LilyPond v. 2.11.57
I see there's an old thread (mar. 06) about slanting tremolo-beams on
stems of beamed notes.
How to tweak Lilyponds default way of slanting the tremolos?
I tried
\override StemTremolo #'beam-slope = #0.3
as suggested in the thread, but it only returns a warning and does'n
Seems the Dillon example (showing violin-music) didnt get too far, but
point is illustrated well with first example. If anyone wants to see
more 'real-life' examples of slanted on-stem tremolos in beamed
note-groups, tell me and ill send some.
___
lily
> "K" == Kieren MacMillan <[EMAIL PROTECTED]> writes:
K> Hi Anders,
>> \override StemTremolo #'beam-slope = #0.3
K> The property is #'slope, as seen on the StemTremolo doc page.
K> Hope this helps,
K> Kieren.
Thanks alot.
___
> "J" == James E Bailey <[EMAIL PROTECTED]> writes:
J> I just wish someone with a little elisp help could point me
J> toward the part of whichever file determines how the file is
J> processed in emacs so I could learn enough to be able to add " "
J> to it.
I beleive lilypond-c
(buffer-file-name) returns a string without backquote-escaping the
whitespaces.
Heres a replacement (try evalling this somewhere in emacs after
'lilypond-mode is loaded). Please test before including anywhere.
-anders
(defun subst-spc-w-bcksl (lista); what a hack!
;; escape
be something silly
i'm doing. Is it some issue related to ternary rhythms?
<>
Heres the output:
lilypond /home/andersvi/tmp.ly
GNU LilyPond 2.11.57
Processing `/home/andersvi/tmp.ly'
Parsing...
Interpreting music...
programming error: stopped tuplet bracket has left nor right b
> "M" == Michael Watts <[EMAIL PROTECTED]> writes:
M> Just add \once to your lines
M> \set tupletSpannerDuration = #(ly:make-moment 5 48) and
M> \set tupletSpannerDuration = #(ly:make-moment 3 28)
Thanks alot.
___
lilypond-user maili
(Im paddling around here in the pond, and getting wetter every day. One
day i might switch from CMN to Lilypond as a main notation-tool if
theres not too many reefs... Atm. im translating some rqq/rtm-like
representations to generate ly-output. Of course im doing lots of silly
things, and hopefu
Id like to make a smaller RhythmicStaff with some special qualities,
like smaller font etc. This one works fine, but i have a couple of
things id like to fix[1] (see below):
rytmestaff = #(define-music-function (parser location navn rytmer) (string?
ly:music?)
#{
\c
> "V" == Vivian Barty-Taylor <[EMAIL PROTECTED]> writes:
V> The "doubled" Noteheads come about because RhythmicStaff
V> interprets all pitches as the same. I don't know what effect you
V> are wanting exactly
Thanks.
Im after what ive understood RhythmicStaff was meant for, a
>>>>> "a" == andersvi <[EMAIL PROTECTED]> writes:
a> Id like to make a smaller RhythmicStaff with some special qualities,
a> like smaller font etc. This one works fine, but i have a couple of
a> things id like to fix[1] (see below):
a&
If anybody else needs this heres some first-aid to start with.
It works in the special case below (with input from a 'SequentialMusic
structure). It should use some lilypond-aware mapping-procedure finding
all the 'EventChord's in the input and applying the filtering to these,
leaving the rest in
> "N" == Neil Puttock <[EMAIL PROTECTED]> writes:
N> Hi Anders, Have you looked at the LilyPond Snippet Repository
N> (http://lsr.dsi.unimi.it/)?
N> Try searching for `color'.
Thank you very much! This problem got solved in a satisfactory way.
The lsr site seems to be full of n
Hello.
I need to notate some clusters using squared rhythmic note-heads,
something along the lines of this figure:
<>
Its possible to set up a music-function to generate a square markup
based on the pitches of a chord, but i think this way of notation
clusters is pretty standard so maybe someone
Heres a start on a cluster-chord function.
