Re: warning: programming error: must have Item for spanner bound of PercentRepeat

Quoting Daniel Hulme <[EMAIL PROTECTED]>: That's very interesting. My original file had that in a different place: \new DrumVoice = "1" {\set countPercentRepeats = ##t \skips } If you do it like that, then the setting is only done within the current context, i.e. within the current DrumVoi

Re: Combine staves

Andrew Hawryluk wrote: This could be nice occasion to use the \change Staff = "..." command, which is explained in the section of keyboard music (where it is indidpensible), but it can be used on any named staves in your score. You can also change the instrument name manually at this point. Note

Re: should voiceOneStyle override all possible attributes of a note or voice?

Quoting Eluze <[EMAIL PROTECTED]>: i just saw that voiceXXXStyle only defines colors of NoteHead/Beam/Stem - deliberatly? Please note that these styles primarily have been defined in order to make some examples in the documentation more pedagogical. However, if you find them useful for othe

Re: Braces for notes

In the on-line manual for version 2.11, look in the "LilyPond index" of the Notation Reference and search for "Parenthesis". /Mats Quoting Stefan Waler <[EMAIL PROTECTED]>: Hi, is it possible easily to print a note inside two braces like this: ( . ) This is sometimes used for an "alternat

Re: How to put whole measure rest in unmetered music?

g switched on (and manual barlines commented out). Best, Gilles -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463

Re: Problem running LP on win32.

habetur quomodo habenda est. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing Scho

Re: Character change on Vista

I hope you have verified that the specific font is included in the list of available fonts, which you obtain from lilypond -dshow-available-fonts x on both platforms. Can you repeat the same problem with other fonts? /Mats Quoting sdfgsdhdshd <[EMAIL PROTECTED]>: With 2.11.62 on a PC with X

Re: global time signature style in 2.11.62

o, but the definition for numericTimeSignature in property-init.ly is: \override Staff.TimeSignature #'style = #'() i don't understand why it's not working. would someone be kind enough to help me understand? thanks in advance! -- ==

Re: global time signature style in 2.11.62

plutek-infinity wrote: sorry my mistake. i had this later in my layout block: \context { \RemoveEmptyStaffContext } that command, of course, defines a staff context, so i guess the two staff contexts were conflicting. The last definition in your file is the one tha

Re: Adding a staff in the middle of a piece

Martin Frankland wrote: I have the same problem. I have an SATB choir with female and male soloists on top. I'd like to start the soloists' staffs after the choral intro. Everything I've tried so far hasn't worked: 2. The Frenched score using \RemoveEmptyStaffContext doesn't work for me since t

Re: Lyrics provoke "Moment is not increasing" complaint

isn't an option in my case. So what am I dong wrong? Does anyone have any ideas how to solve/get around it? Thanks Roman ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user --

Re: fingering orientation

This issue was mentioned on the mailing list as late as a few days ago. As is described in the documentation (at least the 2.11 version), specifying fingeringOrientations only works for fingerings that are attached to chords. If you want it for a single note, you have to make it a single note ch

Re: What to do when \> and \< produce text

Brett Duncan wrote: The problem was that George had used the \cresc command in his file, but had \crescHairpin command _before_ the \cresc command. Moving \crescHairpin appears to have solved his problem. I couldn't find \cresc in the Notation Reference, but it does appear in the Internals

Re: Lyrics provoke "Moment is not increasing" complaint

Roman Stawski wrote: The other solution consists of 'adapting' an existing system by adding or hiding new staves, rather than 'replacing' one system by another one that's quite different. Your example works in my cut down snippet. In the full piece, I'd need to add staves above the common one.

Re: Arpeggio collision

Helge Kruse wrote: The \hideNotes is not accepted inside a chord. As a workaround you could write the one note of the chord in the other voice. I rather recommend you to read about the \tweak command, to learn how to make one note invisible in a chord. /Mats _

Re: What to do when \> and \< produce text

Valentin Villenave wrote: 2008/10/29 Brett Duncan <[EMAIL PROTECTED]>: as clearly shown in Notation Reference 1.3.1, it there really a need to keep it? I can't say that I've seen many instances of the text "cresc." without the dashed line, but perhaps others have. AFAICS it is used

Re: documentation request (or feature request) w.r.t. polyphony

Kieren MacMillan wrote: Better yet, why can't the shorthand automatically "do the right thing"? i.e., << {} \\ {} >> should be translated automagically into << {} \new Voice {} >> That way, the *only* time anyone has to do any tweaking is when they *want* two brand new voices — whic

