I won't pretend to know who handles the documentation at the moment,
or even assume that something like this can be quickly resolved, but
in the snippets pdf and the lilypond-learning pdf, the jazz combo
templates are without the source lilypond files. It's not a big deal,
I just went to we
Section 3.1.3 of the manual talks about this, but really, all you need
is a file with that includes all of the files you want to include in
order.
\include "file01.ly"
\include "file02.ly"
On 13.03.2008, at 11:23, Steffen Pfundmaier wrote:
Hello together,
since a couple of month I'm using
Hello, I'm having some difficulty with changing the short-indent
setting. I've tried it in a paper block, I've tried it in a layout
block, I've tried it with a 0.0\cm number, I've tried it with a #0
number, and try as I might, I cannot change the value. I wanted to do
so specifically for th
Is there somewhere in lilypond the bartok pizzicato symbol?
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Also, just a follow-up, does anyone know anything about the short-
indent setting? It doesn't seem to do anything for me.
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Is it just me, or does lilypond have a problem with multiple \include
"deutsch.ly" statements. I'm coming to a place where I need to figure
out where I can put that and not have an error.
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I'm wondering if there's an easy way to generate a piano reduction
from a choral piece but without all of the dynamics. The choir parts
all have their dynamics, but the piano part shouldn't. And the handy
snippet I found generates a piano part with all the dynamics showing.
Thanks
___
On 31.03.2008, at 15:08, Valentin Villenave wrote:
2008/3/31, James E. Bailey <[EMAIL PROTECTED]>:
I'm wondering if there's an easy way to generate a piano reduction
from a choral piece but without all of the dynamics. The choir parts
all have their dynamics, but the piano par
On 01.04.2008, at 14:22, Mats Bengtsson wrote:
Arjan Bos wrote:
On 31 mrt 2008, at 14:59, James E. Bailey wrote:
I'm wondering if there's an easy way to generate a piano reduction
from a choral piece but without all of the dynamics. The choir
parts all have their dynamic
Is it possible to combine four parts into two voices on one staff,
ideally with one voice stems up and the other voice stems down? I've
gotten as far as two voices combined into one voice with stems in the
direction I want, but every time I add the other voice, I either lose
the two voice c
mme>>
\new Voice <<\voiceTwo \DritteStimme \VierteStimme>>
>>
}
This solution will even combine rests if they happen in one and the
same voice.
However, if you have simultaneous rests in all the four parts, then
you will see
them duplicated, which may or may not be what y
On 09.04.2008, at 16:53, Reinhold Kainhofer wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Mittwoch, 9. April 2008 schrieb James E. Bailey:
My gosh, thank you. You have no idea how long I tried to get that to
work. And I'm perfectly happy with \remove Rest_engraver.
Doesn&
iceOne \ErsteStimme \ZweiteStimme>>
\new Voice <<\voiceTwo \DritteStimme \VierteStimme>>
>>
}
This solution will even combine rests if they happen in one and the
same voice.
However, if you have simultaneous rests in all the four parts, then
you will see
them duplicate
ames of these Voice contexts is
hard-coded, which means that the results of your two
\partcombine commands end up in one and the same Voice
context (since the name is the same).
This is just one of many limitations and problems with \partcombine.
It should be a fairly simple exercise in Scheme pro
\midi {} in your \score {} block is probably the fastest way.
Am 10.04.2008 um 11:22 schrieb Eric Beaty:
I've recently been studying how to read music though I've played
music by ear
for many years. I downloaded LilyPond but I need a way to test/hear
what I've
created to make sure I'm writin
Ah, then you just need a voice without the staff and its engravers. I
would look at the snippet that adds all the engravers one by one,
because it will have everything already removed, and you can just add
what you need.
Am 11.04.2008 um 09:50 schrieb Brett Duncan:
James E. Bailey wrote
I kind of avoid emacs and its clones like the plague, but, does
aquamacs have any lilypond syntax coloring? or foldings like TextMate?