A question someone might help answer:
When using the music-function on a chord - ie "\clusterKord 2" - it
only 'eats' the first note of the chord, and appends the second one as a
separate note if i dont 'kill it' inside the music-function.
The code belo
> "M" == Mark Polesky <[EMAIL PROTECTED]> writes:
M> I'm finding myself able to make the clusters look however I want
M> them to look, but I want one all-encompassing function to apply
M> arbitrary cluster-styles on the fly.
M> It's not necessarily difficult, but I want to sup
> "MS" == Mike Solomon <[EMAIL PROTECTED]> writes:
MS> If there is any way to enclose these notes within a single box,
MS> please let me know. I can do it in an svg editor if need be,
MS> but it'd be ideal to be able to do it in Lilypond.
One way around is to draw a box using \ma
[Sorry for doubles, but the image file wasnt included in the post sent
from the web-interface. AV.]
Hi there.
Is the strange beaming inside the tuplet in the first 4/8 measure of
this sniplet expected? Right now im overriding with manually setting
stemBeamCount to correct values, but its ver
> "H" == Helge Kruse <[EMAIL PROTECTED]> writes:
H> I installed emacs-22.1 at my Windows XP SP2 system, but I
H> cannot find any lilypond-mode. I search for the
H> lilypond-mode.el file and entered in emacs "M-x lilypond-mode"
H> and got the reponse "[No match]".
H> How ca
> "H" == Helge Kruse <[EMAIL PROTECTED]> writes:
H> How can I get and install lilypond-mode (manually)?
Its part of the distribution.
http://lilypond.org/web/install/
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/
Inkscape sometimes opens files disregarding any pageformats or such,
presenting things zoomed out to an invisible scale. Try zooming in.
> "M" == Mehmet Okonsar <[EMAIL PROTECTED]> writes:
M> Hi to all when I do an svg backend the result opens in Inkscape
M> but I can't see anything?
If the programs
lilypond
xdvi
gv
xpdf
timidity
are not found in normal places (ie in paths included in your $PATH
variable) youll either need to put them there or set emacs' variables
LilyPond-lilypond-command
LilyPond-dvi-command
LilyPond-ps-command
LilyPond-pd-command
LilyPond-midi
a> A big hurra for any developer changing all these camelcases to
a> lowercase, make a test-run and submit the changes! [See next email]
Heres a version of the whole lilypond/elisp directory with CamelCases
changed to lowercase. Ive tested it slightly here and it seems to
work. The revi
errh...
here it is:
elisp-lc.tar.bz2
Description: lowcasified elisp/lilypond*
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
It would be extremely useful for someone wanting to compare the
work and performance of Lilypond to other tools to look at
typesetting of some "real-life" examples, examples which have
already been used for such comparisons.
One such set of examples is at CCARH:
http://www.ccarh.org/publications
It would be extremely useful for someone wanting to compare the
work and performance of Lilypond to other tools to look at
typesetting of some "real-life" examples, examples which have
already been used for such comparisons.
One such set of examples is at CCARH:
http://www.ccarh.org/publications
Hello ponders.
Id like to set up a TempoSpanner, using all current settings for
MetronomeMark (offsets, paddings, fonts etc) and placing the
MetronomeMark in the usual manner, but also including a
spanner-interface to get stipled lines etc. towards the next \tempo mark
(or an explicit \tempoSpanSt
Hello. Im doing some testing on Rachmaninovs C-minor praeludium.
Q: How Can i separate handling of rests from stem-directions in
polyphonic voice-handling?
Id actually want the default behavior of \voiceOne, except for pointing
the stems down.
<<
\new Voice {\voiceTwo \override Rest #'directi
Hi Keith. Thanks for your answer.
> "K" == Keith E OHara writes:
K> I recommend that you continue as you are with Rest 'direction,
K> and whenever Lilypond puts the rests in the wrong places, use
K> pitched rests {f''\rest c'' f''\rest c'' }
Yes, i know about the explicit possi
> James Bailey writes:
> You can always do \voiceOne \stemDown
Does the below work in your lilypond? Which version are you using?
