Rob Canning wrote:
Ralph Palmer wrote:
Hi -
I realize this is marginally on topic, and I apologize if it causes
anyone distress.
i think this is on topic as many users might be interested in
GNU/Linux environments which are lilypond friendly - so i post back to
list too :)
Indeed so; it's
Grateful Frog wrote:
Thanks for that bit!
I'm sorry if I'm asking so many noobie questions, but my question is
not so much about the chords, but about the notes.
In the example below, you see that I have to type the same notes in
both staves, i.e. c2 c2 g'4 g4 g4 g4 d1.
I'm trying to find a
Reinhold Kainhofer wrote:
\set Score.beatGrouping = #'(1 1 1 1 1 1)
This is way easier than using several lines like:
#(override-auto-beam-setting '(end * * 6 8) 1 8) or similar.
Also if you need to switch the tuplet numbers on and off a lot, you
could make a shorthand for it, like
Tim Reeves wrote:
> Umm... yeah. The fact that he thinks this answers the question
> gives me *less* confidence that he knows what he's talking about.
> If he wanted it a perfect fourth lower, then \transpose does the
> job. And normally when somebody says "a fourth lower", they mean
> a perf
Walter Hofmeister wrote:
I just want to wish this list all the best for the Holiday Season and
the new year.
I second that -- Happy Christmas to all
Thanks for all the help that has been offered throughout the year.
People on this list who generously give their time to solve problems
help
2. Could I ask the developers that maybe this should be implemented as
/outputfile ""
As the name is likely to get used for the graphical score out .pdf, .png etc.
and will probably also be used as the name for the .mid(i) file outputs.
Or would you want to do this with properties, e.g.
/l
John Mandereau wrote:
Hello,
This email is a follow-up to
http://lists.gnu.org/archive/html/lilypond-user/2008-12/msg00591.html
I started a new thread because I'm finally not sure whether the code
below answers the initial question.
I finally managed to write, debug, clean up and document diaton
Laura Conrad wrote:
(This is in Ubuntu 8.10 linux.)
I can use midi-input-mode in emacs to enter lilypond notes with my
left hand, and the durations on the numeric keypad with my right hand.
I can set up qsynth with jackd so that I get audio for the notes I
play on the MIDI keyboard.
But if I h
Francisco Vila wrote:
2008/12/31 chip :
Thanks. One more question - what do you use for your .pdf reader? I've tried
close to a dozen different readers and only one has a reload option, but it
lacks a status bar at the bottom of the window (therefore no line numbers
when mousing over the note
Dave Phillips wrote:
M Watts wrote:
> Unfortunately, the link to Hans Lub's site (author of midi-input mode)
> from linux-sound.org is dead
http://utopia.knoware.nl/~hlub/uck/software/
A moment with Google and we find this updated URL:
http://utopia.knoware.nl/~hlub/uck
Trevor Daniels wrote:
Alternatively, Notation Reference 5.5.3 Modifying stencils, might
be even closer to what you want.
Trevor
- Original Message - From: "Orm Finnendahl"
To:
Sent: Wednesday, December 31, 2008 10:56 AM
Subject: change temporarily to custom clef
Hi,
in contempor
Alberto Simões wrote:
Hello
I am having a strange error about barchecks.
Current version of the document is at
http://eremita.di.uminho.pt/~ambs/piano+voz.ly
(please select in the browser encoding as utf8).
I just did a quick wget for your file. I get similar errors in
different places,
Pdf Toolkit (http://www.pdfhacks.com/pdftk/) is a handy commandline tool
for manipulating pdfs. It's useful for extracting pages from
Lilypond-generated pdfs; adding pretty titlepages made with (ahem) other
apps; inserting the odd page of real Lilypond output into pdfs made with
OOo; and alter
Thomas Fehr wrote:
Hi
I'd like to use Lilypond in an interactive music learning program
where short response times are needed. I think running Lilypond on a
ramdisk could help. Does anyone know how to do that?
