;t want to blame Centos; I think someone
Doesn't the prebuilt binary work for you?
(note that we recommend against compiling lilypond yourself.)
--
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LilyPond Software Design
-- Code for
#(debug-set! stack 0)
if that doesn't help, try
#(eval-set! stack 5)
(or another large number. The default for this setting is 22000)
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-desig
Marcus Macauley schreef:
I'm trying to figure out how to include a Lilypond \transpose function
within a Scheme function. I'm not even sure if it makes sense to do
try (ly:music-transpose )
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Softw
Lieke van der Meer schreef:
Thank you Mats, I succeeded, but there seems to be a strange error
when creating a PDF file.
The text 'heeft' turns into something like hee@, check with:
this should be fixed in release 2.9.26
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www
problem, too...)
This is fixed in 2.9.27.
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ht
Actually, the following is exactly equivalent to your example:
I've added \simultaneous for consistency a long time ago, but maybe we
should just drop it?
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LilyPond Software Design
-- Code for Music
hat good and can be improved, but if the
problems are on the Dolet side, you're SOL obviously.
IF you're looking for a technical solution, find someone who is willing
to reverse engineer Sib. You can do it by disassembling a demo (the
demos don't come with EULAs).
--
Han-
little used that
it generated wrong output for years and nobody noticed.
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
___
lilypond-user
ere is a large mark on it, the column gets very
wide, and the slur/bracket stretches to accomodate it.
In Toine's case, the beginpoint is stretched so far that the slur is
flipped inside out.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Desi
oder" way of doing it?
I would prefer that all fretboards I create use an arabic position number.
you're looking for the 'number-type property
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music
PPC build of LilyPond.
It should be easy to add a PPC build to our GUB build infrastructure;
unfortunately, we lack the hardware to test this platform. A reasonably
technical person should be able to make this work.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
h
b'4 b b b
|
b4 b b b
\revert NoteHead #'style
\bar ":|"
}
I've used that a number of times. Unfortunately it's a mess when you
need to transpose the part!
\override staff-position for the note head ; that will solv (part of)
the problem.
--
Han-Wen Nienhuys
this is extremely unlikely. The LilyPond windows version is actually
created on a Linux machine.
mistake of the scanner it comes probably by similarities of the compiled
guile. Is there an easy way to compile lilypond in my cygwin environment
to get rid of these annoying warnings?
--
Han
[EMAIL PROTECTED] escreveu:
Is it a known issue that the timings of the midi files created by lilypond
aren't sync'd properly?
this might happen in the presence of grace notes. Unfortunately the MIDI
output isn't too dependable.
--
Han-Wen Nienhuys - [EMAIL PR
TA (aka. Cobol for
musicologists).
prepended and appended digits are the same due to whitespace being
insignificant.
c8 c4 c8 = c8 c 4c8 = c 8c4 c8
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Cod
Rick Hansen (aka RickH) escreveu:
IOW do I need to do one last compile of my lily work to produce a
"pre-press" PDF using some option flag I am not aware of ? Otherwise I will
no, -dresolution only applies to PNG images.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.
not really. The fonts are really traced out bitmaps, so if you magnify
the fonts enormously (say: 400pt fonts) you might notice some
irregularities in sloped, almost vertical/horizontal lines.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
--
e time positions.
>
> Is this possible or completely nonsensical?
You have to delve into the output routines, written in Scheme. You can
extract the systems on each page, and the timing (in whole notes from
the start) for the start/end of each system. Those can be written to a file.
--
Han-We
t a bit, and will probably do what you want.
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Arjan Bos escreveu:
> So please remove it, or if it is felt that it is a just message, please
> state that it something like:
> Warning: fingering notation for finger number .