\new Staff {
<<
\new Voice {\voiceOne \stemDown r8 c'' r c'' }
\new Voice {\voiceTwo c4 c}
>>
}
> What's odd? It looks normal to me.
The p
> "K" == Keith E OHara writes:
K> On Mon, 01 Nov 2010 12:25:12 -0700,
wrote:
>> Q: How Can i separate handling of rests from stem-directions in
>> polyphonic voice-handling?
>>
Hello Anders,
K>I would also have expected Rest 'direction to do what you
K> asked.
> "E" == -Eluze writes:
E> you can also override the rest's position:
Yes, thanks. The problem is getting at the automatic behaviour which is
already available.
I beleive its a bug, that \stemDown obstructs explicit coming later.
\override Rest #'direction = #UP
Or perhaps ive mi
Keith, thanks for the pointers, and a nice solution using stemNeutral.
> "K" == Keith E OHara writes:
K> It is less clear if the use of Stem 'direction to place rests, in
K> the notes-plus-rests case, was intentional.
Shouldn't the rests by default be placed where the voice goes in
K> if you send a short example and desired behavior as a bug report
Ill set something up.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
heres the bug report just sent (wo. png-files):
\version "2.13.39"
%% rests in one voice crossing other voice
<<
{c4 c}\\
{ r8 c'' r c''}
>>
<>
%% Rests in mixed (rests+notes) columns don't obey Rest 'direction = #UP:
<<
{c4 c}\\
{\override Rest #'direction = #UP r8 c'' r c''}
>>
<>
%% wan
Heres a version of the prelude:
Rach_Praeludium_Cmoll.ly
Description: Binary data
Any comments and suggestions for improvements are of course very
welcome.
Especially concerning the shaky staff-handling introducing the "tutti"
or "Tempo Primo" ending section.
And also the fitting of staffs on
> "X" == Xavier Scheuer writes:
X> You have an "unwanted extra space" added at the end of the line
X> before the break when adding the new staves. Use \once \set
X> Staff.explicitKeySignatureVisibility = #end-of-line-invisible
X> just after you \new Staff { within your tempoP
Heres an update with some typos fixed.
Rach_Praeludium_Cmoll.ly
Description: Binary data
Theres the issue of an effective way to add the 2 extra staves in the
Tempo primo section. The way its done now makes it difficult to connect
the arpeggios in mms. 52 & 54. I guess it has something todo w
>>>>> "a" == andersvi writes:
a> ... but how to add them at the right place?
Like always, reading the manual may be useful... Just glanced through
the section on Ossia staves in lilypond-notation.info, and guess what i
saw?
alignAboveContext = #"fir
Use &> to redirect both stderr and stdout where you want it.
Great in any case where you're not too sure which std*** pipe youre
looking for, or dont care...
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/li
> "-" == -Eluze writes:
-> is it possible (and how) to redirect the generated list to a
-> special file?
ly:font-config-display-fonts seems to rely on side-effects, just
returning #, so not much hope there.
There is a hacky way to redirect stderr inside lilypond though:
#(begin (l
b> https://de.wikipedia.org/wiki/Open_Sound_Control is sayed to
b> replace MIDI. Is this something usefull for lilypond?
It should be. Storing and sending/receiving arbitrary data is
straightforward in OSC, in MIDI you'll have to build and parse sysex for
any non-standard (e.g. rhythms, b
> "D" == David Wright writes:
D> I've googled around for a file format, but all I find are
D> applications and program fragments. OK, an application might be
D> able to store an OSC protocol stream in a file, but that does not
D> make that a file format.
OSC has no more need
> "D" == David Kastrup writes:
D> MusicXML export would likely be quite more useful for letting
D> LilyPond interface with other applications while preserving more
D> information about the original input.
Obviously. I'm commenting on a misunderstanding vs. potential use of
OSC r
> "D" == David Wright writes:
D> If one can save OSC files like MIDI files, could you please send
D> me one, and some instructions on how to play it.
score-with-notes.osc
Description: Binary data
If you by "play it" mean getting sound from it, set up whatever OSC
enabled player yo
45 matches
Mail list logo