- Thomas
Working on Lilypond files in a ramdisk (which is not exactly what you
a
Michael Lauer wrote:
I don't know what Petrucci actually used.
Obviously, he used the latest stable release of Lilypond...;)
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Thomas Fehr wrote:
Hi
I'd like to use Lilypond in an interactive music learning program
where short response times are needed. I think running Lilypond on a
ramdisk could help. Does anyone know how to do that?
- Thomas
I mucked up part of my previous mail -- it should read:
To do this a
Geoffrey Prewett wrote:
Hi,
I've recently begun using lilypond to make lead sheets. The songs I play
have a tendency to get transposed to different keys, depending on the situation,
so I would like to put the meta-chord (or whatever I, ii, IV, V, etc. are
supposed to be called) instead of the c
Cameron Horsburgh wrote:
I've noticed scores compile much quicker on much lower specced machines,
Indeed so, my 32 bit 1.6Ghz with 512 meg ram takes 4 minutes 39 seconds
-- no swapsies either.
>time lilypond score.ly
GNU LilyPond 2.12.1
Processing `score.ly'
Parsing...
Interpreting music...
Fibonacci Prower wrote:
Hello,
Simply put, I find the default bars in lilypond too thick
I find the "default bars", and other output, exactly the right weight
when it's 3 feet away on my music stand!
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Michael Falkenburg wrote:
mich...@michael-desktop:~/Desktop$ lilypond 6_wheeled_cycle.ly
GNU LilyPond 2.12.1
Processing `6_wheeled_cycle.ly'
Parsing...
6_wheeled_cycle.ly:1:8: error: quoted string expected after \version
\version
=2.12.1-1
6_wheeled_cycle.ly:1:9: error: syntax error, unex
Bertalan Fodor (LilyPondTool) wrote:
Hi,
does anyone of you have a script or a way to convert from (simple)
html to markup like this:
This is a melisma.
To get:
\markup { "This is a " \concat { "me" \bold \italic "lis" "ma." } }
sed would do the job, but I'm too hazy on it to offer a sol
Givaldo de Cidra wrote:
Hi,.
In version 2.10 I used the command line - convert ly to svg:
$ lilypond -b svg file.ly
But with the new version 2.12 I couldn't to convert.
Someone can help me?
Change the -b to -f.
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Jonathan Kulp wrote:
I use Thunderbird and post to the list all the time without problems.
Me too -- it just works. I take it the OP's problem is solved, because
his message got through!
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http:/
Risto Vääräniemi wrote:
Hi again,
Has no-one else encountered this issue?
BR,
Risto
2009/1/21 Risto Vääräniemi :
I was wondering why a \score inside \markup doesn't allow breaks. If I
insert a \break everything after it is ignored. If I want to have a
multi-line piece inside a \markup I
Ezequiel Sierra wrote:
How can i place the tagline and copyright in all pages?
Mostly taken from LSR snippet 366 by John Mandereau:
-
\version "2.12.1"
\paper {
oddFooterMarkup = \markup {
\with-url #"http://lilypond.org/web/";
\fill-line{
\center-column {
Kees van den Doel wrote:
Is there any way to print the koron (60cents flat) and sori (40 cent sharp)?
I've defined these pitch alterations by modifying makam.ly but they should
really
be printed according to the Persian notation.
koron = upside down flat, with a triangular body like |>
sori = l
Carl Peterson wrote:
I'm using shape notes in some music I'm writing. There is one part of
the music that needs to be notated as spoken. However, when I apply
the override code as given in the documentation, I only get shape
notes. Is there some command that I have to put in to turn shape notes
Matthieu Jacquot wrote:
Hello,
I use the pdf2svg script and then load svg files in Inkscape, it works
pretty well...
Works well indeed -- all notes, lines, fonts etc. just as they were in
the pdf, in my quick test anyway (Inkscape 0.46 on Fedora 10).