I usually use nano or TeXShop, but there are some aspects of TextMate
that I would really like to use, but the syntax coloring in TextMate
is so bad that I
Am 14.04.2008 um 17:50 schrieb Rick Hansen (aka RickH):
I've used just about every notaion program that exists, but I still
like to
just write out my sheets on staff paper with a pencil prior to
entering the
data into a formal notaion software like lilypond or whatever.
It would be wonde
Am 17.04.2008 um 23:55 schrieb Graham Percival:
OK, silly question, but I simply cannot make up my mind. If we
have a single entry in a list in the @seealso section, should it
end with a period or not? For example, in this:
---
See also
Music Glossary: chord.
Snippets: Simultaneous
---
sh
Am 18.04.2008 um 00:19 schrieb Graham Percival:
On Fri, 18 Apr 2008 00:05:28 +0200
"James E. Bailey" <[EMAIL PROTECTED]> wrote:
Am 17.04.2008 um 23:55 schrieb Graham Percival:
OK, silly question, but I simply cannot make up my mind. If we
have a single entry in a list
Am 18.04.2008 um 10:21 schrieb Simon Bailey:
hi luc,
On Apr 16, 2008, at 7:34 PM, Luc wrote:
new behaviour with version 2.11.44 (windows xp)
IIRC, when invoking lilypond, the option --output=folder directed
all output
files to the specific folder.
Now this has changed: If I run "lilypon
mply
use a filter in my explorer.
btw: I tried the version replacing the equal sign by a space and it
also works under windows...
greeting
Luc
On Fri, 18 Apr 2008 11:23:12 +0200, James E. Bailey <[EMAIL PROTECTED]
> wrote:
Am 18.04.2008 um 10:21 schrieb Simon Bailey:
hi luc,
Am 22.04.2008 um 16:11 schrieb Jonathan Kulp:
My short instrument names go off the left side of the page. I've
searched the manuals and can't find the tweak or setting to keep
this from happening. Seems like it must be something in the layout
block. The full instrument names print norma
I wanted to submit a snippet for the LSR, but that didn't work out so
well for me, so I thought I would just put it here, it's the next best
thing, really. I needed a way to have in a choral piece a single line
of text for most of the work, and at the end, in the stretto, the
texts exploded
ween four voices on two staves, and then how to have each voice
have its own text."
Am 22.04.2008 um 17:50 schrieb Valentin Villenave:
2008/4/22 James E. Bailey <[EMAIL PROTECTED]>:
I wanted to submit a snippet for the LSR, but that didn't work out
so well
What problems did
Am 22.04.2008 um 18:02 schrieb Valentin Villenave:
2008/4/22 Jonathan Kulp <[EMAIL PROTECTED]>:
Yea!! Thanks Reinhold, Mats, and Neil. This instantly fixed the
problem.
Oy. I was using a template from somewhere and didn't know what that
"english.ly" was for but kept it anyway. There ought
I thought I would ask the list's collective knowledge before I begin
this, has anyone here any experience with having an introit for a
choral piece, say for a mass that begins wtih a quotation of a chant.
I can think of several ways to put a single measure, slightly smaller,
without time si
Okay, so I was a bit mistaken, I've gotten everything done except
centering the measure. I thought I could use something simple like
indent = #0 line-width=measureLength, but that was a big not. So, is
there any way I can accurately (and easily) center a measure
horizontally on the page?
Thank you so much! I had no idea I could include a \score block inside
a markup
Am 25.04.2008 um 16:27 schrieb Mats Bengtsson:
One solution is to typeset it using a centered markup:
\markup{\fill-line {\score{\relative { c d e f }\layout{ragged-
right=##t
/Mats
James E. Bailey
Am 02.05.2008 um 11:32 schrieb Alan Fabian:
Hi,
I just installed lilypond via fink without any errors. Then I tried
to generate the example { c'4 e' g' } saved in a text (foo.ly) file
on my Desktop.
Then I typed "lilypond Desktop/foo.ly" in my terminal window and I
got the following erro
Am 03.05.2008 um 04:24 schrieb plasmacarwash:
Hey Forum,
I am transcribing Danny Boy from this mans arrang.
http://www.home.earthlink.net/~markdlew/shw/DannyBoy.htm (Mark D.
