Hello,
I'm working on a guitar piece and I've encountered a problem. I hope anyone has
a clue of the solution, or maybe I've found a bug.
In this measure I'm using 2 voices, I want to use a tuplet for the first 3
quarter notes of the measure. On the first voice there are 4 triplets while
whi
Nested tuplets start at the same moment. To override musical
constructs beginning at the same moment in the same voice, there's a
handy \tweak function. \tweak is useful primarily for overriding
attributes of individual notes in a chord and also for setting
overriding nested tuplets separately.
2007/3/12, Trevor Bača <[EMAIL PROTECTED]>:
Nested tuplets start at the same moment. To override musical
constructs beginning at the same moment in the same voice, there's a
handy \tweak function. \tweak is useful primarily for overriding
attributes of individual notes in a chord and also for se
For several reasons I want to be able to write some text on the chord
line, substituting a chordname if needed.
Some of the reasons, among others: using the percent sign to indicate
a repeated chord; having two chords, one below the other, so one would
be the basis and the other the alternative,
hi,
You know that the same music can be written in several ways, some more
elegant and clearer than others.
I have a measure writtien for guitar. Now I write it using 2 voices
for the top part, and one for the bottom. Since I discovered I can mix
noteheads I can do the top part using 1 voice on
Very thanks much, Mats. Your solution fits nicely
I already had 4 warnings for using mixed voices. Warns me for adding
noteheads with incompatible stems, noteheads and rests on stems...
that sort of things, so one more warning doesn't hurt.
Your sintax is interesting
<>
Never had though of...
Yes, I realize. But when I worked on debian used Sid also ;) I like to
use the last features. And I think we've found a bug. I think I should
send it to bug-lilypond list
I hope you realize the the 2.11.x series are experimental
development versions and that the latest stable, 2.10.x
is the rec
Well, although in this case it's pretty clear that the dot belongs to
the F (can't be any other way), it's true that the disposition is
somehow odd. I entered the same sequence of music in sibelius to see
how that software dealed with that problem. I like it better its
solution than lilypond's one
Hello,
I've searched in manual and in the list archive, but i've been able to
find a way for substituting the 'x' symbol that denotes a muted string
in a fret-diagram.
I want to be able to use another symbol, like a blank space, or
ideally a markup (for changing font's size and attributes).
If
Hi,
In the main web, it seems there's no direct link. But I found this googling:
http://lilypond.org/web/sponsor/index.html
and this is what I thing you are searching:
http://lilypond-design.com/sponsor/
cheers,
___
lilypond-user mailing list
lil
I would like to take advantage of Andrea's request, to say that i
would want to collaborate with the sponsoring if this could be related
with a feature I want for glissandos.
I'd want to be able to have glissando chords, with a glissando line
between every note of the chord I specify (pretty much
Here is the page for downloading the fonts:
http://dejavu.sourceforge.net/wiki/index.php/Download
If you have windows, this is the direct linc to the ttf's on a zip:
http://prdownloads.sourceforge.net/dejavu/dejavu-ttf-2.16.zip?download
I extracted the fonts to the c:\windows\fonts folder (wher
Hello, this is my first post on the list.
I can't found a simple way of doing diphthongs with lyrics (I'll use spanish on
example, because i am, but i'ts understandable:
"No me gus -- ta ^ el mar"
No (complete word)
me (word)
gus (1st syllable)
* ta (final syllable)
* el (word)
mar(wor
> You can use double quotes around the two syllabs, so that they could
> be treated as a single one:
> no me gus -- "ta el" mar
>
That is the solution for being treated like a single syllabe, ok. But still there's no
slur between them. And without it, doesn't look clear that syllabes are togethe
Ok, i've found two ways for doing it. But they're not perfect. I'm, realizing that i
will need more effort than i thought on a first moment.
"Two$\frown$words"
\frown, \smile, and more, but the simbols don't fit well, and i don't know how to
arrange them. I plan to learn latex with time, but b
Hello list,
Does anybody knows how to put a double bar at the beginning of the Staff? The nearest
that i have approached to solution is this:
\score{
\notes{
\partial 256 s256 \bar"||" c'1 | e'1 | f'1 | s1 \bar"||"
}
\paper{
raggedright = ##t
\translator {
\StaffContext
\r
\bar "||" I didn't think it would be so complicated :o|
||--|--|--||
||--|--|--||
||--|--|--||
||--|--|--||
||--|------|--||
||--|--|--||
Thanks and regards,
José Luis Cruz
A Fri, 03 Oct 2003 14:03:23 +0200
Mats Bengtsson <[EM
make noteheads
of different sizes, make frets narrower, make a "fretnumbers_staff, etc... Seems
promising, isn't it? :)
greetings,
José Luis Cruz
--
remove _NO_SPAM_ from my mail address to email me
quita _NO_SPAM_ de mi dirección de correo para escribirme
guitar-fret.ly
D
Ok, it's very simple. Look at:
http://lilypond.org/doc/v2.0/input/test/out-www/collated-files.html#time.ly
It's just adding the following line:
\property Staff.TimeSignature \set #'style = #'numbered
A Sat, 04 Oct 2003 10:25:13 -0700
Jim Bartram <[EMAIL PROTECTED]> escribió:
> I work in a
Hi,
how could i print the value of a variable?
