ontrol the margins better? Changing them in the printer
controls doesn't seem to work. I like to use a 3 ring binder and having
the margins larger than default would be nice.
Great program.
I look forward to some response.
Jay
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ad
of always asking questions.
dpeach
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-lookup
in expression (ly:parser-print-score p (ly:music-scorify m p)):
test.ly:2:32: unbound variable: output-classic-framework
Any hints?
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that.
Thank you for your patience
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e 2>&1
if you use bash as your shell or
lilypond --verbose myfile.ly >& logfile
if you use csh or tcsh.
/Mats
Jay Hamilton, Sound and Silence wrote:
Hello- this is probably a basic linux type question- however.
I have a file that I have been editing from midi to lily.
I finally
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and no one has sent along a
translation, I may do this to make sure the question reaches the
broadest possible audience.
Any other thoughts about this?
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s
Thankyou for your time
Rich.
From: "Jay Hamilton, Sound and Silence" <[EMAIL PROTECTED]>
Reply-To: [EMAIL PROTECTED]
To: Richard Glascodine <[EMAIL PROTECTED]>
CC: lilypond-user@gnu.org
Subject: Re: Installing on Windows XP
Date: Fri, 24 Jun 2005 20:30:47 -0700
Richard-
I t
ives for more information.
/Mats
Jay Hamilton, Sound and Silence wrote:
Richard-
If you know anything about abc files? It's a system mostly for trad
(read folk) music usually single line though it is more flexible than
that. Anyway the 'programing' is similar, rather sim
ng list
archives for more information.
/Mats
Jay Hamilton, Sound and Silence wrote:
Richard-
If you know anything about abc files? It's a system mostly for
trad (read folk) music usually single line though it is more
flexible than that. Anyway the 'programing' is similar,
So, Han-Wen and Mats have directed me to XP and 2.6 convert tools
however when I read the documentation it starts with "invoked by"
Now on my linux machine I know (I think) how to invoke something however
in Windows I haven't a clue.
Jay
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Thanks for any help you can give me (please cc replies)
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YES YES YES
Thank you very very very much that was s cool.
Jay
Paul Scott wrote:
Jay Hamilton, Sound and Silence wrote:
So, Han-Wen and Mats have directed me to XP and 2.6 convert tools
however when I read the documentation it starts with "invoked by"
Now on my linux machine
.
What should I be doing that I'm not?
Jay
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d Mac).
Paul Scott
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27; 8. bes' 16 bes' 4
a' 8. bes' 16 bes' 4 a' 16 bes' 8 bes' 16 a' bes' 8.
%% 21
a' 16 a' ges' f' ges' ees' 8. ~ ees' 16 d' ees' 8 d' 8.
ees' 16
ees' 4 a
Jay
Graham Percival wrote:
On 17-Jul-05, at 3:55 PM, Jay Hamilton, Sound and Silence wrote:
So I punted it to 2.6 and it's way worse. So could someone look and
tell me what to put before and after the 'notes'? Because I thought
I was following the rules but nothing seem
8@drizzle.com>
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ave detected a 2.6.x-bug?
To all message-writers: Please use an informative subject line.
/Donald Axel
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Or did I enter something wrong?
Jay
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am to get confused.
So could you clarify that for me?
Jay
Paul Scott wrote:
Jay Hamilton, Sound and Silence wrote:
I have windows 2.6.1
I entered
\times 2/3 {f 8 [ges ges]} ges c, f4 f 16 ges d bes
c 16 ges f 8 es 16 f d es c 8 c' a bes 8~ \fermata
bes 8 es,( ges bes ) es, ( ges bes ) es
Jay
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I found the problem- the manual doesn't really explain this very well.
The example(s) in chapter 6 of the manual leave out any mention of how
to define the value of the chord - it turns out that it must be entered
outside the <> not inside as I had thought.
Jay Hamilton, Sound
ng?
Thanks.
Jay
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{
\layout { }
\midi { \tempo 4=60 }
}
So the example template in this instance does not seem to work at I
expect. Which is why I asked- what's the minimum?