Lew) .
(3 pages short)
It is from key 'D' to 'C' that I desire.
I need only help on the vocal.
I already have th
It looks as though jedit is looking for python in the lilypond path.
And then looking for convert-ly to be there. convert-ly is actually
in /Applications/LilyPond.app/Contents/Resources/bin/ so if you can
tell jedit to look there for convert-ly, problem solved
Am 03.05.2008 um 16:54 schrieb
http://lsr.dsi.unimi.it/LSR/Search?q=print+all+headers
Am 03.05.2008 um 23:49 schrieb Alberto Simões:
Hi, folks.
I have a four-hands piece and I would like to repeat titles (and
create a new page). At the moment I have two '\score' command. It is
rendering correctly a title, at the beginnin
update syntax is the same as convert-ly on macintosh. Is the solution
to just not use jedit? Again, I use TeXShop for lilypond, so I don't
know much about jedit, but I can sure give it a try later today.
Am 04.05.2008 um 05:53 schrieb Jonathan Kulp:
I haven't tried to update any files from J
ok with the
'horizontal spacing" issue from yesteryear.
Thank-you James.
-Jay Peek
I would also suggest using the 2.11 documentation if you aren't
already, it's a bit easier to read, certainly more thorough, and makes
using lilypond a lot clearer.
James E. Bail
Am 04.05.2008 um 05:59 schrieb Paul Scott:
On May 3, 2008, at 6:44 PM, plasmacarwash wrote:
Dear James,
Actually I was wondering, once we set the time signature and choose
which
value our notes will be (half, quart, eighth) -does the program
automatically create the desired bars?
The ap
Am 04.05.2008 um 18:58 schrieb Stan Sanderson:
On May 4, 2008, at 3:10 AM, Brett Duncan wrote:
Stan Sanderson wrote:
In the interest of improving a great tool, I ask...
I'm sure I'm not the only one using jEdit with LilyPondTool on Mac
OS 10 (10.4.11, PPC). I've had a dialogue with Bertal
Am 06.05.2008 um 11:49 schrieb Stefan Thomas:
Dear lilypond users,
when I want to make a pdf-file of my score I get the following
message:
pdf is not procuced
/home/Stefan/partituren/differance/musik/musik_ab94.ly:154:4:
Warnung: Keine rhythmische Gruppe zu beenden
r 4
\times 2/3 { r
I was going to say that I didn't see a problem with doing the file
without the bar lines in the text and removing the bar engraver, and
then I realised that you're using 2.10.33. While I can't speak for
that version, in 2.11, it works fine without the workaround. I would
highly recommend 2.
the text. What happens in 2.11? One
wouldn't want gaps in the barlines at the end of systems.
James E. Bailey wrote:
I was going to say that I didn't see a problem with doing the file
without the bar lines in the text and removing the bar engraver,
and then I realised that you'r
is there a file that shows all of the pretty color options that the
emacs mode shows? I may attempt a nanorc that does something similar,
and I'd just like to know what options there are. Rather, I'd like to
know what emacs does so I can emulate it somewhat.
___
So, I came across this as I was typesetting some bach:
\include "deutsch.ly"
I = \relative g' { \clef treble
\set suggestAccidentals = ##t
r2 r8 g16 f es4~| %1
es8 d c2. \bar "|:" %2
r16 d es f g4~ g8 a h4~ | %3
h8 c d4~ d16 g f e d4~ | %4
}
I've even gone so far as to figure out that it's the two b-flats that
are the problem. If one or the other (it doesn't seem to matter) is a
b-natural, it's fine. As soon as both b's are flat, there's a problem.
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lilypo
I've even gone so far as to figure out that it's the two b-naturals
that are the problem. If one or the other (it doesn't seem to matter)
is a b-natural, it's fine. As soon as both b's are natural, there's a
problem.