Re: Trouble getting my page layout just right

} \context { \DrumStaff \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2) } } Thanks, -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden

Re: What to do when \> and \< produce text

George_ wrote: ... As I said before (and I am even more certain about this now) I think the \cresc and \dim should be changed in future versions of Lilypond (especially with the stable release coming up) to make them into one-time text dynamics. This is exactly what happens if you use the comman

Re: no more merged noteheads after harmonics

file are attached. Thanks, David ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats

Re: What to do when \> and \< produce text

Valentin Villenave wrote: 2008/10/29 Reinhold Kainhofer <[EMAIL PROTECTED]>: \cresc ... Starts a text crescendo \dim ... Starts a text diminuendo Already done, as I mentioned in an earlier email. \decresc ... Starts a text decrescendo This one wasn't available earlier, but can of

Re: Measure markup

s not a less time consuming way that doesn't involve using artistic, spatial judgment; I don't want to have to think about where it is every time). I do want to use these in almost all of the songs I notate. Thanks for all the help you can offer! * = (Exactly, if the bar line is vis

Re: Glissando from note A to note B, traversing multiple stems with hidden noteheads

ng list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH)

Re: Hairpin length at repeat bar lines

2 {c1 \!} } Kind regards, Thies ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engin

Re: Hairpin length at repeat bar lines

Thies Albrecht wrote: Hi Kieren, hi list, the crescendo hairpin at repeat bar lines is a bit too long. Any workaround? \once \override Hairpin #'bound-padding = #2.5 @Kieren: Yes, it helps... and no, it doesn't help... Using the proposed override the hairpin is shortened, b

Re: five sixteenth note

} >> #}) \relative { \time 5/16 \vs c \vs d \vs e \vs \vs 4 } ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = M

Why do so many newcomers post to bug-lilypond?

erhaps we have some misleading instruction somewhere? /Mats -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Pho

Re: The behavior of a \score block

ser mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-10

Re: Why do so many newcomers post to bug-lilypond?

it.tikon.ch/lieder/ https://www.cacert.org (I'm an assurer) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signa

Re: Why do so many newcomers post to bug-lilypond?

Thanks for all suggestions and ideas. However, I think that the main answer to my initial question was given by Valentin in http://lists.gnu.org/archive/html/lilypond-user/2008-11/msg00048.html For us who follow the bug mailing list, it's not a problem to answer these questions, but it's a bit an

Re: contribute some context defs

to group similar instruments in a staff group with thin square bracket \layout { \context { \InnerStaffGroup \name SquareStaff systemStartDelimiter = #'SystemStartSquare } \context { \Orchestra \accepts SquareStaff } \context { \StaffGroup \accepts SquareStaff } \context { \InnerStaffGroup \accepts SquareStaff } } Sincerely Haipeng ---

Re: Three newbie questions

Quoting Dominic Neumann <[EMAIL PROTECTED]>: 3) I don´t think, it´s possible to let LilyPond decide how to print stanzas at the end. It should certainly no be impossible, but would require you to implement this "intelligence" using Scheme functions. /Mats Dominic 2008/11/6 Atte André Je

Re: I'm losing my umlauts

Paul Hodges wrote: --On 04 November 2008 21:30 -0800 abqconlon <[EMAIL PROTECTED]> wrote: when I generate the PDF file all of my special characters are spaces and I lose the rest of the syllable. You need to save your .ly file in UDF-8 format - the characters will then be recognised

Re: The behavior of a \score block

There's no need for the \new Score in this situation. You can just as well do the setting in the \layout block: \score { << \new Staff { c''1 \mark "molto" c'' } \new Staff { c'1 \mark "molto" c' } >> \layout{ \context { \Score \remove "Mark_engraver" \remove "Staff_col

Re: Three newbie questions

repeatedRootsDash = ##t If I should try to implement this in lilypond (and submit a patch if I succed), which file should I look at? Would I need a compiled-by-hand version of lilypond in order to try to implement this, or is it possible to work with my 2.10.33 from ubuntu repositories? --

Re: double stem

g http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463

Re: horizontal shift of notes not working

Trevor Daniels wrote: ... For bar 15, simply replacing \stemDown with \voiceFour, giving << \voiceFour {< e-1 >2 < a-1 >4 g |} \\ {< c,-2 a-4\6 >2 < d g,-2 >} | >> The syntax is perhaps clearer if you write this as << {\voiceFour < e-1 >2 < a-1 >4 g |} \\ {< c,-2 a-4\6 >2 < d g,-