Jay
Graham Percival wrote:
On 27-Jul-05, at 3:00 PM, Jay Hamilton, Sound and Silence wrote:
I've been reading the manual (2
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#x27;d be nice if you
could browse by topic - as the archive grows it'll be unreasonable to
just go through a long list (it's already very long).
- John
Oh! Now I can see what example was used here. In my browser cut
and paste worked very well. The error which Jay Hamilton, Sound
Emma Sadinsky aged 8
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a Sadinsky aged 8
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. gis8 ais4. r4 f8 e4. ~
e4 r2.
\times 2/3 {e'8 [e e]} \times 2/3 {c [c c]} \times 2/3 {ais ais ais}
\times 2/3 {e'16 e e} \times 2/3 {c c c} \times 2/3 {b [b b} \times 2/3
{f' f e]}
\times 2/3 {b8 [b b]} c2. ais'8 [b ais] gis [f e] ~ e2. \bar "||"
}
\score {
<<
\new Staff \one
\new Staff \two
>>
\layout {
\context { \Score \remove "Timing_engraver" }
\context { \Staff \consists "Timing_engraver" }
}
\midi { \tempo 4=90 }
}
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Graham-
In this case adding barline checks and removing the duplicate \breaks
did not produce a break where I put it.
Jay
Graham Percival wrote:
On 6-Aug-05, at 7:41 AM, Jay Hamilton, Sound and Silence wrote:
I looked it up and think that as long as the
\break is at a barline it will
2/3 {b16 [e, g} \times 2/3 {b16 gis e]} c8 f4. c8 b'
I think what happened was that LilyPond will not introduce any
line breaks when there is a beam.
/Mats
Jay Hamilton, Sound and Silence wrote:
I looked it up and think that as long as the
\break is at a barline it will produce a li
6 [e, g} \times 2/3 {b16 gis e[} c8
f4. c8 b'
/tmp/jay.ly:81:16: warning: beam was started here
\times 2/3 {b16
[e, g} \times 2/3 {b16 gis e[} c8 f4. c8 b'
/tmp/jay.ly:83:0: warning: stem doesn't fit in beam
ais4 gis16 f gis8 f16 e8.
...
ler amounts (eg 3 people contributing 50
euro) are also welcome.
Hans' suggested to move the attachment points horizontally for
seconds. That would make things less ugly, but it is contrary to the
engraving conventions.
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xchange (dot) com // wro1 (at) cwru (dot) edu
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|
%29
b'4 b8 b b16 b b8| a16 b c b a d e d g fis e d| e16 c e c d c b c d a d a|
b16 c d8 r a16 b c8 r | g16 fis e8 r d' a4 |
}
five = \relative c'
{
\clef bass
\key a \minor
\time 6/8
r4 \times 2/3 { b,16 b b} r4 \times 2/3 {b16 b b}| r4 \times 2/3
{b16 b b }
Graham (all)
I edited it down to 6 measures and the 'problem' didn't appear and it
doesn't happen with any other triplets in the piece (and there are many).
So- next step?
Jay
Graham Percival wrote:
On 21-Aug-05, at 10:57 AM, Jay Hamilton, Sound and Silence wrote:
r2.| r2.|c,2.|
%25
e,16 e-> e e-> e e-> e e-> e e e8| e' e16 d c d e fis g d ~ d c| b a b c
d e c8 g b|
e,16 e-> e e-> e e-> e e-> e e e8|
%29
b'4 b8 b b16 b b8| a16 b c b a d e d g fis e d| e16 c e c d c b c d a d a|
b16 c d8 r a16 b c8 r | g16 fis e8 r d' a
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27;t understand your question. Could you please clarify
what you want to obtain.
I hope you have browsed through the "Tips and Tricks" and "Regression
Test" documents. Especially, the example called coriolan-margin.ly in
Tips and Tricks might possibly be useful.