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Am 09.05.2008 um 14:16 schrieb Valentin Villenave:
2008/5/9 James E. Bailey <[EMAIL PROTECTED]>:
I've even gone so far as to figure out that it's the two b-naturals
that are
the problem. If one or the other (it doesn't seem to matter) is a b-
natural,
it's fin
Am 09.05.2008 um 19:38 schrieb Neil Puttock:
Hi James,
I posted a temporary solution to this here:
http://lists.gnu.org/archive/html/lilypond-devel/2008-05/msg00068.html
It should tide you over until the bug's fixed in the next release.
Regards,
Neil
Thanks, btw, trying to get acceptable
I think I'll just re-do the score. It’s only two parts, and the
hassle of installing a translator that likely won’t work well is not
really how I want to spend my time.
Thanks
Am 24.01.2006 um 00:57 schrieb Erik Sandberg:
On Tuesday 24 January 2006 07.58, [EMAIL PROTECTED] wrote:
Hello, I'
I have a funny thing. So I'm using 2.6.5 (latest stable) and I have #
(set-default-paper-size "tabloid"). What outputs is a file that is
letter size, but thinks it's tabloid. Would making a \paper block
resolve this?
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Sorry, I'm using latest stable 2.6.5 and I get a bar check failed
error. It's not been a problem, I'm just wondering if I should be
worried.
Am 31.01.2006 um 00:49 schrieb Ramana Kumar:
On 1/31/06, [EMAIL PROTECTED] <[EMAIL PROTECTED]>
wrote:
so I have this file, I'll attach it. My questi
they're just a bit annoying)
i presume you've actually checked all your bars are the right lengths.
On 2/1/06, James E. Bailey <[EMAIL PROTECTED]> wrote:
Sorry, I'm using latest stable 2.6.5 and I get a bar check failed
error. It's not been a problem, I'm just wondering
Wow, that’s grat. I didn’t know about the ”align above context”‘cause
it’s not in the manual. Thanks
Am 09.02.2006 um 07:55 schrieb Mats Bengtsson:
I'm not sure if you ever got an answer to your question.
Also, I'm not sure exactly what you tried to achieve and what
failed. If, for example, y
I’m in the process of migrating OS’s (‘cause apple is pissing me off)
and I’m wondering if there’s a linux PPC build of LilyPond.
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Thanks, luckily lilypond 2.6 was compiled for ubuntu, so I was able
to get that version. I guess I won’t worry about an update until I
need it.
Am 05.11.2006 um 09:12 schrieb Han-Wen Nienhuys:
Julian Peterson escreveu:
Depending on your distro, it can probably be acquired via the
normal pa
I'm having some difficulty with the Metronome_Mark_engraver. I've successfully
hidden it, but the notes are spaced around it so there's some odd spacing. I'm
wondering it's possible to remove the metronome mark altogether.
The code is here:
http://homepage.mac.com/jamesebailey/Musik/hodie/Hodie.t
Alas, I am on macintosh. Intel iMac, OSX 10.4
On Thursday, November 30, 2006, at 08:55AM, "Rick Hansen (aka RickH)" <[EMAIL
PROTECTED]> wrote:
>
>
>
>James E. Bailey-2 wrote:
>>
>> I was reading the archives on how to define a custom page size, and
&g
I edit the file successfully. The same file that works on windows, on macintosh
generates a PDF that's rotated landscape. I am editing the paper.scm inside the
lilypond app.
Here's what happens. I compile the file in lilypond, and the pdf that is
generated is my new paper size, but the paper is
So, I'm creating a choral score and having some difficulties. First of all, I
put everything in separate files because it's just easier for me to find errors
that way, so posting music would be a bit difficult, I'll explain everything as
well as I can.
I have "SopranoMusic" defined in its own f
This would be a bad idea from my point of view, because in order to generate a
pdf that's on a non-standard sheet of paper, I must use the postscript, so not
having that file would make it impossible for me to generate a file that prints
on, say, 9"x12" paper.
On Friday, January 12, 2007, at 0
Hello list
I haven't had any problems recently, so I haven't been here in a bit.
I'm running OSX, I just downloaded 2.11.19-1 (Build from Sun Feb 18
01:19:40) and I'm having a problem converting what I thought was a
pretty recent file.
