

strk-2 wrote: > > I've been told about the point & click > feature so I had a try. > Evince wasn't so helpful in telling me what > was going wrong so I tried xpdf, as suggested > by the manual. > > you can use it from other pdf readers (like acrobat), too. the german lilypond forum Deutsches

quick data input for lilypond using a spreadsheet

i set up a spreadsheet to enter lilypond notes with one hand - maybe others are interested !? download <http://www.speedyshare.com/818308586.html> Eluze ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/li

Re: creating a centred column of markups

"Murmur, a little sadly, how Love fled" "And paced upon the mountain overhead" "And hid his face amid a crowd of stars." " " \hspace #20 "— William Butler Yeats (1893)&q

one big page refers to itself

the first sentence in NR http://lilypond.org/doc/v2.11/Documentation/user/lilypond-big-page.html http://lilypond.org/doc/v2.11/Documentation/user/lilypond-big-page.html is: *This document is also available as a PDF and as one big page.* which is a reference to itself … shouldn't the *big-page

coda on a new line

s shortcut -Eluze http://www.nabble.com/file/p20818662/codaOnNewline.ly codaOnNewline.ly http://www.nabble.com/file/p20818662/codaOnNewline.pdf codaOnNewline.pdf -- View this message in context: http://www.nabble.com/coda-on-a-new-line-tp20818662p20818662.html Sent from the Gnu - Lilypond - Us

lost pw for snippet repository

where can i reset or recover my password for the login to the snippet repository "lsr.dsi.unimi.it" tiafyh! Eluze -- View this message in context: http://www.nabble.com/lost-pw-for-snippet-repository-tp20830492p20830492.html Sent from the Gnu - Lilypond - User mailing list

Re: breakbefore help

title = \markup "page two" } \relative c' { \time 5/4 c d e f g a g f e } } \bookpart { \header { title = \markup "page 3" } } } hdh -Eluze maybe the \book isn't even neces

Re: suppress page number

james bailey-2 wrote: > > Is it possible to not print the second page number? I don't see an > option for that. > i saw *print-page-number* set to true or false in NR 4.1.2 Page formatting - did you mean something else? hdh -eluze -- View this message in context: http

Re: automatic beams over rests

to start and where to stop: \relative { r 8 [ c 8 r 8 r 16 d r 16 e 8. r 8 d ] } hdh Eluze -- View this message in context: http://www.nabble.com/automatic-beams-over-rests-tp20881793p20881959.html Sent from the Gnu - Lilypond - User mailing list arc

Re: problem with hidden notes

ned commands \hideNotes \unHideNotes? they will also hide the ledgerlines or so! hdh Eluze -- View this message in context: http://www.nabble.com/problem-with-hidden-notes-tp21211623p21214378.html Sent from the Gnu - Lilypond - User mailing lis

Re: Fwd: Re: a "floating" markup with many \score blocks in it

Excellent! Thanks! Eluze -- View this message in context: http://www.nabble.com/Fwd%3A-Re%3A-a-%22floating%22-markup-with-many-%5Cscore-blocks-in-it-tp21329239p21337485.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com

Re: Ties in alternatives

Johan Vromans wrote: > > I'm quite sure I've seen this somewhere in the docs... > \laissezVibrer !? hth Eluze -- View this message in context: http://www.nabble.com/Ties-in-alternatives-tp21381953p21382191.html Sent from the Gnu - Lilypond - User mailing list ar

Re: Point-and-click+Vim on Windows: is it possible?