I vote for the latter. Patches/pushes appreciated.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.
he slurs ignore the invisible barlines?
this will be fixed in 2.10.1
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LilyPond Software Design
-- Code for Music Notation
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___
lilypond-user ma
mpted a few times to strip this feature, actually, in
favor of the schemish
#(* cm 2)
or
#(2 cm)
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LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
___
gt; (number->string digit 10)
>))
Hi,
can you use
(ly:input-message "bla ~a" expr)
for shorter code? Also, I'm missing commit info. Try git-format-patch
for a more complete patch?
thanks,
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.n
Jacob Rus escreveu:
>
> By the way, is there any continuing development on the Lilypond.app
> pyobjc application?
No.
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-d
Trevor Bača escreveu:
> Anyone else see the sense in changing Lily's default formatting of
> TupletNumber text? Or much ado about nothing?
sounds like a good idea, and not too difficult either. Patches are welcome.
> http://lists.gnu.org/mailman/listinfo/lilypond-user
--
Ha
l just tell a small part of the full syntax. Another
This should be rather easy to add to the manual. I believe some of the
functions already have doc strings. It shouldn't be too hard to
extract them in dump them into the program reference. A neat task for
a scheme hacker... Nicolas?
--
H
u use that)
I think a more effective solution is to rename the offending scripts
to have a .py extension. Doesn't that work?
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
htt
Tim Reeves escreveu:
> BTW, I noticed (because I'm a horn player!) that Han-Wen Nienhuys input
> quite a bit of horn music. Han-Wen, are you a horn player?
yup.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music No
Pond ; I would expect that setting font-size on
that
grob will change the size.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
___
lilyp
hows) but I wonder if the behavior
> is well-defined. I guess that's a question for Han-Wen, but it doesn't
> surprise me that resetting proportionalNotationDuration in mid-input
> can confuse the spacing algorithms. FWIW, I set
> proportionalNotationDuration once in the hea
Orm Finnendahl escreveu:
> Hi Trevor, Han-Wen,
>
> thanks a lot for your efforts to help me out and thanks a lot for your
> ideas and thoughts! Sorry if I sounded desperate. Trevor's post seems
> to indicate that it might not work out to get everything perfectly
> align
Trevor Bača escreveu:
> On 12/3/06, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
>> Trevor Bača escreveu:
>> > 2. There is a bug with proportional not dealing with skips correctly.
>> > Proportional notation handles notes and rests correctly. But
>> > prop
and refrains from optical tweaks to STRETCHABLE
un#'used columns are normally thrown out of the spacing problem,
because they distort things. In this case, they should stay.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software De
Why does more music on the line in example 1
> score 1 cause Lily to scrunch up the very first measure??
The measure length bounds the spacing (think of what would happen for a R1*33
without this).
However, the length used was the 3/8 rather than 4/4. Fixed in GIT.
--
Han-Wen Nienhuys - [EM
work: we had the links for a year or so, and didn't get any input
via the wiki to mention.
regarding the current wiki, the info on translating the website is out of date
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notati
wiki link
if there is a wiki with significant amount of up-to-date content.
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
___
lilypon
: you get a list of functions and arguments, with
their documentation. That's all nice and dandy, except that the actual
doc strings haven't been written yet. So, another thing for the todo list
is to do through ly/music-functions-init.ly and add a doc string to every
function listed.
--
H
, posting on the -devel list will get your fix included sooner.
The version checking is particularly fragile; this was a fix to make the
checking work with another package. We're once again reevaluating
SCons, but the latest versions seem to have some serious problems
that prevent us
Werner LEMBERG escreveu:
>> In transposing a song with a text by Walt Whitman, I notice that
>> Lilypond converts the "TM" in the last name of the poet to a
>> trademark sign (small fontsize, superscript). Any idea how to avoid
>> this?
>
> This doesn'
Han-Wen Nienhuys escreveu:
>>> In transposing a song with a text by Walt Whitman, I notice that
>>> Lilypond converts the "TM" in the last name of the poet to a
>>> trademark sign (small fontsize, superscript). Any idea how to avoid
>>> this?