The file is this:
\version "2.10"
AltoMusic =\relativ
Well, the problem only occurs on Intel Macintosh computers, that may
explain why you do not have the problem. Also, I've found that
2.10.13-1 is the most recent version that will successfully compile a
file on the Intel Macintoshes.
From: Fred Leason
Subject:Re: LilyPond is hosed!
Am 26.01.2009 um 20:33 schrieb Tim Reeves:
The long part, the definition, could even be hidden away in another
file that you \include.
That's a really useful aspect. That you can include the code in your
init file, and just use it.
Mind you, I could not have written that function, but I'
Am 28.01.2009 um 13:19 schrieb Bertalan Fodor (LilyPondTool):
Lyrics syllables should not overlap in any case, LilyPond should
automatically increase the note dinstance if needed. So it seems to
me as a bug.
It's a known issue in section 2.1.3. "Melismata are not detected
automatically
Am 28.01.2009 um 13:28 schrieb James E. Bailey:
Am 28.01.2009 um 13:19 schrieb Bertalan Fodor (LilyPondTool):
Lyrics syllables should not overlap in any case, LilyPond should
automatically increase the note dinstance if needed. So it seems
to me as a bug.
It's a known iss
Please see the instructions at
http://lilypondwiki.tuxfamily.org/index.php?title=Where_is_the_app%3F
or
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-learning/
Tutorial
Am 28.01.2009 um 18:49 schrieb Antoine Plante:
Hello,
I have been trying to install the software without succes
easiest way that I know of is:
\version "2.12.2"
music = \relative { \clef bass c1 }
lyric = \lyricmode { text }
\score {
<<
\new Staff = "bass" \new Voice = "bass" \music
\new Lyrics \with {alignAboveContext=bass} \lyricsto bass \lyric
>>
}
Am 30.01.2009 um 06:29 schrieb Eze
Am 30.01.2009 um 10:29 schrieb Bertalan Fodor (LilyPondTool):
I think there is a general problem in LilyPond with the positioning
of things.
You can easily attach a markup (that now actually can contain
anything) to a note. But can't attach it to a clef, a stem, a bar
line etc.
It would b
I haven't really taken a close look, but do you want the "||:" barline
Am 30.01.2009 um 22:30 schrieb Simon Bailey:
hi,
the following snippet kills the start-repeat barline in bar 6.
removing the \bar "||" shows the start-repeat. is there any way to
get the \bar "||" and the "|:" to show at
in this case, why don't you just use <> to show that it's two notes
happening in the same voice simultaneously. hh8 hh hh16
Also, since you're really new to lilypond, you should probably read
through the entire Learning Manual before attempting to make a score.
You'll learn a lot about ho
Am 02.02.2009 um 09:46 schrieb Simon Bailey:
hi,
On Feb 2, 2009, at 12:25 AM, Robin Bannister wrote:
Well, \repeatTie doesn't take you very far into the ensuing
phrase. And it doesn't swoop properly.
A fairly easy way in this case is to add a hidden grace note:
{ \hideNotes \grace b16\( \u
Am 02.02.2009 um 09:56 schrieb Simon Bailey:
hi,
On Feb 2, 2009, at 9:52 AM, James E. Bailey wrote:
given how well it works, defining a variable like
PhrasingAdjustment = {s1*32 \grace s8 } and then just including
that in all parts doesn't seem to be too much of a hassle. And
wou
Am 04.02.2009 um 14:01 schrieb Ed Ravin:
On Tue, Feb 03, 2009 at 11:00:23PM +0100, Robin Bannister wrote:
Ed Ravin wrote:
Would the extra grace notes corrupt the MIDI output?
No. But you can hear them, and you might think that inappropriate. :)
Try out this: { \once \override Rest #'transp
Am 05.02.2009 um 08:33 schrieb den trompetter:
Hello,
yesterday I installed Lilypond in Ubuntu. But I don't see it in the
program's list. How can I work with it? I'm not sure.