Frédéric Bron wrote: > > Hi, using 2.12.1 on windows. Cannot make the chain work between pdf > (acrobat 9), point and click on a note and Vim. > in the link http://www.nabble.com/Point-and-Click-does-not-work-on-Windows-to21134860.html#a21188897 http://www.nabble.com/Point-and-Click-does-not-

Re: incorrect auto bar and auto beaming ?

could it be that the bar counting is not fully correct - try to make some bar checks - best is after each measure! hdh -- View this message in context: http://www.nabble.com/incorrect-auto-bar-and-auto-beaming---tp21764013p21764803.html Sent from the Gnu - Lilypond - User mailing list archive a

Re: Lilypond is generating errors for perfect syntax!

kentaku_sama wrote: > > > lower = \relative c, { > > C:/Users/W J/Desktop/cc sleep.ly:31:5: error: syntax error, unexpected > \score > > \score { > if this is a coherent part of the log then obviously your lines have been shuffled: the line starting with +lower = …+ does not

Re: Beaming in 6/8 or 12/8

Pikachu-3 wrote: > > > It is a hassle to type "[" and "]" every measure. > How can I omit them? > you could try \set Score.beatGrouping = #'(6) hth -- View this message in context: http://www.nabble.com/Beaming-in-6-8-or-12-8-tp21847486p21848280.html Sent from the Gnu - Lilypond - User mail

controlling the alignment of FretBoards

is there a way to control - automatically - the vertical alignment of FretBoards? (i only found an option for horizontal alignment [align-dir]) thanks! -- View this message in context: http://www.nabble.com/controlling-the-alignment-of-FretBoards-tp21851934p21851934.html Sent from the Gnu - Lil

Re: controlling the alignment of FretBoards

the finger indications seem to be on the same line and so do the top fret lines (in the pdf and html version). when i compile these examples the results look different and unbalanced: http://www.nabble.com/file/p21854640/align_chordmode.png chordmode.png Eluze -- View this message in co

Re: controlling the alignment of FretBoards

#(lambda (grob) (box-stencil (fret-board::calc-stencil grob ) 0 0)) > thanks for this nice little function! -Eluze -- View this message in context: http://www.nabble.com/controlling-the-alignment-of-FretBoards-tp21851934p21882913.html Sent from the Gnu

Re: controlling the alignment of FretBoards

Carl D. Sorensen wrote: > > … and it was an extremely quick fix. > really quick - and it works like a charm - thanks! Eluze -- View this message in context: http://www.nabble.com/controlling-the-alignment-of-FretBoards-tp21851934p21898237.html Sent from the Gnu - Lilypond - Use

suggestion: add fingering position "above-string" in FretBoards

could this be considered? it would not conflict with muted or open strings and imo it is at least as readable as below-string or in-dot! thanks! Eluze -- View this message in context: http://www.nabble.com/suggestion%3A-add-fingering-position-%22above-string%22-in-FretBoards-tp21923978p21923978

Re: suggestion: add fingering position "above-string" in FretBoards

i'm pretty sure i have seen this before, but i couldn't remember where my idea was something like your first proposal, maybe with lowercase letters x and o for mute and open! this results in c => *x32o1o* d => *xxo132* btw i'm surprised how Lilypond plays d-major (x

Re: suggestion: add fingering position "above-string" in FretBoards

change to Dm! but i absolutely agree that any user can define it as he likes! thanks! Eluze -- View this message in context: http://www.nabble.com/suggestion%3A-add-fingering-position-%22above-string%22-in-FretBoards-tp21923978p21944433.html Sent from the Gnu - Lilypond - User mailing list

RE: Problem with fingering

Nick Payne-3 wrote: > > \set fingeringOrientations = #'(right left) > 4 > \set fingeringOrientations = #'(left right) > 4 > this was never supposed to work! see LM… The property may be set to a list of one to three values. It controls whether fingerings may be placed above (if up appears i

Re: NR 4.3.6 Explicit Breaks

ut it in a layout block inside a \score, so each score can be designed differently! hth Eluze -- View this message in context: http://www.nabble.com/NR-4.3.6-Explicit-Breaks-tp21949123p22023874.html Sent from the Gnu - Lilypond - User mailing lis

Re: Repeat in the middle of a measure

eat at the same place! hth Eluze -- View this message in context: http://www.nabble.com/Repeat-in-the-middle-of-a-measure-tp22025931p22033045.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing lis