/Mats
Jay Ha
Jay
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\global
\set Staff.instrument = #"Cello"
\clef treble
\context Staff <<
\cello
>>
}
\score {
<<
\context Staff = flute
\context Staff = clarinet
\context Staff = violin
\context Staff = xylophone
\context Staff = piano \piano
\context Staff = trombone
Oof that was not a good but a stupid typo mistake.
However it did not solve the compiling problem I still only get a log file.
Sigh.
Jay
Nicolas Sceaux wrote:
"Jay Hamilton, Sound and Silence" <[EMAIL PROTECTED]> writes:
flute = [
clarinet = [
violin = [
xylophone = [
Tr
e
\context Staff = cello
>>
\layout {
\context {
\Score }
}
\midi {tempo 4 = 60 }
}
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something is extra here or mistyped but not an 'error'.
Thanks
Jay
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can give would be appreciated.
Rob Drew
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strument to "acoustic guitar (nylon)" in the
.ly file for
I use winamp to play midi's but can use winmediaplayer or
something else if required.
How can I use different soundfonts for the midi generated by lily?
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de Staff.TimeSignature #'style = #'()
\time 4/4
%notes go here
\acciaccatura c,8 c'1~|
}
\score {
\new PianoStaff <<
\set PianoStaff.instrument = #"piano"
\context Staff = upper \upper
\context Staff = lower \lower
>>
\layout { }
\midi {
s not at a very good place)
another one : in test2.pdf, the stave is cut. Is it because in my last
ly file i used the \romoveEmptyStaff command ??
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2.ly:28:9: error: unknown escaped string:
`\italic'
\markup{
\italic Moderator }
So what am I doing wrong?
Thank you.
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ride TextScript #'padding = 2.0
\markup{ \italic Moderato }
test this :
{
\once \override TextScript #'padding = #2.0
s1^\markup{ \italic Moderato }
s1^\markup{ Pelleagato }
}
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c:8 |
a:8 c:8 e:8 | fis:8 d:8 b:8 | g''16 d d b b g| fis' c c a a fis| e' b b
g g e|
d' a a fis fis d | c' g g e e c |b' fis fis d d b| a' e e c c a| g' d d
b b d |
g8 r r
\bar "||"
}
\score {
\new Staff \melody
\l
/Mats
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g file is talking about line 36:1 but there is no line 36 so then
I looked at all the #marks and again I don't see anything wrong.
So what's up this time?
Jay
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nd is part of agnula.
(it seems not).
Also, is there any live-cd with lilypond on it ?
If not, would that not be a great thing to have,
for the spreading lilypond ?
Cyprien.
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at least for me... It might be adequate
for string quartets though...
Darius.
Cyprien Gay wrote:
Jay Hamilton, Sound and Silence a écrit :
There is something called Studio to Go
http://www.ferventsoftware.com
British
Expensive
Lilypond is integrated with Rosegarden
I found it to be a tot
com/en/download/index.jsp
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206-
\score {
\unfoldRepeats \chordline
\midi { \tempo 4 = 120 }
}
%% EOF
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r a 'special' technique to get
single 2 measure line with repeat signs
Jay
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ar ":|" \break
\bar "|:" \times 2/3 {c8^\markup {"#4"} e g} \times 2/3 {e g c} \times
2/3 {g c e}
\times 2/3 {c, c' e} \times 2/3 {b, d g} \times 2/3 {d g d'}
\times 2/3 {g, d' f} \times 2/3 {b,, d' f} \bar ":|"
}
\score {
\new Staff \melody
ar
"|"
r2. \bar "|"
%31
}
\addlyrics { the the the the the vir- gin the mo- ther bar- ren man- y
are my sons
%page 6
the_mid-wife_and_she_who_does_not_bear the bride- groom me
%page 8a
he_is_my_off-spring the_i-dea_of-ten_re-mem-bered the_ut-ter-ance_of_my_name
of_
Shouldn't there be some kind of heads up from the program when something
doesn't make sense like this? It tells me all the time that I don't
make sense about other bits and pieces why not this?
Jay
Erik Sandberg wrote:
On Sunday 15 January 2006 13.34, Jay Hamilton, Sound an
the score/ the piece compiled but without
the letters in the noteheads.