Trying to load Lilypond pdfs into 0.46
Nick Payne wrote:
Why is it that I can use, for example:
\once \override Slur #'direction = #DOWN
or
\once \override Slur #'direction = #UP
but
\once \slurDown or \once \slurUp
Generates a syntax error. The same happens with stemUp and stemDown, tieUp
and tieDown, etc.
I'm using 2.12.2.
N
Rob Canning wrote:
perl looks neat though "the swiss army chainsaw of languages" i heard
it refered to as :)-
In this case, a Practically Elegant Realistic Language was better than a
Scarcely Comprehensible Highly Eclectic Markup Enigma.
___
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Francisco Vila wrote:
Great :-(
As pdf2svg uses poppler to convert pdf to svg, it suffers of the same
problem with Thick barlines as evince does, see attached png which is
a screenshot of inkscape editing a simple { c'1 c' \bar "|." }
As reported on another thread, Inkscape has a bug that won't
Francisco Vila wrote:
Great :-(
As pdf2svg uses poppler to convert pdf to svg, it suffers of the same
problem with Thick barlines as evince does, see attached png which is
a screenshot of inkscape editing a simple { c'1 c' \bar "|." }
As reported on another thread, Inkscape has a bug that won't
William Yeater wrote:
we then typed in: sh lilypond-X.Y.Z.linux-x86.sh
We got the no such command.
Just type sh lil and press the TAB key -- the shell will complete the
correct file name for you.
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Jonathan Kulp wrote:
wing wrote:
hi,
i am trying to run lilypond under some application. However, i got
the following error:
lilypond: /usr/lib/mozart/platform/linux-i486/lib/libstdc++.so.6:
version
`GLIBCXX_3.4.9' not found (required by lilypond)
Since i am a newbie on linux, i am not sure
Zbyněk Burget wrote:
lilypond 2.10.33
(soory)
Perhaps that's the problem.
This works fine with 2.12.2 -- it shows the triplet number by default,
so I think it does what you want.
\version "2.12.2"
test = {
\relative c'' {
c4-. \times 2/3 { \repeat "tremolo" 3 c8 } c4-. \times 2/3 {
Kieren MacMillan wrote:
Hi Maarten,
I'm posting this bug here
Not sure this can really be called a "bug"… your input syntax is
somewhat confusing.
In particular, it looks like you want polyphony, but aren't actually
coding polyphonic voices (which would require a \\).
Here is a possible m
Francisco Vila wrote:
2009/2/6 Zoltan Kota :
I have been using Lily for a year now, and I have several music scores
as separate lily files. I would like to make a songbook including
them, with cover page, table of contents, correct page numbering, etc.
How should I start? What sectiones shoul
Tom Hall wrote:
Hello List
I have a generous between-system-padding = #6 for my score, but this gets
overriden when the pdf is created, with the following message:
warning: Can't fit systems on page -- ignoring between-system-padding
Is there a way to maintain the system padding I want, at the
Zbyněk Burget wrote:
Solved by upgrade to lily 2.*13*.2
Thanks all
We'll expect some great bugfixes and cool new features from you then! ;)
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Stefan Thomas wrote:
Dear lilypond-users,
when compiling one of my scores I get the following error message,
which I don't understand:
musik/musik_ab115.ly:63:16: warning: No tuplet to end
s8\fp\< s\f\>
\times 4/6 { s32*5\p\< s 32\!} \pedtrem s4...\ff
\startTextSpan s32 \stop
Brian wrote:
Hope this helps somebody, I've been trying to get a system going for my slashes
and finally found something that works!
Good candidate for the LSR.
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Jonathan Klein wrote:
I am engraving a song which starts with three measures of
instrumental before going into the first verse. How do I start the
lyrics on measure 4?
Many ways to skin a cat -- if the vocal part is in a separate voice from
the accompaniment, a simple \new Lyrics \lyricsto "v
James E. Bailey wrote:
Is there a way to get the slashed six from the figured bass mode into
chordmode?