Re: NR 4.3.6 Explicit Breaks

i forgot to ask why you would change the layout that Lilypond offers? before tweaking around with line margins and width and others i would definitely look at the "natural" results of Lilypond! hth Eluze -- View this message in context: http://www.nabble.com/NR-4.3.6-Expli

Re: Enhancing barre function

Nick Payne-4 wrote: > > I have a barre function for guitar scores that I would like to enhance by > adding a vertical line indicating how far the barre should extend across > the > fretboard. > very usefull, indeed - and i wish you can do this automatical vertical distance calculation very soo

Re: Editorial Annotation

arenthesis: roundTr = \markup { \center-align \concat { \bold "(" \translate #'(1 . 0) \musicglyph #"scripts.trill" \translate #'(0 . 0) \bold { ) } }

Re: substitution in layout-block

Stefan Thomas-3 wrote: > > > keineTaktart = \layout { \context { \Staff \remove > "Time_signature_engraver"} } > i don't think there is a way to put context properties in a variable. but defining these properties in a \layout { … } block will do the thing: \layout { \context {

Re: Editorial Annotation

Neil Puttock wrote: > > If you're attaching the trill to a note, you can parenthesize it > without having to mess around with markup > thanks, Neil, for this much more elegant solution and for opening our eyes! we should try to understand the question better, not just fiddle around with superf

Re: New ConTeXt module

Henning Hraban Ramm wrote: > > It works now with LilyPond 2.12 > i only found 2.10 keywords - where is 2.12? -- View this message in context: http://www.nabble.com/New-ConTeXt-module-tp22352883p22382461.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.

Re: New ConTeXt module

Valentin Villenave wrote: > > Perhaps Eluze was mixing up ConTeXt and ConTEXT :-) > thanks - how could I ?! I had no idea the other one also exists! -- View this message in context: http://www.nabble.com/New-ConTeXt-module-tp22352883p22424778.html Sent from the Gnu - Lilypond - Use

Re: fingering

James E. Bailey-3 wrote: > > Or is it just not possible? > > with Lilypond everything is possible!!! try "\override Fingering #'add-stem-support = ##t" in the Staff context -- View this message in context: http://www.nabble.com/fingering-tp22505666p22506489.html Sent from the Gnu - Lilypond

Re: Parametric variables?

i have excerpted the code from your example as \version "2.12" fng = #(define-music-function (parser location marktext) (string?) #{ \markup {\finger $marktext } #}) { < c' d'>4^\fng #"2\n1"} but running it gives following errors: Analysieren... test.ly:5:12: Fehler: syntax e

Re: dotted half note notehead getting filled in when merging with eighth note

Nick Payne-3 wrote: > > The nearest example I can find in the documentation (subsection > on Collision Resolution in NR 1.5.2) shows a half note being merged with > an > eighth note and the notehead remaining unfilled. How can I prevent the > notehead above being filled in? > > exactly - and i

Re: Transparent ledger lines

Carl Sorensen-3 wrote: > > > > > On 3/17/09 6:37 PM, "Ari Torhamo" wrote: > >> Hello, >> >> I have been wrestling with a problem for a while. I'm using these two >> lines >> >>\override Voice.NoteHead #'transparent = ##t >>\override Voice.Stem #'transparent = ##t >> >> to make ce

Re: Making lilypond ignore some clashes

is this what you are looking for? \override NoteColumn #'ignore-collision = ##t -- View this message in context: http://www.nabble.com/Making-lilypond-ignore-some-clashes-tp22606577p22610046.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.