Jvuz
You'll want to have a look at http://lilypondwiki.tuxfamily.org/
index.php?title=Where_is_the_app%3F_(Linu
Am 06.02.2009 um 00:08 schrieb Chip:
When I view my file as .pdf it shows the very small margins all the
way around the page. When I print the .pdf using jpedal I get what
appears to be 1" margins left and right and bottom, and about 2"
from the top of the page to the top of the title. Wha
Am 05.02.2009 um 22:17 schrieb Zbyněk Burget:
Hi,
one more question
can I put two rehearsal marks to one barline?
I need fermata on barline (I put it as rehearsal mark) and real
rehearsal mark (number of part) together.
...and there is complication - this barline is on end of staffline :-(
Am 06.02.2009 um 17:06 schrieb Mats Bengtsson:
James E. Bailey wrote:
Also, you can have a separate context for each mark, since only
one mark can be in a voice at a time.
If you try your suggestion, I'm afraid you'll get disappointed.
Since rehearsal marks are crea
Am 07.02.2009 um 01:55 schrieb Anthony W. Youngman:
In message <5c547d22-490a-4ec7-a6d5-e5d8e8ec4...@gmail.com>, Simon
Bailey writes
chip,
On Feb 6, 2009, at 12:08 AM, Chip wrote:
When I view my file as .pdf it shows the very small margins all
the way around the page. When I print the .pd
Am 07.02.2009 um 15:50 schrieb Jayaratna:
Dear subscribers,
I am inputting some very complicated polyphonic music for keyboard.
Maybe
this is a newbie idiotic question, but I cannot understand how to
input
these two bars: the problem is printing the tied A across the
measures while
keep
Aside from the tie/stem collision, is this not what you wanted?
\version "2.12.2"
\new Staff \relative c'' { << { \voiceOne c2~ c4 } \new Voice
{ \voiceTwo g4 \voiceOne a_~ a } >> }
<>
Am 07.02.2009 um 17:21 schrieb Jayaratna:
Hi Robin,
in fact I just came back to the list because I still
in mm 123 of what I'm assuming is the second voice, there's a tie.
That's probably preventing the lyric from appearing.
a 8 d' _~ d' 2 _~ r4
Am 07.02.2009 um 17:39 schrieb Lorenzo Bicci:
Hi everybody!
Here's the problem: when compiling the file below, no syllable gets
assigned to the firs
ottom
Lilypond says:
warning: ignoring too many clashing note columns
{ << { \voiceOne c'2~
c4 } \new Voice { \voiceTwo g4 \voiceOne a_~
a } \\{s2
d,2.}>> }
%%%%%%
James E. Bailey-3 wrote:
Aside from the tie/stem
%
warning: ignoring too many clashing note columns
{ << { \voiceOne c'2~
c4 } \new Voice { \voiceTwo g4 \voiceOne a_~
a } \\{s2
d,2.}>> }
%%
James E. Bailey-3 wrote:
Aside from the tie/stem collision, is this n
Am 07.02.2009 um 18:53 schrieb Anthony W. Youngman:
It's probably not helped by the fact that I have an A4 document,
printing on an A4 printer, and Acrobat (the ONLY application to do
it) insists the printer has American Letter paper.
Ah, that's the problem. You need to make sure that acr
I'm going to be engraving some more music with chords, and thanks to
last time, I have appropriate templates that will work. But, one
problem that is inconsistent is the placement of the flat symbol.
I have to use a modified semi-german chord naming method because the
person I'm engraving f
Am 07.02.2009 um 23:34 schrieb Carl D. Sorensen:
On 2/7/09 1:27 PM, "James E. Bailey"
wrote:
I'm going to be engraving some more music with chords, and thanks to
last time, I have appropriate templates that will work. But, one
problem that is inconsistent is the placem
Is it possible to have lilypond automatically repeat stanza numbers
at the start of each line? I know I can manually set line breaks and
put the stanza numbers in, but is there an *easy* way to have that
automated?
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Is there a way to get the slashed six from the figured bass mode into
chordmode?
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http://lists.gnu.org/mailman/listinfo/lilypond-user
Am 08.02.2009 um 23:24 schrieb M Watts:
James E. Bailey wrote:
Is there a way to get the slashed six from the figured bass mode
into chordmode?