In your chordname exceptions, just use:
\markup { \slashed-digit #6 }
You might want to fiddle with the font / size to get it looking right.
__
David Stocker wrote:
Hi folks,
Is there a way to insert a string number into a \markup? What I need
is to indicate a scordatura for a guitar piece like this:
\markup {
\column {
\line { \small "5 = G" }
\line { \small "6 = C" }
}
}
where the '5' and '6' are identical to their analogo
y.com
From: M Watts
To: Jonathan Klein
Cc: lilypond-user@gnu.org
Sent: Saturday, February 7, 2009 8:55:24 PM
Subject: Re: Starting lyrics on measure 4
Jonathan Klein wrote:
> I am engraving a song which starts with three measures of instrumental before
> going into the first verse. How do
Kees van den Doel wrote:
This snippet:
http://lsr.dsi.unimi.it/LSR/Item?id=378
does not work as advertised; it prints both the normal accidentals and the
custom postscript.
Any suggestions on what might be wrong? Also, how could I print custom symbols
like this in the key signature?
Do y
Brett Duncan wrote:
Because c:9+ would be the chord rather than dis>, so it doesn't match your chord definition.
Indeed; changing to in the OP example works.
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Tao Cumplido wrote:
Hi,
in the past I used to create chord symbols as plain text by just placing a
Lyrics context above the staff used with an own font.
I don't like the way LP handles chordsymbols right now, nor do I like the font
it uses.
The only thing I was missing in my way was the possib
Check the LilyPond Snippet Repository for chord name exceptions.
http://lsr.dsi.unimi.it/LSR/Item?id=459
It's basically a matter of pruning down the available information into a
manageable example that does what you want.
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Tim McNamara wrote:
I have not been able to figure out how to get LP to print anything
like a m7b5 or a 7#9 or a 7b9 using \chordmode. This is difficult
with a song like "Angel Eyes" which has a good half-dozen of these
types of chords. Currently I am writing in those extensions by hand
beca
Tim McNamara wrote:
On Feb 11, 2009, at 6:11 AM, M Watts wrote:
Tim McNamara wrote:
I have not been able to figure out how to get LP to print anything
like a m7b5 or a 7#9 or a 7b9 using \chordmode. This is difficult
with a song like "Angel Eyes" which has a good half-dozen of th
David Kastrup wrote:
Hi, the following is an excerpt from a systematic listing of accordion
chords with different ambitus. The ambitus engraver should not heed the
first (arbitrary) key signature but rather engrave as though we were in
c major.
How do I do that?
I guess you discovered tha
fzimmerman wrote:
Dave,
Thanks for the quick reply. I have two other computers in the house that
have Windows on them (I run a home-based computer support business), so I
can use Sibelius on them if I have to...but I would rather switch to
Lilypond.
A very wise choice indeed. The place to
David Kastrup wrote:
David Kastrup writes:
M Watts writes:
David Kastrup wrote:
Hi, the following is an excerpt from a systematic listing of accordion
chords with different ambitus. The ambitus engraver should not heed the
first (arbitrary) key signature but rather engrave
François Labadens wrote:
I tried to use the .ps output, but it's not so good as the .pdf one. It's the
same thing under Windows XP or Ubuntu 7.10.
Do you have any solutions ?
It does look pretty grainy by itself, but it's used to produce a great
looking pdf, so it shouldn't be a major worry.
Wha
Nick Payne wrote:
Is it possible? I want to put a parenthesized natural above some notes. If I
do it within a single markup, the natural sign is not aligned with the
parentheses, and I haven't found any simpler way to get them aligned except
by having the left parens, the natural, and the right p
Mats Bengtsson wrote:
To avoid all trial-and-error to figure out the relevant parameters to
\raise, I would propose the following alternative (which also gets rid
of the extra horizontal spacing between the parenthesis and the
accidental):
^\markup { \smaller \concat { \vcenter ( \vcenter \smal
Jonathan Kulp wrote:
If you remove the \new voice from your Flute variable and put it in
the \score block it will work:
Indeed, Jonathan's code works fine here with 2.12.2.