What is the sintaxis for having a \mark{value_of_key_signature}, for example?
I pretend to print texts, who depends on the value of certain variables, but i have
not been capable of find anything at respect on the documentation, nor in the email
l
A Mon, 06 Oct 2003 11:12:58 +0200
Mats Bengtsson <[EMAIL PROTECTED]> escribió:
>
> Did you take a look at the support for tablature?
>
Yes, but are different things. I want to represent a
fingerboard with his frets, not a tablature. Something similar
as does the gchord package for latex, but u
Hello,
I really don't know how to get rid of the bar at the left, which joins
the staves when you include two or more. I attach an example.
Anyone has succeed on removing that bar? (Without having a separate
.ly for each line, of course. That is the idea ;) )
José Luis
<>_
I give you the response that Matt sent to me, because i think applies
well:
If you want to do these more advanced tricks, I'm afraid you have to
learn the basics of the Scheme language and use the Scheme interface
to Lilypond, see
http://lilypond.org/doc/v1.8/Documentation/user/out-www/lilypond-
>\ScoreContext
>\remove "System_start_delimiter_engraver"
> }
>}
> }
>
> Mats
>
> José Luis Cruz wrote:
> > Hello,
> >
> > I really don't know how to get rid of the bar at the left, which
> > joins the sta
Look at this threads of messages:
http://mail.gnu.org/archive/html/lilypond-devel/2003-09/msg0.html
http://mail.gnu.org/archive/html/lilypond-devel/2003-08/msg00141.html
José Luis
A 06/10/03 17:03:59
Ralph Little <[EMAIL PROTECTED]> escribió:
> Hi,
> I have been using 1.8.2 for a little w
I wonder how could i enter my own text in a ChordNames staff. I want
to have a chordnames all at the same vertical distance, but sometimes
i also want to insert symbols, parenthesis, and texts. So, if i
put a markup each note, it is created at his own height, and it's not
good looking.
So.. anybod
Hello list,
In a staff with some chords, every chord has a markup associated, the
markup is only a letter. Ok, the problem is that every markup has his
own height. And i want all at the same height, without setting the
padding one for one... because i must do many scores like that, and
that is no
7;t been recieved by the list.
Maybe for the attachment? :( I would want to know what is the limit
for a message.
A 11/10/03 12:51:48
David Raleigh Arnold <[EMAIL PROTECTED]> escribió:
> On Friday 10 October 2003 03:03 pm, José Luis Cruz wrote:
> > Ok, thanks. I think that I&#x
> I tried this:
> \property Staff.TimeSignature \override #'transparent = ##t
>
> This helps, but it leaves a gap where the tranparent time signature
> is.
> Can you suggest a better way?
>
> Is there an override invisible?
>
You can try to put this line inside \paper, in the second \score
change
\translator {\ScoreContext \remove "Time_signature_engraver"}
-
by
\translator {\StaffContext \remove "Time_signature_engraver"}
-
José Luis
A 12/10/03 12:39:59
"J. Daniel Ashton" <[EMAIL PROTECTED]> escribió:
>
> This looks like a g
Hi,
I would like to know how to use a TEX commands which use an special
latex package from a ly file. Something like\usepackage{} from latex,
but in a *.ly file, for compiling with lilypond. Not with
lilypond-book.
I have some *.ly files include with lilypondfile{} in my latex
document, and i u
Er... I respond to myself:
lilypond --set=latexpackages=PACKAGE test.ly
well, if somebody more didn't know it.. now does :)
José Luis
A 12/10/03 19:09:10
José Luis Cruz <[EMAIL PROTECTED]> escribió:
> Hi,
>
> I would like to know how to use a TEX commands
Hello,
I'm sure that this is covered in "apply-output.ly", in the
regression test page, but i don't understand that mess of
undocumented scheme code :)
Could any good man give me an example of a basic piece of code
for replacing a notehead glyph with another Feta glyph and/or TEX
symbol?
I'm n
If you know how to do place normal text below the notes, the rest is
easy.
Just use Latex/TEX commands (by using \) instead of the text. e.g.
If the tex command is \small you must type \\small ok? Let's see a
practical example:
%% It places under the note, a tiny 1 size
ces_\markup {"\\tiny{1}"
Hello,
I'm sure that this is covered in "apply-output.ly", in the
regression test page, but i don't understand that mess of
undocumented scheme code :)
Could any good man give me an example of a basic piece of code
for replacing a notehead glyph with another Feta glyph and/or TEX
symbol?
I'm n
Hello list,
I'm sure that this is covered in "apply-output.ly", in the
regression test page, but i don't understand that mess of
undocumented scheme code :)
Could any good man give me an example of a basic piece of code
for replacing a notehead glyph with another Feta glyph and/or TEX
symbol?
