On Wed, 26 Sep 2012 10:53:23 +0200
Janek Warchoł wrote:
> Hi,
>
> one of the things that i find inconvenient in reading Lily syntax is
> its sequential nature. For example,
>
> <<
> {
> a4 b c d
> e f g a
> e a g f
> }
> {
> e4 a g f
> c2 e
> d8 c f4 d2
> }
>
This is not a quick task eventough I know what needs to be done, since such an
editor, only more advanced, is Laborejo.
For simple purposes it will be easy to do but quickly you encounter
shortcomings and the display is unstatisfying again which is the point where
the code need extensions and r
Laborejo, Esperanto for "Workshop", is used to craft music through notation.
It is a Lilypond GUI frontend, a MIDI creator and finally a tool collection to
inspire and help you compose.
It works by reducing music-redundancy and by seperating layout and data.
Before you read the details make sure
I thought of a solution.
This is not a quick task eventough I know what needs to be done, since such an
editor, only more advanced, is Laborejo.
For simple purposes it will be easy to do but quickly you encounter
shortcomings and the display is unstatisfying again which is the point where
the
Hello list,
Below is a very short lilypond snippet.
Why is the title printed for each score again if print-all-headers = ##t ?
This is not a question how to work around. I know I can deactivate the
print-all-header or write an extra header into score with title = "" or ##f.
The question is why
A wild crosspost appears!
Laborejo, Esperanto for "Workshop", is used to craft music through notation.
It is a Lilypond GUI frontend, a MIDI creator and finally a tool collection to
inspire and help you compose.
It works by reducing music-redundancy and by seperating layout and data.
Before you
Get Denemo 0.8.18 http://denemo.org/index.php/Get_Denemo
Release Notes:
-Default behavior is now non-modal
* You can choose one out of four Shortcut systems, including the "Classic" one.
* an easy to understand and very slick interface via keyboard
* seamless integration with MIDI controlle
Hello World,
I often work with drone-instruments like bagpipes which need to know how to
tune their drones. In my handwritten notation I included the Drone indicator
below the keysig as simple text "A" or "A/E" (without absolute pitch).
It should appear anytime the keysig appears. Key-changes,
Hello list,
I recently worked together with a publisher who said he can't understand that
there is no option in any notation-software that allows having different raster
sizes (means scaling of objects) for every page.
It is not on me to judge if this is wise, from a typographers point of view,
Sorry for the confusion.
What I really mean is a simple question:
I want page 1/2 size 16 and page 2/2 size 18 because its the last page and has
fewer notes.
Note: Not really "I" but "he" or "someone". For me aestethics would prevent
such a thing, but maybe there really is a case where this is
Thank you for your answer, but it was not a question about setting and printing
notation but just a technical one.
Nils
On Sat, 21 Aug 2010 10:55:54 -0700
David Rogers wrote:
> * Nils Gey [2010-08-20 18:28]:
>
> >Sorry for the confusion.
> >
> >What I really mean is
Hello list,
last night in a discussion someone claimed that there is a triple bbb in real
music, he said it was in a Chopin piece but could not say which.
I think I am fairly educated in music but never heard of a triple bbb or ###.
Do you know any?
Nils
http://www.denemo.org
_
Hello Lilyponds,
I want to redefine (advanced version: only for the current movement) that
everytime I use \bar "|." instead, internaly, this should be used:
\once \override Score.BarLine #'transparent = ##f \bar "|."
How can I do this?
Background: I deactivated barlines to get a mensural o
> But it rather common _not_ to write the bar lines _inside_ of the staffs
> (where they would have to cross the occasional note), but between the
> staffs. The snippets for ancient music have an example, but I can't
> quite figure out what produces the in-between bar lines.
>
> --
> David Kastr
Its even easier.
You don't need to create global. The global method has the problem that you
need to fill in all these skips.
Instead, place this before the first note in any staff:
\override Score.BarLine #'transparent = ##t
and as last item, in any staff again:
\revert Score.BarLine #'transp
What a great example of how Lilypond saves the day. In my eyes thats exactly
the reason why Lilypond exists, because it usually knows better how to do
things.
Janek and Bill are correct: Removing the ties is the correct
musical/notation decision. A tie and two syllabes are mutually excluisve.