>>
iles in the urw-fonts package are broken, and we integrate
those broken results with MergeKern (see buildscripts/pfx2ttf.fontforge)
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
Han-Wen Nienhuys escreveu:
> Werner LEMBERG escreveu:
>>> I've applied the same fix (removing the glyph).
>> Hmm. How can it be that I don't get a trademark glyph?
>
> because for some reason your local compile doesn't use the
> NCSB font in mf/out/*
;ftp://ftp.gnome.ru/fonts/urw/release/urw-fonts-%(version)s.tar.
bz2')
> I also need to know which version of FontForge you are using.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-desig
rds.el file are completely outdated.
>
> Also, no property names are included.
I've committed support for a ly:lexer-keywords to generate this in a more sane
way. The rest of the reserved words should come from examining
#(ly:module->alist (current-module))
in a .ly file.
I
to be [1,3,4,5] and [2] - the 1st, 3td, 4th and
> 5th verse are the same and the 2nd is special.
>
> Is that possible to do???
You'll have to use the repeatCommands proprety. It would be cool to provide this
out of the box, though.
--
Han-Wen Nienhuys - [EMAIL PROTECTED]
ys serious errors. Please send the offending input.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
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l
can you run the crashing command in GDB and send a stacktrace of the error?
Furthermore, I've put up an experimental Linux/PPC build at
http://lilypond.org/download/binaries/linux-ppc/lilypond-2.11.2-3.linux-ppc.sh
can you check if that works for you?
--
Han-Wen Nienhuys - [EMAIL PR
it. Bear in mind that 2.11 is the unstable branch and will experience
> problems from time to time.
hi,
FWIW, I try to keep .10 and .11 completely synched in terms of bugfixes
and build procedures. The former for obvious reasons, the latter because
it makes the GUB builds less of a he
ly a fontconfig problem.
FcGlobalCacheSave doesn't even exist in fontconfig 2.4
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LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
___
because language negotion happens server-side?
isn't there a way to configure apache that .en is the default?
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
- convert-ly and
- changes for all .ly's
- updates of the manual.
> which should be the same as
>
> \tuplet 3 {...}
>
> And of course it would be nice to make this particular case identical
> to
>
> \triplet {...}
>
the latter can be achieved with a
n:
- add \tuplet 3:2 {.. }
- replace \times 2/3 by \times #'(2 . 3) ; this can be implemented with
a standard music function
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.c
generic too.
--
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Erik Sandberg escreveu:
> On Thursday 21 December 2006 12:55, Han-Wen Nienhuys wrote:
>> Erik Sandberg escreveu:
>>> BTW, in this case it may be good to register the fraction as its own
>>> argument type, so \tuplets and \tuplet are generic music functions, both
>
would mean
> that it would always be OK (even if not required) to express the ratio
> in reduced form (3:2 here).
1. We want to cut back on optional constructs
2. \tuplet 6:4 2. { .. } is a lot of numbers. Not very readable IMO.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.x
t;>
>>> or as
>>>
>>> |- 3 -| |- 3 -|
>>>
>>> | |\ |\ |
>>> | | | |
>>> X X X X
>
> If we are going to worry about seperating the music from the typesetting,
> then
> it is worth observing that these
a bit code to
lily/lily-parser-scheme.cc that manipulates the default duration.
--
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LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
___
lilypond
Han-Wen Nienhuys escreveu:
> Rick Hansen (aka RickH) escreveu:
>> How can I code a grace note (actually that is really a grace rest) but also
>> make it completly invisible and take up no space, on a one-time/as-needed
>> basis?
>>
>> I'd like to be able
pinion also *should*) be used in
>> commercial notation work. So for instance I would change forms into
>> passive or then from second singular to second plural. This might
In most languages, the passive form is bad style, since it is more precise
and has a more 'active' so
about measure
> 28.
I think you're hitting on crashes that are triggered due to your unorthodox
rhythms. The process log window in the macos X version is not so sophisticated,
so it doesn't properly print error messages for core dumps and similar.