Have this line at the beggining of your document
\newcommand{\lilypondbook}{}
So you can use then lilypond code inside hboxes, tabulars, and inlined
(among other things)...
José Luis
A 29/10/03 10:30:00
"Nigel Warner" <[EMAIL PROTECTED]> escribió:
>
> For the current cygwin v
Try:
\header{
meter = "Allegro"
}
If you don't like the font and/or size that lilypond chooses, you
can tweak them with LaTeX commands. You can take a look also at the
manual at the header section for more predefined tags.
regards,
José Luis
A 30/10/03 21:23:45
Oleg Eterevsky <[EMAIL PROT
the script ly2dvi now has changed to lilypond, and the lilypond
binary is now called lilypond-bin.
I'm having a deja vu...
José Luis
A 05/11/03 21:30:26
Wim Ceulemans <[EMAIL PROTECTED]> escribió:
> Hi
>
> Since I upgraded my Debian system using 'apt-get install lilypond',
> I am on version
There's a simpler -and better- way to do this.
Just have 2 score blocks, one with paper output and the other with
only midi output. Don't include the chord track in the score with midi
output. And that's all.
\score {
<<
\chords
\melody
>>
\paper {
\translator { \Remove
A 11/11/03 18:07:07
[EMAIL PROTECTED] (Jeffery B. Rancier) escribió:
> José Luis Cruz <[EMAIL PROTECTED]> writes:
>
> > There's a simpler -and better- way to do this.
> >
> > Just have 2 score blocks, one with paper output and the other with
> > only m
You try using zero lenght notes.
For example:
a4\> s1*0\! b4 c4 d8 d8 |
Good luck
José Luis
A 15/11/03 15:27:45
Kieren Richard MacMillan <[EMAIL PROTECTED]> escribió:
> [ Mac OS X 10.2.8; Lilypond 2.0.1 ]
>
>
> Hello, all --
>
> Just wondering if there's a way to force a dynamic to
Hello,
I need to transcribe some music with percussion, and i've notice that
the midi output that lilypond gives me doesn't sound good.
I use timidity for hearing midis, and I've tested different midi files
i found in internet wich have drums, and sounds perfect, so i suppose
that i have all corr
You could experiment with embeded latex commands like:
composer = "\\begin{minipage}[c]{8cm}
Adapted from a afamiliar melody \\newline
\\hfill by John Doe
\\end{minipage}"
I've not tested it, so I'm almost sure that the output won't fit
exac
hello,
I hope I can help you. This is what I use to get the chordnames i want
for a specific chord, look at the example.
First, define the new names for the chords you want. Next add the list
to the exception list, and the last step is to put the line
\property Current.chordName
(noteedit-2.3.5 preview)
I've just compiled it, in my sid, and i've found several errors of
sound-coordination when playing some of the examples that comes with
it, -the ones which have several staves-. Apart from that, the
lilypond code that it produces doesn't compile with 2.1.6 -at first
sigh
Hello
> > I've just compiled it, in my sid, and i've found several errors of
> > sound-coordination when playing some of the examples that comes
> > with it, -the ones which have several staves-.
>
> This has to do with your system performance especially if you use
> a softwre MIDI synthesizer
Hi guys,
well, i will try to bring some light..
I reccomend you take a look at the tutorial avaliable at:
http://lilypond.org/doc/v2.1/Documentation/user/out-www/lilypond/Tutorial.html
It's very very short, and explains very well the syntax. But, here i
tell you the basics. The new syntax is:
http://lilypond.org/doc/v2.1/input/regression/out-www/collated-files.html#markup-note.ly
You must use a markup (or \mark\markup if you want the text be over a
bar), e.g.:
c4^\markup {\note #2 #0 #1"= 84-92"}
The only thing is that it's only text. Tempo will not change.
greetings,
José Luis
\break
A 09/01/04 14:33:01
Alberto Manuel Brandão Simões <[EMAIL PROTECTED]>
escribió:
> Hi
> I am missing something it should be someway to say lilypond I
> want it to break staves when they are too full...? or at least force
> them.
>
> Thanks in advance
> Alb
>
>
>
> ___
A 21/01/04 23:23:58
"Thomas Scharkowski" <[EMAIL PROTECTED]> escribió:
> why does the 2nd example not work?
> c' c' ~
>
Logically, the 8 must be outside the chord, so this:
c' c' 8 ~
(unespected digit, expecting notename_pich, or '>')
joseluis
_
Use "\partial duration" for partial measures. In your example you
should use:
sopran = \notes \relative c' {
\partial 8 e8
| e4 e8 a4 gis8
%... etc
If you want to start with an 8th measure. Because the | bars are only
for checking purposes. Take a look on:
http://lilypond.org/doc/v2.1/D
you right :) i'll read scores more slowly next time.
joseluis
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
A 16/02/04 12:01:01
David Raleigh Arnold <[EMAIL PROTECTED]> escribió:
>
> That's fine, but I don't see any problem with "Jazz 8ths". You seem
> to have the impression that jazz-swing 8ths are 2:1 triplets. They
> aren't even close. I thought for some time that they were 3:2
> quintuplets, but
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