B
We will see where this leads.
"Set course to intercept, Number One"
Nils, out.
http://www.denemo.org
On Thu, 09 Dec 2010 11:49:57 +0100
Jan Nieuwenhuizen wrote:
> This is smart pr
>
>
> http://www.facebook.com/l.php?u=http%3A%2F%2Fmusescore.org%2Fen%2Fabout%2Ftestimonials&h=cd3b2
>
>
I stumbled upon this picture of notation and I've never seen the final note (in
each voice, the right page voices have a slightly different version)
http://anaigeon.free.fr/mes_facs/fsjosq.jpg
From the position it must be a longa, the fermata over it indictates the same.
Best visible on the top
On Fri, 10 Dec 2010 21:40:15 +
Owain Sutton wrote:
> On 21:32, Fri, 10 Dec 2010, Nils Gey wrote:
> > I stumbled upon this picture of notation and I've never seen the final note
> > (in each voice, the right page voices have a slightly different version)
> > http:/
An important but unasked question is for what do you need notation?
If it is "just" transcribing from paper the task is not that critical.
You need to get "in" information you already know. But if you compose
or arrange and you are not a conservative person who was taught to
repeat the sentence "r
I hope this will be a quick answer.
I am currently preparing scores, vocal SATB, but the publisher thinks the Bass
staff stem length are not long enough.
Is there a way to keep the auto-length but increase the length by, maybe, a
percent value? I think I need around 105 or 106 percent of the or
Hey people,
I have vocal pieces which have all fermatas in all voices so that I can print
each voice alone. But for a reduction to a 2-staff system I only want the
Soprano and Bass fermata visible (top first and bottom of second staff) but not
the inner ones.
Do you know a way to do that? I cur
Hello list,
do you know the name for the music theoretical voice progression which can be
seen in this picture?
The lower voice in the second cord is higher than the higher voice in the first
chord. Second measure shows the same, inverted.
The German term is "Niveau-Überschreitung" or "Niveau-U
ption I think this is not what Wikipedia means.
thanks!
Nils
On Mon, 31 Jan 2011 09:40:52 +0100
Jan Warchoł wrote:
> 2011/1/31 Christ van Willegen
> >
> > Hello Nils,
> >
> > 2011/1/30 Nils Gey :
> > > do you know the name for the music theoretical voice pr
documentation and programs menu-labels.
Greetings,
Nils
On Mon, 31 Jan 2011 09:27:44 +0100
David Kastrup wrote:
> Christ van Willegen writes:
>
> > Hello Nils,
> >
> > 2011/1/30 Nils Gey :
> >> do you know the name for the music theoretical voice progression
> >
On Fri, 7 Sep 2012 14:25:14 -0700
Nathan wrote:
> On Fri, Sep 7, 2012 at 2:15 PM, Brett McCoy wrote:
> > On Fri, Sep 7, 2012 at 4:42 PM, David Kastrup wrote:
> >>
> >> Well, I found LilyPond rated on a download site
> >> http://download.cnet.com/LilyPond/3000-2141_4-73566.html#rateit>.
> >> The
On Fri, 31 May 2013 23:59:12 +0200
Janek Warchoł wrote:
> 2013/5/31 Janek Warchoł :
> > this cannot wait any longer: there has to be a LilyPond blog.
> > Unless someone has a better idea, i'm going to create a blog on
> > WordPress.com tomorrow morning.
>
> and it's time for a first contest!
maybe a subtitle, who knows?) is
>
> 2013/6/1 Nils Gey :
> > "Aquatic Plants in Music"
Does that get me the second interview? :)
Nils
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On Sat, 01 Jun 2013 21:09:49 +0200
Jan Nieuwenhuizen wrote:
> Janek Warchoł writes:
>
> > this cannot wait any longer: there has to be a LilyPond blog.
> > Unless someone has a better idea, i'm going to create a blog on
> > WordPress.com tomorrow morning.
>
> Apropos...why wordpress.com? Is th
On Sun, 2 Jun 2013 15:39:43 +0200
Janek Warchoł wrote:
> However, i think that it should be just another category of posts (as
> i've already said, i'd like this blog to be multi-authored and i'll be
> happy to give contributor privileges to everyone, even if they write
> one post per decade). Th
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