Re: point and click brings up two emacs instances

nks rob ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engi

Re: LilyPond is excessively slow on Windows Vista

Could any of you Vista users, try to run LilyPond from the command line with the --verbose flag, to see what step of the compilation process takes most time? /Mats Quoting Jonathan Kulp <[EMAIL PROTECTED]>: Tim Slattery wrote: Carl Sorensen <[EMAIL PROTECTED]> wrote: 545 Defect Verified

Re: installation on ToutouLinux 03.01.4

Charlie Ledocq wrote: ... I did there: lilypond Welcome_to_lilypond.ly and got the following return: # lilypond Welcome_to_LilyPond.ly lilypond: Symbol `scm_i_freelist' has different size in shared object, consider re-linking GNU LilyPond 2.10.33 Segmentation fault # pwd /usr/share/lilypond

Re: LilyPond is excessively slow on Windows Vista

ilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user --

Re: LilyPond is excessively slow on Windows Vista

ilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user --

Re: download page links

Bailey James E. wrote: I just noticed that the "first use" and "User help" links take new users to the 2.10 documentation. I think it makes sense to point to the stable version, waiting for 2.12. After all, the 2.11 documentation does not apply 100% to the stable version. Of course, we could

Re: installation on ToutouLinux 03.01.4

Charlie Ledocq wrote: 8633802d5539e6aedf8f7f924ada4057 (check it by running the command "md5sum lilypond-2.10.33-1.linux-x86.sh") I got the same sum! Doing sh lilypond-2.10.33-1.linux-x86.sh returns the following: ... tail: short write I actually suspect that this line is the best indicati

Re: dotted brevis

? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of

Re: LilyPond is excessively slow on Windows Vista

Vista for more than a couple of minutes at a time. In three minutes I got five warnings about my system and it wasn't even connected to the internet... Jon -- = Mats Bengtsson Signal Processing School of Electric

Re: Absolute newbie: how do I ... ?

ves). Any guidance gratefully received. Thanks, - guy -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden

Re: LilyPond is excessively slow on Windows Vista

Jonathan Kulp wrote: I have only upgraded a couple of times, and it was in response to this thread, just to test it out. It's possible that I upgraded one more time before that. I always use the Add/Remove program tool built into Windows, accessed by the Control Panel. On Linux I always ru

RE: Dashed/dotted barlines

Quoting Nick Payne <[EMAIL PROTECTED]>: No, those values don't seem to be listed there (internals s.3.2.9) - maybe they should be, but they are shown in s.1.2.5 of the notation reference. I just updated the source code, so that ":" and "dashed" will be included also in IR 3.2.9 in the next r

Re: lyrics in a PianoStaff

Carl D. Sorensen wrote: On 11/20/08 2:24 PM, "Martin Tarenskeen" <[EMAIL PROTECTED]> wrote: On Thu, Nov 20, 2008 at 08:14:01AM -0600, Jonathan Kulp wrote: Templates make Lilypond life a lot easier. Is there a place where I can find the templates from the manual as separate files ? Copyin

Re: Newly defined Voice context and RemoveEmptyStaffContext

___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH)

Re: left-margin

Quoting Keith Weintraub <[EMAIL PROTECTED]>: Folks, I am using version 2.10.33 on Mac OS X, Leopard. There are good reasons to upgrade to the latest development version 2.11, which soon should turn into the next stable version 2.12. I can't seem to get left-margin to work. In addition w

Re: Just chords and lyrics.

In this example, I don't see any point of using the DevNull trick to align the lyrics. It's just as easy to explicitly insert the durations directly in the lyrics, something like: \version "2.11.64" myChords = \chordmode { c1 g f c } myLyrics = \lyricmode { Hi2 there4 let's | have fun with

Re: dissonant chords

See http://lsr.dsi.unimi.it/LSR/Item?id=505 for a solution. /Mats Quoting Martin Tarenskeen <[EMAIL PROTECTED]>: Hi, Did anyone ever try to typeset dissonant chords like { < c cis d > } ? I can remember having seen chords like this frequently in Bela Bartok's Mikrokosmos book V or VI , edit

Re: Multiple right-aligned lines in composer field

In version 2.10, it should work to do something like \markup\column{ \right-align { First line } \right-align { Second line } } /Mats Quoting Marius Andersen <[EMAIL PROTECTED]>: I am using LilyPond 2.10.33 to arrange a few Radiohead tunes, so in the composer field I want to write the fol

Re: Just chords and lyrics.

ypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden

Re: Just chords and lyrics.