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RandomLilyPondUser wrote:
http://www.nabble.com/file/p22066496/snip.png
Can anyone draw this basic triplet rhythm in lilypond? The extra notation
(flams, rolls, etc) can be disregarded.
Try:
\version "2.12.2"
qBeam = {
#(override-auto-beam-setting '(end 1 8 * *) 1 4 'Staff)
Mats Bengtsson wrote:
RandomLilyPondUser wrote:
http://www.nabble.com/file/p22066496/snip.png One more question - how
do I make a staff with only one line with notes
above and below like that?
Rhythmicstaff only allows notes on the line, on my drumstaff, I
tried
\override Staff.StaffSy
M Watts wrote:
Mats Bengtsson wrote:
RandomLilyPondUser wrote:
http://www.nabble.com/file/p22066496/snip.png One more question -
how do I make a staff with only one line with notes
above and below like that?
Rhythmicstaff only allows notes on the line, on my drumstaff, I
tried
RandomLilyPondUser wrote:
I figured out the problem, and that code does work, it just didn't work under
my score, paper, layout, or drumstaff section. I simply had to put it under
the function being called in the drumstaff section.
I only have two problems left:
1) since there is only one l
RandomLilyPondUser wrote:
Sure, that works for a new project, but what about in the context of my drum
project I've attached a couple posts back?
I haven't yet got the barlines lined up on each line, but I've made a start.
Btw, the file rudiments.ly, as posted, is missing a ' on lines 6 and
Brett Duncan wrote:
I've been fiddling with your files, and I cannot get the main notes to
perfectly line up, even when I set proportionalNotationDuration to a
very small value. The main culprits appear to be the grace notes, as
Carl indicated, but also the tremolos. (A bug, maybe?)
And set S
jpeters wrote:
One way to do this is with measureLength:
\relative c'' {
\time 4/4
\repeat volta 2 {
\partial 8 gis8 |
Kees van den Doel wrote:
I'm trying to write text in an otherwise empty measure (some special
performance instructions).
not above it or below, but in it.
How can I do that? There is a snippet doing something like that
http://lsr.dsi.unimi.it/LSR/Item?id=258
but when I apply it my text overwr
cuco wrote:
Is there is a way to authomatically color notes that are e.g. sharp?
You'd need a function that says: If note name ends in "is", do \override
NoteHead #'color = #red, but I don't actually know to do this :eek:
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Tim Slattery wrote:
I saw the mention of Canorus in the Lilypond FAQ, and I downloaded it
and have gotten it running. But I can't figure out how to do anything
in it. Is there a user's guide somewhere? I can't find one.
Try their website
https://canorus.berlios.de/wiki/index.php/Main_Page
Joseph Haig wrote:
I want to put a markup over a fermata but when I try this:
a'2\fermata^\markup { \italic lunga }
I get the text under the fermata. How can I force it above?
Thanks
Joe
One way is to do it as a markup:
\markup { \center-column { \italic "lunga" \musicglyph
#"script
James E. Bailey wrote:
El 01.03.2009, a las 01:12, Tim McNamara escribió:
A common jazz lead sheet convention is to parenthesize optional
chords written over the melody staff. An example is a turnaround at
the end of a song that is not played the last time through. For
example in "Easy Liv
James E. Bailey wrote:
El 01.03.2009, a las 12:47, M Watts escribió:
James E. Bailey wrote:
El 01.03.2009, a las 01:12, Tim McNamara escribió:
A common jazz lead sheet convention is to parenthesize optional
chords written over the melody staff. An example is a turnaround
at the end of a
Kieren MacMillan wrote:
Hi Kees,
OK, let me rephrase (and this time in the right list, sorry): is the
way to indicate
a 4 times repeated set of bars "\repeat volta 4 {notes}", followed by
a manual annotation
indicating "repeat 4 times" or is there a better method?