Still
extension. Is
> it possible? Are there examples of what sort things can be done with
> extensions?
the MIDI backend is not very tunable with Scheme. It has been a part
that hasn't had much attention, because we think the typesetting element
is more important.
--
Han-Wen Nienhuys -
rience.
>
> You are kidding me, right? Buy a second hard disk just to have an
> asteroid fall on earth? And Power Macs are over, Jobs went Intel a while
Can we drop the OS discussions or move them elsewhere?
thanks.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanw
er to read, but it makes things
hard to parse. Consider:
c4_\staccato_\markup { bla }
does this reference \staccato or \staccato_ ?
It might be possible to enable numbers, though. I would welcome an analysis.
And no, lilypond is not in any way related to TeX
--
Han-Wen Nienhuys -
ctions on define-markup-command).
See slashed-digit markup command for an example of creating a Stencil
that draws a line.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
> closepath fill 0 1 moveto 0 "
> (number->string len)
> " rlineto stroke")
>
> {c4^\markup {\varrow #3 #10}}
>
> lilypond signals an error about the 10 being an unbound variable. I
> don't get this error when supplying the "10"
c8[ c16 c c8]} could have either a 3 or a 6
> above it, depending on context)
Frankly, this discussion has wandered off into bikeshed land. We will not base
typesetting decisions on the form of the \times/\tuplet argument, for it
is incompatible with using identifiers.
--
Han-Wen Nienhuys - [
just a problem I set for myself. It's
> supposed to take a number as its argument and produce the equivalent
> number of slashes, the idea being to use the slash as a comping symbol,
> and substituting the slash for the normal appearance of a quarter rest.
--
Han-Wen Nien
h/to/lilypond.app/ -name '*.otf' -print
in a terminal
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
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___
lilypond-user mailing l
ie Datei, die den Namen
> hat, mit dem man git commit ausgeführt hat. Diese Datei wird dann per
> E-Mail an lilypond-devel oder lilypond-user eingeschickt.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code
, which is very simple if you just have
> some experience with LilyPond.
If the changes are OK (just check with diff), it might be a good idea to
resubmit to mutopia.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notatio
Joe Neeman escreveu:
> In any case, you should generally set
> page-breaking-between-system-padding to something close to
> between-system-padding.
isn't it better to leave page-breaking-between-system-padding undefined,
and use between-system-padding as a default value?
n, is that \tuplet more closely matches
the purpose than \times.
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LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
___
lilypond-user mailing lis
gt; properly. Version 2.10.8 says:
>
> "Lyric syllable does not have note. Use \lyricsto or associatedVoice.
> ran -- "
> And applies the syllable to the rest.
http://code.google.com/p/lilypond/issues/detail?id=221
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http
Yet you want to have
regular looking knees as well, so the stem-stem distances in the knee
need to be constant. What follows is that the head-head distance in the
lower staff does not look regular.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Des
callback. Then
note->get_property ("pitch")
triggers the possibly cascading relative-to-absolute computation.
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LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
___
d grob which the docs list as implementing the
> pitched-trill-interface. Looking up the pitched-trill-interface, I see
> the lone property of accidental-grob, which is listed as internal. Is
> it somehow possible to user set this property to nothing to remove the
> natural sign?)
See
7;t quite work: it should only do this if the
right bound has a trill too.
*/
#if 0
if (d == RIGHT && me->get_property ("style") == ly_symbol2scm
("trill"))
{
pad = 2.0;
encl = LEFT;
}
#endi
g, and then move it
a bit to the left.
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know enough about
>> SVG and/or Inkscape to tell me how can I manipulate a multi-page score
>> in SVG with Inkscape or an another program?
>
> A SVG can contain only one page.
SVG can contain multiple pages, but Inkscape doesn't support it (yet)
--
Han-Wen Nienhuys - [
ate to 2.11.10. Otherwise
> wait for 2.12.