Carl D. Sorensen wrote: On 11/28/08 4:47 AM, "Mats Bengtsson" <[EMAIL PROTECTED]> wrote: There's major problem with your proposed \hideAll (or whatever you want to call it), namely that the hidden voice will influence the placement of the other voices, since LilyP

Re: Can't generate PDF file in Windows

Quoting Johan Vromans <[EMAIL PROTECTED]>: If you used a \score { ... }, did you include a \layout { ...} as well? Otherwise LilyPond just won't produce anything. Not exactly true! You have to include a \layout block if you have a \midi block, but not otherwise. /Mats __

Re: Not expected noteheads in .svg

You have to tell your SVG program where to find the LilyPond fonts. Search the mailing list archives for information. /Mats Quoting Lucas Bracher <[EMAIL PROTECTED]>: Hi there! I'm using lilypond 2.10.33 in a Ubuntu 8.04 box, and when I transformed the .ly to .pdf, it was ok, but when I t

Re: Mutopia which version?

n/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463

Re: Not expected noteheads in .svg

Valentin Villenave wrote: 2008/12/2 Mats Bengtsson <[EMAIL PROTECTED]>: You have to tell your SVG program where to find the LilyPond fonts. Search the mailing list archives for information. ... Or the LSR: http://lsr.dsi.unimi.it/LSR/Item?id=334 In my eyes, this look

Re: Lilypond-book vertical margins

vertical margin in lilypond-book eps files? Cheers, -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Phone

Separate page numbering in separate book parts?

practical to get all the parts in a single PDF file, both if you want to send it by email or if you want to print a set of originals. /Mats -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal

Re: font switching help

_ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technolo

Re: font switching help

nate the desired staff size, so why is another size specification necessary? -- Johan ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- =====

Re: \partial problem?

k me a while to figure out what was wrong. Yours- Jay Jay Hamilton www.soundand.com 206-328-7694 ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Proces

Re: French Score only when it actually saves paper?

Quoting Kieren MacMillan <[EMAIL PROTECTED]>: Hi Silas, Or maybe just allow the user to switch empty-staff removal on and off at arbitrary bars. That's easy enough — check the list archives (or LSR) for keep-alive- interfaces, and you'll find the answer. That's unnecessarily complicated, j

Re: suppressing bar numbers at rehearsal marks?

Mark Polesky wrote: How do I automatically prevent the printing of bar numbers which coincide with rehearsal marks? I cannot think of any simple way to obtain that. But,... Especially when using format-mark-barnumbers or format-mark-box-barnumbersor format-mark-circle-barnumbers, it is odd

Re: Spacing issue with accidental

[EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/bug-lilypond -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden

Re: two simultaneous marks

Well, one trick is to draw both marks as a single markup command with a sufficiently large vertical separation, and then move it downwards so that the upper mark appears above the staff and the lower one below. Example: \version "2.10.0" \relative c'{ c d e f \once \override Score.RehearsalMar

Re: suppressing bar numbers at rehearsal marks?

Mark Polesky wrote: Mats Bengtsson wrote: In such a situation, I don't see the point of printing any bar numbers the "normal" way, so you could just remove the standard bar numbers completely, see the manual. The reason for printing the bar numbers makes sense i

Re: Just chords and lyrics.

47 AM, "Mats Bengtsson" wrote: There's major problem with your proposed \hideAll (or whatever you want to call it), namely that the hidden voice will influence the placement of the other voices, since LilyPond will try to avoid collisions with the hidden note heads. Therefore,

Re: two simultaneous marks

I'd like this one to look like all the others. Am 11.12.2008 um 17:36 schrieb Mats Bengtsson: Well, one trick is to draw both marks as a single markup command with a sufficiently large vertical separation, and then move it downwards so that the upper mark appears above the staff and the

Re: line missing from portato and tenuto

stinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 79

Re: line missing from portato and tenuto

, preferably to the latest 2.11.x version (which is much better than the latest "stable" version 2.10.33, not the least when it comes to the documentation). /Mats John Mats Bengtsson-4 wrote: This is weird! What LilyPond version do you use? What operating system? Do you see the tenutos i

Re: error in the manuals

. Regards, -- Chip ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processi

Re: Explicit durations in Lyrics behaving strangely

Quoting Peter Chubb : Hi, I'm trying to use the Adeste Fideles tune from Mutopia http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=367 I ran convert-ly on it. It uses explicit durations on the lyrics. I see many warnings: adeste.ly:94:18: warning: Lyric syllable does not have no

Re: Vertical spacing of text and glyphs in a \mark

David Stocker wrote: A useful tool indeed. Thanks Mark! Mark Polesky wrote: Dave, Try this: \markup \line \general-align #Y #CENTER { \small \bold \italic "To Coda " \musicglyph #"scripts.coda" } This can be simplified into \markup \vcenter { \small \bold \italic "To Coda "

Re: suppressing bar numbers at rehearsal marks?