As far as I know, that's
I figured something out myself :)
Now that Sigfrid Karg-Elert's works are public domain, him having been
dead for over 70 years, I'm fiddling with his 25 Caprices & Sonata for
solo saxophone (op. 153).
The Sonata's 2nd movement is in fast 3/4 time, with one beat to the bar,
and its time sign
Chip wrote:
Robin Bannister wrote:
Chip wrote:
it just resulted in messed up measures
A judicious use of time distortion may help you here.
\transpose c c'{
\hideNotes g,32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
\hideNotes c''32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
a1*3/4\fe
fiëé visuëlle wrote:
Am 2009-03-10 um 00:17 schrieb -Eluze:
Valentin Villenave wrote:
Perhaps Eluze was mixing up ConTeXt and ConTEXT :-)
thanks - how could I ?! I had no idea the other one also exists!
I agree that "context" is a bad choice as a product name, as is
"latex"...
Well, if
Miklos Vajna wrote:
Hi,
First, sorry if this was already discussed, I did not found anything
regarding this in the documentation.
So I have the following block in my .ly file:
\chords {
a:7
}
and this is properly rendered to something similar to "A^7".
Now I want the same with A^4, s
Mats Bengtsson wrote:
Trevor Daniels wrote:
Unfortunately, this will also subdivide 16th beams too. This is what
I meant by "not quite possible". You would need to turn
subdivideBeams on and off as required.
Should we turn this into feature request to make the automatic
subdivision of beams
Peter Chubb wrote:
I'm using the current 2.12.2 version of lilypond. The attached file
yields,
programming error: vertical alignment called before line-breaking
and no lines on the staff.
If I remove the \bar "|." the output is correct.
\version "2.12.2"
recscore= \context StaffGroup <<
Trevor Daniels wrote:
Peter Chubb wrote Saturday, March 28, 2009 8:44 AM
That's right. I want no lines on the stave for the RhythmicStaff, but
I do want lines for the Staff context, and no StaffGroup bracket.
The OP didn't say so -- one is not a mind reader ;)
Peter
Have you tried settin
M Watts wrote:
>/> /
>/Try their website/
>/https://canorus.berlios.de/wiki/index.php/Main_Page/
That's where I started, of course. I downloaded the program from
there, but I can't find anything like a user guide or tutorial. And
the "User's guide" ch
Wei-Wei Guo wrote:
Christ van Willegen 写道:
- Any other advice/techniques/additions/modifications we can think of.
Does Lilypond has any application on music textbook? Is is possible? I
find
it difficult to input single/standalone music symbols, such as
crotchet or
quaver.
Have you seen oo
James E. Bailey wrote:
I want to move lyrics closer to each other. I've tried \layout
{\context { \Lyrics \override #'baseline-skip = #-55 } } and it's not
working for me. I'm sure I've just got the wrong context somewhere.
Can someone point me to the right way?
Do you mean move words closer
Sorry Tim, I don't understand what you said. Could you point me to a link
explaining those systems?
Thanks!
I'm not Tim, but try starting here for LilyPond syntax; also read the
"see also" pages linked from the bottom:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning/Simpl
I think I've seen music where the breve (2 whole notes) was printed with
two bars on each side.
Indeed, in most hymn books I've seen, the breves have 2 lines each side,
so "huzzah" for Kieren's code!
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Questions and comments are welcome. If anyone
wants to add it to the LSR, that's fine by me.
Change the function name too, if you want, I
couldn't think of anything better.
Very awesome! It's definitely LSR worthy.
+1
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Claudia wrote:
Hi, I need to draw several superimposed -- although not nested --
brackets in order to evidence two
melodic overlapping structures for teaching purposes. Does
anyone knows how to do it?