2.6.4
winxp
So where does this belong? or should I submit both examples?
Jay
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g8 a bes} e4 d8
c4. \times 2/3 {g8 fis a}
d,4 bes'8 g4. r4
\bar "||"
}
\score {
\new Staff \melody
\layout {}
\midi {\tempo 4=60}
}
-
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_
tart again from scratch. Many lilypond users have
reported that it was easier in the long run to do this.
Cheers,
- Graham
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;
\include "english.ly"
\score {
\new Staff \relative {
r4 e' d c |
gs2. fs4 |
\hideNotes c4 \unHideNotes r1*3/4 |
}
\addlyrics {
un al -- tro
ba -- - -- cio...
}
}
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Jay
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reble
\cadenzaOn
%notes begin here
Hope this is enough of an example.
Jay
Mats Bengtsson wrote:
Since you didn't include the part of your file where you actually use
the SopranoA variable, it's impossible to accurately answer your question.
/Mats
Quoting "Jay Hamilton, S
he completion on one voice of music, then
you need to do what you first suggested, and we need more
more details from your code if you want a detailed answer).
/Mats
Jay Hamilton, Sound and Silence wrote:
The entire score needs the variable.
I would take the \CadenzaOn out if I had a way
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noStaff <<
\set PianoStaff.instrument = "Piano "
\context Staff = upper \upper
\context Staff = lower \lower
>>
\layout {}
\midi {\tempo 4=60 }
}
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Thank you that was the problem.
Jay
Mats Bengtsson wrote:
I just tried your example and I didn't get any syntax error.
However, I had to replace ":||:" by ":|:" and ":||" by ":|:" to
be able to process the file without any error.
/Mats
Jay Hami
k you.
Jay
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4
Sorry in advance for being a dullard.
Jay
Erik Sandberg wrote:
Citerar "Jay Hamilton, Sound and Silence" <[EMAIL PROTECTED]>:
I'm sure this is easy but I can't even begin to figure
out a way to search it in the manual
I used \setEasyHeads for many of my student
or
\time 2/2
}
\score {
\context PianoStaff
<<
\context Staff = upper \upper
\context Staff = lower \lower
>>
\layout { }
\midi { \tempo 4=60 }
}
--
Childhood is a Journey not a race- Emma Sadinsky aged 8
Jay Hamilton
Sound and Silence
206
ypond-user
--
Childhood is a Journey not a race- Emma Sadinsky aged 8
Jay Hamilton
Sound and Silence
206-328-7694
www.soundand.com
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e cis a \break d fis b, d cis e a, cis
\times 2/3 {d8 cis b} b' a gis e fis gis a cis b a gis a
b cis d cis b gis a e cis a
\break
d fis b, d cis e a, cis b e, gis b_\markup {"D.C."} a4
\bar "|."
}
\score {
\new Staff \melody
\layout { }
\midi { \tempo 8=120 }
}
--
c a] b [g e] a [b c] \acciaccatura d e \times 2/3
{b c d} c [a a] a4}
}
\bar "|."
}
\score {
\new Staff \melody
\layout { }
\midi { \tempo 8=120 }
}
--
Childhood is a Journey not a race- Emma Sadinsky aged 8
Jay Hamilton
Sound and Silence
206-328-7694
www.soundand.com
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f the first ending.
*From: *"Jay Hamilton, Sound and Silence" <[EMAIL PROTECTED]>
*Organization: *Sound and Silence
*Reply-To: [EMAIL PROTECTED]
*Date: *Fri, 07 Apr 2006 17:50:29 -0700
*To: *"lilypond-user@gnu.org list"
*Subject: *problem with \partial repeated in
ond-user mailing list
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--
Childhood is a Journey not a race- Emma Sadinsky aged 8
Jay Hamilton
Sound and Silence
206-328-7694
www.soundand.com
___
lilypond-user mailing list
lilypon
lilypond-user
--
Childhood is a Journey not a race- Emma Sadinsky aged 8
Jay Hamilton
Sound and Silence
206-328-7694
www.soundand.com
___
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