Paul Scott wrote: If you have a good reason to do what you ask for, why not simply define a macro which both draws a rehearsal mark and does a \once \override BarNumber #'transparent = ##t I just gave that a quick test and it didn't seem to eliminate the bar numbers. If you replace it by \o

Re: warning: barcheck failed at: -5/8... but... WHERE?

Arjan Bos wrote: I wouldn't worry about it too much if I were you. The \partial command and the barchecks don't live well together. Could you please provide an example of such problems. The "Known issues and warnings" about partial is worth a look too:

Re: Move slur for acciaccatura

Nick Payne wrote: The slurs on the acciaccaturas in my score are all defaulting to above the stems of the grace notes, even when the grace notes are on or above the middle of the stave and their stems are up. How can I move the slurs to appear beneath. I tried using \once

Re: text missing

_ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===

Re: Newbie question: tie between a and b

grading to future LilyPond versions. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of E

Re: Hairpins not lining up

mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Phone:

Re: also, lyric help

James E. Bailey wrote: The problem I have is that when I switch between voices in my melody, the lyrics don't pick up when the voice comes back. Is that a bug? You may have to make sure that the same context survives. If you do, say, \new Staff { \new Voice = AAA {c d e f } \new Voice = BBB {

Re: Assigning lyrics to stanzas without using \lyricsto

ck'H*',( $P='F'x18)."8186078739E1F0F0E19FCF19CCE6667383CF0733099E67E7F39" ."FCF218067E7F39FCF319E739F860787399E70F0E1$P"#Perl rulz ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-

Re: \lyricsto vs. \set associatedVoice

Sorry to not follow-up this thread earlier! Bertalan Fodor wrote: According to my understanding: If you use lyricsto or associatedVoice you needn't (possibly must not) add duration to syllables. Their purpose is to synchronize the syllable's position to the notes of a voice. This is not true,

Re: Assigning lyrics to stanzas without using \lyricsto

Fibonacci Prower wrote: 2009/1/13 Mats Bengtsson First of all, I would recommend you to upgrade to the new stable version 2.12, which is much better than 2.10, not the least when it comes to the documentation. Thank you for your advice, but 2.10.33 is the latest package on my

Re: stem length plus beam

w can I change the stem length for notes that are beamed? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson

Re: Thin bars

___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Te

Re: Whole note tremolo repeats - bug ?

Werner LEMBERG wrote: Looking into the full score of Strauss's `Salome', I can confirm that (it's one bar before rehearsal number 68, page 50): the position of a whole note tremolo is exactly the same as if there were a stem. This is exactly the rule that's formulated in the book "Noter" by

Re: Suggestion for Notation Reference

Jonathan Kulp wrote: I don't know. This is definitely a strange example. The \mark command is meant to insert something over a barline, so maybe it'd be best to delete this example altogether and reword things a bit so that the example with "colla parte" is the only one illustrating this

Re: Duplicated reharsal mark with combined two parts, one part has an acciaccatura, another part does not have an acciaccatura.

_ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engineering

Re: tuplet bracket required, override doesn't work?

o directly specify the minimum length of the tuplet brackets, which prevents them from getting so short that they are not printed: \override TupletBracket #'springs-and-rods = #ly:spanner::set-spacing-rods \override TupletBracket #'minimum-length = #3 /Mats Thanks! Jon --

Re: spacing notes question

g16-\bendAfter #-4 \bar "|" } \score { \fixedMusic } % Hope this helps! Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ==

Re: about Liypond

James E. Bailey wrote: Am 20.01.2009 um 22:42 schrieb Roi Redondo Garcia: Ei: Itś posible to download the program, I not sure about how it works, but needs to send this message Thankyou Yes, please use the download link on the lilypond.org website. Anticipating the follow-up ques

Re: Vertical spacing between two staves for the whole page

-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 ST

Re: Vertical spacing between two staves for the whole page

Dmytro O. Redchuk wrote: 2009/1/22 Mats Bengtsson : Why not specify the minimum vertical extent of either one of the Lyrics or Staff contexts (depending on where you want the space), using the techniques described in http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Vertical

Re: transparent dotted notes

but I can't find the proper syntax Thanks -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden

Re: Whole measure rest after changing staff

llowing note c8 ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electri

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