In your chordname exceptions, just use:
\markup { \slashed-digit #6 }
You might want to fiddle with the font / size to get it looking right.
Of
El 08.02.2009, a las 23:24, M Watts escribió:
James E. Bailey wrote:
Is there a way to get the slashed six from the figured bass mode
into chordmode?
In your chordname exceptions, just use:
\markup { \slashed-digit #6 }
You might want to fiddle with the font / size to get it looking
El 09.02.2009, a las 16:08, Kieren MacMillan escribió:
Hi James,
But neither of your code examples match what was suggested, i.e.
-\markup \slashed-digit { #6 }
-\markup \slashed-digit #6
is not
-\markup { \slashed-digit #6 }
which works fine in my copy (v2.12).
HTH!
Kieren.
Is it possible to parenthesize a fermata? Trying \parenthesize
\fermata doesn't work for me.
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El 09.02.2009, a las 16:08, Kieren MacMillan escribió:
Hi James,
-\markup { \slashed-digit #6 }
which works fine in my copy (v2.12).
HTH!
Kieren.
Okay, I've gotten as far as lilypond not complaining that the code is
wrong, but now I don't know how to actually get this chord to show
El 09.02.2009, a las 16:08, Kieren MacMillan escribió:
Hi James,
-\markup { \slashed-digit #6 }
which works fine in my copy (v2.12).
HTH!
Kieren.
Okay, I've gotten as far as lilypond not complaining that the code
is wrong, but now I don't know how to actually get this chord to
s
El 09.02.2009, a las 16:54, Kieren MacMillan escribió:
Hi James,
Is it possible to parenthesize a fermata? Trying \parenthesize
\fermata doesn't work for me.
c-\parenthesize \fermata
Works fine for me…
Kieren.
Wow, this could be better explained in the documentation. In the
section on p
El 09.02.2009, a las 16:53, Kieren MacMillan escribió:
Hi James,
Okay, I've gotten as far as lilypond not complaining that the code
is wrong,
but now I don't know how to actually get this chord to show up.
Sorry, I really have no clue about chords
this one is just confusing me.
At this po
El 09.02.2009, a las 18:23, Jonathan Kulp escribió:
James E. Bailey wrote:
El 09.02.2009, a las 16:54, Kieren MacMillan escribió:
Hi James,
Is it possible to parenthesize a fermata? Trying \parenthesize
\fermata doesn't work for me.
c-\parenthesize \fermata
Works fine for me…
K
El 09.02.2009, a las 17:46, Nikolay Kirov escribió:
Hello!
Is there a way to insert a character or a string into staves? I would
like to write big parenthesis centered at vertical center of staves.
I hope this is possible but I cannot find any advice in the
documentation.
Nikolay
The ea
v escribió:
My goal is to put text ON the staves, not between them, like
\parenthesize.
N.K.
On Mon, Feb 9, 2009 at 9:21 PM, James E. Bailey
wrote:
El 09.02.2009, a las 17:46, Nikolay Kirov escribió:
Hello!
Is there a way to insert a character or a string into staves? I
would
like to
I've decided to forego the \slashed-digit, since it's the wrong font,
and I just made up a slashed 6 for this purpose. I'm sure when
someone who knows how to use Scheme needs this sort of thing, it can
be better formatted, but as someone in need, this works!
\version "2.12.2"
myChordDefini
I'd like to have a chord that is C-10. I have
myChordDefinitions = {
-\markup \super {-10}
}
And then, of course the requisite
myChordExceptions = #(append
(sequential-music-to-chord-exceptions myChordDefinitions #t)
ignatzekExceptions)
myChordInit = {
\set chordNameExceptions = #m
I'd like to have a chord that is C-10. I have
myChordDefinitions = {
-\markup \super {-10}
}
And then, of course the requisite
myChordExceptions = #(append
(sequential-music-to-chord-exceptions myChordDefinitions #t)
ignatzekExceptions)
myChordInit = {
\set chordNameExceptions = #m
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