29, 2015 at 10:55 AM, tisimst
wrote:
> On Wed, Jul 29, 2015 at 11:32 AM, Steve Lacy [via Lilypond] <[hidden
> email] <http:///user/SendEmail.jtp?type=node&node=179139&i=0>> wrote:
>
>> You're incorrect in saying that this requires Lilypond on the Users
>&
I found this fascinating:
http://homes.soic.indiana.edu/donbyrd/InterestingMusicNotation.html
I wonder if anyone here (or elsewhere) has tried to engrave some of these,
even as musical fragments? I'm sure it would be an eye-opening process. :)
Steve
_
On Thu, Oct 15, 2015 at 8:03 AM, T. Michael Sommers
wrote:
> On 10/15/2015 7:24 AM, Andrew Bernard wrote:
>
>>
>> I’m aware that the emacs lilypond-mode needs attention, but I wonder
>> if anybody has seen this. When I enter a ‘>’ character to complete a
>> chord, emacs goes into narrow mode, whi
Any thoughts on avoiding these clashes without having to manually tweak all
the slurs?
[image: Inline image 1]
http://lilybin.com/5sfp1b/1
\score{
{
\set tieWaitForNote = ##t
c''2 \( ~ b'4 \) c''4
c''2 ~ b'4 \( c''4 \)
}
\layout{}
\midi{}
}
___
li
amp;node=183908&i=0>> wrote:
>
>>
>>
>> Am 21.11.2015 um 18:18 schrieb Steve Lacy:
>>
>> Any thoughts on avoiding these clashes without having to manually tweak
>> all the slurs?
>>
>>
>> Yes, writing semantically correct notes, like this
Wow that looks pretty great, thanks!
On Wed, Dec 16, 2015 at 2:06 PM, Klaus Blum wrote:
> Hi Steve,
>
> what about
>
> % --
> #(set-global-staff-size 48)
>
> #(define-markup-command (hat layout props text) (markup? )
>(interpret-markup layout props
It looks like lilybin.com is internally wedged or something? The right
hand side is just showing a "please wait" spinner for me, and the "Preview"
button is greyed.
Steve
___
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I have found the orignial SIL-licensed files available on the internet, and
have made a new GitHub organization and corresponding repositories for the
fonts themselves. Please see https://github.com/OpenLilyPondFonts
I've included all that I could find from fonts.openlilylib.org, as well as
Bravu
Hi, I'm engraving some simple music for beginning violin students who are
learning to read music.
I would prefer if the text added to notes were vertically aligned on each
line, but by default they are quite jagged:
[image: Inline image 1]
(http://lilybin.com/to3r9r/3)
I had thought about using
Ah, perfect thank you very much!
On Thu, Jan 8, 2015 at 11:28 AM, David Nalesnik
wrote:
> Hi Steve,
>
> On Thu, Jan 8, 2015 at 1:11 PM, Steve Lacy wrote:
>
>> Hi, I'm engraving some simple music for beginning violin students who are
>> learning to read music.
>
Using "\set Score.markFormatter = #format-mark-circle-numbers" how would
one go about making sure that all the rehersal marks are the same size
(i.e. the radius of the circle is constant and the font inside scales to
fit, and digits are centered within the circle?). Here's an example score
that I
I'm transcribing a Mendelssohn score, and am trying to get Lilypond to pack
notes about as densely as they are in the original score. For example,
trying to fit a snippet like this onto a single line:
\version "2.16.2"
\language "english"
\relative c''' {
\key e \minor
\mark \default
\time
ugh common-shortest-duration is the variable
that really needs to be tweaked.
Steve
On Mon, Jan 19, 2015 at 11:07 PM, Urs Liska wrote:
>
>
> Am 20. Januar 2015 07:47:20 MEZ, schrieb Steve Lacy :
> >I'm transcribing a Mendelssohn score, and am trying to get Lilypond to
> >pa
Putting the d~ and ees~ inside the <<...>> block gets a bit closer. You can
see the ties, but has other differences from your original example. I'm not
sure exactly what your final goal is:
\relative c' {
<< { d16~ \once \override NoteColumn.force-hshift = #-0.6 \once \override
Stem.direction = #D
Hi,
I'm a software engineer by trade and have been using git for software
development for quite some time.
Let me first start saying that there are *many* different possible
workflows, and each user needs to come up with their own workflow that
they're comfortable with.
With respect to branching
On Sat, Feb 28, 2015 at 3:11 PM, Urs Liska wrote:
>
> Yes, but I'd repeat that this is less LilyPond's fault than a problem of
> having an amount of music that is inherently unsuitable to be typeset
> nicely on one system.
I'll have to say that I find this perspective a bit short-sighted. (no pu
+1 to Keith's idea.
In fact, I remember first learning about \relative and being *amazed* that
it didn't work as described.
I'm mostly transcribing/re-engraving for solo violin, and most pieces stay
within a small 2-octave range. The \relative c'''{ ...} syntax was exactly
what I wanted.
Steve
Not that this is any indication of install userbase, but there are 117
repositories on GitHub that match "language:LilyPond"
https://github.com/search?utf8=%E2%9C%93&q=language%3ALilyPond
Additionally, there are 90 people subscribed to the LilyPond subreddit on
reddit.com:
http://reddit.com/r/li
Web server & mailman are pretty straightforward, even with a fairly large
number of domains. Once you get the first one done, you can pretty much
cut & paste to generate the rest of the configs with unique DocumentRoots,
or however you're structuring things. Make sure to use apache2's "conf.d"
st
I've experimented with this a bit on WikiPedia directly, but it seemed to
me to be a limited set of LilyPond functionality, but I didn't dig much
farther than that.
You can see this extension "in action" here, on the page for Beethoven's
5th:
https://en.wikipedia.org/wiki/Symphony_No._5_(Beethoven
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