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ht
h in 2.11 and 2.10 ;
it doesn't show up often, so I didn't put out an emergency rebuild.
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LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
___
stand by digging in the regression tests this
> difference only affects dynamic scripts, right? (I only ask in case I need to
> know this in order to answer the second question.)
outside means that the script will always be moved outside of the slur. Around
will
move it only if there is a col
ruct a separate graphical layer above Lilypond, as
> done in the comparable(?) case of WYSIWYG frontends to TeX.
>
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LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
nstate this behavior? (perhaps as an additional backend
> option?)
I can't remember, frankly. If anyone wants to attack this, the relevant
code is in framework-svg.scm. You'd have to fold output-framework and
dump-page inside out, so each dump-page opens the file and writes the SVG
he
time by just not producing
> the ps file in the first place?
No, the PDF is produced from the PS. The PS uses an embedded CFF font
that is binary data. You'd have to check out the Postscript standard to
see what printers can handle this.
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http:
ider reserving a cut of
what the publisher pays to sponsor work on LilyPond.
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LilyPond Software Design
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___
lilypond-use
Unfortunately, that's something I can't guarantee, especially for
free.
However, managing different branches has become a lot easier now that
we use GIT. That's why so many of the bugfixes in 2.11 have made it
back into 2.10.
Still, it's work. I for one, would welcome it i
Frédéric Chiasson escreveu:
> I am not a programmer. I can't start to program myself to make an
> interface. But I may suggest some clues for design. It may be possible
No.
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Cod
I ask for a MIDI file, which is the longest process of the piece
> compiling (about 20 seconds)
>
> Without the MIDI file, the compiling time goes from 20 to 48 seconds
> (why such difference?)
Can you send the .ly file (in private) ?
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http:
rs I've know about them.
would it be a good idea to make LilyTool an officially recommended tool,
eg. by linking it from the lilypond install page, and/or mentioning it in
the manual?
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanw
e you considered including
>> this in/with LilyPondTool?
If I ever get round to it, the meaning of the control-points property
will be changed. The x-coordinate should be relative to the horizontal
span of the slur/tie.
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanw
th the usual
> override syntax instead with the shapeNoteStyles setting?
have you tried
#'style= #'mi
?
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
Alard de Boer escreveu:
> On 17/01/07, Alard de Boer <[EMAIL PROTECTED]> wrote:
>> Hello list,
>
> Does anyone know how subdivideBeams is supposed to work
> with automatic beaming? I haven't seen any replies to this
> message I sent a couple of days ago.
>
b~ c d} \\
>> {a, b b' c}
>>>>
>> }
>> }
>
> --- --- ---
>
> Thank you very much for the suggestion, Joe. However, in LilyPond
> 2.11.12, if I add a layout section such as you suggested above, there is
> an error message when I in
pear perfectly
> smooth in Acrobat Reader). But since the font files shipped with the
> "official" binary do not show this behaviour -- am I missing something?
> Is there another way to compile the fonts which makes them behave more
>
that contain the chords) are
> spaced farther apart horizontally (which I did with the \break command
> at the end of the second measure), as illustrated in Figure 2.
hi,
please submit bugreport of this. thanks.
>
> I would be _happy_to_sponsor_ whatever work these issues might
relevant documentation.
> TIA,
on the 1st run, lilypond indexes all the font files, and that can take a
long time.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
___
27;s better to use
(define (grob-text grob text)
(let*
((layout (ly:grob-layout grob))
(defs (ly:output-def-lookup layout 'text-font-defaults))
(props (ly:grob-alist-chain grob defs)))
(ly:text-interface::interpret-markup
layout props text)))
I've made a
Mats Bengtsson escreveu:
> Please send future bug reports to the bug-lilypond mailing list.
> I forward your email there.
please file bugreports against the latest 2.10 version, not 2.10.0
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-
x27;s thesis. See
http://lilypond.org/web/about/pubs
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
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