I've tried Analysis brackets but the groupings are presumed nested
and so, the group openings a
Nick Payne wrote:
I was attempting to shorten the entry required for indicating
strokefingering:
\version "2.12.2"
i = #(define-music-function (parser location) () #{
\rightHandFinger #2
#})
\relative c' { }
This causes Lilypond to crash (2.12.2, Windows). The entry in the
applicatio
Berthold Gunreben wrote:
Hi,
I am quite new to lilypond and stumbled over a question regarding trills. I'd
like to use pitched trills which works quite well with something like:
\pitchedTrill b2 \startTrillSpan cis b \stopTrillSpan
However when I want to do a pitched trill over just one sin
Arno Rog wrote:
Hi,
Just to learn LilyPond better I've engraved the splendid Organ Sonata "Der
94ste Psalm" by Julius Reubke (1834-1858) with LilyPond 2.13.1.
The result can be seen here [1]. The 28-page score is based on the IMSLP score
(first edition 1871) of this piece.
[Dutch]Werkel
Grammostola Rosea wrote:
Hi,
It is possible to get an typical jazz swing also in the midi file, so
I hear it when playback?
I think you'd have to code swing drum section just for the midi output,
with something like
\times 2/3 { hh4 hh8 } to get swung rhythms.
___
Matthew Rowles wrote:
I've read all of that.
All of those instruments are pitched. I want just a snare drum to hit
out the rhythm.
One way would be to play a midi file through a Jack-aware player like
timidity, connecting timidity's midi output to the midi input of the
Hydrogen drum machi
Marc Hohl wrote:
Stjepan Brbot schrieb:
In chords for chord stop usually the following sign is used: ¬
How to get this with lilypond?
Have you an example of how this should look like?
I haven't seen this mark ever before.
The only place I've seen this sign is in symbolic logic, where it mean
[Off topic]
Mike Solomon wrote:
5) I read that the biblical definition of pi is 3 (1 Kings 7:23).
1) The Bible makes no such claim. 1 Kings 7:23 apparently describes a
temple object with a circumference of 10 and a diameter of 30. It's
perfectly correct to state measurements only to the
On 07/23/2009 01:24 PM, ian rashkin wrote:
hi, am a total newbie to lilypond, but way impressed, hope to use it a lot.
interested in outputting clips as png, so trying various combinations, all of
which are the same result.
file scale.ly:
\version "2.12.0" % necessary for upgrading to future L
On 07/25/2009 08:09 AM, Neil Puttock wrote:
I'd class this as a bug, since the documentation suggests it should
work. Fortunately, it's rather easy to fix, so I'll post a patch for
it soon.
If you're feeling adventurous and can't wait for a new release with
the fix, you can use the attached fi
On 07/30/2009 04:29 AM, Patrick Horgan wrote:
Here's the fix.
Without buying a new computer, you can buy new RAM (Random Access
Memory) and you'll THINK that you have a new computer. It will make you
amazed at the difference! You will dance around and shout Huzzah! Woman
will hold up their babi
On 07/30/2009 08:34 AM, Brian Lloyd wrote:
Dear Lillyponders,
Some of my favourite drum books (Chapin, Pickering) use a three-line
stave for their notation.
I like it—it has a clean look, especially when writing for snare, hh,
cymbal and bass.
It is similar to the timbale stave currently avail
On 08/29/2009 09:47 AM, Federico Bruni wrote:
Anybody of you has tried using Scribus 1.3.5 to render LilyPond files?
See here: http://docs.scribus.net/index.php?lang=en&page=renderframes
If the score is one page only, it works fine.
But if it's 2 pages or more, I could not find any way to spread
On 12/03/2009 02:23 AM, Howard wrote:
I have downloaded the Installer to my Limux Suse 10.2 Desktop. I see is is a
Shell Script.
Where do I go from here please ??
Open a terminal, cd to your Desktop directory, and type sh lil[TAB].
Pressing the tab key will complete the filename for you, then
I have to admit - I tried it and it's not easy to get a staff to conform
to a circle, for example. Maybe someone else can. My Inkscape skills are
weak, though I love the software.
Not sure how to wrap the entire staff in a circle, but you can easily
draw a circular staff in Inkscape:-
Dra
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