Re: very big pdf ps

with version 2.12 i got 1.00 MB with point-and-click against 147 KB without! -- View this message in context: http://www.nabble.com/very-big-pdf-ps-tp22660584p22661539.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___

Re: very big pdf ps

Francisco Vila-5 wrote: > > /URI(textedit://path-to-your-lilypond-file.ly:1:2:2)>> > and this path will never be found on the machine/server where the webpage resides... -- View this message in context: http://www.nabble.com/very-big-pdf-ps-tp22660584p22664609.html Sent from the Gnu - Lilypon

Re: TrillSpanner edge-text

how do you invoke the trill? the following makes the "tr" disappear! { \override TrillSpanner #'(bound-details left text) = \markup {} e 2 \startTrillSpan fis d \stopTrillSpan } -- View this message in context: http://www.nabble.com/Tri

Re: TrillSpanner edge-text

Benjamin Smedberg wrote: > > Do overrides only take effect for the current voice? > Voice / Staff / Score - whatever the context of a property is ... -- View this message in context: http://www.nabble.com/TrillSpanner-edge-text-tp22660742p22684254.html Sent from the Gnu - Lilypond - User mai

Re: LilyPond midi extension

Simon Bailey-2 wrote: > >>> #(ly:set-option 'midi-extension "midi") > would it be advisable to add the other possibibility to achieve this - namely when you invoke lilypond from a command line: lilypond … -dmidi-extension=midi [ | mid | anyExtension] yourFile.ly these options can be found wi

Re: move lyrics closer

James E. Bailey-3 wrote: > > I want to move lyrics closer to each other. I've tried \layout > {\context { \Lyrics \override #'baseline-skip = #-55 } } and it's not > working for me. I'm sure I've just got the wrong context somewhere. > Can someone point me to the right way? > \context Ly

Re: move lyrics closer

James E. Bailey-3 wrote: > > > >> i am not quite certain about where - in which context(s) - you have >> to place >> it to make it effective in every stanza > > > VerticalAxisGroup, as far as I understand it, moves the staves closer > together, and with it, the lyrics closer to the stave

Re: Need Guitar 2 voices with notes of different durations to share a stem

Louie van Bommel wrote: > > The original guitar piece is in 3/8 time and has 3 1/8th notes per bar. > The first of these notes has a stem up and a stem down on the same note. > Now because it is 3/8 time the bass note is a dotted 1/8th note, but the > same note in voice one is NOT dotted. >

Re: move lyrics closer

James E. Bailey-3 wrote: > > > Well, to my defense, I never really worry about vertical > spacing. > > too bad for you - but in no way you are accused! -- View this message in context: http://www.nabble.com/move-lyrics-closer-tp22964622p22980269.html Sent from the Gnu - Lilypond - User ma

Re: move lyrics closer

in http://lilypond.org/doc/v2.12/Documentation/user/lilypond-big-page.html#Vertical%20spacing%20inside%20a%20system you can read: Normally staves are stacked vertically. To make staves maintain a distance, their vertical size is padded. This is done with the property minimum-Y-extent. When applied

Re: General settings in ext file

MonAmiPierrot wrote: > > \context { > % add the RemoveEmptyStaffContext that erases rest-only staves > \RemoveEmptyStaffContext > } > this is typically used in a \layout section and you can \include a file with such definitions; if it is located in another directory/folder you could d

Re: move lyrics closer

Trevor Daniels wrote: > > Eluze > > There's a paragraph in section 5.5.1 which may (nor may not!) help. > Trevor thanks, yes it does - in a way… one part of the confusion raised with the not very specific mention of something like "generally negative numbers&quo

Re: Fingering multiple voices above the stave

hi which version are you using? when i compile your code wit version 2.12.2 i do not get collisions. if you feel stems and fingerings are to close you could add some extraspace with \override Fingering #'extra-offset = #'( -0.5 . 0) or choose the value you prefer hth -- View this message in

Re: Barline spacing at rehearsal mark

Nick Payne-3 wrote: > > > What command should I use? > > this should do the job (with a *-* [minus]): \once \override Staff.BarLine #'extra-spacing-width = #'(-2 . 2) -- View this message in context: http://www.nabble.com/Barline-spacing-at-rehearsal-mark-tp23038247p23039029.html Sent fr

Re: Barline spacing at rehearsal mark

Nick Payne-3 wrote: > > BTW, trying to search the LSR for either extra-spacing-width or > "extra-spacing-width" just returns a syntax error. > i know this is a pain - try https://lsr.dsi.unimi.it/list.php?type=snippet https://lsr.dsi.unimi.it/list.php?type=snippet where you can enter all (?

Re: Lilypond is amazing! (engraving Reubke)

Wilbert Berendsen-5 wrote: > > > And LilyPond uses more than 600MB main memory during > engraving which almost puts my 512M laptop to a grinding halt. I bought a > new > computer with 4gig main ram just to use LilyPond for my Reubke score! :-) > > beautiful and powerful! on which OS are yo

Re: Pick a pitch/instrument in MIDI output

Matthew Rowles wrote: > > > How can I do this? > > - Be Alert. Australia needs lerts. > > i had to check that first, it is explained ( http://www.urbandictionary.com/define.php?term=lert here ) yours is explained http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Creating-MIDI-files

Re: "Two simultaneous events" warnings

gnomino wrote: > > Hi, > > Could anyone tell me a general reason that > this might be happening? > probably you have "Two simultaneous mark events", one in each staff and since \mark is written in the \score context (or in the top staff) you have this duplicity! -- View this message in conte

Re: Pick a pitch/instrument in MIDI output

Matthew Rowles wrote: > > I've read all of that. > > All of those instruments are pitched. I want just a snare drum to hit > out the rhythm. > > I can't access the percussion midi instruments as I'm not using a drum > staff, and if I was, the notes would still change (percussion) > instrument

Re: TextSpanner at Score level?

Kieren MacMillan wrote: > > > Since I'm currently teaching (a week-long FileMaker Pro course), I > must be in good instructor mode... ;-) > > nice solution so far - but still some open points! trying to take advantage of your mood i'll ask the following questions: - it might be simpler to

Re: TextSpanner at Score level?

Carl D. Sorensen wrote: > > You use the Internals Reference. You find the object you want engraved > under 3.1 All layout objects: 3.1.111 TextSpanner. > > The IR tells you that TextSpanners are created by Dynamic_engraver, > New_dynamic_engraver, and Text_spanner_engraver. > > So then you

Re: collision with crescendo text

kontrapunktstefan wrote: > > Dear community, > in the below quoted snippet, the crescendo -text should have more space. > > may be the code below helps to find a solution (derived from http://www.nabble.com/Dynamic-extender-line%3A-regression-to18514160.html#a18519588 http://www.nabble.com/Dy

Re: Re:collision with crescendo text (-Eluze)

View this message in context: http://www.nabble.com/Re%3Acollision-with-crescendo-text-%28-Eluze%29-tp23394170p23394690.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org ht

Re: \partcombine

Arno Waschk wrote: > > > is there a way to persuade partcombine in a case like: > > \partcombine {{r4}{s4}} > > to produce a vertically centered rest, not one in the upper half of the > staff? > i'm not certain, but you could have a look at http://lsr.dsi.unimi.it/LSR/Item?id=336 http://ls

Re: [LilyPond] Unequal line spacing in columns

Sven Siegmund wrote: > > In my case the vertical line spacing in the left and right column > differ a tiny bit. I wouldn't notice it wouldn't it be for this big > that's probably due to lines with/without ascenders/descenders! > Please tell me what's what in the source code causes this differ

Re: [LilyPond] Unequal line spacing in columns

Sven Siegmund wrote: > > What exactly are line ascenders/descenders? I don't know what you > mean. I will try your suggestions later today. > ascenders: b,d,f,h,i,k,l,t (+ numbers, question mark, exclamation…) descenders: g,j,p,q,y -- View this message in context: http://www.nabble.com/-LilyP

strange results with rightHandFinger/StrokeFinger and avoid-slur

in this snippet the right hand finger indication is not placed above the note and below the slur as excpected, even if there is plenty of space - any hints? \version "2.12.2" { \override Slur #'outside-staff-priority = #5000 \set strokeFingerOrientations =#'(UP) \override StrokeFinger #'av

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